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WOW-Full-Program-Bklt.Pdf Water: Our World October 13th, 2016 Pomerantz Hall Pearson Lakes Art Center Purity Guaranteed Yotam HABER (composer) Through the Looking Glass Maggi PAYNE (visual artist) Rose Bishop, flute Andrew Gentzsch, violin Drip Jean AHN (composer) I want(ed) a tangled ocean with you Lindsey SCHOENEMAN (visual artist) stereo fixed media Ma mère Robert FLEISHER (composer) Nightlight I, II Dana O'MALLEY (visual artist) Christina Craig Gentzsch, violoncello Valuri Philip MANTIONE (composer) Cats in the Tub Eva REDAMONTI (visual artist) stereo fixed media Toward the Other Shore Suzanne SORKIN(composer) Marítima Edna CANTORAL ACOSTA (visual artist) Andrew Gentzsch, violin Harbor Leonie ROESSLER (composer) I have a meal at Quarry Bay harbor front Teresa LEUNG (visual artist) stereo fixed media Adrift Nina SHEKHAR (composer) it seems like peace/swim in peace Stephanie BAUER (visual artist) Rose Bishop, flute Sponsors Motion Alondra VEGA-ZALDIVAR (composer) Blick Art Materials Pearson Lakes Art Center Splash Reenie CHARRIERE (visual artist) Crown Clinics Preucil School of Music The Englert Theatre Rossaza Lesson Studios Christina Craig Gentzsch, violoncello Hills Bank University of Iowa Arts Share Iowa Lakeside Laboratory University of Iowa Center for New Music MidWestOne Bank University of Iowa Community Credit Union Slough Joshua MARQUEZ (composer) Mop Salon University of Iowa School of Art and Art History Dysfunctional Infrastructure J. POUWELS (visual artist) Linda O’Malley University of Iowa School of Music Tyler Miller West Music Andrew Gentzsch, violin GRIT Collaborative is a 501(c)(3) nonprofit organization. The mission of GRIT Collaborative is to provide a platform for interdisciplinary and collaborative conversation. GRIT Collaborative serves as a platform for artists and communities to engage in interdisciplinary and collaborative conversation. Today, many artists face the challenge of participation fees, residency costs, and crippling debt in order to show or perform work. As a nonprofit organization, we seek to increase opportunities for accessible arts programming. GRIT Collaborative was formed as response to what can be a costly and discriminatory system for artists to navigate. However, our nonprofit's free programming could not be possible without the generous support of our donors and sponsors. www.gritcollaborative.com Performer Bios Rose Bishop, flute Victoria Rose Bishop holds the position of Adjunct Instructor of Flute at Culver-Stockton College in Canton, Missouri and plays piccolo with the Oneota Valley Orchestra. An active freelance musician in the region, she also regularly performs with the Southeast Iowa Symphony, the Muscatine Symphony and the Ottumwa Symphony and has appeared as a soloist with the Monmouth College Wind Ensemble. Ms. Bishop is a passionate educator and her students have won positions in prominent youth orchestras, attended prestigious summer programs and have placed well at state contests and competitions. A native of Atlanta, Georgia, Victoria Rose Bishop received her Master of Arts Degree in Flute Performance from the University of Iowa and a Bachelor of Arts Degree from Georgia State University. At both institutions Rose played principal flute and piccolo in the University Symphony Orchestra and Symphonic Wind Ensembles. She has participated in master classes in the United States and abroad with several prominent flutists including Sarah Jackson, Walfrid Kujala, Angela Jones-Reus, Michel Bellavance, and Leone Buyse, among others. Her principal teachers include Nicole Esposito and Sarah Kruser Ambrose, with additional study with Jim GRIT Collaborative Walker. www.gritcollaborative.com @GRITCollab Andrew Gentzsch, violin Andrew Gentzsch, a native of Iowa City, has led the University of Delaware Chamber Orchestra and the University of Iowa Symphony Orchestra. Mr. Gentzsch received music degrees from the University of Wisconsin-Madison studying with David Perry and the University of Delaware studying with Xiang Gao. While at the University of Delaware, Mr. Gentzsch performed the Bach Concerto for Two Violins with Professor Gao. Currently, Mr. Gentzsch is pursuing his D.M.A. at the University of Iowa studying with Scott Conklin, active in the UI Center for New Music as well as the UI String Quartet Residency Program. Mr. Gentzsch spent the summer of 2014 at the Round Top Summer Festival Institute. Christina Craig Gentzsch, violoncello Christina Gentzsch is a graduate from the University of Iowa with a Master of Arts degree in cello performance. She earned her Bachelor of Music degree in cello performance with Honors from Washburn University. Her teachers include Steven Elisha, Anthony Arnone, and Hannah Holman. An active performer, Christina currently plays with orchestras around Eastern Iowa including Waterloo/Cedar Falls Symphony Orchestra, South East Iowa Symphony Orchestra, Ottumwa Symphony, Dubuque Symphony, and Orchestra Iowa. She performs often in pit orchestras for community theater productions. Christina is also a founding member of the Accipiter Quartet. Throughout her career, Christina has been an active chamber music participant working with several different ensembles. She was an award winner in the Kansas Music Teacher's Association Solo Competition and toured around Honduras as principle cellist with the Washburn Symphony Orchestra. She has also participated in the Apeiron Research Forum for several years presenting research and performances of historical composers, as well as debuting works from new, contemporary composers. She has performed and worked with several well- known artists including Taylor Mac, The Kronos Quartet, and Rod Steward. Composer and Visual Artist Bios (Alphabetical) Edna Cantoral Acosta Edna Cantoral Acosta was born in Mexico City, 1976. She studied in Guadalajara, Jalisco, Mexico, where she currently works. In 1996 she obtained the Sogem diploma in literary creation. She undertook undergraduate studies in plastic arts at the University of Guadalajara. (1998- 2001). She took classes with artists and in the engraving workshop of Herculano Álvarez during the period between 2002-2003. She was granted a scholarship to study at the ENSAD, Paris, during the period from October 2004 to August 2005. Marítima Maritime is a woman who is in the water, as part of the sea. The lighthouse illuminates the landscape as her guide. The artwork is acrylic on wood, silicone, a paper ship. Written in the paper boat there is a fragment of a poem by Alejandra transcendence and perfection. Through the practice of the six paramitas, one can Pizarnik,(argentine poet 1936-1972). In the back of the artwork is written the cross over from the shore of this world (the shore of suffering), to the shore of translation in to English by Olivia Cantoral. enlightenment. This concept served as the inspiration for my solo violin work, Toward the Other Shore. At the heart of this composition is the idea of transcendence or “going beyond”. My desire is for the listener to feel pulled Jean Ahn “toward the other shore”, through the formal and emotional elements present in Jean Ahn holds a Ph.D. from the University of California, Berkeley and a M.A. and B.A. from the piece. In this composition, long and expansive melodic phrases breathe one Seoul National University. Her compositions have been featured at Aspen Music Festival, into the next, coupled with throbbing left-hand pizzicato. The metamorphosis of American Composers Orchestra’s Ear Shot (by Memphis Symphony), June in Buffalo, Oregon left-hand pizzicato over the course of the work is balanced with the on-going Bach Festival, Festival of Contemporary Music, IAWM and Pacific Korean Music Festival, timbre variation and motivic development of the melody heard at the beginning of among others. the piece. In the final section, the opening melody is further transformed, culminating in a dramatic contrapuntal stretto. Commissions include works for the Leftcoast Chamber Ensemble, Gayaguem Soloist JUL, Volti Chamber Choir, Duo Camaraderie, Locrian Chamber Players, and the Pianissimo among others. She is currently working on “Folksong Revisit”, a collection of Korean folksong for Alondra Vega-Zaldivar professional singers. She is currently a Lecturer and an assistant choral director at UC Berkeley. Alondra Vega-Zaldivar recently obtained her MMus in Composition at the University of She is also the director of Ensemble Ari. www.jeanahn.com Western Ontario under the supervision of Canadian Composer Omar Daniel with her Thesis Sophie, a one act Music Drama for solo soprano and chamber orchestra. Drip In 2014 Alondra’s String Quartet Lyra was premiered at Orford, Quebec by the 2014 Water disperses as if sound drops. The drip of a water is a sound that drips. It is String Quartet from the Creation Workshop in July; her piece Luna for Soprano, Cello and the initiation, it is the bang. Piano, was performed in Milna, Croatia by participants of the UpBeat Music Festival in August; and Rise of the Cuban Cicadas for Harp and Percussion was premiered by Sanya Eng and Ryan Scott in Toronto on September. On October, Alondra organized the Composition Student Stephanie Bauer Concert at the University and her piece Midnight Feast was read by the ECM+ ensemble in My current body of work is influenced by the process of deconstruction. After a shattering November. disclosure that left me untethered and isolated, I starting writing in unreadable streams of consciousness, with pen in journals then with brush on canvas. This process allowed me to Last summer Alondra participated
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