DOCSLIB.ORG

Waylon: an Autobiography Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Waylon: an Autobiography Free FREE WAYLON: AN AUTOBIOGRAPHY PDF Waylon Jennings,Lenny Kaye | 418 pages | 01 Sep 2012 | Chicago Review Press | 9781613744697 | English | Chicago, IL, United States Waylon Jennings - Wikipedia Uh-oh, it looks like your Internet Explorer is out of date. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. Enabling JavaScript in your browser will allow you to experience Waylon: An Autobiography the features of our site. Learn how to enable JavaScript on your browser. NOOK Book. There are Waylon: An Autobiography of Waylon moments to be enjoyed. Unflinchingly, the book reads true to the man: if you like Waylon, you'll love Waylon. An honest spotlight on a passel of colorful characters. One of the best of Waylon: An Autobiography tell-alls, as warm, peculiar, and individualistic as Jennings's music itself. And what a wonderful story of a country boy who despite hardships unimaginable attained success and stardom. A 'must read' for not anyone, but Waylon: An Autobiography. And read it if you admire renegades who throw away the formula and play it the way they hear it in their heads. Eminently readable. Jennings tells his tales with humor and detail. Home 1 Books 2. Add to Wishlist. Sign in to Purchase Waylon: An Autobiography. Members save with free shipping everyday! See Waylon: An Autobiography. Overview Equal parts outlaw, renegade, and legend, Waylon Jennings enjoyed a stellar music career for four decades and this no-holds-barred autobiography reveals the story of a man who infused conservative country music traditions with the energy of rock and roll to rewrite the rules of popular music in America. About the Author Waylon Jennings was an American country music singer, songwriter, and musician. He lives in New York City. Show More. Related Searches. This collection of ideas and lesson plans will help classroom and homeschool teachers Waylon: An Autobiography art This collection of ideas and lesson plans will help classroom and homeschool teachers integrate art into their general curriculum. These inventive and effective methods use the visual arts to inspire creative writing and drama; explore math, music, science, and history; View Product. Assata: Waylon: An Autobiography Autobiography. On May 2,Black Panther Assata Shakur aka JoAnne Chesimard lay in a hospital, close to death, handcuffed to her bed, while local, state, and federal police attempted to question her about the shootout on the New Jersey Turnpike Blood Kin of Jesus: James and the Lost. Bringing together recent archeological discoveries and the best contemporary scholarship, Kenneth Hanson, PhD, tells the Humankind needs to find and develop alternative forms of energy. Fossil fuels are being used up at an alarming pace, but other Feeding Back: Conversations with Alternative Guitarists from. Mix cornstarch Kings and Queens of Early Britain. Geoffrey Ashe skillfully weaves all the different accounts, legends, literature, historical documents into one continuous Geoffrey Ashe skillfully weaves all the different accounts, legends, literature, historical documents into one continuous narrative that recreates in intriguing detail all the rulers and events, real or mythical, that are part of the rich tapestry of early history in This entertaining and sharply written guide—for both beginners breaking into comedy and professionals seeking to This entertaining and sharply written guide—for both beginners breaking into comedy and professionals seeking to improve their sets and advance their careers—examines the work of great comedians such as Louis C. Chicago Review Press, Incorporated. [PDF] [EPUB] Waylon: An Autobiography Download Goodreads helps you Waylon: An Autobiography track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Preview — Waylon by Waylon Jennings. Waylon: An Autobiography by Waylon Jennings. Lenny Kaye. Waylon Jennings relates the story of his life as a country music star. His beginnings were poor but he became Buddy Holly's protege before sinking into drug abuse and 3 failed marriages. His success came when he met his present wife, Jessi Colter. Get A Copy. Hardcoverpages. More Details Original Waylon: An Autobiography. Other Editions Friend Reviews. To see what your Waylon: An Autobiography thought of this book, please sign up. To ask other readers questions about Waylonplease sign up. Lists with This Book. Community Reviews. Showing Average rating 4. Rating details. More filters. Sort order. Start your Waylon: An Autobiography of Waylon: An Autobiography. Even though for years I was more into rock and jazz though I've made many excursions into classic country, bluegrass, and alt-countryI've always listed Waylon Jennings "Dreamin' Waylon: An Autobiography Dreams" as one of my all-time Waylon: An Autobiography discs and probably one of the best-produced discs of all time. I stand by that opinion. I think producer Waylon: An Autobiography Clements helped capture not only a specific feeling and sound on that Waylon: An Autobiography but the sort of both raw and polished creativity that rarely gets laid down on any recordin Even though for years I was more into rock and jazz though I've made many excursions into classic country, bluegrass, and alt-countryI've always listed Waylon Jennings "Dreamin' My Dreams" as one of my all-time favorite discs and probably one of the best-produced discs of all time. I think producer Jack Clements helped capture not only a specific feeling and sound on that disc but the sort of both raw and polished creativity that rarely gets laid down on any recording. I was pleased to read in this autobiography that Waylon Jennings knew very well it was the best record he ever made. Waylon has lots of Waylon: An Autobiography to tell and he tells most of them in this book with candor, honesty and a sense of humble humour about himself and his industry image. Yes, he had his moments of being a wild man and a rebel but, mostly, he was just trying to get Waylon: An Autobiography the sounds he had in his head without outside interference. Anyone interested in music will have that Waylon: An Autobiography as a "must-hear" and this book as a "must-read. View all 3 comments. When I was looking at reading this book I read somewhere that someone said this book was almost like sitting down with Waylon and having him tell Waylon: An Autobiography life story over a few beers. That actually fits quite well. Waylon was one of the first to really break the conventenial country Waylon: An Autobiography barriers mainly because he wanted to play the music as he felt it. This tells all of his struggles as he went through those barriers and broke through Nashvilles walls into a new label known now as outlaw country. W When I was looking at reading this book I read somewhere that someone said this book was almost like sitting down with Waylon and having him tell his life story over a few beers. Waylon also tells of his excessive drug usage and how 20 to 30 amphetamines a day would help get him through from one gig to the next. And his story of shaking the big monkey of coke and pills off his back. Some of the more personal Waylon: An Autobiography towards the end of the book is really touching. I really enjoyed the stories of him hanging with some of the all time great folks that made country music. If anyone is interested in a real personal down and dirty look at Waylon Jennings this would be the book I would tell them to pick up. Mar 20, Rex Fuller rated it really liked it. Dirt poor in Texas. Girls and wives. Life as a prisoner of the road. Outlaw country. Why the hair. Why the beard. Why the clothes. John as he calls him Cash. More on Willie. Kris Kristofferson. Roger Miller. Tompall Glaser. Billy Joe Shaver. Lots of others. Waylon seems to have tried to get it all down, right, just once. To borrow his phrase, "a whole country music juke box of a life. I certainly did. View 2 Waylon: An Autobiography. Feb 28, Adamskmckenzie rated it liked it. A good read if you are interested in this artist. It begins slowly, and Waylon's colloquial writing style often irritates at first, but I felt real emotion in some of his more intense stories. I did not realize that he was so close with Buddy Holly. He described Buddy, at the time of his death, as his best friend and states that he slipped in to a deep depression for two years following the Waylon: An Autobiography crash. This section deals with the survivor's guilt that he experienced and was perhaps one of the A good read if you are interested in this Waylon: An Autobiography. This section deals with the survivor's guilt that he experienced and was perhaps one of the most complex and "real" moments in his story, but he fails to elaborate or explore sufficiently. Still, it does provide some insight and credit must be given for the intensity and empathy provoked in such a short passage - although perhaps this is an illusion, the short passage and provocative feeling allows the reader to insert his own experiences. Or is it just lazy writing, fear of self- probing? Isn't instilling such empathy the goal of all, at least most, writers? The other most interesting aspect of his storytelling is his description and analysis of failed relationships. Though his descriptions typically indicate plenty of blame between the two parties, he does not shy from exploring his flaws and inadequacies and questioning his judgment; and he makes no excuses.
Load more

Recommended publications
  • Essay on the Nomination and Confirmation of the First Latina Justice on the US Supreme Court
    ESSAYS AN ESSAY ON THE NOMINATION AND CONFIRMATION OF THE FIRST LATINA JUSTICE ON THE U.S. SUPREME COURT: THE ASSIMILATION DEMAND AT WORK KEVIN R. JOHNSON* INTRODUCTION ................................. ........... 98 I. THURGOOD MARSHALL'S APPOINTMENT TO THE SUPREME COURT: CONFIRMATION AS A TEST OF ASSIMILATION...................................... 107 A. The "JudicialActivist" Charge ............... 110 B. The "Anti-White" Presumption.............. 111 C. Affiliation with the National Association for the Advancement of Colored People ............. 112 II. SANDRA DAY O'CONNOR'S APPOINTMENT: SENATE CONFIRMATION AS CORONATION ......... 115 III. SONIA SOTOMAYOR'S APPOINTMENT TO THE SUPREME COURT: CONFIRMATION AS A TEST OF ASSIMILATION...................................... 119 * Dean, University of California at Davis School of Law and Mabie-Apallas Professor of Public Interest Law and Chicana/o Studies; A.B. University of Califor- nia, Berkeley; J.D. Harvard University. Elica Vafaie and Esmeralda Soria, both of the Class of 2011, provided invaluable research assistance. Joanna Cuevas Ingram and Michael Wu, both of the Class of 2012, and Aida Macedo, Class of 2011, pro- vided helpful editorial assistance. I participated with Hispanics for a Fair Judiciary in supporting Justice Sotomayor's confirmation and blogged on the Senate Judiciary Committee confirmation hearings for Concurring Opinions (http://www.concurring opinions.com/), La Opinion (http://www.impre.com/laopinion), and Immigration- Prof (http://lawprofessors.typepad.com/immigration/). Some of the ideas in this Es- say were presented in embryonic form in those forums. Conversations with Vik Amar helped my thinking on various parts of this Essay. Sofia Martos, Lauren Gil- bert, Afra Afsharipour, Cruz Reynoso, Miguel M6ndez, Michael Olivas, Steve Bender, Sylvia Lazos, Leticia Saucedo, Keith Aoki, Angela Onwuachi-Willig, Mary Romero, Christopher David Ruiz Cameron, Sergio Garcia, Luis Fuentes-Rohwer, Pedro Malavet, Maria Pab6n L6pez, Ediberto Romin, Mary Louise Frampton, and George A.
    [Show full text]
  • Waylon Jennings
    TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time.
    [Show full text]
  • Camp Long Creek In-Room Directory
    WELCOME! SERVICE DIRECTORY Bass Pro Shops Long Creek Marina ... .417-334-4860 Lost & Found ......................... Ext. 5213 Bass Pro Shops Shooting Academy ........ Ext. 5476 Medical Services Big Cedar Dining -Cox Medical Center Branson ...... .417-335-7000 -Buzzard Bar ........................ Ext. 7005 Mountain Top Golf Course .............. Ext. 5421 -Devil’s Pool Restaurant ............... Ext. 7000 Ozarks National Golf Course............. Ext. 5421 -Truman Café and Custard ............. Ext. 7241 Resort Operator .......................... Ext. 0 -Uncle Buck’s Fish Bowl & Grill ........ Ext. 5252 Security .............................. Ext. 5215 Big Cedar Family Photography ........... Ext. 7107 The Shoppe at Big Cedar ............... Ext. 7151 Big Cedar Front Desk .................. Ext. 5122 Top of the Rock Buffalo Ridge Golf Course & Pro Shop .... Ext. 5430 -General Information.................. Ext. 4002 Camp Long Creek Check-in Desk ........ Ext. 5455 -Ancient Ozarks Canteen at Long Creek .................Ext. 5447 Natural History Museum .............. Ext. 5310 Cedar Creek Spa ...................... Ext. 5201 -Arnie’s Barn General Store ............ Ext. 5339 Conferences & Banquets ................ Ext. 5159 -Lost Canyon Cave & Nature Trail....... Ext. 5305 Dining Reservations .................... Ext. 7107 -Top of the Rock Golf Course ........... Ext. 5343 Dogwood Canyon Nature Park ........... Ext. 3364 -Top of the Rock Golf Pro Shop ......... Ext. 5343 Emergency Assistance ..................... Ext. 0 -Welcome Center ....................
    [Show full text]
  • Jessi Colter out of the Ashes Mp3, Flac, Wma
    Jessi Colter Out Of The Ashes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues / Folk, World, & Country Album: Out Of The Ashes Country: US Released: 2006 Style: Country MP3 version RAR size: 1727 mb FLAC version RAR size: 1415 mb WMA version RAR size: 1795 mb Rating: 4.7 Votes: 850 Other Formats: AIFF MIDI RA MP1 AU MOD VOC Tracklist Hide Credits His Eye Is On The Sparrow 1 Written-By – Civilla Durfee Martin You Can Pick 'Em 2 Written-By – Jessi Colter, Ray Herndon Starman 3 Written-By – Jessi Colter The Phoenix Rises 4 Written-By – Jessi Colter Out Of The Rain 5 Featuring, Guitar, Vocals – Tony Joe White, Waylon JenningsWritten-By – Tony Joe White Velvet And Steel 6 Written-By – Jessi Colter Rainy Day Woman #12 & 35 7 Written-By – Bob Dylan You Took Me By Surprise 8 Written-By – Jessi Colter So Many Things 9 Written-By – Jessi Colter The Canyon 10 Written-By – Jessi Colter Never Got Over You 11 Written-By – Jessi Colter, Ray Herndon Please Carry Me Home 12 Featuring, Vocals, Drums – Shooter JenningsWritten-By – Jessi Colter, Shooter Jennings Credits Acoustic Bass – Don Was Backing Vocals – Carter Robertson, Greater Apostolic Christ Temple Choir (tracks: 5), Joanna Robertson Bass – Jerry Bridges Bass, Electric Piano [Wurlitzer], Organ, Percussion – Ray Kennedy Bass, Keyboards, Drums – Barny Robertson Cello – Jenny Lynn Young Drums – Jeff Hale Drums, Percussion – Richie Allbright Electric Guitar – Reggie Young Harmonica – Kirk "Jelly Roll" Johnson* Mastered By – Ray Kennedy Mixed By – JR Rodriguez (tracks: 12), Ray Kennedy Producer
    [Show full text]
  • Dave Cobb Episode Transcript
    VOICES IN THE HALL DAVE COBB EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, producer extraordinaire Dave Cobb. DAVE COBB When we approach these records we approach it much the way a record would’ve been done in 1965, 1970. And it’s humans playing together. There are mistakes all over the record. There’s timing issues, there’s tuning issues, there’s pitch issues, there’s flubs of words. The same way people are seeking out organically grown food, I think people are seeking out organically grown music at the same time. The moment I heard Chris Stapleton I was like, “Man I’ve got to track him down.” If I can just get to Nashville I’d run into him and I’d run into Jason Isbell and try to sucker them in to make records. I like to fly by the seat of my pants. Walk in and see what’s going to grab you that day. To me it was a really cool thing about linking really great artists that I like now, and linking Nashville, what Nashville is today. Taking kind of a snapshot of it. And I love it when I get to introduce somebody to somebody else I think is talented. And you see there eyes both sparkle. And I love the unity in the scene. That’s why I moved here. PETER COOPER It’s Voices in the Hall, with Dave Cobb. “4th of July” - Shooter Jennings (Black Magick / Universal South) PETER COOPER “Fourth of July,” from Shooter Jennings.
    [Show full text]
  • Discouraging Racial Preferences in Adoptions
    Discouraging Racial Preferences in Adoptions Solangel Maldonado* More than 20,000 white Americans go abroad each year to adopt children from other countries, the majority of whom are not white. At the same time, there are more African American children available for adoption than there are African American families seeking to adopt them. While Americans claim there are few healthy infants available for adoption in the United States, hundreds of African American newborns each year are placed with white families in Canada and other countries. Tracing the history of transracial adoption in the United States, this Article argues that one reason why Americans go abroad to adopt is race. The racial hierarchy in the adoption market places white children at the top, African American children at the bottom, and children of other races in between, thereby rendering Asian or Latin American children more desirable to adoptive parents than African American children. Drawing on the rich literature on cognitive bias, this Article debunks the myths about domestic and international adoptions and shows that racial preferences, even if unconscious, play a role in many Americans’ decisions to adopt internationally. This Article proposes that the law discourage adoptions based on racial preferences by requiring that Americans seeking to adopt internationally, while there are available children in the United States who meet their non-race-based criteria, show non-race-based reasons for going abroad. * Associate Professor, Seton Hall University School of Law. J.D. 1996, Columbia Law School. I am grateful to Michelle Adams, Mark Alexander, Ruby Andrew, Carlos Bellido, Carl Coleman, Kevin Kelly, Jason Gardner, Timothy Glynn, Tristin Green, Rachel Godsil, Charlie Sullivan, the participants in the 12th International Society of Family Law Conference in Salt Lake City, the participants in the Second National POC in Washington, D.C., and the participants in the LatCrit X Conference in San Juan, Puerto Rico, for their helpful comments.
    [Show full text]
  • Remembering Waylon
    FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum.
    [Show full text]
  • Austin's Progressive Country Music Scene and the Negotiation
    Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]
  • Michele Mulazzani's Playlist: Le 999 Canzoni Piu' Belle Del XX Secolo
    Michele Mulazzani’s Playlist: le 999 canzoni piu' belle del XX secolo (1900 – 1999) 001 - patti smith group - because the night - '78 002 - clash - london calling - '79 003 - rem - losing my religion - '91 004 - doors - light my fire - '67 005 - traffic - john barleycorn - '70 006 - beatles - lucy in the sky with diamonds - '67 007 - nirvana - smells like teen spirit - '91 008 - animals - house of the rising sun - '64 009 - byrds - mr tambourine man - '65 010 - joy division - love will tear us apart - '80 011 - crosby, stills & nash - suite: judy blue eyes - '69 012 - creedence clearwater revival - who'll stop the rain - '70 013 - gaye, marvin - what's going on - '71 014 - cocker, joe - with a little help from my friends - '69 015 - fleshtones - american beat - '84 016 - rolling stones - (i can't get no) satisfaction - '65 017 - joplin, janis - piece of my heart - '68 018 - red hot chili peppers - californication - '99 019 - bowie, david - heroes - '77 020 - led zeppelin - stairway to heaven - '71 021 - smiths - bigmouth strikes again - '86 022 - who - baba o'riley - '71 023 - xtc - making plans for nigel - '79 024 - lennon, john - imagine - '71 025 - dylan, bob - like a rolling stone - '65 026 - mamas and papas - california dreamin' - '65 027 - cure - charlotte sometimes - '81 028 - cranberries - zombie - '94 029 - morrison, van - astral weeks - '68 030 - springsteen, bruce - badlands - '78 031 - velvet underground & nico - sunday morning - '67 032 - modern lovers - roadrunner - '76 033 - talking heads - once in a lifetime - '80 034
    [Show full text]
  • “The Greatest Gift Is the Realization That Life Does Not Consist Either In
    “The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living.
    [Show full text]
  • Psaudio Copper
    Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column.
    [Show full text]