Annual Reports Tutti Arts Annual Report 2020
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Arts & Culture Plan South Australia 2019
Arts & Culture Plan South Australia 2019 - 2024 1 To Dream To Explore To Create Acknowledgment of Country Aboriginal and Torres Strait Islander people have made and continue to make a unique and irreplaceable contribution to Australia. The South Australian Government acknowledges and respects Aboriginal people as the state’s first people and nations, and recognises Aboriginal people as traditional owners and occupants of South Australian land and waters. The South Australian Government acknowledges that the spiritual, social, cultural and economic practices of Aboriginal people come from their traditional lands and waters, and that Aboriginal people maintain cultural and heritage beliefs, languages and laws which are of ongoing importance today. Front cover Production: mi:wi Organisation: Vitalstatistix Photographer: Gregory Lorenzutti Table of Contents Page Vision, Mission, 4 Values 4 6 Goals 5 Message and commitment from the Government 7 Introduction 9 An Arts Plan for the future 10 Why now is the time for the Plan 10 Four reasons to pivot 11 South Australia. A history of creative and cultural innovation 12 1 The Structure of this Plan 16 South Australia, A gateway to the first and original story 17 Songlines: Tracking the Seven Sisters 18 Goal 1 20 Goal 2 24 Goal 3 28 Goal 4 32 Goal 5 36 Goal 6 40 Capturing value and impact 42 Footnotes 44 Adelaide College of the Arts Organisation: TAFE SA Photographer: Sam Roberts The Arts and Culture Plan for This Arts Plan is about igniting a This narrative is about how we TELL South Australia 2019 – 2024 new level of connectivity – between THESE STORIES, and relates strongly artists, organisations, institutions and to South Australia’s ‘market and brand’. -
2018 Adelaide Biennial of Australian Art
DIVIDED ART GALLERY OF SOUTH AUSTRALIA WORLDS 2018 ADELAIDE BIENNIAL OF AUSTRALIAN ART The cat sits under the dark sky in the night, watching the mysterious trees. There are spirits afoot. She watches, alert to the breeze and soft movements of leaves. And although she doesn’t think of spirits, she does feel them. In fact, she is at one with them: possessed. She is a wild thing after all – a hunter, a killer, a ferocious lover. Our ancestors lived under that same sky, but they surely dreamed different dreams from us. Who knows what they dreamed? A curator’s dream DIVIDED WORLDS ART 2018 GALLERY ADELAIDE OF BIENNIAL SOUTH OF AUSTRALIA AUSTRALIAN ERICA GREEN ART ARTISTS LISA ADAMS JULIE GOUGH VERNON AH KEE LOUISE HEARMAN ROY ANANDA TIMOTHY HORN DANIEL BOYD KEN SISTERS KRISTIAN BURFORD LINDY LEE MARIA FERNANDA CARDOSO KHAI LIEW BARBARA CLEVELAND ANGELICA MESITI KIRSTEN COELHO PATRICIA PICCININI SEAN CORDEIRO + CLAIRE HEALY PIP + POP TAMARA DEAN PATRICK POUND TIM EDWARDS KHALED SABSABI EMILY FLOYD NIKE SAVVAS HAYDEN FOWLER CHRISTIAN THOMPSON AMOS GEBHARDT JOHN R WALKER GHOSTPATROL DAVID BOOTH DOUGLAS WATKIN pp. 2–3, still: Angelica Mesiti, born Kristian Burford, born 1974, Waikerie, 1976, Sydney Mother Tongue, 2017, South Australia, Audition, Scene 1: two-channel HD colour video, surround In Love, 2013, fibreglass reinforced sound, 17 minutes; Courtesy the artist polyurethane resin, polyurethane and Anna Schwartz Gallery Melbourne foam, oil paint, Mirrorpane glass, Commissioned by Aarhus European Steelcase cubicles, aluminium, steel, Capital of Culture 2017 in association carpet, 261 x 193 x 252 cm; with the 2018 Adelaide Biennial Courtesy the artist photo: Bonnie Elliott photo: Eric Minh Swenson DIRECTOR'S 7 FOREWORD Contemporary art offers a barometer of the nation’s Tim Edwards (SA), Emily Floyd (Vic.), Hayden Fowler (NSW), interests, anxieties and preoccupations. -
South Australian Arts Plan 2019-2024 LGA Submission
South Australian Arts Plan 2019-2024 LGA Submission April 2019 LGA of SA ECM XXXXX < File Name > Page 0 of 12 Introduction As the closest government to communities, councils deliver hundreds of facilities and services that: drive economic development; protect the environment; bring communities together; support public health; and improve the local amenity enjoyed by all South Australians and visitors alike. Arts and culture is an important part of the work which many councils do, and the role of local government in arts and culture has many benefits for the South Australian community, supporting health and wellbeing, economic, social and cultural development. In this context, the Local Government Association of South Australia (LGA) welcomes the decision of the State Government to develop an Arts Plan, and the opportunity to make a submission. Local government is an experienced partner in government, and the LGA and our member councils look forward to working with the State Government and Arts South Australia to capture that involvement in the South Australian Arts Plan 2019-2024 (‘the Plan’). About the LGA The LGA is the voice of local government in South Australia, representing all 68 individual councils across the state. Our mission is to provide leadership, support, representation and advocacy on behalf of South Australian councils, for the benefit of the community. The value of LGA membership has been independently verified by UHY Haines Norton as being worth around $139 million to the local government sector in 2019. This submission has been informed by consultation with our member councils. Development of an Arts Plan for South Australia The LGA is keen to be involved in the development of the Plan and this submission is provided for consideration of the consultants engaged to prepare the Plan. -
Our Cultural Collections a Guide to the Treasures Held by South Australia’S Collecting Institutions Art Gallery of South Australia
Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- tralia. South Australian Museum. State Library of South Australia. Carrick Hill. History SA. Art Gallery of South Australia. South Australian Museum. State Library of South Australia. Car- rick Hill. History SA. Art Gallery of South Aus- Published by Contents Arts South Australia Street Address: Our Cultural Collections: 30 Wakefield Street, A guide to the treasures held by Adelaide South Australia’s collecting institutions 3 Postal address: GPO Box 2308, South Australia’s Cultural Institutions 5 Adelaide SA 5001, AUSTRALIA Art Gallery of South Australia 6 Tel: +61 8 8463 5444 Fax: +61 8 8463 5420 South Australian Museum 11 [email protected] www.arts.sa.gov.au State Library of South Australia 17 Carrick Hill 23 History SA 27 Artlab Australia 43 Our Cultural Collections A guide to the treasures held by South Australia’s collecting institutions The South Australian Government, through Arts South Our Cultural Collections aims to Australia, oversees internationally significant cultural heritage ignite curiosity and awe about these collections comprising millions of items. The scope of these collections is substantial – spanning geological collections, which have been maintained, samples, locally significant artefacts, internationally interpreted and documented for the important art objects and much more. interest, enjoyment and education of These highly valuable collections are owned by the people all South Australians. of South Australia and held in trust for them by the State’s public institutions. -
Strategic Plan 2020-2024
Strategic Plan 2020-2024 ACE OPEN Lion Arts Centre North Terrace (West End) rt Kaurna Yarta a n. Adelaide SA 5000 aceope ACE Open Strategic Plan 2020-2024 1 ACE Open respectfully acknowledges the traditional Contents country of the Kaurna people of the Pg 3. Vision, Mission & Values Adelaide Plains and pays respect Pg 4. Executive Summary to Elders past and present. We recognise and respect their cultural Pg 5. Strategic Context heritage, beliefs and relationship with the land. We acknowledge that Planning Context they are of continuing importance to History the Kaurna people living today. Key Issues Artist Vibrancy SWOT Analysis Markets Pg 17. Goals Pg 23. Strategic Priorities Pg 24. Organisational Support Planning Management Financial Pg 33. Risk Management ACE Open Strategic Plan 2020-2024 2 Vision Our vision is to understand, expand and transform our world through contemporary art. Mission To be South Australia’s leading contemporary art space, nationally renowned for supporting artists, promoting artistic excellence and enriching audience experience. We will achieve this by: • Presenting and premiering new works from local, national and international artists • Nurturing the careers of artists to elevate their practice • Fostering conditions for critical engagement and explorations • Making art and spaces that are accessible, respectful and reflect Australia’s diversity Vision • Securing a sustainable future through strong management practices and strategic partnerships Mission Values Values Openness: We believe in making contemporary art accessible to everyone, inviting artists and audiences to experience contemporary art in an environment that is as engaging and challenging as it is welcoming. Artistic Freedom: We respect and nurture creative and cultural processes. -
Adelaide Fringe and the Adelaide Festival
Australian Services Union SA + NT Branch The ASU campaigns for fairness and equality in our workplaces, communities + globally Join the union for social justice activists 08 8363 1322 Foreword Together with our sponsors, the Don Dunstan Foundation is proud to present the 2019 Social Change Guide to the Adelaide Fringe and the Adelaide Festival. This Guide is our biggest yet with 181 shows featuring a diverse display of culture of which Don Dunstan would have been proud. Don was not only Premier of South Australia during the 1970s, but was also a trained actor. A strong supporter of the Arts throughout his lifetime, he was a patron of the Fringe and narrated Carnival of the Animals in the 1974 Festival of Arts. The Dunstan Decade saw South Australia lead the nation in progressive social reforms, and laid the foundation for Adelaide’s transformation into ‘the Festival State’. The Adelaide Festival was at the forefront of this transformation; since its launch in 1960 they have been showcasing diverse shows from all around the world. In 1974 the Fringe released its first Souvenir Programme, beginning its evolution into what is now the largest arts festival in the Southern Hemisphere. Each year, both go from strength to strength. The Arts bring us together, and help to create and celebrate our diversity. When we offer access to art in all its forms, we improve the quality of life for everyone in our community. Through the Arts we have a chance to see the world from a new perspective, and at its best, art can inspire us to take action for a fairer world. -
Download the Creative Industries Strategy
Creative Industries Strategy An industry-led Strategy produced by the Department for Innovation and Skills, in collaboration with Department for Trade and Investment and various industry representatives. 2020 GROWTH STATE Spider-Man: Far From Home - Visual effects by Rising Sun Pictures. © & TM 2019 MARVEL. © 2019 CTMG. All Rights Reserved. Credit: Rising Sun Pictures. The Department for Innovation and Skills acknowledges Aboriginal people as the state’s first peoples and Nations of South Australia. We recognise and respect their cultural connections as the traditional owners and occupants of the land and waters of South Australia, and that they have and continue to maintain a unique and irreplaceable contribution to the state. Ngarrindjeri designer Jordan Lovegrove at Ochre Dawn. Credit: Ochre Dawn Creative Industries. CREATIVE INDUSTRIES Strategy Table of Contents Message from the Minister 4 Message from the Creative Industries Ministerial Advisory Group 5 Section 1: Background 6 Executive summary 6 Growth State 6 The Creative Industries Strategy 7 What are the creative industries? 9 Advertising and Communication Design 11 Broadcasting: TV, Radio and Podcasts 11 Design 12 Design – Urban, Architecture, Interior and Landscape 12 Design – Industrial and Product 13 Fashion 14 Festivals (Creative and Cultural) 15 Music 18 Performing Arts 21 Visual Arts and Craft 21 Screen 22 Screen – TV and Film Production 23 Screen – Post Production, Digital and Visual Effects (PDV) 24 Screen - Game Development 25 Writing and Publishing 26 Technology and -
Highlights 2017
GIVING HISTORY HIGHLIGHTS THE TRUST 2017 - 2018 PAST OF A FUTURE SOUTH NOW! AUSTRALIA Acknowledgment of traditional owners The History Trust of South Australia respects the primary place of Aboriginal people in the history of this place. We acknowledge that this story commenced long before Governor Hindmarsh proclaimed the new Province of South Australia on 28 December 1836. Aboriginal people have a history that extends millennia into the past. We acknowledge that Aboriginal lands and sovereignty were not recognised and that building a shared understanding of history is critical to reconciliation. We affirm our role in reconciliation as an essential part of Aboriginal and non-Aboriginal South Australians co-creating a positive future. State Library of South Australia, PRG 1491/25/64 Front cover image: Aunty Ellen Trevorrow and her family with the whale sculpture Kondoli History Trust of South Australia, that she created using traditional Ngarrindjeri HT 2017.1218 weaving. (South Australian Maritime Museum). 2 3 GIVING THE PAST A FUTURE NOW! Our job is to encourage current and future generations of South Australians to discover that this state’s past is rich, relevant and fascinating. And among the many stories unfolding across South Australia in the present, there are many worthy of being preserved for sharing in the future. The History Trust of South Australia is exactly what our name implies. We carry the community’s trust to keep safe our state’s stories and memory collections so that they will not be lost. Our Act of Parliament safeguards South Australia’s material cultural heritage, encourages research, and enables the public presentation of South Australian history. -
Creative South Australia: a Vision for the Arts
CREATIVE SOUTH AUSTRALIA: A VISION FOR THE ARTS Prepared by the Executive Summary 2 Contents Adelaide: A city of firsts in art and culture 6 South Australia’s unique advantage 7 Why culture and the arts? 8 Innovation is nurtured and celebrated 9 Creativity at the centre of our economy 10 Our artists play to the world 11 A home for artists and creative thinkers 12 Leaders in Arts and Education 13 A network of exceptional cultural spaces 14 Financial sustainability 15 Not the last word 16 Image credits and references 17 Executive Summary ABOUT ARTS 40 YEAR VISION INDIGENOUS ARTS WHO IS THE INDUSTRY COUNCIL CREATING AN ARTS INDUSTRY AND CULTURE VISION FOR? DRIVEN VISION FOR SOUTH OF SOUTH AUSTRALIA AUSTRALIA This Vision acknowledges that This Vision is for the arts sector and (AICSA) Indigenous arts practice and culture is attendees at the November 2014 forum In November 2014, AICSA invited South fundamental to the future for arts in to summarise and move forward the Arts Industry Council of South Australia Australia’s creative community to a South Australia. It is anticipated that many issues discussed and debated. (AICSA) is the state’s independent, public forum at Adelaide Town Hall to Creative South Australia: A Vision It is also for the Government of South sector wide representative arts develop a 40-Year Vision for the Arts. for the Arts will be augmented by Australia - to have insight into the body. AICSA was constituted as an This initiative was driven by the fact forthcoming consultation and policy over-arching views of the sector and incorporated association in 1991 and that South Australia’s vibrant arts scene on Indigenous arts and culture to be to contribute to cultural policy. -
THURSDAY 27 – SUNDAY 30 OCT Adelaidefilmfestival.Org @Adlfilmfest #Adlff Thank You
GOES ROGUE THURSDAY 27 – SUNDAY 30 OCT adelaidefilmfestival.org @AdlFilmFest #adlff Thank you Principal Partner Government Partners Major Partners Supporting Partners Ali’s Wedding Ali’s Screen Australia congratulates all those Australian films selected for the Adelaide Film Festival. Stories that stay with you 2 GOES ROGUE For Adelaide Film Festival 2015, we packed eleven October days with The Fund supports feature fiction films and feature documentary premieres, talks, and post-film soirees aplenty. Frankly, the thought projects along with short films, animation, digital and interactive of waiting two more years to do it all again is too much to bear. projects, hybrid reality and moving image works. Say, why not go rogue? In 2016, we’re breaking the biennial cycle to bring a streamlined mini- Thanks to the ADL Film Fest Fund, we’re pleased as punch to present fest to Adelaide’s screens. Featuring brand new Australian titles and three new works, each from the frontlines of thematic, stylistic and an array of retrospective gems, let this four-day fiesta be your screen- technological storytelling. Ali’s Wedding is Australia’s first Muslim based oasis until ADL Film Fest proper returns, full throttle. rom-com, so funny you’ll cry. ADLFF patron David Stratton gives us a sneak peek at his Stories of Australian Cinema. Lynette Wallworth’s ADL Film Fest Fund, rare in the screen landscape and revered radical work Collisions unites the world’s oldest culture with the internationally, forms the backbone of our Rogue program. vanguard of virtual reality tech. So: rogue. Not Nicolas Roeg, whose decisive work Walkabout features in Stratton’s series; nor the neo-Ozploitation creature feature about that ocker-eating croc – though we value the chutzpah of both. -
ACCESS GUIDE Contents
26 FEB – 14 MAR 2021 ACCESS GUIDE Contents Access Information ................................................................. 1 Website Information ................................................................. 2 Booking Tickets ........................................................................... 3 Venue Facilities ........................................................................... 4 Access Ticket Prices ................................................................. 5 Auslan Interpreted Events ....................................................... 6 Audio Described Events ......................................................... 8 Sensory/Tactile Tour Events ............................................... 9 Events With Highly Visual Content ................................... 10 Events With Assistive Listening ............................................. 13 Venues With Wheelchair Access ............................................. 15 Open House ..................................................................................... 19 Adelaide Writers’ Week Access ............................................. 21 Calendar of Events ................................................................. 22 Map ............................................................................................... 25 Sponsor Thanks ........................................................................... 27 Access Information We make every effort to ensure Adelaide Festival events are accessible to our whole audience. Please check -
Abdul Abdullah
ABDUL ABDULLAH 1986 Born in Perth, Australia 2008 BA Art, Curtin University of Technology, Australia 2017 MFA, UNSW Art and Design SELECTED SOLO EXHIBITIONS 2020 Custodians, presented by Yavuz Gallery at The Armory Show, Presents Section, New York City, USA 2019 Contested Territories, Yavuz Gallery, Sydney, Australia The waiting room, presented by Yavuz Gallery at Art Basel Hong Kong, Kabinett sector, Hong Kong 2018 Jangan Sakiti Hatiku - Don't Break My Heart, Yavuz Gallery, Singapore 2017 Terms of Engagement: Examining the Rhetoric of Radicalisation, UNSW Galleries, Australia 2016 Burden, Fehily Contemporary, Australia Coming to Terms, Fehily Contemporary, Australia 2015 Coming to Terms, Chasm Gallery, New York, USA 2014 I See A Darkness, Future Perfect, Singapore Siege, Fehily Contemporary, Australia 2013 Homeland, Fehily Contemporary, Australia 2012 Mongrel, Fehily Contemporary, Australia 2011 Them and Us, KINGS Artist-Run, Australia SELECTED GROUP EXHIBITIONS 2020 Monster Theatres, Adelaide Biennial of Australian Art, Art Gallery of South Australia 2019-2020 Violent Salt, touring exhibition, Art Space Mackay, Australia; Noosa Regional Gallery, Australia; Toowoomba Regional Art Gallery, Australia STOLEN/WEALTH, Wyndham Art Gallery, Melbourne, Australia Body Politics, Bendigo Art Gallery, Bendigo, Australia Lupercalia, Adelaide Central Gallery, Adelaide, Australia Marriage: Love + Law, Penrith Regional Gallery, Penrith, Australia Weapons for a soldier, Araluen Arts Centre, Alice Springs, Australia National Anthem, Buxton Contemporary,