DOCSLIB.ORG

DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO 1 Aksesoris 3 Hiasan Emas “ Rumbit “ Di M

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO 1 Aksesoris 3 Hiasan Emas “ Rumbit “ Di M DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Aksesoris 3 hiasan emas “ rumbit “ di Manggarai 0896 / 087 Nusa Tenggara Timur Anting – anting emas, Flores Barat, 0998 / 033 Nusa Tenggara Timur Detail hiasan di kepala ( panggal ) dari emas 0896 / 085 Di Manggarai, Nusa Tenggara Timur Hiasan di kepala ( panggal ) terbuat dari emas. 0896 / 083 Pongkor , Manggarai Nusa Tenggara Timur Ikat pinggang dari kulit kerbau muda 0336 / 068 Timur Tengah Nusa Tenggara Timur Kotak tempat tembakau terbuat dari perak, 0896 / 089 Manggarai, Nusa Tenggara Timur Kralen werk ( benda bulat berlubang seperti karang di 0691 / 024 Rangkai seperti kalung ) Timor Nusa Tenggara Timur Motif hias ikat pinggang dari timah timor Nusa Tenggara Timur 0893 / 056 Perhiasan emas wanita ( anting – anting kalung ), 0898 / 035 Flores,Nusa Tenggara timur Perhiasan leher dan kalung dari emas yang dikirim 0898 / 039 Orang Protugis kepada Raja Sikka, Nusa Tenggara Timur Perlengkapan pakaian Raja Sikka, ( helm, knop statie rok ) 0898 / 042 Flores Timur, Nusa Tenggara Timur Sejenis rok yang terbuat dari daun pandan, Timor 0691 / 005 Nusa Tenggara Timur Arca Patung batu Miamba, Rahong Manggarai, Flores Barat, 0422 / 044 Nusa Tenggara Timur Patung batu, Manggarai Flores Barat Nusa Tenggara Timur 0422 / 046 Arkeologi Patung batu menggambarkan me amba ( ibu amba ) di Dalu 0883 / 059 Rahong Manggarai, Flores Nusa Tenggara Timur 0883 / 062 Babi Seorang pemburu Babi Bima Nusa Tenggara Barat 0678 /042 Bangunan Achterwand van een kentong – huisje , Mataram 0694 / 064 Nusa Tenggara Barat 1 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Alter kapel zuster misionaris di Hila Flores Timur 0690 / 048 Nusa Tenggara Timur Anak – anak di depan rumah, Sikka Flores Timur 0459 / 068 Nusa Tenggara Timur Area pusaat minsionaris di Zela tampak gereja ( tengah ) 0306 / 063 Asrama pastur ( kiri ), asrama suster ( kanan ), Flores Timur Nusa Tenggara Timur Area tempat kerja misionaris , pastor di Larantuka 0306 / 053 Dengan latar belakang ili Mandiri kepulaun alor Flores Timur Nusa Tenggara Timur Bangunan bagian atap dari sebuah rumah beratap rumbia Timor, 0856 / 036 Nusa Tenggara Timur Bagian atap lumbung yang terbuat dari daun lontar 0564 / 020 Timor Nusa Tenggara Timur Bagian atap pilar ( pongkor ) pintu vogel straat di rumah besar 0880 / 061 Manggarai Nusa Tenggara Timur Bagian dari Istana Raja Lombok , Nusa Tenggara Barat 0777 / 089 Balai / puri yang berada di tengah kolam di Mayora pulau 0006 /018 Lombok Nusa Tenggara Barat 1925 Bangunan sekolah zending dan gereja di Hiae Pulau Sawu 0320 / 034 Nusa Tenggara Timur Bangunan / tempat peristrahatan di Mayora pulau Lombok 0006 / 006 Nusa Tenggara Barat Batu batu dinding di kampung dekat Ruteng ( Manggarai ) 0791 / 015 Flores Nusa Tenggara Timur Batu batu, meriam di kampung Todo Mannggarai 0854 / 017 Nusa Tenggara Timur Bentuk figur Ponggor ( tiang ) pintu berukir di Manggarai 0879 / 047 Nusa Tenggara Timur 0879 / 051 Bentuk rumah tinggal penduduk ( tampak samping ) di boot 0854 / 046 Bangunan Baru lempang barat Manggarai Nusa Tenggara Timur Bentuk rumah tinggal penduduk ( tampak depan ) di boot 0854 / 044 Baru lempang Barat Manggarai Nusa Tenggara Timur Bentuk rumah tinggal penduduk model kegel dengan hiasan 0854 / 048 2 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Baru Niang kerbau di puncak rumah, Flores Barat Nusa Tenggara Timur Bivak pemerintah di Kaslio daerah Mutis, Timor 0857 / 038 Nusa Tenggara Timur Camp bangunan penderita kusta dan gereja , 0141 / 049 Tampak penderita kusta lagi berjemur di Sumba Nusa Tenggara Timur Daerah perkampungan Cina dekat sungai, Kupang 0755 / 053 Nusa Tenggara Timur Daerah perumahan di tepi pantai, Kupang 0239 / 088 Nusa Tenggara Timur Dam dan saluran jurang sate , Lombok 0530 / 017 Nusa Tenggara Barat Dermaga dan menara di tepi pantai 0755 / 061 Kupang , Timor Nusa Tenggara Timur Detail pilar ( pongkor ) di rumah besar di Manggarai 0879 / 055 Nusa Tenggara Timur 0879 / 057 Empat orang laki laki Bajawa dengan latar belakang rumah 0458 / 042 Di kampung , Flores Nusa Tenggara Timur Foto udara daerah pelabuhan. Kupang 0755 / 067 Timor Nusa Tenggara Timur Bangunan Foto udara Mataram, Lombok Nusa Tenggara Barat 0901 / 034 Gambar bentuk rumah tradisional Timor Barat 0856 / 084 Nusa Tenggara Barat 3 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO 0856 / 087 0856 / 088 Bangunan Gambar penampang rumah tradisional, Timor Barat 0856 / 090 Nusa Tenggara Timur Gapura pintu masuk Gereja Roma Katolik dalam suatu 0809 / 064 Perayaan di Larantuka Flores Timor Nusa Tenggara Timur Gereja cabang / pembantu Roma Katolik Waiwureh 0809 / 072 Adonara Flores Timur Nusa Tenggara Timur Gereja di perkampungan, Minggelama P. Roti 0810 / 054 Nusa Tenggara Timur Gereja Katolik bergaya rumah daerah di kampung Konga, 0854 / 068 Flores Timur Nusa Tenggara Timur Gereja kecil di Flores Timur Nusa Tenggara Timur 0811 / 066 Gereja kecil dan Roma Katolik dan anak Panti Asuhan 0809 / 070 di Lela Flores Timur, Nusa Tenggara Timur Gereja keci l Roma Katolik dengan Pastor di Tenta dekat 0809 / 067 Larantuka, Flores Timur, Nusa Tenggara Timur Gereja Protestan ( tampak depan ) dibangun tahun 1828 dan 0811 / 024 Diperbaiki tahun 1926, Kupang Timor, Nusa Tenggara Timur Gereja Roma Katolik dan asrama suster di Larantuka 0809 / 062 Flores Timur, Nusa Tenggara Timur Gereja Katolik Roma dan rumah dinas untuk pastor 0809 / 066 Di Larantuka Flores Timur Nusa Tenggara Timur Gereja Katolik Roma di Larantuka, Flores Timur, 0809 / 060 Nusa Tenggara Timur Gereja sementara / percobaan bergaya rumah daerah 0810 / 002 4 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Manggarai, Nusa Tenggara Timur 0810 / 004 0810 / 090 Hiasan ukiran kayu di pintu maauk kamar rumah utama 0879 / 013 Bangunan Flores Barat Nusa Tenggara Timur Hiasan yang bernama Vogel veer ( Bulu Burung ) di bagian 0880 / 065 Pintu pongkor Manggarai Nusa Tenggara Timur 0880 / 067 Interior bagian dalam “ Lopo “ Kupang Nusa Tenggara Timur 0563 / 018 Interior ruangan dalam Altar Gereja Katolik Roma di Bajawa 0690 / 074 Flores Nusa Tenggara Timur Interior ruangan dalam gereja keuskupan di Ndona Flores 0690 / 052 Nusa Tenggara Timur Istana Sultan Bima Sumbawa Timur , Nusa Tenggara Barat 0779 / 006 Istana Sultan Bima, Sumbawa Nusa Tenggara Barat 0777 / 013 Istana Sultan yang Kuno di Dompu Sumbawa Tengah 0779 / 010 Nusa Tenggara Barat Jalan dan perumahan Cina di Kupang , Nusa Tenggara Timur 0217 / 032 Jalan masuk dengan patung Gada di Mayora Cakranegara 0777 / 083 Lombok Nusa Tenggara Barat, ( lihat no. 0006 / 004 Jembatan gantung besi di sungai nangaba, Ende Timur 0515 / 082 Dengan latar belakang kebun kelapa Ende Timur Flores Timur Nusa Tenggara Timur Jembatan gantung di jalan Sumbawa Besar Taliwang 0518 / 028 Nusa Tenggara Barat Jembatan gantung primitive di sungai kecil di gunung 0514 / 032 Pongkor, Manggarai Nusa Tenggara Timur 5 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Jembatan lengkung di bangun Dinas Pekerjaan Umum 0515 / 008 Di sungai Jangkok Lombok Nusa Tenggara Barat Jembatan penduduk diatas sungai, Ndona Flores 0526 / 008 Bangunan Tengah, Nusa Tenggara Timur Jembatan sungai yang di bukit yang bermuara dari teluk Api 0514 / 020 Gunung api iya ndona, Flores Tengah, Nusa Tenggara Timur Kampung Bajo di pulau Boleng Flores Tengah 0854 / 056 Nusa Tenggara Timur Kampung di kaki gunung di Bima Nusa Tenggara Barat 0853 / 003 Kampung di Manggarai Timur, Nusa Tenggara Timur 0827 / 060 Kampung Ineri dengan todobelu , Flores 0814 / 048 Nusa Tenggara Timur Kampung Nelayan dengan perahu perahu di Bajo 0853 / 009 Sumbawa Nusa Tenggara Barat Kampung nelayan di tepi sungai Sumbawa, Nusa Tenggara Barat 0527 / 016 Kampung nelayan Sumbawa, Nusa Tenggara Barat 0853 / 089 Kampung orang orang Ngada, Bolanga, Flores Barat 0854 / 058 Nusa Tenggara Timur Kampung Todo dan makam di Manggarai 0854 / 022 Nusa Tenggara Timur Kampung Todo dan pembukaan lahan di Manggarai 0854 / 013 Nusa Tenggara Timur Kampung Todo dengan rumah rumah asli di Manggarai 0854 / 015 Nusa Tenggara Timur Kantor Asisten Residen , Mataram Nusa Tenggara Barat 0758 / 047 6 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Kantor dan rumah dinas pemerintah di Ruteng 0771 / 024 Manggarai Tengah , Nusa Tenggara Timur Kantor Kontroleur di Selong , Lombok Timur 0773 / 023 Bangunan Nusa Tenggara Barat ( lihat No. 0774 / 059 ) Kolam besar di Taman Narmada bekas tempat tinggal 0862 / 067 Sultan Lombok, Nusa Tenggara Barat Kolam permandian Narmada Pulau Lombok 0006 / 036 Nusa Tenggara Barat. 1925 Kompleks Misionaris Uskup di Ndona. Flores Tengah 0306 / 065 Nusa Tenggara Timur Kota Larantuka dilihat Laut tampak Gereja dan daerah 0306 / 051 Ili mandiri gunung Flores Timur Nusa Tenggara Timur Lapangan desa dan rumah rumah di kampung pagal 0854 / 052 Manggarai Nusa Tenggara Timur Lumbung bahan makanan di daerah pengunungan 0563 / 012 Massu, Sumba Nusa Tenggara Timur Lumbung jagung dan jagung jagung kering 0563 / 084 Digantung di pohon Flores Timur Nusa Tenggara Timur Lumbung – lumbung tempat penyimpanan bahan Makanan 0563 / 086 Di kampung Ngada Flores Barat Nusa Tenggara Timur Masjid dan Andong di Praya, Lombok Tengah 0762 / 027 Nusa Tenggara Barat Masjid dan minaret di Pagutan . Lombok Barat 0803 / 085 Nusa Tenggara Barat Masjid di Bima, Nusa Tenggara Barat 0803 / 086 7 DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Menara Masjid dan sejumlah dan sejumlah
Load more

Recommended publications
  • New Museum of Indonesian Batik: an Architecture of “Showing Off”
    Journal of Civil Engineering and Architecture 11 (2017) 305-312 doi: 10.17265/1934-7359/2017.03.010 D DAVID PUBLISHING “A” New Museum of Indonesian Batik: An Architecture of “Showing off” Yuke Ardhiati Architecture Department, Universitas Pancasila, Jakarta, 12640, Indonesia Abstract: For the “A” New Museum of Indonesian Batik, Ivan Saputra was the architect winner of the Museum Design Competition in 2013. Preparation for the competition required architectural design guidelines, which were an important part of the terms of reference for the project. This paper aims to provide an overview of the issues surrounding the work involved in the collaboration work between the Indonesian government and multi-disciplinary participants to establish museum design guidelines for this competition. By articulating and elaborating the characteristics of several famous museums design in the world, by defining relevant architectural theories, and by exploring an in-depth analysis of “batik”, which UNESCO designated as Intangible Heritage of Humanity of UNESCO in 2009, the architectural design guidelines were developed based onfindings revealedby inserting “batik” itself as the museum storyline into contemporary architecture. By referring to trans-disciplinary methods and concepts, then the process of batik making is potentially a kind of architectural “showing off” to expose the uniqueness of Indonesian batik as well as the Architecture-Event theory promoted by French philosopher Jacques Derrida. Key words: Architecture-event, architectural guidelines, Indonesian batik, museum storyline, “showing off”. 1. Introduction strict heritage guidelines result in the fact that museums are limited in regard to museum design. The “Love Our National Museums Movement” According to the author, with such restrictions, the started in the year 2010 as part of Indonesian Museum general public often perceive the final design to be Reform initiative to reform iconic museums.
    [Show full text]
  • Shifting of Batik Clothing Style As Response to Fashion Trends in Indonesia Tyar Ratuannisa¹, Imam Santosa², Kahfiati Kahdar3, Achmad Syarief4
    MUDRA Jurnal Seni Budaya Volume 35, Nomor 2, Mei 2020 p 133 - 138 P- ISSN 0854-3461, E-ISSN 2541-0407 Shifting of Batik Clothing Style as Response to Fashion Trends in Indonesia Tyar Ratuannisa¹, Imam Santosa², Kahfiati Kahdar3, Achmad Syarief4 ¹Doctoral Study Program of Visual Arts and Design, Institut Teknologi Bandung, Jl. Ganesa 10 Bandung, Indonesia 2,3,4Faculty of Visual Arts and Design, Institut Teknologi Bandung, Jl. Ganesa 10 Bandung, Indonesia. [email protected] Fashion style refers to the way of wearing certain categories of clothing related to the concept of taste that refers to a person’s preferences or tendencies towards a particular style. In Indonesia, clothing does not only function as a body covering but also as a person’s style. One way is to use traditional cloth is by wearing batik. Batik clothing, which initially took the form of non -sewn cloth, such as a long cloth, became a sewn cloth like a sarong that functions as a subordinate, evolved with the changing fashion trends prevailing in Indonesia. At the beginning of the development of batik in Indonesia, in the 18th century, batik as a women’s main clothing was limited to the form of kain panjang and sarong. However, in the following century, the use of batik cloth- ing became increasingly diverse as material for dresses, tunics, and blouses.This research uses a historical approach in observing batik fashion by utilizing documentation of fashion magazines and women’s magazines in Indonesia. The change and diversity of batik clothing in Indonesian women’s clothing styles are influenced by changes and developments in the role of Indonesian women themselves, ranging from those that are only doing domestic activities, but also going to school, and working in the public.
    [Show full text]
  • An Analysis of the Characteristics of Balinese Costume - Focus On The Legong Dance Costume
    Print ISSN 1229-6880 Journal of the Korean Society of Costume Online ISSN 2287-7827 Vol. 67, No. 4 (June 2017) pp. 38-57 https://doi.org/10.7233/jksc.2017.67.4.038 An Analysis of the Characteristics of Balinese Costume - Focus on the Legong Dance Costume - Langi, Kezia-Clarissa · Park, Shinmi⁺ Master Candidate, Dept. of Clothing & Textiles, Andong National University Associate Professor, Dept. of Clothing & Textiles, Andong National University⁺ (received date: 2017. 1. 12, revised date: 2017. 4. 11, accepted date: 2017. 6. 16) ABSTRACT1) Traditional costume in Indonesia represents identity of a person and it displays the origin and the status of the person. Where culture and religion are fused, the traditional costume serves one of the most functions in rituals in Bali. This research aims to analyze the charac- teristics of Balinese costumes by focusing on the Legong dance costume. Quantitative re- search was performed using 332 images of Indonesian costumes and 210 images of Balinese ceremonial costumes. Qualitative research was performed by doing field research in Puri Saba, Gianyar and SMKN 3 SUKAWATI(Traditional Art Middle School). The paper illus- trates the influence and structure of Indonesian traditional costume. As the result, focusing on the upper wear costume showed that the ancient era costumes were influenced by animism. They consist of tube(kemben), shawl(syal), corset, dress(terusan), body painting and tattoo, jewelry(perhiasan), and cross. The Modern era, which was shaped by religion, consists of baju kurung(tunic) and kebaya(kaftan). The Balinese costume consists of the costume of participants and the costume of performers.
    [Show full text]
  • Catharsis: Journal of Arts Education the Aesthetic Usage Response Of
    CATHARSIS 9 (1) 2020 Halaman: 38-49 p-ISSN 2252-6900 I e-ISSN 2502-4531 Catharsis: Journal of Arts Education http://journal.unnes.ac.id/sju/index.php/chatarsis The Aesthetic Usage Response of Baju Kurung in Palembang City Government Tourism Office in Emphasizing Regional Identity Efriyeni Chaniago1, Tjetjep Rohendi Rohidi 2, Triyanto Triyanto2 E-mail: [email protected] 1. SMP Negeri 54 Palembang, Indonesia 2. Universitas Negeri Semarang, Indonesia Received 23 December 2019, Accepted 20 February 2020, Published 31 May 2020 Abstract BajuKurung is a traditional dress of the Malay community in several countries namely Malaysia, Indonesia, Brunei Darussalam, and southern Thailand. The traditional clothes worn by Palembang women including in the form of bajukurung. In the development era of bajukurung replaced by modern clothes. The modification of bajukurung is now made according to the tastes of customers with a variety of shapes and accessories. This study aims to analyze the aesthetic response to the rules of wearing Palembang's traditional clothing in service in the form of patterns, motifs, textures, and colors of clothes worn by employees. Through this interdisciplinary approach by using qualitative method. The data is presented in the descriptive form. The object of study was the employee's bajukurung in Palembang Government Tourism office. The research data sources are primary and secondary data. The data collection techniques are conducted by observation, interview, and document study. The analysis procedure is conducted by data reduction, data presentation, and data verification. The analysis was conducted with the aesthetic formalism theory, the validity of the data by triangulation of data sources.
    [Show full text]
  • October 1997 the UNIVERSITY of HULL BATIK CLOTHS FROM
    THE UNIVERSITY OF HULL BATIK CLOTHS FROM JAMBI, SUMATRA being a Thesis submitted for the Degree of PhD in South-East Asian Studies in the University of Hull by Fiona Gordon Kerlogue, B.A., M.A. October 1997 Table of Contents Acknow ledgements I Introduction 1 ,II Iambi History 26 III The fieldwork setting (Olak Kemang village & Seberang) 48 IV Textiles in Use 65 V The Blue batiks 87 VI Characteristics of the blue cloths 102 VII Motifs in the blue cloths 118 VIII The Red Batiks 141 IX The red cloths: use, designs and motifs 169 X The calligraphy batik of Jambi 183 XI [ambi batik in context 205 Glossary References Acknowledgements I would like to thank the following people for their help, inspiration, and support: At the Centre for South East Asia Studies at the University of Hull, I would like to thank my supervisor, Lewis Hill for his guidance, good cheer, and unfailing support. Thanks are also due to Professor Michael Hitchcock for his encouragement throughout this endeavour and to Daniel Patty for his good company and his help with all things Indonesian. I extend special thanks to Judith Doyle for her patient help. In Olak Kemang, I would like to thank the family of the late Ibu Asmah, especially her daughter Ibu Azmiah who allowed me to stay in her house, as well .as Ibu Asiah, Pak Edy and Upik. Their patience in answering my constant questions is much appreciated. Special thanks are due to Supik Hassan who treated me like a daughter and helped me in my search to find examples of Jambi batik.
    [Show full text]
  • The Complete Costume Dictionary
    The Complete Costume Dictionary Elizabeth J. Lewandowski The Scarecrow Press, Inc. Lanham • Toronto • Plymouth, UK 2011 Published by Scarecrow Press, Inc. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 http://www.scarecrowpress.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Elizabeth J. Lewandowski Unless otherwise noted, all illustrations created by Elizabeth and Dan Lewandowski. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Lewandowski, Elizabeth J., 1960– The complete costume dictionary / Elizabeth J. Lewandowski ; illustrations by Dan Lewandowski. p. cm. Includes bibliographical references. ISBN 978-0-8108-4004-1 (cloth : alk. paper) — ISBN 978-0-8108-7785-6 (ebook) 1. Clothing and dress—Dictionaries. I. Title. GT507.L49 2011 391.003—dc22 2010051944 ϱ ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America For Dan. Without him, I would be a lesser person. It is the fate of those who toil at the lower employments of life, to be rather driven by the fear of evil, than attracted by the prospect of good; to be exposed to censure, without hope of praise; to be disgraced by miscarriage or punished for neglect, where success would have been without applause and diligence without reward.
    [Show full text]
  • 1 Jurusan Pendidikan Kesejahteraan Keluarga
    JURUSAN PENDIDIKAN KESEJAHTERAAN KELUARGA FAKULTAS PENDIDIKAN TEKNOLOGI DAN KEJURUAN UNIVERSITAS PENDIDIKAN INDONESIA Bahan Ajar Mata Kuliah/ Kode MK : Dasar Busana / KB 112 Pokok bahasan : Perkembangan Busana Tradisional Sub Pokok Bahasan : - Pengelompokan Bentuk Dasar Busana Daerah - Perkembangan Bentuk Busana Tradisional Pertemuan : Satu kali pertemuan Waktu : 2 x 50 menit A. Kompetensi: 1. Mahasiswa dapat menjelaskan empat kelompok bentuk dasar busana daerah. 2. Mahasiswa dapat menerangkan 6 busana daerah yang bentuk dasarnya baju kurung. 3. Mahasiswa dapat menerangkan 6 busana daerah yang bentuk dasarnya baju kebaya. 4. Mahasiswa dapat menjelaskan perkembangan kain panjang. 5. Mahasiswa dapat menjelaskan perkembangan kutang. 6. Mahasiswa dapat menjelaskan perkembangan kemben. 7. Mahasiswa dapat menjelaskan perkembangan kebaya. 8. Mahasiswa dapat menjelaskan perkembangan baju kurung. 9. Mahasiswa dapat menjelaskan perkembangan selendang. B. Materi I. Pengelompokan Bentuk Dasar Busana Daerah Tiap bangsa mempunyai busana Nasional yang menjadi kebanggaannya. Busana itu menjadi kekhasan dan menjadi identitas bangsa itu. Oleh karena itu, 1 busana perlu dipelihara dengan baik. Di samping busana Nasional, dipakai pula busana yang berasal dari negara lain, misalnya busana Barat. Bangsa Indonesia juga memiliki busana Nasional yaitu Kebaya bagi wanita dan Peci merupakan pelengkap busana pria. Bahkan, tiap daerah mempunyai busana khas. Bentuk-bentuk busana daerah itu aneka ragam. Keaneka ragaman itu disebabkan oleh negara kita terdiri dari pulau-pulau
    [Show full text]
  • Local Wisdom Values of Batik Semen Gede Sawat Gruda and Its Relevance to Character Education
    Advances in Social Science, Education and Humanities Research, volume 327 2nd International Conference on Art and Arts Education (ICAAE 2018) Local Wisdom Values of Batik Semen Gede Sawat Gruda and its Relevance to Character Education Yunia Fitrianto I Ketut Sunarya Art Education, Graduate Program Art Education, Graduate Program Yogyakarta State University Yogyakarta State University Yogyakarta, Indonesia Yogyakarta, Indonesia [email protected] [email protected] Abstract—Semen Gede Sawat Gruda is one of batik motifs observe how individuals and groups act and behave. Value originated from the palace of Yogyakarta sultanate. The sawat systems could be considered as standard norms in social life. batik motif of Yogyakarta style possesses the meaning of The values believed and accepted by individuals are prayer and hope that the person wearing it is blessed with internalized in every behavior, also known as local wisdom. protection in life. This is a qualitative research with semiotic Batik has high artistic value; a combination of art and approach. The data in this study were obtained by using observation, interview, documentation, and combination technology, therefore batik can attract attention not only due techniques (triangulation). The Semen Gede Sawat Gruda to the results, but also the manufacturing process [3]. Batik motif embodies local wisdom values of human life. By studying products could not be separated from the development of the cultural values in batik motifs, the Yogyakarta style’s design and technology that affect the diversity of the sawat could be implemented in character education. Character products. Rapid development of batik and the growing batik education is needed, as it is one of the pillars in Indonesia's craft industry also affects the characteristics of the existing national development.
    [Show full text]
  • PENGANTIN ACEH BESAR Busana Pria 1. Kopiah Meukutop
    PENGANTIN ACEH BESAR Busana pria 1. Kopiah meukutop (kopiah khas Aceh) 2. Baju kot meukutop (beskap khas Aceh) 3. Ija krong songket (kain songket Aceh berwarna hitam dan emas) 4. Siellieweu meutunjong (celana panjang khas pria Aceh) 5. Sepatu pantofel hitam Pelengkap busana pria 1. Tampok emas bentuk bintang segi 8 (hiasan pada kopiah) 2. Hiasan preuk-preuk (hiasan pada kopiah) 3. Taloe jeum (jam bandul warna keemasan) 4. Rencong Aceh dengan pita emas Busana wanita 1. Baju makassab model shanghai warna merah dengan border emas 2. Ija krong songket (kain songket aceh warna merah dan emas) 3. Siellieweu meutunjong (celana panjang khas wanita aceh) 4. Selop tertutup warna merah Perhiasan pengantin wanita 1. Pathmadoe (mahkota) 2. Tusuk cempaka 3. Kembang goyang 4. Bungo tajoek 5. Bunga ook 6. Bunga gotgot 7. Kelat bahu jimat marakit 8. Subang preuk-preuk 9. Bohdokma (bros) 10. Kalung cekak bahru 11. Tako suson/kalung susun 12. Kalung simpelah meuh 13. Ikeuk pingang patah Sembilan (pending) 14. Taloi keuieng (kalung panjang) 15. Gelang meupeta 16. Gelang puta awe 17. Gelang kaki kepala naga 18. Cincin jantono 19. Cincin seulupo 20. Cincin awe siblah 21. Cincin pinto aceh PENGANTIN BALI AGUNG Busana pengantin pria 1. Kamen prada/kemben pada 2. Umpal prada 3. Tapih prada 4. Selop warna emas Perhiasan pengantin pria 1. Bunga sandat emas 17 buah 2. Mahkota tajuk bentuk bulat dari emas 3. Keris dangan 4. Kalng/badng emas 5. Gelang kana 6. Gelang naga satru Busana pengantin wanita 1. Kemben prada 2. Sabuk prada motif belah ketupat 3. Kamen prada 4.
    [Show full text]
  • Center for Southeast Asian Studies, Kyoto University SOUTHEAST ASIAN STUDIES
    http://englishkyoto-seas.org/ View the table of contents for this issue: http://englishkyoto-seas.org/2012/04/vol-1-no-1-online-at-the-end-of-april-2012/ Subscriptions: http://englishkyoto-seas.org/mailing-list/ For permissions, please send an e-mail to: [email protected] Center for Southeast Asian Studies, Kyoto University SOUTHEAST ASIAN STUDIES Vol. 1, No. 1 April 2012 CONTENTS Articles John Clifford HOLT Caring for the Dead Ritually in Cambodia ............................................( 3 ) Shu-Yuan YANG State Recognition or State Appropriation? Land Rights and Land Disputes among the Bugkalot/Ilongot of Northern Luzon, Philippines ........................................................( 77 ) Kurniawati Javanese Women and Islam: Identity Formation Hastuti Dewi since the Twentieth Century ............................................................(109) Research Report Attachai Decision Support System Research and Development Network JINTRAWET et al. for Agricultural and Natural Resource Management in Thailand: A TRF-DSS Experience ...............................................(141) Book Reviews Rommel A. CURAMING Edward Aspinall and Gerry van Klinken, eds. The State and Illegality in Indonesia. Leiden: KITLV Press, 2010, 328 p, with bibliography and index. .............................................................(163) Thanet Aphornsuvan Caroline S. Hau and Kasian Tejapira, eds. Traveling Nation-Makers: Transnational Flows and Movements in the Making of Modern Southeast Asia. Singapore: National University
    [Show full text]
  • SPESIFIKASI TATA RIAS PENGANTIN WANITA BOJONEGORO Sri Usodoningtyas Prodi S1 Pendidikan Tata Rias Jurusan PKK FT Universitas
    SPESIFIKASI TATA RIAS PENGANTIN WANITA BOJONEGORO Sri Usodoningtyas Prodi S1 Pendidikan Tata Rias Jurusan PKK FT Universitas Surabaya ABSTRAK Perkawinan merupakan kegiatan budaya dalam siklus hidup manusia yang sudah ada sejak jaman dahulu. Terdapat keunikan tersendiri dalam melaksanakan adat perkawinan di setiap suku bangsa yang terdapat di dunia maupun di Indonesia. Begitu pula dengan tata rias pengantin di Bojonegoro Jawa timur. Bojonegoro memiliki empat jenis tata rias pengantin yang sering digunakan oleh masyarakatnya, yaitu tata rias pengantin Iras Pinjung Putri, tata rias pengantin Bojonegoro kebesaran I, tata rias pengantgin Bojonegoro kebesaran II dan tata rias pengantin Samin. Pada masyarakat bojonegoro yang terletak di sebelah barat provinsi Jawa Timur memiliki keunikan tersendiri, karena menerapkan budaya dari kebudayaan Hindu dan Islam, serta terdapat pengaruh kuat dari budaya mataraman. PENDAHULUAN Masa kehidupan sejarah Indonesia kuno ditandai oleh pengaruh kuat kebudayaan Hindu yang datang dari India sejak abad I yang membedakan warna kehidupan sejarah Indonesia jaman Madya dan jaman Baru. Sedangkan Bojonegoro masih dalam wilayah kekuasaan Majapahit, sampai abad XVI ketika runtuhnya kerajaan Majapahit, kekuasaan pindah ke Demak, Jawa Tengah. Bojonegoro menjadi wilayah kerajaan Demak, sehingga sejarah Bojonegoro kuno yang bercorak Hindu dengan fakta yang berupa penemuan-penemuan banyak benda peninggalan sejarah asal jaman kuno di wilayah hukum Kabupaten Bojonegoro mulai terbentuk. Slogan yang tertanam dalam tradisi masyarakat
    [Show full text]
  • The Journal of the Asian Arts Society of Australia Indonesia and Timor-Leste
    VOLUME 19 NO. 4 D the journal of E c em b E the asian arts society r 2010 of australia TAASA Review indonesia and timor-leste C o N t en t S : INDONESIA AND TIMO r -LESTE Volume 19 No. 4 December 2010 3 Editorial TAASa rEViEw Joanna Barrkman, Guest Editor THE ASIAN ARTS SOCIETY OF AUSTRALIA INC. ABN 64093697537 • Vol. 19 No. 4, December 2010 ISSN 1037.6674 4 CoNSErVATION aND CARE oF CULTURAL COLLECTIONS: aUSTRALIA, iNDONESIA registered by Australia post. publication No. NbQ 4134 aNd tiMOR-lEStE PARTNErSHiPS Kristin Phillips and Sandra Yee EditorIAL • email: [email protected] General editor, Josefa Green 7 COLLECTOR AND COLLECtEd: EXPLORING THE INtErCULTURAL NATUrE OF A MUSEUM COLLECTION Guest Editor this issue, Joanna Barrkman Siobhan Campbell Editorial assistance this issue, Sandra Forbes 10 tHE rEViVal oF EMBROIDErED STORY CLOTHS iN NEGARA, BALI publiCatioNS Committee I Made Rai Artha Josefa Green (convenor) • Tina Burge Melanie Eastburn • Sandra Forbes • Ann MacArthur Jim Masselos • Ann Proctor • Susan Scollay 12 tHE SaCrED HoUSE oF tiMOR-lEStE Sabrina Snow • Christina Sumner Eugénio Sarmento design/laYoUt 14 DILI: a CITY iN SEARCH oF itS SoUl Ingo Voss, VossDesign Jill Jolliffe PriNting John Fisher Printing 16 tHE iSLAMiC HERITAGE oF iNDONESIA’S art published by The Asian Arts Society of Australia Inc. James Bennett pO box 996 potts point NSW 2011 www.taasa.org.au 19 aMBaSSador oF iNDONESIAN BATIK: iwaN tirta (1935-2010) Maria Wronska-Friend Enquiries: [email protected] TAASA Review is published quarterly and is distributed to members 20 BrEaStCLOTHS oF JaVa aND BALI of The Asian Arts Society of Australia Inc.
    [Show full text]