37 Batik and Its Implementation in Art And
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New Museum of Indonesian Batik: an Architecture of “Showing Off”
Journal of Civil Engineering and Architecture 11 (2017) 305-312 doi: 10.17265/1934-7359/2017.03.010 D DAVID PUBLISHING “A” New Museum of Indonesian Batik: An Architecture of “Showing off” Yuke Ardhiati Architecture Department, Universitas Pancasila, Jakarta, 12640, Indonesia Abstract: For the “A” New Museum of Indonesian Batik, Ivan Saputra was the architect winner of the Museum Design Competition in 2013. Preparation for the competition required architectural design guidelines, which were an important part of the terms of reference for the project. This paper aims to provide an overview of the issues surrounding the work involved in the collaboration work between the Indonesian government and multi-disciplinary participants to establish museum design guidelines for this competition. By articulating and elaborating the characteristics of several famous museums design in the world, by defining relevant architectural theories, and by exploring an in-depth analysis of “batik”, which UNESCO designated as Intangible Heritage of Humanity of UNESCO in 2009, the architectural design guidelines were developed based onfindings revealedby inserting “batik” itself as the museum storyline into contemporary architecture. By referring to trans-disciplinary methods and concepts, then the process of batik making is potentially a kind of architectural “showing off” to expose the uniqueness of Indonesian batik as well as the Architecture-Event theory promoted by French philosopher Jacques Derrida. Key words: Architecture-event, architectural guidelines, Indonesian batik, museum storyline, “showing off”. 1. Introduction strict heritage guidelines result in the fact that museums are limited in regard to museum design. The “Love Our National Museums Movement” According to the author, with such restrictions, the started in the year 2010 as part of Indonesian Museum general public often perceive the final design to be Reform initiative to reform iconic museums. -
Shifting of Batik Clothing Style As Response to Fashion Trends in Indonesia Tyar Ratuannisa¹, Imam Santosa², Kahfiati Kahdar3, Achmad Syarief4
MUDRA Jurnal Seni Budaya Volume 35, Nomor 2, Mei 2020 p 133 - 138 P- ISSN 0854-3461, E-ISSN 2541-0407 Shifting of Batik Clothing Style as Response to Fashion Trends in Indonesia Tyar Ratuannisa¹, Imam Santosa², Kahfiati Kahdar3, Achmad Syarief4 ¹Doctoral Study Program of Visual Arts and Design, Institut Teknologi Bandung, Jl. Ganesa 10 Bandung, Indonesia 2,3,4Faculty of Visual Arts and Design, Institut Teknologi Bandung, Jl. Ganesa 10 Bandung, Indonesia. [email protected] Fashion style refers to the way of wearing certain categories of clothing related to the concept of taste that refers to a person’s preferences or tendencies towards a particular style. In Indonesia, clothing does not only function as a body covering but also as a person’s style. One way is to use traditional cloth is by wearing batik. Batik clothing, which initially took the form of non -sewn cloth, such as a long cloth, became a sewn cloth like a sarong that functions as a subordinate, evolved with the changing fashion trends prevailing in Indonesia. At the beginning of the development of batik in Indonesia, in the 18th century, batik as a women’s main clothing was limited to the form of kain panjang and sarong. However, in the following century, the use of batik cloth- ing became increasingly diverse as material for dresses, tunics, and blouses.This research uses a historical approach in observing batik fashion by utilizing documentation of fashion magazines and women’s magazines in Indonesia. The change and diversity of batik clothing in Indonesian women’s clothing styles are influenced by changes and developments in the role of Indonesian women themselves, ranging from those that are only doing domestic activities, but also going to school, and working in the public. -
DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO 1 Aksesoris 3 Hiasan Emas “ Rumbit “ Di M
DATA INFORMASI ARSIP FOTO KOLEKSI KIT NTT- NTB SUBJEK KETERANGAN NO. FOTO Aksesoris 3 hiasan emas “ rumbit “ di Manggarai 0896 / 087 Nusa Tenggara Timur Anting – anting emas, Flores Barat, 0998 / 033 Nusa Tenggara Timur Detail hiasan di kepala ( panggal ) dari emas 0896 / 085 Di Manggarai, Nusa Tenggara Timur Hiasan di kepala ( panggal ) terbuat dari emas. 0896 / 083 Pongkor , Manggarai Nusa Tenggara Timur Ikat pinggang dari kulit kerbau muda 0336 / 068 Timur Tengah Nusa Tenggara Timur Kotak tempat tembakau terbuat dari perak, 0896 / 089 Manggarai, Nusa Tenggara Timur Kralen werk ( benda bulat berlubang seperti karang di 0691 / 024 Rangkai seperti kalung ) Timor Nusa Tenggara Timur Motif hias ikat pinggang dari timah timor Nusa Tenggara Timur 0893 / 056 Perhiasan emas wanita ( anting – anting kalung ), 0898 / 035 Flores,Nusa Tenggara timur Perhiasan leher dan kalung dari emas yang dikirim 0898 / 039 Orang Protugis kepada Raja Sikka, Nusa Tenggara Timur Perlengkapan pakaian Raja Sikka, ( helm, knop statie rok ) 0898 / 042 Flores Timur, Nusa Tenggara Timur Sejenis rok yang terbuat dari daun pandan, Timor 0691 / 005 Nusa Tenggara Timur Arca Patung batu Miamba, Rahong Manggarai, Flores Barat, 0422 / 044 Nusa Tenggara Timur Patung batu, Manggarai Flores Barat Nusa Tenggara Timur 0422 / 046 Arkeologi Patung batu menggambarkan me amba ( ibu amba ) di Dalu 0883 / 059 Rahong Manggarai, Flores Nusa Tenggara Timur 0883 / 062 Babi Seorang pemburu Babi Bima Nusa Tenggara Barat 0678 /042 Bangunan Achterwand van een kentong – huisje , Mataram 0694 / -