Sword of Summer Educator's Guide
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'From Beneath the Waves'.Pdf
British Library Cataloguing in Publication Data Beasts of the Deep: Sea Creatures and Popular Culture A catalogue entry for this book is available from the British Library Contents ISBN: 9780 86196 733 9 (Paperback); 9780 86196 939 5 (Ebook) Acknowledgements vii Introduction: Beasts of the Deep Part 1: FOLKLORE AND WEIRD TALES 9 Chapter 1 "From Beneath the Waves": Sea-Draugr and the Popular Conscience,Alexander Hay 11 Chapter 2 The Depths of our Experience: Thalassophobia and the Oceanic Horror, Sean J. Harrington 27 Chapter 3 From Depths of Terror to Depths of Wonder: The Sublime in Lovecraft's 'Call of Cthulhu' and Cameron's The Abyss, VivanJoseph 42 Part 2: DEPTHS OF DESIRE 57 Chapter 4 Beauty and the Octopus: Close encounters with the other-than-human, Marco Benoit Carbone 59 Chapter 5 The Octopussy: Exploring representations offemale sexuality in Victor Hugo's The Toilers of the Sea (1866) and The Laughing Man (1868), Laura Ettenfield 78 Chapter 6 Psychedelic Deep Blues: the Romanticised Sea Creature in Jimi Hendrix's '1983... (A Merman I Should Turn to Be)' (1968), Tim Buckley's 'Song to the Siren' (1968) and Captain Beefheart's 'Grow Fins' (1972), Richard Mills 94 Part 3: AQUATIC SPACES AND PRACTICES 109 Chapter 7 Fan Totems: Affective Investments in the Sea Creatures of Horror and Science Fiction, Brigid Cherry 111 Chapter 8 Mermaid Spotting: the Rise of Mermaiding in Popular Culture, Maria Mellins 128 Chapter 9 Adventures in Liquid Space: Representations of the Sea in Disney Theme Parks, Lee Brooks 142 Chapter 10 Rivers of Blood, -
Simonson's Thor Bronze Age Thor New Gods • Eternals
201 1 December .53 No 5 SIMONSON’S THOR $ 8 . 9 BRONZE AGE THOR NEW GODS • ETERNALS “PRO2PRO” interview with DeFALCO & FRENZ HERCULES • MOONDRAGON exclusive MOORCOCK interview! 1 1 1 82658 27762 8 Volume 1, Number 53 December 2011 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks . COVER ARTIST c n I , s Walter Simonson r e t c a r a COVER COLORIST h C l Glenn Whitmore e v r a BACK SEAT DRIVER: Editorial by Michael Eury . .2 M COVER DESIGNERS 1 1 0 2 Michael Kronenberg and John Morrow FLASHBACK: The Old Order Changeth! Thor in the Early Bronze Age . .3 © . Stan Lee, Roy Thomas, and Gerry Conway remember their time in Asgard s n o i PROOFREADER t c u OFF MY CHEST: Three Ways to End the New Gods Saga . .11 A Rob Smentek s c The Eternals, Captain Victory, and Hunger Dogs—how Jack Kirby’s gods continued with i m SPECIAL THANKS o C and without the King e g Jack Abramowitz Brian K. Morris a t i r FLASHBACK: Moondragon: Goddess in Her Own Mind . .19 e Matt Adler Luigi Novi H f Getting inside the head of this Avenger/Defender o Roger Ash Alan J. Porter y s e t Bob Budiansky Jason Shayer r FLASHBACK: The Tapestry of Walter Simonson’s Thor . .25 u o C Sal Buscema Walter Simonson Nearly 30 years later, we’re still talking about Simonson’s Thor —and the visionary and . -
Norse Monstrosities in the Monstrous World of J.R.R. Tolkien
Norse Monstrosities in the Monstrous World of J.R.R. Tolkien Robin Veenman BA Thesis Tilburg University 18/06/2019 Supervisor: David Janssens Second reader: Sander Bax Abstract The work of J.R.R. Tolkien appears to resemble various aspects from Norse mythology and the Norse sagas. While many have researched these resemblances, few have done so specifically on the dark side of Tolkien’s work. Since Tolkien himself was fascinated with the dark side of literature and was of the opinion that monsters served an essential role within a story, I argue that both the monsters and Tolkien’s attraction to Norse mythology and sagas are essential phenomena within his work. Table of Contents Abstract Acknowledgements 3 Introduction 4 Chapter one: Tolkien’s Fascination with Norse mythology 7 1.1 Introduction 7 1.2 Humphrey Carpenter: Tolkien’s Biographer 8 1.3 Concrete Examples From Jakobsson and Shippey 9 1.4 St. Clair: an Overview 10 1.5 Kuseela’s Theory on Gandalf 11 1.6 Chapter Overview 12 Chapter two: The monsters Compared: Midgard vs Middle-earth 14 2.1 Introduction 14 2.2 Dragons 15 2.3 Dwarves 19 2.4 Orcs 23 2.5 Wargs 28 2.6 Wights 30 2.7 Trolls 34 2.8 Chapter Conclusion 38 Chapter three: The Meaning of Monsters 41 3.1 Introduction 41 3.2 The Dark Side of Literature 42 3.3 A Horrifically Human Fascination 43 3.4 Demonstrare: the Applicability of Monsters 49 3.5 Chapter Conclusion 53 Chapter four: The 20th Century and the Northern Warrior-Ethos in Middle-earth 55 4.1 Introduction 55 4.2 An Author of His Century 57 4.3 Norse Warrior-Ethos 60 4.4 Chapter Conclusion 63 Discussion 65 Conclusion 68 Bibliography 71 2 Acknowledgements First and foremost I have to thank the person who is evidently at the start of most thesis acknowledgements -for I could not have done this without him-: my supervisor. -
The Prose Edda
THE PROSE EDDA SNORRI STURLUSON (1179–1241) was born in western Iceland, the son of an upstart Icelandic chieftain. In the early thirteenth century, Snorri rose to become Iceland’s richest and, for a time, its most powerful leader. Twice he was elected law-speaker at the Althing, Iceland’s national assembly, and twice he went abroad to visit Norwegian royalty. An ambitious and sometimes ruthless leader, Snorri was also a man of learning, with deep interests in the myth, poetry and history of the Viking Age. He has long been assumed to be the author of some of medieval Iceland’s greatest works, including the Prose Edda and Heimskringla, the latter a saga history of the kings of Norway. JESSE BYOCK is Professor of Old Norse and Medieval Scandinavian Studies at the University of California, Los Angeles, and Professor at UCLA’s Cotsen Institute of Archaeology. A specialist in North Atlantic and Viking Studies, he directs the Mosfell Archaeological Project in Iceland. Prof. Byock received his Ph.D. from Harvard University after studying in Iceland, Sweden and France. His books and translations include Viking Age Iceland, Medieval Iceland: Society, Sagas, and Power, Feud in the Icelandic Saga, The Saga of King Hrolf Kraki and The Saga of the Volsungs: The Norse Epic of Sigurd the Dragon Slayer. SNORRI STURLUSON The Prose Edda Norse Mythology Translated with an Introduction and Notes by JESSE L. BYOCK PENGUIN BOOKS PENGUIN CLASSICS Published by the Penguin Group Penguin Books Ltd, 80 Strand, London WC2R 0RL, England Penguin Group (USA) Inc., -
September 2017 N°17
ISSN 2499-1341 EXPRESSION quarterly e-journal of atelier in cooperation with uispp-cisenp. international scientific commission on the intellectual and spiritual expressions of non-literate peoples N°17 September 2017 CULT SITES AND ART Anthropomorphic face on the entrance slab of a circular ceremonial structure from Har Karkom, Negev desert, Israel (Pre-pottery Neolithic site BK 608). EDITORIAL NOTES accompany them. What echoes accompanied CULT SITES the paintings in the prehistoric caves? What performances, if any, were taking place in front AND ART of the decorated rock surfaces? The visual art stresses myths, mythical beings Walking along a narrow trail, on the edge of and/or historical facts, which are related to the a steep valley in the middle of a deep forest, cult and to the sanctity of the site. It is the visual we suddenly heard noises of human presen- memory that justifes the function of the site. ce, voices that were neither speeches nor son- Was it the same in prehistoric times? In front of gs, something in between. We reached a cave where a number of people were assembled in rock art sites, in the Camonica Valley, Italy, or a corner and an old bearded man was standing in Kakadu in Arnhem Land, Australia, or in the on an upper step of the rock talking ... perhaps Drakensberg caves, South Africa, or in the Al- talking, perhaps declaiming, perhaps singing, tamira cave, Spain, the presence of prehistoric but not to the people below. He was talking or art awakens a sense of sacredness, we feel that performing or praying in front of a white rock these were and are special places but .. -
1 INTRODUCTION 1.1 Document Overview 1.2 Software Overview
625-645-234011, Rev. A TABLE OF CONTENTS 1 INTRODUCTION 1.1 Document Overview 1.2 Software Overview 1.3 System Hardware/Software Requirements 1.3.1 SUN 1.3.2 Windows 3.1 or Macintosh 1.4 Packaging 1.4.1 MIRAGE System Files 1.4.2 MIRAGE Data Files 1.4.3 Sequence Delivery Directories 1.5 Typographical Conventions 2 SETTING UP TO RUN MIRAGE 2.1 Obtaining a Unix Account 2.2 Installing the X terminal Server 2.2.1 MacIntosh 2.2.2 Windows 3.1 2.2.3 What's your IP Address? 2.3 Starting and Exiting MIRAGE 2.3.1 From Donatello 2.3.2 From a MAC 2.3.3 From Windows 2.3.4 From a Sun Workstation (e.g. POINTER) 3 MIRAGE INTERFACE BASICS 3.1 The MIRAGE Display 3.1.1 Command Pane 3.1.2 History Pane 3.1.3 Display Work Area 3.1.4 The Legend 3.2 Configuring MIRAGE 3.2.1 Changing Legends 3.2.2 Zooming and Scaling 625-645-234011, Rev. A 3.2.3 Vertical Ruler 3.3 MIRAGE Commands 3.3.1 Aborting Commands 3.3.2 Command Help 3.3.3 Mouse Command Sets 3.4 The MIRAGE Menus 4 MODELING IN MIRAGE 4.1 Multi Use Buffer 4.1.1 Buffer High and Low Water Marks 4.1.2 Filling the Buffer 4.1.3 Draining the Buffer 4.1.4 Modeling the Effects of Real Time Activities on the MUB 4.1.5 Modeling the Effect of Buffer Dump to Tape on the MUB 4.1.6 Modeling the Effect of Playback on the MUB 4.1.7 Modeling the Effect of Telemetry on the MUB 4.1.8 User Control of the MUB Level 4.2 Priority Buffer 4.3 DMS 4.4 Running the Models 4.5 How Modeling Results are Displayed 4.6 OAPEL-level Resource Conflict Checking 4.7 How OAPEL-level Conflict Checking Results are Displayed 5 USING MIRAGE 5.1 Starting MIRAGE 5.1.1 Miscellaneous (But Useful) Commands 5.1.2 Moving around the screen 5.2 Create OAPEL 5.2.1 Activity ID Usage 5.2.2 Adding PAs to an OAPEL 5.3 Edit OAPEL 5.4 Create PA 5.5 Edit PA 625-645-234011, Rev. -
An Encapsulation of Óðinn: Religious Belief and Ritual Practice Among The
An Encapsulation of Óðinn: Religious belief and ritual practice among the Viking Age elite with particular focus upon the practice of ritual hanging 500 -1050 AD A thesis presented in 2015 for the degree of Doctor of Philosophy in Scandinavian Studies at the University of Aberdeen by Douglas Robert Dutton M.A in History, University of Aberdeen MLitt in Scandinavian Studies, University of Aberdeen Centre for Scandinavian Studies The University of Aberdeen Summary The cult surrounding the complex and core Old Norse deity Óðinn encompasses a barely known group who are further disappearing into the folds of time. This thesis seeks to shed light upon and attempt to understand a motif that appears to be well recognised as central to the worship of this deity but one rarely examined in any depth: the motivations for, the act of and the resulting image surrounding the act of human sacrifice or more specifically, hanging and the hanged body. The cult of Óðinn and its more violent aspects has, with sufficient cause, been a topic carefully set aside for many years after the Second World War. Yet with the ever present march of time, we appear to have reached a point where it has become possible to discuss such topics in the light of modernity. To do so, I adhere largely to a literary studies model, focussing primarily upon eddic and skaldic poetry and the consistent underlying motifs expressed in conjunction with descriptions of this seemingly ritualistic act. To these, I add the study of legal and historical texts, linguistics and contemporary chronicles. -
The Children of Odin
Conditions and Terms of Use Copyright © Heritage History 2009 Some rights reserved This text was produced and distributed by Heritage History, an organization dedicated to the preservation of classical juvenile history books, and to the promotion of the works of traditional history authors. The books which Heritage History republishes are in the public domain and are no longer protected by the original copyright. They may therefore be reproduced within the United States without paying a royalty to the author. The text and pictures used to produce this version of the work, however, are the property of Heritage History and are licensed to individual users with some restrictions. These restrictions are imposed for the purpose of protecting the integrity of the work itself, for preventing plagiarism, and for helping to assure that compromised or incomplete versions of the work are not widely disseminated. In order to preserve information regarding the origin of this text, a copyright by the author, and a Heritage History distribution date are included at the foot of every page of text. We request all electronic and printed versions of this text include these markings and that users adhere to the following restrictions. 1) This text may be reproduced for personal or educational purposes as long as the original copyright and Heritage History version number are faithfully reproduced. 2) You may not alter this text or try to pass off all or any part of it as your own work. 3) You may not distribute copies of this text for commercial purposes unless you have the prior written consent of Heritage History. -
Gylfaginning Codex Regius, F
Snorri Sturluson Edda Prologue and Gylfaginning Codex Regius, f. 7v (reduced) (see pp. 26/34–28/1) Snorri Sturluson Edda Prologue and Gylfaginning Edited by ANTHONY FAULKES SECOND EDITION VIKING SOCIETY FOR NORTHERN RESEARCH UNIVERSITY COLLEGE LONDON 2005 © Anthony Faulkes 1982/2005 Second Edition 2005 First published by Oxford University Press in 1982 Reissued by Viking Society for Northern Research 1988, 2000 Reprinted 2011 ISBN 978 0 903521 64 2 Printed by Short Run Press Limited, Exeter Contents Codex Regius, fol. 7v ..........................................................Frontispiece Abbreviated references ....................................................................... vii Introduction ..........................................................................................xi Synopsis ..........................................................................................xi The author ..................................................................................... xii The title ....................................................................................... xvii The contents of Snorri’s Edda ................................................... xviii Models and sources ........................................................................ xx Manuscripts .............................................................................. xxviii Bibliography ...............................................................................xxxi Text ....................................................................................................... -
Lunar and Planetary Science XXIX 1866.Pdf
Lunar and Planetary Science XXIX 1866.pdf GALILEO AT CALLISTO: OVERVIEW OF NOMINAL MISSION RESULTS. J. E. Klemaszewski, R. Greeley, K.S. Homan, K.C. Bender, F.C. Chuang, S. Kadel;1 R.J. Sullivan;2 C. Chapman, W.J. Merline;3 J. Moore;4 R. Wagner, T. Denk, G. Neukum;5 J. Head, R. Pappalardo, L. Prockter;6 M. Belton;7 T.V. Johnson;8 C. Pilcher9 and the Galileo SSI Team. 1Dept. of Geology, Arizona State University, Tempe, AZ 871404; 2Cornell Univ., Ithaca, NY; 3SWRI, Boulder, CO; 4NASA Ames, Moffett Field, CA; 5DLR, Berlin, Germany; 6Brown Univ., Providence, RI; 7NOAO, Tucson, AZ; 8JPL, Pasadena, CA; 9NASA HQ, Washington, DC. The solid-state imaging (SSI) system on board the over 4000 and 1600 km in diameter; their Galileo orbiter acquired 118 images of the Jovian morphologies and theories concerning their origin satellite Callisto on 8 of its 11 nominal mission orbits. have been described by many investigators [e.g. On three of these orbits clear-filter imaging data were 2,3,6,8,9]. Whether or not Callisto is differentiated acquired at resolutions of 150 m/pxl or better, and on could not be determined from Voyager data [6]. five orbits color data were acquired at resolutions Galileo mission objectives for Callisto [10] include (a) between 13.7 and 1.1 km/pixel. Galileo images reveal the characterization of surface processes and that degradational processes have acted on the surface materials, (b) impact craters morphologies and of Callisto causing the erosion of crater walls and rims. evolution, (c) the search for evidence of endogenic This degradation is most likely responsible for the activity, (d) the determination of the origin and production of the dark material that appears to blanket morphology of multi-ring structures, and (e) Callisto’s surface, resulting in a lack of small (<10 km comparison of Callisto and Ganymede. -
Appendix Contains a Timeline, Galileo Mission Overview (June 1996–December 1997), and a Set of Quick–Look Orbit Facts Sheets
A P P E N D I X This appendix contains a timeline, Galileo Mission Overview (June 1996–December 1997), and a set of Quick–Look Orbit Facts sheets. The essentials of each orbit are listed. We have provided them as a handy reference while the orbiter’s tour progresses in the months to come. Appendix • Page A-1 Project Galileo Quick-Look Orbit Facts Appendix • Page A- 5 PROJECT GALILEO QUICK-LOOK ORBIT FACTS Fact Sheet Guide Title Quick Facts Indicates the target satellite and the number of the This section provides a summary listing of the orbit in the satellite tour. In this example, Ganymede is characteristics of the target satellite encounter as well the target satellite on the first orbit of the orbital tour. as the Jupiter encounter. PROJECT GALILEO QUICK-LOOK ORBIT FACTS PROJECT GALILEO QUICK-LOOK ORBIT FACTS Ganymede - Orbit 1 Ganymede - Orbit 1 Encounter Trajectory Quick Facts Ganymede Flyby Geometry +30 min Ganymede Encounter Earth Sun 27 June 1996 Ganymede C/A +15 min 06:29 UTC Ganymede C/A Altitude: 844 km Jupiter 6/27 6/26 133 times closer than VGR1 70 times closer than VGR2 Earth Speed: 7.8 km/s 0W -15 min Sun Jupiter C/A 6/28 Latitude: 30 deg N Longitude: 112 deg W 270W -30 min Perijove Io 28 June 1996 00:31 UTC Europa Jupiter Range: 11.0 Rj Time Ordered Listing Ganymede 6/29 Earth Range: 4.2 AU EVENT TIME (PDT-SCET) EVENT (continued) TIME (PDT-SCET) OWLT: 35 min Start Encounter 23 June 96 09:00 Europa C/A (156000 km) 18:22 Callisto Start Ganymede-1 real-time survey (F&P) 09:02 Europa global observation (NIMS/SSI) 18:43 -
The Goddess: Myths of the Great Mother Christopher R
Gettysburg College Faculty Books 2-2016 The Goddess: Myths of the Great Mother Christopher R. Fee Gettysburg College David Leeming University of Connecticut Follow this and additional works at: https://cupola.gettysburg.edu/books Part of the English Language and Literature Commons, Folklore Commons, and the Religion Commons Share feedback about the accessibility of this item. Fee, Christopher R., and David Leeming. The Goddess: Myths of the Great Mother. London, England: Reaktion Press, 2016. This is the publisher's version of the work. This publication appears in Gettysburg College's institutional repository by permission of the copyright owner for personal use, not for redistribution. Cupola permanent link: https://cupola.gettysburg.edu/books/95 This open access book is brought to you by The uC pola: Scholarship at Gettysburg College. It has been accepted for inclusion by an authorized administrator of The uC pola. For more information, please contact [email protected]. The Goddess: Myths of the Great Mother Description The Goddess is all around us: Her face is reflected in the burgeoning new growth of every ensuing spring; her power is evident in the miracle of conception and childbirth and in the newborn’s cry as it searches for the nurturing breast; we glimpse her in the alluring beauty of youth, in the incredible power of sexual attraction, in the affection of family gatherings, and in the gentle caring of loved ones as they leave the mortal world. The Goddess is with us in the everyday miracles of life, growth, and death which always have surrounded us and always will, and this ubiquity speaks to the enduring presence and changing masks of the universal power people have always recognized in their lives.