60X60 Order of Magnitude Mix COMPOSERS and PIECES (Compiled by Eldad Tsabary)
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
2012 02 20 Programme Booklet FIN
COMPOSITION - EXPERIMENT - TRADITION: An experimental tradition. A compositional experiment. A traditional composition. An experimental composition. A traditional experiment. A compositional tradition. Orpheus Research Centre in Music [ORCiM] 22-23 February 2012, Orpheus Institute, Ghent Belgium The fourth International ORCiM Seminar organised at the Orpheus Institute offers an opportunity for an international group of contributors to explore specific aspects of ORCiM's research focus: Artistic Experimentation in Music. The theme of the conference is: Composition – Experiment – Tradition. This two-day international seminar aims at exploring the complex role of experimentation in the context of compositional practice and the artistic possibilities that its different approaches yield for practitioners and audiences. How these practices inform, or are informed by, historical, cultural, material and geographical contexts will be a recurring theme of this seminar. The seminar is particularly directed at composers and music practitioners working in areas of research linked to artistic experimentation. Organising Committee ORCiM Seminar 2012: William Brooks (U.K.), Kathleen Coessens (Belgium), Stefan Östersjö (Sweden), Juan Parra (Chile/Belgium) Orpheus Research Centre in Music [ORCiM] The Orpheus Research Centre in Music is based at the Orpheus Institute in Ghent, Belgium. ORCiM's mission is to produce and promote the highest quality research into music, and in particular into the processes of music- making and our understanding of them. ORCiM -
Electronic Music Midwest 13Th Annual Festival Providing Access to New
13th Annual Festival Electronic Music Midwest October 24-26, 2013 Kansas City Kansas Community College Providing access to new electroacoustic music by living composers October 24-26, 2013 Kansas City Kansas Community College Kansas City, Kansas October 24, 2013 Dear Friends, Welcome to the 13th Annual Electronic Music Midwest! We are truly excited about our opportunity to present this three-day festival of electroacoustic music. Over 200 works were submitted for consideration for this year’s festival. Congratulations on your selection! Since 2000, our mission has been to host a festival that brings new music and innovative technologies to the Midwest for our students and our communities. We present this festival to offer our students and residents a chance to interact and create a dialog with professional composers. We are grateful that you have chosen to help us bring these goals to fruition. We are grateful to Kari Johnson for serving as our artist in residence this year. Kari is an outstanding performer throughout the festival. The 2013 EMM will be an extraordinary festival. If only for a few days, your music in this venue will create a sodality we hope continues for a longtime to follow. Your contribution to this festival gives everyone in We are delighted that you have chosen to join us this year at EMM, and we hope that you have a great time during your stay. If we can do anything to make your experience here better, please do not hesitate to ask any of the festival team. Welcome to EMM! Mike, Jason, Jay, David, Rob, and Ian EMM Guest Artist, Kari Johnson “…Johnson played beautifully, displaying a !rm musicality and a "air for drama.” - Kansas City Star “…her sensitivities rather extraordinary, baroque while futuristic.” - www.acousticmusic.com Kari Johnson is a pianist who specializes in new music and electronic music performance. -
The Stephen F. Austin State University Friday, February 20, 2009
E V E N T S The Stephen F. Austin State University Friday, February 20, 2009 School of Music 5:00 p.m. – Registration – Room 152 is proud to host 7:00 p.m. – Concert I (Chamber Works) – Recital Hall Saturday, February 21, 2009 9:00 a.m. – Composition Symposium – Room 153 11:00 a.m. – Concert II (60x60) – Recital Hall The 2009 Conference 12:00 p.m. – NACUSA Membership Meeting – Room 152 2:00 p.m. – Concert III (Chamber Works) – Cole Concert Hall of the Texas Chapter of 4:00 p.m. – Keynote Address by Cindy McTee – Recital Hall The National Association of Composers, USA 7:00 p.m. – Concert IV (Band Works) – Cole Concert Hall N A C U S A T E X A S O F F I C E R S President: Dr. Wieslaw V. Rentowski Concert Coordinator: Dr. Dimitar Ninov Vice president: Dr. Nico Schüler Conference Coordinator: Dr. Stephen Lias In collaboration with: Secretary: Ms. Sunnie Oh Fundraising Coordinator: Dr. Michael Remson Treasurer: Mr. Alan Scott Student Coordinator: Mr. Anthony Suter The Center for the Promotion of Contemporary Music At Large: Dr. Michael Millett The International Society of Contemporary Music Vox Novus C O N F E R E N C E H O S T I N F O R M A T I O N All events will take place in the Tom & Peggy Wright Music Building on the campus of Stephen F. Austin State University, Nacogdoches, Texas. Conference registrants will find information about lodging, local restaurants, and driving directions in their conference packet or at http://www.icnm.org/NACUSATX/. -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
Other Minds in Association with the Berkeley Art
OTHER MINDS IN ASSOCIATION WITH THE BERKELEY ART MUSEUM/ PACIFIC FILM ARCHIVE & THE MISSION DOLORES BASILICA PRESENTS OTHER MINDS FESTIVAL 22 FEBRUARY 18, 19 & MAY 20, 2017 MISSION DOLORES BASILICA, SAN FRANCISCO & BERKELEY ART MUSEUM/PACIFIC FILM ARCHIVE, BERKELEY 2 O WELCOME FESTIVAL TO OTHER MINDS 22 OF NEW MUSIC The 22nd Other Minds Festival is present- 4 Message from the Artistic Director ed by Other Minds in association with the 8 Lou Harrison Berkeley Art Museum/Pacific Film Archive & the Mission Dolores Basilica 9 In the Composer’s Words 10 Isang Yun 11 Isang Yun on Composition 12 Concert 1 15 Featured Artists 23 Film Presentation 24 Concert 2 29 Featured Artists 35 Timeline of the Life of Lou Harrison 38 Other Minds Staff Bios 41 About the Festival 42 Festival Supporters: A Gathering of Other Minds 46 About Other Minds This booklet © 2017 Other Minds, All rights reserved 3 MESSAGE FROM THE EXECUTIVE DIRECTOR WELCOME TO A SPECIAL EDITION OF THE OTHER MINDS FESTIVAL— A TRIBUTE TO ONE OF THE MOST GIFTED AND INSPIRING FIGURES IN THE HISTORY OF AMERICAN CLASSICAL MUSIC, LOU HARRISON. This is Harrison’s centennial year—he was born May 14, 1917—and in addition to our own concerts of his music, we have launched a website detailing all the other Harrison fêtes scheduled in his hon- or. We’re pleased to say that there will be many opportunities to hear his music live this year, and you can find them all at otherminds.org/lou100/. Visit there also to find our curated compendium of Internet links to his work online, photographs, videos, films and recordings. -
Nycemf 2021 Program Book
NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound. -
Bing March 17Th 2017
Department of Music Stanford University *** Thom Blum has been composing electroacoustic music since around 1972. His early teachers included James Tenney, Ingram Marshall, and Curtis Roads. Recent performances and installations include "Sound Portraits" (aural renderings of 18th C. Indian paintings), for the San Francisco Asian Art Museum (2015), the 2015 ISMIR Conference (concert) in Málaga, Spain, the Hörlursfestival in Solleftea, Sweden (2015), and the 2016 San Francisco Tape Music Festival. He is co- founder of the International Computer Music Association and is a member of the San Francisco Tape Music Collective. *** Anders Tveit is a composer and musician working with different projects related to both electroacoustic composition and improvisation. Where the use of self- developed software for real-time processing and spatial audio has a central role in the personal musical expression. As a musician, he has worked with everything ranging from the international renowned Trondheim Jazz Orchestra, Audun Kleive, Shannon Mowday, Parallax, Pd-Conception to more ad-hoc improvisation duos. In addition to being a performing musician featured on several CD releases, he has composed multichannel electro-acoustic music and sound installations featured and performed at Ultima Contemporary Music Festival, GRM-Paris, NoTaM, ZKM-Karlsruhe, KlangFest - Liechenstein, Lydgalleriet-Bergen, Henie Onstad Art Center, Kunstnerenes Hus, University of Greenwich, Oslo Konserthus and more. Bing Concert Hall Friday March 17th, 2017, 7:30PM Department of Music -
For Immediate Release
FOR IMMEDIATE RELEASE: For more information, contact: Robert Voisey Radio City Station, P.O. Box 1607 New York, NY 10101 (917) 575-2617 [email protected] COMPOSER’S VOICE CONCERT – A TRIBUTE TO COMPOSER LIANA ALEXANDRA Sunday, May 13, 2012 1:00 PM (NEW YORK, NEW YORK) The Composer’s Voice concert series is presenting a tribute to the composer Liana Alexandra. This Composer’s Voice features works by Liana Alexandra and composers who were her colleagues, students, friends, and loved ones. Liana Alexandra (1647-2011) was a Romanian composer and pianist born in Bucharest. She received many prizes and awards including "George Enescu" scholarship, Prize of the Romanian Composers and Musicologists Union on five occasions in 1975, 1979, 1981, 1982, and 1984. In 1979, she received the first prize in Dresden at the "Carl Maria von Weber Competition." The "Gaudeamus" Foundation prize in 1979 and 1980, and in 1980, she also won the prize of the Romanian Academy. At the National University of Music of Bucharest, she taught composition, orchestration and musical analysis. Liana Alexandra was an active and prolific composer supporting the community of new music. She performed as a member of Duo Intermedia and the co-director of the Nuova Musica Consonante-Living Music Foundation Festival and a member of Vox Novus. Also featuring works by: Liana Alexandra, Douglas DaSilva, Nuha Dolby, Serban Nichifor, and Robert Voisey. Douglas DaSilva whose compositions have been described as "very individual, and to us has a very clear personality" in Classical Guitar Magazine. Composer/cellist Serban Nichifor was husband to Liana Alexandra. -
Current Directions in Ecomusicology
Current Directions in Ecomusicology This volume is the first sustained examination of the complex perspectives that comprise ecomusicology—the study of the intersections of music/sound, culture/society, and nature/environment. Twenty-two authors provide a range of theoretical, methodological, and empirical chapters representing disciplines such as anthropology, biology, ecology, environmental studies, ethnomusicology, history, literature, musicology, performance studies, and psychology. They bring their specialized training to bear on interdisciplin- ary topics, both individually and in collaboration. Emerging from the whole is a view of ecomusicology as a field, a place where many disciplines come together. The topics addressed in this volume—contemporary composers and traditional musics, acoustic ecology and politicized soundscapes, mate- rial sustainability and environmental crisis, familiar and unfamiliar sounds, local places and global warming, birds and mice, hearing and listening, bio- music and soundscape ecology, and more—engage with conversations in the various realms of music study as well as in environmental studies and cultural studies. As with any healthy ecosystem, the field of ecomusicol- ogy is dynamic, but this edited collection provides a snapshot of it in a formative period. Each chapter is short, designed to be accessible to the non- specialist, and includes extensive bibliographies; some chapters also provide further materials on a companion website. An introduction and interspersed editorial summaries help guide readers through four current directions— ecological, fieldwork, critical, and textual—in the field of ecomusicology. Aaron S. Allen is Associate Professor of Musicology at the University of North Carolina at Greensboro, USA, where he is also director of the Envi- ronmental and Sustainability Studies Program. -
Steven M. Miller
Steven M. Miller BETWEEN NOISE AND SILENCE THERE ARE TWO MAIN WAYS that I make music: AS I WRITE THIS, Steven M. Miller is in the hospital My solo music is about exploring various nearing the end of his struggle with ALS. But he is Between Noise and Silence characteristics of sound itself, such as timbre, still with us, and I can’t bring myself to speak of density, texture, and trying to discover interesting him in the past tense. So I will speak of who he sounds that have a life of their own by combining is, even now. He is an excellent friend, musical analog sounds with digital processing. I like the collaborator, and colleague. He is a born teacher richness of analog sounds but I also like the flexible who is always generous with his time, knowledge, control that the digital world provides. It’s very experience, and attention. His listening runs wide personal music that rewards and inspires me in and deep, remarkable for both its inclusiveness various ways. and discernment. His integrity, creativity, insight, With other people, my role is as a mediator of curiosity, patience, humor, and especially his the social dynamic between improvising musicians. courage are an inspiration to me and to many I’m interested in redistributing the responsibility of others. I admire him as an artist who has persisted the final outcome, in creating a situation where the in doing his work, always against the odds of individual is not the only agent responsible for his what typically passes for “success” in our culture— or her own sounds. -
Electroacoustic
INTERNATIONAL ELECTROACOUSTIC EXHIBITION 2018 AIN MEXICO • BRAZIL ARGENTINA FRANCE PORTUGAL SP 2 Espacio Sonoro UAM-X (Universidad Autónoma Metropolitana Unidad Xochimilco) 15:00 hrs Calzada del Hueso 1100, Villa Quietud, 04960 Ciudad de México, CDMX OCTUBRE CIUDAD11 DE MÉXICO CIUDAD DE MÉXICO Lou Barnell Georgios Stenos Frantzios Reino Unido Grecia · Terrestrial circuits 8’ 44’’ ∙Babel 5’ ‘I am disoriented, nauseated and obsessed by Giorgos Stenos-Frantzios is a sonic scaven- this female body under surveillance. It seems so alien ger - a full-time explorer of hardware stores, kitchens and mute in contrast to the limitlessness of our dreams and trash in quest for new potential noise-makers. and the seas that carry us’ Often, he is transformed into a composer, performer Lou is an explorer of mysteries of body, sound and or DIY sound device maker. He has composed music knowing. for acoustic ensembles, fixed media, installations and She uses raw vocal power, choreography, analogue ti- theatre, and performed with improvisation-oriented mekeeping, and wearable, corporeal sonics to expe- groups playing saxophone, amplified objects, prepa- riment. She is inspired by social sciences and dreams. Her live work is a brutalist industrial dream-time dubs- red turntable and electronics. He has also conducted praxia. workshops on music improvisation systems and he is a core member of Kedimoura collective, a group Lou has been composing, producing and performing of musicians focusing on playful and collaborative original dance music and experimental pieces for over methods of composition and performance. Having 17 years. obtained an MSci in audiovisual arts at the Ionian Lou is a member of Breathing Space, a five piece sound University, Greece, he is currently a postgraduate art collective, who explore spatial acoustics and nature student of Music Composition at the University of as performance spaces. -
Sòouünd Póetry the Wages of Syntax
SòouÜnd Póetry The Wages of Syntax Monday April 9 - Saturday April 14, 2018 ODC Theater · 3153 17th St. San Francisco, CA WELCOME TO HOTEL BELLEVUE SAN LORENZO Hotel Spa Bellevue San Lorenzo, directly on Lago di Garda in the Northern Italian Alps, is the ideal four-star lodging from which to explore the art of Futurism. The grounds are filled with cypress, laurel and myrtle trees appreciated by Lawrence and Goethe. Visit the Mart Museum in nearby Rovareto, designed by Mario Botta, housing the rich archive of sound poet and painter Fortunato Depero plus innumerable works by other leaders of that influential movement. And don’t miss the nearby palatial home of eccentric writer Gabriele d’Annunzio. The hotel is filled with contemporary art and houses a large library https://www.bellevue-sanlorenzo.it/ of contemporary art publications. Enjoy full spa facilities and elegant meals overlooking picturesque Lake Garda, on private grounds brimming with contemporary sculpture. WElcome to A FESTIVAL OF UNEXPECTED NEW MUSIC The 23rd Other Minds Festival is presented by Other Minds in 2 Message from the Artistic Director association with ODC Theater, 7 What is Sound Poetry? San Francisco. 8 Gala Opening All Festival concerts take place at April 9, Monday ODC Theater, 3153 17th St., San Francisco, CA at Shotwell St. and 12 No Poets Don’t Own Words begin at 7:30 PM, with the exception April 10, Tuesday of the lecture and workshop on 14 The History Channel Tuesday. Other Minds thanks the April 11, Wednesday team at ODC for their help and hard work on our behalf.