Electronic Music Midwest 13Th Annual Festival Providing Access to New
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Technics, Precarity and Exodus in Rave Culture
29 Dancecult: Journal of Electronic Dance Music Culture • vol 1 no 2 Technics, Precarity and Exodus in Rave Culture TOBIAS C. VAN VEEN MCGILL UNIVERSITY Abstract Without a doubt, the question of rave culture’s politics – or lack thereof – has polarized debate concerning the cultural, social and political value of rave culture not only within electronic dance music culture (EDMC) studies, but in disciplines that look to various manifestations of subculture and counterculture for political innovation. It is time for the groundwork of this debate to be rethought. Ask not what rave culture’s politics can do for you; nor even what you can do for it. Rather, ask what the unexamined account of politics has ever done for anyone; then question all that rave culture has interrogated – from its embodied and technological practices to its production of ecstatic and collective subjectivities – and begin to trace how it has complicated the very question of the political, the communal and the ethical. This complication begins with the dissolution of the boundaries of labour and leisure and the always-already co-optation of culture. To the negation of ethics, community and politics, this tracing calls for the hauntology of technics, precarity and exodus. And it ends with a list of impossible demands demonstrating the parallax gap of rave culture’s politics. Keywords exodus, precarity, technics, multitude, workplay He [Randy] predicted the [rave] parties will eventually disappear under the combined pressure of police, city and fire officials. “In the next year and a half it’s going to vanish”, he said. “Then, when they think it’s gone, it will come back, becoming more underground again”. -
9'; 13 November 30, Jazz Innovations, Part 1
Lim received his fonnal. training at Indiana University, where he studied with the legendary violinist ~d teacher Josef Gingold. While at Indiana, he won First Prize in the school's Violin Concerto Competition and served on the faculty as a Visiting Lecturer. Lim later studied cham~ ber music at the Juilliard School and taught there as an assistant to the Juilliard String Quartet. No PI CI"(.. C D :::n= Lim has recorded for DreamWorks, Albany Records, CR!, Bayer GI rc... C p-:t:F I ~ 02-9resents a Faculty Recital: Records, and Aguava New Music, and appears on numerous television and film soundtracks. He has been heard on NPR programs such as Performance Today and All Things Considered. Lim currently lives in Seattle with his wife, violist Melia Watras. He performs on a violin MELIA WATRAS, VIOLA made by Tomaso Balestrieri in Cremona, Italy in 1774. with 2005~2006 UPCOMING EVENTS Kimberly Russ, piano Information for events listed below is available at www.music. washington. edu Michael Jinsoo Lim, violin and the School ofMusic Events Hotline (206-685-8384). Ticketsfor events listed in Brechemin Auditorium (Music Building) and Walker Ames Room (Kane Hall) go on sale at the door thirty minutes before the •• performance~ Tickets for events in Meany Theater and Meany Studio Theater are available from the UW Arts Ticket Office, 206:543-4880, and at November 8, 2005 7:30 PM Meany THeater the box office thirty minutes before the performance. To request disability accommodation. contact the Disability Services Office at least ten days in advance at 206-543-6450 (voice); 206-543-6452 (lTY); 685-7264 (FAX); or [email protected] (E-mail). -
SFMUSIC DAY LIVE + FREE 35 Groups
jazz creative music new music chamber music t early music h e s t 12noon-8pm r i sunday n september 25 G Q 2016 u a r t e t — t h e F Playbill i r s t 2 5 0 y e a r s SFMUSIC DAY LIVE + FREE 35 groups . 155 artists . 4 stages herbst theater . green room atrium theater . education studio san francisco war memorial veterans building 401 van ness avenue . san francisco www. sffcm. org © 2016 dpdp SFMUSIC DAY Sunday September 25, 2016 12:45 Montclair Women’s Big Band ** page 43 1:30 Kasey Knudsen Sextet** page 39 intermission 2:45 Friction Quartet page 36 3:30 Redwood Tango Ensemble** page 47 4:15 Dialogue - Ben Goldberg & Myra Melford** page 32 intermission 5:30 Del Sol String Quartet page 21 6:15 Quartet San Francisco page 22 7:00 Kronos Quartet page 23 HERBST THEATER HERBST 12:00 Sunset Duo** page 51 12:45 martha & monica page 41 1:30 Delphi Trio page 31 intermission 2:45 SF Conservatory of Music Faculty Artists Quartet page 17 3:15 Telegraph Quartet page 18 3:55 Chamber Music Society of San Francisco page 19 4:30 Thalea Quartet page 20 intermission 5:30 New Esterházy Quartet page 46 THE GREEN ROOM 6:15 Earplay page 33 7:00 Vajra Voices** page 54 early & chamber music contemporary & new music jazz & creative music ** Presidio Sessions Artists _ concert schedule page 63 2 . SFMusic Day 2016 LIVE + FREE 12 noon - 8:00pm 12:00 The String Quartet—The First 250 Years by Kai Christiansen page 8 12:30 St. -
Prism Quartet Dedication
PRISM QUARTET DEDICATION WITH GUEST ARTIST GREG OSBY PRISM Quartet Dedication 1 Roshanne Etezady Inkling 1:09 2 Zack Browning Howler Back 1:09 3 Tim Ries Lu 2:36 4 Gregory Wanamaker speed metal organum blues 1:14 5 Renée Favand-See isolation 1:07 6 Libby Larsen Wait a Minute... 1:09 7 Nick Didkovksy Talea (hoping to somehow “know”) 1:06 8 Nick Didkovksy Stink Up! (PolyPrism 1) 1:06 9 Nick Didkovksy Stink Up! (PolyPrism 2) 1:01 10 Greg Osby Prism #1 (Refraction) 6:49 Greg Osby, alto sax solo 11 Donnacha Dennehy Mild, Medium-Lasting, Artificial Happiness 1:49 12 Ken Ueno July 23, from sunrise to sunset, the summer of the S.E.P.S.A. bus rides destra e sinistra around Ischia just to get tomorrow’s scatolame 1:20 13 Adam B. Silverman Just a Minute, Chopin 2:21 14 William Bolcom Scherzino 1:16 Matthew Levy Three Miniatures 15 Diary 2:05 16 Meditation 1:49 17 Song without Words 2:33 PRISM Quartet/Music From China 3 18 Jennifer Higdon Bop 1:09 19 Dennis DeSantis Hive Mind 1:06 20 Robert Capanna Moment of Refraction 1:04 21 Keith Moore OneTwenty 1:31 22 Jason Eckardt A Fractured Silence 1:18 Frank J. Oteri Fair and Balanced? 23 Remaining Neutral 1:00 24 Seeming Partial 3:09 25 Uncommon Ground 1:00 26 Incremental Change 1:49 27 Perry Goldstein Out of Bounds 1:24 28 Tim Berne Brokelyn 0:57 29 Chen Yi Happy Birthday to PRISM 1:24 30 James Primosch Straight Up 1:24 31 Greg Osby Prism #1 (Refraction) (alternate take) 6:49 Greg Osby, alto sax solo TOTAL PLAYING TIME 57:53 All works composed and premiered in 2004 except Three Miniatures, composed/premiered in 2006. -
Mcgill CHAMBER ORCHESTRA Boris Brott, Artistic Director Taras Kulish, Executive Director
sm19-7_EN_p01_Cover_sm19-1_FR_pXX 14-05-28 2:25 PM Page 1 sm19-7_EN_p02_ADs_sm19-1_FR_pXX 14-05-28 11:16 AM Page 2 DON’T LEAVE SCHOOL WITHOUT IT! Special La Scena Musicale Subscription for Students ONLY INFO: 514.948.2520 $25 [email protected] • www.scena.org TERRA INCOGNITA Arturo Parra THE GUITARIST AND COMPOSER “Seven magnificent portraits in sound... Great art!” – Mario Paquet, ESPACE MUSIQUE “A journey to inner landscapes replete with impenetrable mysteries...” – ResMusica (FRANCE) AGE WWW.LAGRENOUILLEHIRSUTE.COM July 22 August 12 NEW – Tour de France TrioALBUM Arkaède Emerson String Quartet Beatrice Rana, piano Orion Quartet with Peter Serkin Modigliani String Quartet Sondra Radvanovsky Miloš Toronto Symphony Orchestra Isabelle Fournier, Violin / Viola Julien LeBlanc, Piano TORONTOSUMMERMUSIC.COM Karin Aurell, Flute www.leaf-music.ca sm19-7_EN_p03_AD-ottawachamberfest_sm19-1_FR_pXX 14-05-27 7:02 PM Page 3 CHAMBERFEST JULY 24 JUILLET AUGUST 07 AOÛT OTTAWA OTTAWA INTERNATIONAL CHAMBER MUSIC FESTIVAL FESTIVAL INTERNATIONAL DE MUSIQUE DE CHAMBRE D’OTTAWA SONDRA RADVANOVSKY IN RECITAL TUESDAY 29 JULY 7:00PM One of the preeminent Verdian sopranos of her generation performs a rare and intimate recital. TOP 100 LEVEL OF DISTINCTION FESTIVAL HIGHLIGHTS A FAR CRY JANINA FIALKOWSKA IL TRIONFO DEL TEMPO FRIDAY 25 JULY 7:00PM FRIDAY 01 AUGUST 7:00PM TUESDAY 05 AUGUST 7:00PM ONFESTIVAL SALE PASSES AND NOW! TICKETS 613.234.6306CHAMBERFEST.COM/TICKETS LSM-English-Chamberfest2014.indd 1 23/05/2014 10:30:33 AM sm19-7_EN_p04-6_Orford_sm19-1_FR_pXX 14-05-30 11:23 AM Page 4 “Everyone finds their voice in the ensemble, and by playing together, they tend to pick up certain traits from each other that help the whole become more blended.” PLAYING theNEW ORFORD STRING QUARTET WELL TOGETHER by L.H. -
Fifty-Seventh National Conference October 30–November 1, 2014 Ritz Carlton St
Fifty-Seventh National Conference October 30–November 1, 2014 Ritz Carlton St. Louis St. Louis, Missouri PRESENTER & COMPOSER BIOS updated October 25, 2014 Abeles, Harold F. Dr. Harold Abeles is a Professor of Music and Music Education at Teachers College, Columbia University, where he also serves as Co-Director of the Center for Arts Education Research. He has contributed numerous articles, chapters and books to the field of music education. He is the co-author of the Foundations of Music Education and the co-editor, with Professor Lori Custodero, of Critical Issues in Music Education: Contemporary Theory and Practice. Recent chapters by him have appeared in the Handbook of Music Psychology and the New Handbook of Research on Music Teaching and Learning. He was the founding editor of The Music Researchers Exchange, an international music research newsletter begun in 1974. He served as a member of the Executive Committee of the Society for Research in Music Education and has served on the editorial boards of several journals including the Journal of Research in Music Education, Psychomusicology, Dialogue in Instrumental Music Education, Update, and Arts Education Policy Review. His research has focused on a variety of topics including, the evaluation of community-based arts organizations, the assessment of instrumental instruction, the sex- stereotyping of music instruments, the evaluation of applied music instructors, the evaluation of ensemble directors, technology-based music instruction, and verbal communication in studio instruction. Adler, Ayden With a background as a performer, writer, teacher, and administrator, Ayden Adler serves as Senior Vice President and Dean at the New World Symphony, America’s Orchestral Academy. -
OCEANA STRING QUARTET Emily Choi, Violin Rochelle Nguyen, Violin Romaric Pokorny, Viola Sonja Myklebust, Cello
2012-2013 Presents OCEANA STRING QUARTET Emily Choi, violin Rochelle Nguyen, violin Romaric Pokorny, viola Sonja Myklebust, cello May 11, 2013 7:30 PM Brechemin Auditorium PROGRAM STRING QUARTET IN G MAJOR, Op. 33, No. 5 ........................................ JOSEPH HAYDN (1732-1809) Vivace assai Largo e cantabile Scherzo Finale UNTITLED* (world premiere) .................................................................... GREG SINIBALDI (b. 1970) INTERMISSION STRING QUARTET IN F MAJOR, Op. 18, No. 1 ....................... LUDWIG VAN BEETHOVEN (1770-1827) Allegro con brio Adagio affettuoso ed appassionato Scherzo: Allegro molto Allegro The Oceana String Quartet would like to thank Melia Watras for her inspirational mentorship and wisdom, Director Richard Karpen and the School of Music for their sponsorship and support, Ronald Patterson and Toby Saks for their advice, Greg Sinibaldi for his music and his patience, and all of you for your love and encouragement. The OCEANA STRING QUARTET was formed in winter 2011 and is currently serving its second year as the official student string quartet of the University of Washington. The OSQ has won the Strings and Piano Chamber Music Competition at the UW School of Music, and this year’s Washington state and Northwest regional MTNA Chamber Music competitions. The OSQ has performed throughout the Seattle area, including a concert at Daniels Recital Hall, an appear- ance for Paramount Pictures for the 100th anniversary of the maiden voyage of the Titanic, a live studio broadcast on Classical KingFM’s Northwest Focus, and a performance at the Rainier Club of Bolcom’s Three Rags for guest of honor, composer William Bolcom. At the University of Washington, Oceana has performed numerous con- certs at Brechemin Auditorium, Alder Hall, Suzzallo Library, as well as at HuskyFest in celebration of the univer- sity’s 150th birthday, and at the UW School of Music’s FRENCH CONNECTION Series. -
Corigliano Quartet to Visit UD on Way to Big Apple
University of Dayton eCommons News Releases Marketing and Communications 3-9-2000 Corigliano Quartet to Visit UD on Way to Big Apple Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Corigliano Quartet to Visit UD on Way to Big Apple" (2000). News Releases. 8937. https://ecommons.udayton.edu/news_rls/8937 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. UNIVERSITY o March 9, 2000 Contact: Pamela Gregg [email protected] DAlTON 1850.-2000 NEWS RELEASE CORIGLIANO QUARTET TO VISIT UD ON WAY TO BIG APPLE DAYTON, Ohio -It's one of parenting's bittersweet ironies -the more nurturing the environment in which a child is raised, the greater the chance that child will one day spread its wings and fly the nest. And so it is that Indiana University, birthplace, "parent" and home to the Corigliano Quartet, will soon bid a fond farewell to the ensemble as it makes a play for the big time in the Big Apple. Just before they audition for the highly coveted quartet residency at the Juilliard School in New York March 28, musicians Melia Watras, Michael Jinsoo Lim, Jeffrey Zeigler and Lina Bahn will spend a few days performing and coaching students at the University of Dayton. The Corigliano Quartet will perform in concert at 8 p.m. Thursday, March 23, in the Kennedy Union Boll Theatre. -
International Computer Music Conference (ICMC/SMC)
Conference Program 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Music Technology Meets Philosophy: From digital echos to virtual ethos ICMC | SMC |2014 14-20 September 2014, Athens, Greece ICMC|SMC|2014 14-20 September 2014, Athens, Greece Programme of the ICMC | SMC | 2014 Conference 40th International Computer Music Conference joint with the 11th Sound and Music Computing conference Editor: Kostas Moschos PuBlished By: x The National anD KapoDistrian University of Athens Music Department anD Department of Informatics & Telecommunications Panepistimioupolis, Ilissia, GR-15784, Athens, Greece x The Institute for Research on Music & Acoustics http://www.iema.gr/ ADrianou 105, GR-10558, Athens, Greece IEMA ISBN: 978-960-7313-25-6 UOA ISBN: 978-960-466-133-6 Ξ^ĞƉƚĞŵďĞƌϮϬϭϰʹ All copyrights reserved 2 ICMC|SMC|2014 14-20 September 2014, Athens, Greece Contents Contents ..................................................................................................................................................... 3 Sponsors ..................................................................................................................................................... 4 Preface ....................................................................................................................................................... 5 Summer School ....................................................................................................................................... -
October 30, 2007 Faculty Recital.Pdf (225.8Kb)
as Arad's assistant fur many years, and was a member oithe faculty as a Visiting Lecturer. She went on to study chamber music at the Juilliard School, while also teaching as an assistant to the Juilliard String Quartet. jl: In 2004 she was appointed Assistant Professor of Viola at the University I! of Washington School of Music, where she teaches viola and chamber r music. For more information on Melia Watras, please visit I www.meliawatras.com. KIMBERLY RUSS Seattle Symphony Orchestra Pianist, Kimberly Russ, is recognized Presents a Faculty and Guest Artist Recital: as an extremely accomplished ensemble player and collaborative pianist. Ms. Russ has performed with musicians of the nation's finest orchestras MELIA W A TRAS, viola as well as many other world-renowned artists. Continually in demand as KlMBERL Y RUSS, piano a collaborative pianist, she appears frequently in concert throughout the Puget Sound region in recitals, festivals, and master classes. Ms. Russ can also be heard on several television, radio, and film recordings as well October 30, 2007 7:30 PM MEANY THEATER as video game soundtracks. After moving to Seattle from New York, where she studied at the PROGRAM Juilliard School, Ms. Russ has appeared with the Seattle Opera Orches Cb I '5'/t9 r; tra, the Bellevue Philharmonic, the Seattle Ch~!f!:l C9IPpany, ajld",Chorf!! ;i Arts Northwest. 'She has been invited to perform for the Ladies Musical TRA VELER'S JAM .................:.3:,.0.:-3.:.:::.......:.. .:.. :. DAN VISCONTI (b: 1""982) Club, the Belle Arte, Barry and Friends, and the Sherman Clay Music for I· Lunch Series. -
Nycemf 2021 Program Book
NEW YORK CITY ELECTROACOUSTIC MUSIC FESTIVAL __ VIRTUAL ONLINE FESTIVAL __ www.nycemf.org CONTENTS DIRECTOR’S WELCOME 3 STEERING COMMITTEE 3 REVIEWING 6 PAPERS 7 WORKSHOPS 9 CONCERTS 10 INSTALLATIONS 51 BIOGRAPHIES 53 DIRECTOR’S NYCEMF 2021 WELCOME STEERING COMMITTEE Welcome to NYCEMF 2021. After a year of having Ioannis Andriotis, composer and audio engineer. virtually all live music in New York City and elsewhere https://www.andriotismusic.com/ completely shut down due to the coronavirus pandemic, we decided that we still wanted to provide an outlet to all Angelo Bello, composer. https://angelobello.net the composers who have continued to write music during this time. That is why we decided to plan another virtual Nathan Bowen, composer, Professor at Moorpark electroacoustic music festival for this year. Last year, College (http://nb23.com/blog/) after having planned a live festival, we had to cancel it and put on everything virtually; this year, we planned to George Brunner, composer, Director of Music go virtual from the start. We hope to be able to resume Technology, Brooklyn College C.U.N.Y. our live concerts in 2022. Daniel Fine, composer, New York City The limitations of a virtual festival meant that we could plan only to do events that could be done through the Travis Garrison, composer, Music Technology faculty at internet. Only stereo music could be played, and only the University of Central Missouri online installations could work. Paper sessions and (http://www.travisgarrison.com) workshops could be done through applications like zoom. We hope to be able to do all of these things in Doug Geers, composer, Professor of Music at Brooklyn person next year, and to resume concerts in full surround College sound. -
The 2019-2020 Season
THE 2019-2020 SEASON 1 SALES BEGIN: MAY 18, 2019 2 An extraordinary season celebrating 22 years of great performances! The Goshen College Music Center is pleased to announce the 2019-2020 Performing Arts Series, with 10 extraordinary performances featuring new artists and returning audience favorites. While sharing the common characteristic of virtuosity in their respective fields, these performers comprise an eclectic series representing a variety of genres. As always, the series assures that you can experience an incredible breadth of top-quality performances right here on the campus of Goshen College! Lots of options and discounts available This year’s regular season ticket package again includes six concerts: • Four core performances are set for each season ticket. • Choose two additional performances from the remaining choices. Of course, you can add as many of the remaining performances as you would like to customize your season ticket package. The more performances you choose, the bigger the discount on your season ticket package! • 6-7 performances = $20 discount • 8-9 performances = $30 discount • 10 performances = up to $40 discount! We hope that you will enjoy the abundant options, and that you join us for as many of these outstanding performances as you can! We suggest submitting your season ticket orders as soon as possible to reserve seating in your preferred area with the same seat for each concert. Current season ticket holders will receive priority seating if they return their order form before Wednesday, May 29. • To place your order, send the attached form to the Goshen College Box Office, 1700 S.