DOCSLIB.ORG

Codex Wallerstein a Medieval Fighting Book from the Fifteenth Century on the Longsword, Falchion, Dagger and Wrestling

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Codex Wallerstein a Medieval Fighting Book from the Fifteenth Century on the Longsword, Falchion, Dagger and Wrestling Codex Wallerstein A Medieval Fighting Book from the Fifteenth Century on the Longsword, Falchion, Dagger and Wrestling Introduction (revised) by Grzegorz Zabinski REMARKS ON THE MANUSCRIPT1 2 and 3 are blank. This codex is by no means a homogenous source—it seems to consist of two The subject of this edition, one of the best different manuals (for the sake of convenience known late medieval Fechtbuch known as called further A and B), which were put togeth- Codex Wallerstein is preserved in the collection er and later given a common pagination.4 Part of the Universitätsbibliothek Augsburg A (No. 1 recto—No. 75 recto, and No. 108 (I.6.4°.2). The codex is a paper quarto manu- verso; thus consisting of 151 pages) is probably script, written in Middle High German with from the second half of the fifteenth century, on some Bavarian dialect influence, containing 221 account on both the representations of arms pages,2 every odd one numbered in the upper and armour on No. 1 verso (full plate armours right corner, starting from page 4 which is and armets) and No. 2 recto, and costume given No. 1. Page 1 contains a date 1549, the details of costumes on No. 108 verso5. On the supposed manual owner’s name, Vonn other hand, part B (No. 76 recto—No. 108 recto; Baumans,3 and the word Fechtbuch, while pages 66 pages) is probably of much earlier origin, 1 Some observations upon the Codex Wallerstein, incor- Ringbuch (wrestling and dagger). See: Martin Wierschin, porated into the present edition, were already published Meister Johann Liechtenauers Kunst des Fechtens by the author in his paper ”Several Remarks on the (Münchener Texte und Untersuchungen zur Deutschen Bloßfechten Section of Codex Wallerstein.” (Last Update Literatur des Mittelalters. Kommission für Deutsche 12 March 2001). Available from the author’s homepage Literatur des Mittelalters der Bayerischen Akademie der http://sites.netscape.net/gadjaszczur/. Available from Wissenschaften 13. C.H. Beck’sche Verlagsbuch- the Journal of Western Martial Art http://ejmas.com/ handlung, München 1965), 21; H.-P. Hils, 26-27, divides jmwa/jmwaart_zabinski_401.html. Internet. the manuscript in two basic parts (I: charts 1-74, II: charts 2 According to the numeration of pages, there are 108 76-108), which could be further divided: part I into 2 sub- charts; however, several pages at the beginning are not parts (according to the division into Fechtbuch with long numbered, that is why it seems to be more proper to give sword and Kampfbuch with wrestling and dagger), part an exact number of pages. II into 2 sub-parts as well, according to the same divi- 3 According to H.-P. Hils it is possible to attempt at iden- sion; Friedrich Dörnhöffer, “Quellen zur Geschichte der tifying the owner of the manuscript on account of the tax Kaiserlichen Haussammlungen und der Kunstbestre- registers of Augsburg, which mention persons called bungen des Allerdurchlauchtigsten Erzhauses: Albrecht Michael Baumann (sometimes referred to as Söldner, i.e., Dürers Fechtbuch,” Jahrbuch der Kunsthistorischen a mercenary) in the second half of the fifteenth and the Sammlungen des Allerhöchstes Kaiserhauses 27.6 (1909), IX- first half of the sixteenth century. As it was quite com- XIII, XXXIII, divides the manuscript into three parts: the mon in the Middle Ages to give father’s name to male first one is a Fechtbuch (principle of division see above), children, one may suppose that these mentions concern the second one a Ringbuch, and the third one a mixture of a family, in which the codex was inherited. See: Hans- various scenes and ways of fighting. This author point Peter Hils, Meister Johann Liechtenauers Kunst des langen rightly to the fact that the two first parts were put togeth- Schwertes (Europäische Hochschulschriften 3. Geschichte er in the fifteenth century, while the present form of the und ihre Hilfswissenschaften 257. Frankfurt am Main: codex, with the addition of the third part, is the matter of Peter Lang, 1985), 28. the sixteenth century; F. Dörnhoffer and H.-P. Hils 4 Regretfully, the author had a microfilm and not the attempt at dating the manuscript, referring it in general actual manuscript at his disposal while writing this con- to the fifteenth century: F. Dörnhoffer claims that the tribution. As a thorough inspection of the codex would third, mixed part is the oldest, originating in the mid-fif- surely reveal much more than a mere view of a microfilm teenth century, while the two first parts are dated at reproduction, the remarks on the manuscript and its ori- about 1470; H.-P. Hils, accepting the date 1470 for the gin are by no means as decisive. For more data about the two first parts, maintains that the third part is older, codex consult the works quoted below. Previous litera- originating from the mid-or even early fifteenth centu- ture dealing with the codex divides the manuscript into ry—his division seems to be more justified. three parts: two Fechtbücher and one Ring-or Kampfbuch 5 See: Mary G. Houston, Medieval Costume in England and (i.e., concerning wrestling and dagger fighting), which France: the 13th, 14th, and 15th Centuries (New York: Dover corresponds to the division applied here: part A could be Publications, Inc., 1996), 158-185. further divided into a Fechtbuch (long sword) and 2 which, on account of the details of armour This part consists of images provided with (basinets without visors or basinets with early relevant comments. types of visors; mail aventails; cloth worn on PART B the breast-and backplates cuirasses) can be dated to late fourteenth—early fifteenth century. c long sword (Bloßfechten), No. 76 recto—No. It is worth noticing that this Fechtbuch 80 verso; No. 101 recto—No.102 verso, belonged once to one of the most famous six- c armoured combat (Harneschfechten) with teenth-century authors of combat manuals, long swords, shields, lances and daggers, Paulus Hector Mair;6 and it was him who was No. 81 recto—No. 95 verso; No. 103 recto— the author of the contents of the manuscript No. 108 recto, (No. 109 recto), and several minor remarks on c judicial duel with judicial shields, maces, the number of pages for particular sections of and swords, No. 96 recto—No. 98 verso, the manual, which were inserted in some c wrestling (Ringen), No. 98 verso—No. 100 places in the codex. verso. Codex Wallerstein, like many other This part consists of images only, without medieval and Renaissance Fechtbücher, contains any comments or explanations. On No. 109 a wide range of sections devoted to particular recto there is a summary of the manuscript’s weapons and kinds of fighting: contents, written in sixteenth-century Neo- Gothic script. Apart from sections mentioned PART A above, there are several blank pages in this c a representation of a man-at-arms, No. 1 recto, codex: No. 2 verso, No. 34 verso, No. 75 recto c judicial duel scenes, No. 1 verso—No. 2 recto, (with an unfinished sentence), No. 75 verso, c long sword unarmoured combat (Bloß- No. 92 recto, and No. 92 verso. Both parts, as fechten), No. 3 recto—No. 14 verso; No. 21 already remarked in previous scholarship, recto—No. 21 verso, were put together in the sixteenth century. c wrestling (Ringen), No. 15 recto—No. 20 According to H.-P. Hils, both parts were writ- verso; No. 33 recto—No. 74 recto, ten by several different scribes and illumina- c unarmoured dagger combat (Degen), No. 22 tors, which can be seen in the style of script and recto—No. 28 verso, images. Moreover, he maintains that part B c unarmoured falchion combat (Messer), No. belongs to the so-called “Gladiatoria” group, 29 recto—No. 32 verso, which cannot be linked to the teaching of c advice on how to rob a peasant with a knife, Liechtenauer.7 No. 74 verso, This manual, as many other fighting manu- c a represantation of persons in courtly cos- als,8 puts considerable stress on judicial duels, tumes, No. 108 verso. which is attested to by several elements typical 6 A note on No. 1 recto: Uber ii Khumben Im / 1556 Jar am Codex Wallerstein served as a source for the Fechtbuch / 26 Januari / paulus hector / mair zugehorig. Mair was a of Albrecht Dürer (1512), see: F. Dörnhöffer, IX-XIII, notary of the town of Augsburg and was executed in XXXIII; H.-P. Hils, 27. The section on wrestling from 1579 on account of theft, H.-P. Hils, “Hans Talhoffer: Codex Wallerstein, supplemented with techniques from Fechtbuch,” in Rudolf Frankenberger, and Paul Berthold Dürer’s Fechtbuch, and provided with the images of the Rupp, eds., Wertvolle Handschriften und Einbände aus der latter, was already a subject of the work of Karl ehemaligen Oettingen-Wallersteinschen Bibliothek Wassmannsdorff, Die Ringkunst des deutschen Mittelalters (Wiesbaden: Reichert Verlag, 1987), 96; id., Meister (Lepizig: M.G. Prieber, 1870). Moreover, it would be of Johann, 198. See also: F. Dörnhoffer, XXXIII; H.-P. Hils, extreme interest to research the relationship between Meister Johann, 28. It is worth noticing that Augsburg Codex Wallerstein and Mair’s works; On Mair and his was an important centre of martial arts teaching in the manuals see Sydney Anglo, The Martial Arts of sixteenth century and the Universitätsbibliothek Renaissance Europe (New Haven and London: Yale Augsburg has several fencing manuals in its collection— University Press, 2000). see: H.-P. Hils, 21-40, 189-201. It is also remarkable that 7 Hils, 26-28, 135, 201-202. 3 for such kind of fighting. For example, No. 1 Of interest is the fact that in the first seven verso and No.
Load more

Recommended publications
  • Hans Wurm’S Ringbuch C
    Hans Wurm’s Ringbuch c. 1507 - A Translation and Commentary By Keith P. Myers Exclusively for the ARMA, March 2002 The manuscript you see here is thought to have originated in approximately 1500 in the workshop of the Landshut woodcutter and printer Hans Wurm. “Landshut” could be translated as “grounds keeper”, which may go along with the description of Wurm as a “woodcutter” as well as a printer. Dr. Sydney Anglo, senior ARMA advisor and leading scholar of historical fencing, describes Wurm’s work as an “experimental and rudimentary block book”, and notes that it may have been one of the earliest printed treatises produced. The author remains anonymous, and only one copy is known to survive. It is thought to consist of the actual colored test prints made from the original wood blocks. It is unclear whether the Ringbuch was ever actually widely published. It was, however, plagiarized on at least two occasions. These later reproductions referred to the manuscript as “Das Landshuter Ringerbuch.” Although they demonstrate some dialect differences, these copies almost directly correlate with Wurm’s Ringbuch. Both likely arose independently of each other, and where based directly upon Wurm’s earlier work. The first copy is dated to approximately 1507. It does not designate the exact year, the author, the printer, or the locale. While it places the techniques in the same order as Wurm, the grapplers in the illustrations are dressed in a completely different fashion than in Wurm’s Ringbuch. The second copy is dated to approximately 1510. It originated from the Augsberg printer Hannsen Sittich.
    [Show full text]
  • Products Catalogue 2016 HISTFENC.COM
    PRODUCTS CATALOGUE 2016 TORSO PROTECTORS HEAD PROTECTORS ARM PROTECTORS LEG PROTECTORS TRAINING WEAPON ACCESSORIES HISTFENC.COM CUSTOM PROJECTS WHO ARE WE? SPES Historical Fencing Gear is a group of HEMA enthusiasts. At the very beginning we were producing combat clothing and civil clothing for medieval reenactors. With time passing we have also expanded our business with products for Historical Fencing lovers. What made us unique throughout the years: • high quality of our products • constant development of our offer TESTED ON • stable cooperation with our customers • contribution to the development of HEMA circle HUMANS The very first protective gear fully designed and created by us was manufactured in 2007 for the needs of Fechtschule Gdańsk on the initiative of Andrzej Zmuda Trzebiatowski and with the participation of Jan Chodkiewicz. Since then we are in cooperation with Fechtschule schools from Poland and all over the world in the field of inventing and testing our products. They are the source of information about their expectations towards the gear during combat. The knowledge is the key point when designing new elements and improving protectors. Our major goals are: FUNCTIONALITY proVIDING HIGH ease OF MOVEMENT ImproVEMENT LEVEL OF safetY DURING COMBat When you visit our internet shop you can be sure, that the products you will find there, have passed multiple tests in combat conditions! Thanks to close cooperation with HEMA gear owners, we discovered that our products give a great level of protection and ease of movement during combat! It increases the comfort of usage and gives great satisfaction when fighting with no worrying about the safety.
    [Show full text]
  • Fightcamp 2018 Programme ● Classes Are Limited to 40 Participants Each, Unless Otherwise Stated
    FightCamp 2018 programme ● Classes are limited to 40 participants each, unless otherwise stated. ● Warm-ups might not always be included in classes. ● Arrive promptly for classes - ask permission if joining late. ● Bring appropriate equipment. Most classes will not have equipment to borrow. Check with the instructor if in doubt. ● Please familiarise yourselves with the tournament and sparring rules, including essential equipment requirements. ● Competitions in ORANGE AREA: A B C D E F (Gym Hall) (Field) (Field) (Field) (Field) (Sparring Arena) Thursday 16 August Registration opens from 6pm (also tournament registration) – Please register as soon as you arrive on site! DAY 1 - Friday 17 August 0800-0900 Breakfast 0900-0930 Opening speech at bar area & final registrations for all tournaments at reception 0930-1130 Chris Halpin & Lauren Joshua R Bradshaw - Magnus Hagelberg - Crooked Scott Brown - Dussack Assault at arms (nylon backsword) – Qualifying Ireland – Parkyn’s Docciolini's sidesword & and Squinting Cuts in pools Cornish Hug Wrestling companion weapons Meyer's Longsword 1130-1330 Martin Austwick – Piermarco Terminiello - Jack Butcher - Halfswording Asante Lawla – Traditional Rapier & smallsword tournament – Qualifying Catch Wrestling Pagano Single Sidesword according to Fiore dei Liberi Indian Weapons Training pools (Shastar Vidiya) 1330-1430 Lunch 1430-1630 Assault at arms (nylon Pedro San Miguel - Foil Keith Farrell - Footwork Jay Maxwell - Grips, Trips and Barriers (sparring arena) open backsword) – Final according to Alfred Hutton
    [Show full text]
  • RINGEN VOCABULARY by Jason Vail and Casper Bradak Copyright 2008 the Medieval and Renaissance Fighting Manuals Are a Rich Source
    RINGEN VOCABULARY By Jason Vail and Casper Bradak Copyright 2008 The medieval and Renaissance fighting manuals are a rich source of sportive and combative wrestling techniques. These techniques are pictured and described, often in such great detail that replicating them in the modern salon is readily possible. But rarely do the period authors assign names to their techniques. The lack of an agreed system of names complicates our ability to discuss and share this exciting and effective material. To remedy that deficit, we have compiled a suggested list of names for many of the most common and effective throws, locks and blows found in ringen. THROWS Forward over-the-leg, or forward over-the-thigh — with various grips Backward over-the-leg, or backward over-the-thigh— with various grips RINGEN VOCABULARY Vail and Bradak One leg pick Two leg pick Short hip throw — with various grips 2 RINGEN VOCABULARY Vail and Bradak Hip throw Half hip throw Headlock hip throw Outside hip throw 3 RINGEN VOCABULARY Vail and Bradak Reverse hip Shoulder throw Reverse shoulder throw Inside sweeping thigh or inner thigh throw 4 RINGEN VOCABULARY Vail and Bradak Outside leg hook Inside leg hook Cross hook, or outside cross hook Stomach throw 5 RINGEN VOCABULARY Vail and Bradak Fireman’s carry Rear lift One leg Two legs Groin or inner thigh lift 6 RINGEN VOCABULARY Vail and Bradak ARM LOCKS Pressing arm Over the shoulder arm break Arm bar against upper arm Upper key (both your arms outside his) 7 RINGEN VOCABULARY Vail and Bradak Upper key (first figure 4 or kimura)
    [Show full text]
  • The Academy of the Sword: Illustrated Fencing Books 1500
    er'he .9fcademy of the Sword ILLUSTRATED FENCING BOOKS 1500-1800 3· I ~ Or~en.Hlcht: parade vonficu.n'de unten THE METROPOLITAN MUSEUM OF ART efhe !Academy #the Sword ILLUSTRATED FENCING BOOKS 1500-1800 Donald]. LaRocca THE METROPOLITAN MUSEUM OF ART, NEW YORK This publication is issued in conjunction with the exhibi­ Black-and-white photography by Susanne Cardone tion "The Academy of the Sword: Illustrated Fencing and Paul Lachenauer of The Photograph Studio, Books, 1500-1800," held at The Metropolitan Museum of The Metropolitan Museum of Art Art, New York, fromJune 9, 1998, to fall of 1999. Printed and bound by Malloy Lithographing, Inc., This publication is made possible byJoseph A. Suarez, Esq., Ann Arbor, Michigan The Armor and Arms Club of New York, and the Grancsay Fund. Cover illustration: Anthon Friedrich Kahn, Anfangsgriinde der Fechtkunst ... (see page 18) Published by The Metropolitan Museum of Art, New York Library of Congress Cataloging-in-Publication Data John P. O'Neill, Editor in Chief LaRocca, Donald]. Barbara Cavaliere, Editor The academy of the sword: illustrated fencing Sean Flaherty, Production books 1500-1800 / Donald]. LaRocca. Design by Robert Weisberg p. cm. Exhibition heldJune 1998 through the fall of 1999 Copyright © 1998 by The Metropolitan Museum of Art, at the Metropolitan Museum of Art. New York ISBN 0-87099-894-3 (pbk.) 1. Fencing in art-Exhibitions. 2. Fencing­ Second printing 1999 Textbooks-Illustrations-Exhibitions. 3. Illustrated books-New York (State)-New York-Exhibitions. All rights reserved. No part of this publication may be 4. Metropolitan Museum of Art (New York, N.Y:).
    [Show full text]
  • MEIBUKAN MAGAZINE House of the Pure Martial Arts
    MEIBUKAN MAGAZINE House Of The Pure Martial Arts European Medieval and Renaissance Martial Arts Courtesy of the Musee du Louvre, Paris. Entry of the Crusaders into Constantinople on 12 April 1204 Courtesy of the Musee du Louvre, Paris. Entry Crusaders into Constantinople on 12 THE INTERNATIONAL WEB BASED MARTIAL ARTS January 2006 MAGAZINE AS A PDF DOCUMENT Special Edition no 1 House of the Pure Martial Arts WWW.MEIBUKANMAGAZINE.ORG Special Edition January 2006 MEIBUKAN MAGAZINE House of the Pure Martial Arts SPECIAL EDITION No. 1 JANUARY 2006 HISTORY 2 MISSION STATEMENT A Short Introduction to Historical European Martial Arts Meibukan Magazine is an initiative of founders Lex Opdam and Mark Hemels. Aim of this web based REVIEW 4 magazine is to spread the knowledge and spirit of Renaissance Swordsmanship by John Clements the martial arts. In a non profitable manner Meibukan Magazine draws attention to the historical, spiritual Medieval Swordsmanship by John Clements and technical background of the oriental martial arts. Medieval Combat by Hans Talhoffer Starting point are the teachings of Okinawan karate- do. As ‘House of the Pure Martial Arts’, however, Meibukan Magazine offers a home to the various au- FEATURE 5 thentic martial arts traditions. Renaissance Martial Arts Literature FORMAT FEATURE 8 Meibukan Magazine is published several times a year How to tell if your Fencing is a Martial Art or a Combat Sport in an electronical format with an attractive mix of subjects and styles. Each issue of at least twelve pages is published as pdf-file for easy printing. Published FEATURE 11 editions remain archived on-line.
    [Show full text]
  • Martial Arts of the Middle Age
    IQP JLS-0072 Martial Arts of the Middle Age Interactive Qualifying Project Report Submitted to the Faculty of the Worcester Polytechnic Institute, Worcester, MA in partial fulfillment of the requirements for graduation by Andrew Aveyard ___________________ Jason Cardwell ___________________ Brad Davison ___________________ Daniel Haggerty ___________________ May 6, 2014 _______________________________ Professor Jeffrey L. Forgeng, Advisor 1 Table of Contents Table of Contents .......................................................................................................................................... 1 Abstract ......................................................................................................................................................... 4 Introduction .................................................................................................................................................. 5 History of European Martial Arts ................................................................................................................ 10 Medieval Time Period ............................................................................................................................. 10 Environment of the Medieval Age ...................................................................................................... 10 Knightly Combat .................................................................................................................................. 12 Masters and their Manuscripts
    [Show full text]
  • Martial Arts Studies in Germany Sixt Wetzler, Dvs-Kommission „Kampfkunst & Kampfsport“; [email protected]
    Martial Arts Studies in Germany Sixt Wetzler, dvs-Kommission „Kampfkunst & Kampfsport“; [email protected] In March 2011, the first German conference for martial arts studies was held at the University of Bayreuth. Initiated by Prof. Peter Kuhn (University of Bayreuth) and Prof. Harald Lange (University of Würzburg), this conference also marked the beginning of the 'Commission for Martial Arts & Combat Sports' (Kommission Kampfkunst & Kampfsport) within the German Association for Sports Science (Deutsche Vereinigung für Sportwissenschaft - dvs). With their interdisciplinary approach, the conference of 2011 and the newly founded commission can be seen as a turning point for the German speaking literature on martial arts studies. However, the following research projects are far from being the first ones in Germany, Austria or Northern Switzerland to deal with the various aspects of martial arts and combat sports. This article will shed light on several of the roots of German language martial arts studies, before discussing the topics, approaches, and protagonists of the Kommission Kampfkunst & Kampfsport in detail. Furthermore, relevant, ongoing activities outside the Kommission are included in the review. I will try to draw a complete picture of the current situation of the field. Of course, I am fully aware that this is a difficult task to set for oneself. I hope the readers will forgive me if this article fails to name all important authors or works. The reason is not ill intent, but the dispersed and heterogeneous character of the relevant literature. Only recently has the Kommission begun to compile a bibliography on martial arts studies, and the work is far from being completed.
    [Show full text]
  • Codex Martialis: Weapons of the Ancient World
    Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis : Weapons of the A ncient World Par t II : Ar mo r an d Mi ss il e We ap on s 1 188.6.65.233 Cod ex Mart ial is Weapo ns o f t he An cie nt Wor ld : Par t 2 Arm or a nd M issile Weapo ns Codex Martialis: Weapons of the Ancient World Part 2 , Ar mor an d Missile Weapo ns Versi on 1 .6 4 Codex Ma rtia lis Copyr ig ht 2 00 8, 2 0 09 , 20 1 0, 2 01 1, 20 1 2,20 13 J ean He nri Cha nd ler 0Credits Codex Ma rtia lis W eapons of th e An ci ent Wo rld : Jean He nri Chandler Art ists: Jean He nri Cha nd ler , Reyna rd R ochon , Ram on Esteve z Proofr ead ers: Mi chael Cur l Special Thanks to: Fabri ce C og not of De Tail le et d 'Esto c for ad vice , suppor t and sporad ic fa ct-che cki ng Ian P lum b for h osting th e Co de x Martia lis we bsite an d co n tinu in g to prov id e a dvice an d suppo rt wit ho ut which I nev e r w oul d have publish ed anyt hi ng i ndepe nd ent ly.
    [Show full text]
  • Winden Plays.Pub
    SOME INTERPRETATIONS OF SELECTED PLAYS FROM THE WINDEN AS PRESENTED IN THE CODEX WALLERSTEIN By Hugh T. Knight, Jr. Fechtmeister, die Schlachtschule Introduction: The purpose of this paper is to present an interpretation of four of the plays given to us in the Codex Wallerstein (Universitaetsbibliothek Augsburg, I. 6.4°.2) which are related to the Win- den—a powerful technique of the Liechtenauer school of swordsmanship. Johannes Liechtenauer was a fourteenth-century fencing master who lived in Germany. He wrote (well, is presumed to have written) a series of rhymes intended to act as mnemonics for students of the Art of Fencing—der Kunst des Fechtens—to use to help remember his teach- ings. These rhymes were later interpreted by many other fencing masters in their own, more detailed, fencing books or “Fechtbücher”. Most of these later teachers were considered part of the Gesellschaft Liechtenauer, a term coined by Paulus Kal (himself a noted teacher and author of a Fechtbuch) and usually translated as the “Liechtenauer Society”. Some authorities have argued that Codex Wallerstein is not strictly part of the Liechtenauer school of swordsmanship (e.g., Żabiński & Walczak 2002, p.11), a question that is beyond the scope of this work. In examining these plays, however, I was struck by the idea that they repre- sented techniques that built on the plays of Liechtenauer rather than being a separate line of teaching. The four plays I will be examining here, for example, are all related to or develop- ments from the Winden—one of the primary Liechtenauer techniques. Nowhere in Liechtenauer’s teachings are we shown a successful counter to the Winden.
    [Show full text]
  • Medieval Combat: a Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat Pdf
    FREE MEDIEVAL COMBAT: A FIFTEENTH-CENTURY MANUAL OF SWORDFIGHTING AND CLOSE-QUARTER COMBAT PDF Hans Talhoffer | 320 pages | 19 Jun 2014 | Pen & Sword Books Ltd | 9781848327702 | English | Barnsley, United Kingdom Swordsmanship treaties, references and manuals: old european | LibraryThing This is an interesting book, a classic in the field. It gets the point across pun intended via a collection of gritty little illustrations that would be amusing Medieval Combat: A Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat any other context. No messing around, here. Read full review. Mainly consists of illustrations reproduced from the original. Each illustration is captioned, explaining what is happening in the illustrated maneuver. Also contains a foreword by John Clements and an introduction to the material by editor and translator Mark Rector. Account Options Sign in. My library Help Advanced Book Search. View eBook. Hans Talhoffer. Greenhill Books- Fencing - pages. This attractive book is one of the most influential and lavishly-drawn fencing manuals of the Middle Ages. The authentic fifteenth-century techniques of master of arms Hans Talhoffer are illustrated in detail, presenting not only a unique historic record but also a visual guide for modern practitioners. Talhoffer's professional fencing manual of illustrates the intricacies of the medieval art of fighting, covering both the 'judicial duel' an officially sanctioned fight to resolve a legal dispute and personal combat. Combatants in the Middle Ages used footwork, avoidance, and the ability to judge and manipulate timing and distance to exploit and enhance the Medieval Combat: A Fifteenth-Century Manual of Swordfighting and Close-Quarter Combat inherent cutting and thrusting capabilities.
    [Show full text]
  • Fechtmeister Hans Talhoffer (1420-1490)
    Fechtmeister Hans Talhoffer (1420-1490) Hans Talhoffer was a German Fight Master of the 15th century. He fought in the tradition of Johannes Lichtenauer, Grandmaster of the German school of fencing, but developed his own style far beyond that. He left 6 fight manuals that cover a wide range of combat forms: LongSword Sword & Buckler Sword on Horseback PoleArms Sword & LongShield Sword & Lance on Horseback LongShield Mace & LongShield Crossbow on Horseback Dagger Longsword in Full Armor One against Two Messer Sword & Spear in Full Armor Man against Woman Flail Hand-to-Hand Combat Spear Hand-to-Hand on Horseback Hans Talhoffer – self portrait Talhoffer travelled around southern Germany and Switzerland, was “Fechtmeister” of a fencing school in Zurich, but more often training knights and nobility in the arts of combat – both on the battlefield as well as dueling. “Indeed [1444]the Pope-to-be Pius II was disturbed to observe just how armed and dangerous Germans tended to be at that time, whether noble or burgher. It seems that Germany was something of a giant armed camp, where a man trained to fight and stay alive by winning, whether that happened within dueling- barriers, burgh-street or battlefield.” -- Jeffrey Hull in Fight Earnestly, commentary on Talhoffer’s 1459 Fight-Book. Talhoffer’s manuals mostly deal with dueling and self-defense, including an outline of the entire judicial duel process. He trained the combatants and presided over judicial duels himself. Talhoffer was ahead of his time. He trained the fighter not only martially, but also included advice on nutrition, strength training, scholarship, ethics, chivalry, bathing, sleeping, relaxation via hunting and/or music, prayer, meditation, use of astrological charts for determining favorable battle dates, and the blessing of the weapons at holy mass.
    [Show full text]