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The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Results & Achievements Records
NORTHERN CRICKET UNION OF IRELAND RESULTS & ACHIEVEMENTS RECORDS 2019 SEASON The Northern Cricket Union of Ireland is a Company Limited by Guarantee registered in Northern Ireland (Company Number NI 649724) and a Charity registered with the Charity Commission for Northern Ireland (Charity Number NIC 106791) having its registered office at The Pavilion, Stormont Estate, Upper Newtownards Road, Belfast. BT4 3TA CONTENTS RESULTS AND ACHIEVEMENTS ...................................................................................................... 3 CONGRATULATIONS ........................................................................................................................... 3 INDIVIDUAL AWARDS 2019 ................................................................................................................ 4 YOUTH CRICKET 2019 ......................................................................................................................... 5 YOUTH REPRESENTATIVE CRICKET 2019............................................................................................ 6 SCHOOLS’ CRICKET ........................................................................................................................... 16 INTER-PROVINCIALS ......................................................................................................................... 19 CUP COMPETITIONS 2019 ................................................................................................................ 22 LEAGUE TABLES – 2019 ................................................................................................................... -
MARJORIE BEEBE—Ian
#10 silent comedy, slapstick, music hall. CONTENTS 3 DVD news 4Lost STAN LAUREL footage resurfaces 5 Comedy classes with Britain’s greatest screen co- median, WILL HAY 15 Sennett’s comedienne MARJORIE BEEBE—Ian 19 Did STAN LAUREL & LUPINO LANE almost form a team? 20 Revelations and rarities : LAUREL & HARDY, RAYMOND GRIFFITH, WALTER FORDE & more make appearances at Kennington Bioscope’s SILENT LAUGHTER SATURDAY 25The final part of our examination of CHARLEY CHASE’s career with a look at his films from 1934-40 31 SCREENING NOTES/DVD reviews: Exploring British Comedies of the 1930s . MORE ‘ACCIDENTALLY CRITERION PRESERVED’ GEMS COLLECTION MAKES UK DEBUT Ben Model’s Undercrank productions continues to be a wonderful source of rare silent comedies. Ben has two new DVDs, one out now and another due WITH HAROLD for Autumn release. ‘FOUND AT MOSTLY LOST’, presents a selection of pre- LLOYD viously lost films identified at the ‘Mostly Lost’ event at the Library of Con- gress. Amongst the most interesting are Snub Pollard’s ‘15 MINUTES’ , The celebrated Criterion Collec- George Ovey in ‘JERRY’S PERFECT DAY’, Jimmie Adams in ‘GRIEF’, Monty tion BluRays have begun being Banks in ‘IN AND OUT’ and Hank Mann in ‘THE NICKEL SNATCHER’/ ‘FOUND released in the UK, starting AT MOSTLY LOST is available now; more information is at with Harold Lloyd’s ‘SPEEDY’. www.undercrankproductions.com Extra features include a com- mentary, plus documentaries The 4th volume of the ‘ACCIDENTALLY PRESERVED’ series, showcasing on Lloyd’s making of the film ‘orphaned’ films, many of which only survive in a single print, is due soon. -
Collegians-Rugby-Football-Club
COLLEGIANS RUGBY FOOTBALL CLUB 1890— 1990 by PIERRE PAUL FRY Published by Collegians Rugby Football Club, Belfast, and printed by Nelson & Knox (N.I.) Ltd. BELFAST: 1989 it FOREWORD One does not proceed very far into the research on Collegians Rugby Football Club without realising the depth and the degree to which Collegians owes its survival and existence to the generosity and benevolence of Charles Seaver Neill. Collegians is synomonous with Charlie Neill. Appropriately, the present pavilion at Deramore Park is a tangible memorial to him. It was my privilege to have known him and to have played rugby at Collegians when he was very much the dominating personality. When you met him you saw either the obvious gentleman with old world charm and courtesy or a man with commanding presence, he was over six feet tall and straight in stature, forbidding, even autocratic, but whichever mood he was in you may be sure that underneath his exterior was a most sympathetic and understanding nature. In conversation when he was invariably extolling the virtues of Collegians, he spoke with a distinct, pulsating and passionate voice. Charlie Neill was the great Collegian. I wish to thank many people and sources from which I have had assistance in the compilation of this work. My first acknowledgement must be made to the Belfast Newsletter, the Belfast Telegraph, the Ireland's Saturday Night, the Northern Whig, the Linenhall Library and the Central Library for permission to use their files for reports and results of matches. My thanks are also due to the Methodist College, Belfast for access to its archives, mainly for the records of the early years. -
A Thesis Presented'to Thef~Culty of the Department of English Indiana
The Renaissance movement in the Irish theatre, 1899-1949 Item Type Thesis Authors Diehl, Margaret Flaherty Download date 06/10/2021 20:08:21 Link to Item http://hdl.handle.net/10484/4764 THE :RENAISSANCE HOVEMENT IN THE IRISH THEATRE 1899... 1949 A Thesis Presented'to TheF~culty of the Department of English Indiana. state Teachers College >" , .. .I 'j' , ;I'" " J' r, " <>.. ~ ,.I :;I~ ~ .~" ",," , '. ' J ' ~ " ") •.;.> / ~ oj.. ., ". j ,. ".,. " l •" J, , ., " .,." , ') I In Partial Fulfillment of the ReqUi:tements for th.eDegree Mast~rofArts in Education by Margaret Flaherty' Diehl June- 1949 i . I .' , is hereby approved as counting toward the completion of the Maste:r's degree in the amount of _L hOUI's' credit. , ~-IU~~~....{.t.}.~~~f...4:~:ti::~~~'~(.{I"''-_' Chairman. Re:prese~ative of Eng /{Sh Depa~ent: b~~~ , ~... PI ACKf.iIUvJLJIDG.fI1:EThTTS The author of this thesis wishes to express her sincere thanks to the members of her committee: (Mrs.) Haze~ T. Pfennig, Ph.D., chairman; (Mrs.) Sara K. Harve,y, Ph.D.; George E. Smock, Ph.D., for their advice and assistance. She appreciates the opportunities fOr research "itlhich have been extended to her, through bo'th Indiana State Teachers College Librar,y and Fairbanks Memoria~ Librar,y. The writer also desires to thank Lennox Robinson and Sean a'Casey fOr their friendly letters" She is espeCially indebted for valuable information afforded her through correspondence with Denis Johnston. Margaret Flaherty Diehl TABLE OF CONTENTS CHAPTER PAGE I.. BEGINNING OF THE DRAMA IN IRELAND ••••• .. ". 1 Need for this study of the Irish Renaissance .. 1 The English theatre in Ireland • • e' • • " ." 1 Foupding of the Gaiety Theatre . -
Ancient Greek Tragedy and Irish Epic in Modern Irish
MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE A Dissertation Submitted to the Graduate School of the University of Notre Dame in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Katherine Anne Hennessey, B.A., M.A. ____________________________ Dr. Susan Cannon Harris, Director Graduate Program in English Notre Dame, Indiana March 2008 MEMORABLE BARBARITIES AND NATIONAL MYTHS: ANCIENT GREEK TRAGEDY AND IRISH EPIC IN MODERN IRISH THEATRE Abstract by Katherine Anne Hennessey Over the course of the 20th century, Irish playwrights penned scores of adaptations of Greek tragedy and Irish epic, and this theatrical phenomenon continues to flourish in the 21st century. My dissertation examines the performance history of such adaptations at Dublin’s two flagship theatres: the Abbey, founded in 1904 by W.B. Yeats and Lady Gregory, and the Gate, established in 1928 by Micheál Mac Liammóir and Hilton Edwards. I argue that the potent rivalry between these two theatres is most acutely manifest in their production of these plays, and that in fact these adaptations of ancient literature constitute a “disputed territory” upon which each theatre stakes a claim of artistic and aesthetic preeminence. Partially because of its long-standing claim to the title of Ireland’s “National Theatre,” the Abbey has been the subject of the preponderance of scholarly criticism about the history of Irish theatre, while the Gate has received comparatively scarce academic attention. I contend, however, that the history of the Abbey--and of modern Irish theatre as a whole--cannot be properly understood except in relation to the strikingly different aesthetics practiced at the Gate. -
Papers of Josephine Mcneill P234 Descriptive Catalogue UCD Archives
Papers of Josephine McNeill P234 Descriptive Catalogue UCD Archives archives @ucd.ie www.ucd.ie/archives T + 353 1 716 7555 F + 353 1 716 1146 © 2009 University College Dublin. All rights reserved ii CONTENTS CONTEXT Biographical History iv Archival History iv CONTENT AND STRUCTURE Scope and content vi System of arrangement vi CONDITIONS OF ACCESS AND USE Access x Language x Finding Aid x DESCRIPTION CONTROL Archivist’s Note xi iii CONTEXT Biographical History McNEILL, Josephine (1895–1969), diplomat, was born 31 March 1895 in Fermoy, Co. Cork, daughter of James Ahearne, shopkeeper and hotelier, and Ellen Ahearne (née O’Brien). She was educated at Loretto Convent, Fermoy, and UCD (BA, H.Dip.Ed.). With a BA in French and German she began a teaching career, teaching at St Louis’ Convent, Kiltimagh, at the Ursuline Convent, Thurles, and at Scoil Íde, the female counterpart of St Enda’s, established by her friend Louise Gavan Duffy (qv). A fluent Irish-speaker with an interest in Irish language, music, and literature, she took an active part in the cultural side of the Irish independence movement. She was also a member of Cumann na mBan and in 1921 a member of the executive committee of that organisation. She was engaged to Pierce McCann, who died of influenza in Gloucester jail (March 1919). In 1923 she married James McNeill, Irish high commissioner in London 1923–8. Josephine McNeill took reluctantly to diplomatic life, but it never showed in public. Her charm and intelligence were immediately apparent, and in a period when Joseph Walshe (qv), the secretary of the Department of External Affairs, viewed married diplomats and diplomatic wives with disdain, McNeill was a noted hostess, both in London and later in Dublin, where James McNeill was governor general of the Irish Free State (1928–32). -
Make the Game Safer Or Parents Won't Let Their Children Play It
10 | SPORT | RUGBY S1 Sunday Independent 6 March 2016 Always check the background The 70 so-called experts lack the qualifications or experience to dictate to us about rugby injuries NEIL FRANCIS HIS one is about failure in the media, more specifically failure to question. I read the financial press every day. On a regular basis TI come across articles where I am told that some Gordon Gekko-type hedge fund principal or financier tells us he is really worried and he thinks sterling will devalue by two or three per cent in the next month. The explanations as to why this will happen are somewhat plausible but please . no panic. There is no byline, no author, and no references — nothing under the piece to suggest any attribution. We have no idea where it came from or who penned it. It just appeared. There is nothing to substantiate it or no counter-argument or editorial to challenge it. So we read it and repeat it to our mates. I see Gordon Gekko says sterling will devalue by two or three per cent in the next month. It then becomes a fact. What is indisputable is that it is a self-fulfilling prophecy. The boys have all short positions in place and when the forest fire starts, they collect. A month later we are all blown away. That fella Gordon Gekko is a bloody genius. Put something out there in the newspaper and if nobody checks or challenges it, well then it is a fact. Wednesday evening came slowly and my editor calls. -
Sponsorship Delivering
History The Club was formed in 1880 and is one of the oldest rugby clubs in Ireland. Rugby has only ever been put on hold due to both World Wars with many of its members going off to serve their country. Our Motto is “Be Just and Fear Not” Grounds The grounds are known as Pollock Park, named after Mr Trevor Pollock, the Club’s first Patron who was one of those involved in the re-formation of the Club after both WW1 and WW2 The grounds consist of 15 acres of land with a Club house, 3 rugby pitches, a training pitch and a cricket ground with real and artificial wickets. Club Status The Club has Community Amateur Sports Club (CASC) status. We are registered with HM Revenue and Customs (HMRC) and benefit from a range of tax reliefs, including Gift Aid, where they meet the qualifying conditions Club Officials Patron Mr Jackie Leatham President Mr Chris Stevenson Chairman Mr Bill Boyd Honorary Secretary Mr Albert Dunlop Treasurer Mrs Nichola Richardson Head of Finance Mr Sam Rusk, MBE PRO & Head of Events & Senior Recruitment Mr Raymond Acheson 07565 096275 Rugby Chairman Mr Mark Prentice Rugby Youth Convenor Mr David Wellwood Head Coach Mr Bruce Cornelius Club House Convenor and Events Mr Dale Richardson Ulster Branch Representative Mr Clarke Cousins Grounds Convenor Mr Kyle Geddis (NO NEK) U20’s coach Mr Jacob Stockdale Teams (Senior Rugby) Senior rugby currently has two teams in the Ulster leagues. Our 1st XV play in Qualifying 3. They won qualifying 3 and have been promoted to qualifying 2 for next season 2018 - 2019. -
Flashes of Modernity: Stage Design at the Abbey Theatre, 1902- 1966
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title Flashes of modernity: stage design at the Abbey Theatre, 1902- 1966 Author(s) McCormack, Christopher Publication Date 2018-08-31 Publisher NUI Galway Item record http://hdl.handle.net/10379/14988 Downloaded 2021-09-28T08:53:59Z Some rights reserved. For more information, please see the item record link above. FLASHES OF MODERNITY: STAGE DESIGN AT THE ABBEY THEATRE, 1902-1966 A Doctoral Thesis Submitted to the O’Donoghue Centre for Drama, Theatre and Performance at National University of Ireland Galway By Christopher McCormack Supervised by Dr. Ian R. Walsh August 2018 2 ABSTRACT Responding to Guy Julier’s call for a “knowing practice” of design studies, this doctoral thesis reveals Ireland’s negotiation with modernity through stage design. I use historian T.J. Clark’s definition of modernity as “contingency,” which “turn[s] from the worship of ancestors and past authorities to the pursuit of a projected future”. Over the course of 60 years that saw the transformation of a pre-industrialised colony to a modernised republic, stage designs offered various possibilities of imagining Irish life. In the same period, the Abbey Theatre’s company shuttled itself from small community halls to the early 19th-century Mechanics’ Theatre, before moving to the commercial Queen’s Theatre, and finally arriving at the modern building that currently houses it. This thesis shines new light on that journey. By investigating the design references outside theatre, we can see how Abbey Theatre productions underlined new ways of envisioning life in Ireland. -
Tomorrow's Game
Tomorrow’s Game Irish Rugby Football Union Annual Report 2007/2008 Leinster women’s rugby team warm up and stretch before a training session. Summer Scrummage – Young rugby fans enjoying the IRFU rugby summer camps. Contents President’s Report 2 Honorary Treasurer’s Report 4 Chief Executive’s Report 6 Office Bearers and Committee 27 Standing Committees and Sub Committees 28 Sponsors of Irish Rugby 30 Accounts 32 Fr. Godfrey Cup Final - Wesley team huddle before their Cup Final match. President’s Report D.V. Healy The season of 2007/08 has been a very busy one in both the team does well”. I am in no doubt that with the co-operation strands of our professional and club game. of all stakeholders, particularly schools and players, that this gap I speak of, will be closed quickly. For our senior international team, it has been a difficult season, none more so than for our players. I am firmly of the belief It was satisfying to see that our U.18 club side fared well in the that no player would go out to play anything but their best FIRA/AER European Championship, reaching the Final against when playing for Ireland. On that basis, our RWC performance France and preforming well in that environment. was a disappointing one for our players, but we should also remember of course the many good times they have delivered On the international stage, our referees again continue to in previous seasons. perform at the highest level, with the highest honour going to Alain Rolland, taking charge of the RWC Final in Paris and An independent review of our performance in RWC was David Keane taking charge of an IRB’s 7 Series Final in Adelaide, conducted by Brian Porteous of Genesis Consulting during with Aoife McCarthy taking charge of the Hong Kong 7’s – November and December and I am delighted to say that we Womens Final. -
The 2021 Youth Rugby Tour Brochure
Gateshead RFC running out with Rugby Colorno ahead of a final tour fixture in Parma with The Rugby Tour Specialists. Sky High Sports is a Rugby Specialist Tour Operator which excels at combining Rugby and Travel to provide once in a lifetime experiences for good Rugby people across the world. Our commitment to offering innovative, exciting and bespoke tours along with our client focused, personal and dedicated approach has allowed us to build a global portfolio of clients and earn a reputation of excellence in our field. Our team is made up of passionate rugby playing people & travel experts who take pride in introducing you to the vast rugby cultures of Europe through the great tradition of touring. Every one of our Rugby Tour itineraries has been developed from our own individual and professional experiences, alongside some superb rugby people which gives every trip a personal approach that we take a lot of pleasure in sharing with you. Sky High Sports are the Rugby Tour Specialists. Hello & Welcome to Sky High Sports. Now that the world seems to be returning slowly towards a brighter future, we are certainly casting more than a keen eye to when we can all hop on Tour Buses and get our touring careers back on track sooner rather than later. We were not alone in facing the challenges that recent months presented, it has however given us a bonus opportunity to adapt and further improve our business from top to bottom. We have to evolve into the future & we have taken this one-off chance to come back better than ever.