Camp Long Creek In-Room Directory
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Proposed Regulation of the State Board of Health Lcb
PROPOSED REGULATION OF THE STATE BOARD OF HEALTH LCB File No. R067-10 Chapter 444 – Public Bathing Places NAC 444 is hereby amended by adding thereto the provisions set forth as sections 1 to 248 inclusive of this regulation. Definitions Section 1 Definitions. As used in these regulations unless the context otherwise requires, the words and terms defined in these regulations have the meanings ascribed to them in those sections. Sec. 2 “Abrasion hazard” defined. “Abrasion hazard” means a sharp or rough surface that would scrape the skin by chance during normal use. Sec. 3 “Accessible” defined. “Accessible” means easily exposed for inspection and the replacement of materials and/or parts with the use of tools. Sec. 4 “Activity pool” defined. “Activity pool” means a water recreation attraction that has water- related activities such as rope ladders, rope swings, cargo nets and other similar activities designed primarily for bathers other than small children. Sec. 5 “Alkalinity” defined. “Alkalinity” means the amount of bicarbonate, carbonate or hydroxide compounds present in water solution. Sec. 6 “Anti-vortex drain” defined. “Anti-vortex drain” means a drain having a raised cover designed to prevent or minimize any vortex effect on a person that has come into contact with the drain. --1-- Agency Draft of Proposed Regulation R067-10 Sec. 7 “Approved” defined. “Approved” means acceptable to the health authority based upon a determination concerning conformance with appropriate standards and good public health practices. Sec. 8 “Artificial swimming lagoon” defined. “Artificial swimming lagoon” means an artificial body of water that is intended to be used by persons for swimming or bathing and that is constructed with special features to imitate a natural bathing place. -
Domaine De Verchant, Montpellier, France | Travel | the Times & the Sunday Times
10/12/2016 Domaine de Verchant, Montpellier, France | Travel | The Times & The Sunday Times MENU saturday december 10 2016 Ready for more? Get unlimited access to the stories behind the headlines by subscribing THE TIMES SPA GUIDE Domaine de Verchant, Montpellier, France This sprawling château is an A-list favourite, thanks to top-class spa treatments, chic bedrooms and gourmet dining Harriet Addison December 10 2016, 12:01am, The Times The château has charming courtyards and beautiful gardens Our site uses cookies. By continuing to use our site you are agreeing to our cookies policy. ACCEPT AND CLOSE Share Save http://www.thetimes.co.uk/article/the-times-spa-guide-domaine-de-verchant-montpellier-france-6d2c5b9pw 1/8 10/12/2016 Domaine de Verchant, Montpellier, France | Travel | The Times & The Sunday Times In a nutshell MENU saturdTahey d eDceommbeari ne10 2 d01e6 Verchant château sits slap-bang in the middle of a vineyard, 10km (just over six miles) from the Mediterranean coast, and only ten minutes’ drive from the airport. The sprawling, traditional 16th-century limestone château has charming courtyards with an orangery, and beautiful, manicured gardens. Slightly less classical is the quirky modern decor, with the odd splash of orange or geometric rugs. Last year the château opened a luxury spa, and you can practically reach out and touch the vines from the infinity pool . before getting stuck into a post-spa wine- tasting at the on-site winery. For the complete vineyard experience, you can have a full-body exfoliation in the spa which uses the pulp and pips leftover from the wine-making (known as vinotherapy). -
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Jessi Colter out of the Ashes Mp3, Flac, Wma
Jessi Colter Out Of The Ashes mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Blues / Folk, World, & Country Album: Out Of The Ashes Country: US Released: 2006 Style: Country MP3 version RAR size: 1727 mb FLAC version RAR size: 1415 mb WMA version RAR size: 1795 mb Rating: 4.7 Votes: 850 Other Formats: AIFF MIDI RA MP1 AU MOD VOC Tracklist Hide Credits His Eye Is On The Sparrow 1 Written-By – Civilla Durfee Martin You Can Pick 'Em 2 Written-By – Jessi Colter, Ray Herndon Starman 3 Written-By – Jessi Colter The Phoenix Rises 4 Written-By – Jessi Colter Out Of The Rain 5 Featuring, Guitar, Vocals – Tony Joe White, Waylon JenningsWritten-By – Tony Joe White Velvet And Steel 6 Written-By – Jessi Colter Rainy Day Woman #12 & 35 7 Written-By – Bob Dylan You Took Me By Surprise 8 Written-By – Jessi Colter So Many Things 9 Written-By – Jessi Colter The Canyon 10 Written-By – Jessi Colter Never Got Over You 11 Written-By – Jessi Colter, Ray Herndon Please Carry Me Home 12 Featuring, Vocals, Drums – Shooter JenningsWritten-By – Jessi Colter, Shooter Jennings Credits Acoustic Bass – Don Was Backing Vocals – Carter Robertson, Greater Apostolic Christ Temple Choir (tracks: 5), Joanna Robertson Bass – Jerry Bridges Bass, Electric Piano [Wurlitzer], Organ, Percussion – Ray Kennedy Bass, Keyboards, Drums – Barny Robertson Cello – Jenny Lynn Young Drums – Jeff Hale Drums, Percussion – Richie Allbright Electric Guitar – Reggie Young Harmonica – Kirk "Jelly Roll" Johnson* Mastered By – Ray Kennedy Mixed By – JR Rodriguez (tracks: 12), Ray Kennedy Producer -
Villa Pietrachiara General Description
Villa PietraChiara Indirizzo : Contrada Serralta 28, Marche 60048 General Description ##Description **Villa PietraChiara** is located in Contrada Serralta in the valley of Serra San Quirico, a small medieval town not far from the majestic Frasassi Caves. Apiro, with its quaint old town protected by solid castle walls, is about 17 km away. Elcito, a small town perched on a rocky outcrop, is about 35 km away. Ancona airport can be reached in about 30 minutes by car. This villa, renovated with a focus on design and comfort, features large living areas in country style. The interiors, intimate and cosy, combine simplicity and elegant details. Check-in operations with key delivery are performed on site. Late check-in must be reported in advance. The outdoor area is equipped with a stone portico, barbecue facilities and an infinity pool with a solarium. Free Wi-Fi in is available in all areas. Guests can park their cars within the property. ##Villa Villa PietraChiara offers large and bright interiors: -Villa: it consists of three housing units arranged over two levels The villa has bathrooms with shower and/or a bathtub, Wi-Fi, satellite TV, a kitchen with an oven, a fridge, a freezer, a dishwasher, a washing machine, heating and air conditioning. Fans are available on request. ##Why choose Villa PietraChiara? -In a quiet and private area -Pool with a solarium -Functional kitchen ##Reviews -Beautifully renovated villa -Lush garden -Bright interiors ##Food & drinks The villa has a kitchen with several appliances. ##It is the right choice if… You want to enjoy a relaxing and fun holiday with your family or friends. -
Acrylic Pool Design Private Residence • Italy Our Mission
Acrylic Pool Design Pool Acrylic Private Residence • Italy Our Mission Innovative Acrylics designs, fabricates and installs a variety of acrylic swimming pool windows and walls that offer spectacular views. While many pool window fabricators are limited to single-sided-rectangular viewing panels, we employ advanced manufacturing techniques to chemically bond and thermoform acrylic, allowing us to create multi-sided viewing panels of nearly any conceivable dimension. Whether you’re a homeowner looking to create a statement piece for your indoor or outdoor pool or a professional Acrylic panel swimming pool wall in search of a training aid, our acrylic transparencies offer unparalleled performance and versatility. Panel types Acrylic panels for swimming pools can be divided most simply into two unique categories, three-side and four-side support. 1 Three-Side Support Acrylic Panels for Swimming Pools Three-side support panels are secured at the sill and the jambs, leaving the top edge unconstrained and visibly exposed. Offering amazing versatility in the design of your pool, they can be placed in an array of configurations, from conventional rectangular swimming pool windows to complex L- and U-shaped acrylic pool walls. They are often at their most breathtaking when used in an infinity pool design. “Three-side support” refers to pool windows that are constrained along three sides. In this configuration, a cantilever-style rebate prevents translational rotation. Three-side Support Acrylic Panel The exposed top edge of three-side support panels allows for virtually unlimited possibilities in the appearance of your pool, but they all come down to freeboard and infinity pool edge styles. -
Dave Cobb Episode Transcript
VOICES IN THE HALL DAVE COBB EPISODE TRANSCRIPT PETER COOPER Welcome to Voices in the Hall, presented by the Country Music Hall of Fame and Museum. I’m Peter Cooper. Today’s guest, producer extraordinaire Dave Cobb. DAVE COBB When we approach these records we approach it much the way a record would’ve been done in 1965, 1970. And it’s humans playing together. There are mistakes all over the record. There’s timing issues, there’s tuning issues, there’s pitch issues, there’s flubs of words. The same way people are seeking out organically grown food, I think people are seeking out organically grown music at the same time. The moment I heard Chris Stapleton I was like, “Man I’ve got to track him down.” If I can just get to Nashville I’d run into him and I’d run into Jason Isbell and try to sucker them in to make records. I like to fly by the seat of my pants. Walk in and see what’s going to grab you that day. To me it was a really cool thing about linking really great artists that I like now, and linking Nashville, what Nashville is today. Taking kind of a snapshot of it. And I love it when I get to introduce somebody to somebody else I think is talented. And you see there eyes both sparkle. And I love the unity in the scene. That’s why I moved here. PETER COOPER It’s Voices in the Hall, with Dave Cobb. “4th of July” - Shooter Jennings (Black Magick / Universal South) PETER COOPER “Fourth of July,” from Shooter Jennings. -
Using Green Infrastructure to Support Water-Based
USING GREEN INFRASTRUCTURE TO SUPPORT WATER-BASED RECREATION IN LAKE HERRICK by CHRISTOPHER LANE MORPHIS (Under the Direction of Jon Calabria) ABSTRACT Lake Herrick was constructed on the University of Georgia’s south campus in 1982 with facilities for swimming and boating. Following a period of declining water quality, the lake was closed and is now under-utilized. This research provides an understanding of the water quality problems and details how green infrastructure landscape design interventions can improve water quality. The ultimate goal is to enhance the lake’s water quality and ecological health to reverse impairments and reinstate water-based recreation. An inventory and analysis of current and historical watershed conditions was conducted. Projective design was used to explore the feasibility of implementing a series of stormwater control measures (SCMs) throughout Lake Herrick’s watershed. A total of 29 individual SCMs were proposed and illustrated with details including placement location, footprint, and total projected cost. The recommendations for lake management treatments provide insight and guidance for management and restoration planning at Lake Herrick. INDEX WORDS: Watershed Management, Water Quality, Limnology, Hydrology, Green Infrastructure, Stormwater Control Measures USING GREEN INFRASTRUCTURE TO SUPPORT WATER-BASED RECREATION IN LAKE HERRICK by CHRISTOPHER LANE MORPHIS BS, The University of Georgia, 2010 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2015 © 2015 Christopher Lane Morphis All Rights Reserved USING GREEN INFRASTRUCTURE TO SUPPORT WATER-BASED RECREATION IN LAKE HERRICK by CHRISTOPHER LANE MORPHIS Major Professor: Jon Calabria Committee: Alfie Vick Laurie Fowler Jim Lanier Electronic Version Approved: Julie Coffield Interim Dean of the Graduate School The University of Georgia May 2015 DEDICATION This thesis is dedicated to Lake Allyn M. -
Genoa Charter Township Zoning Board of Appeals November 17, 2020 8:00 P.M
GENOA CHARTER TOWNSHIP ZONING BOARD OF APPEALS NOVEMBER 17, 2020 8:00 P.M. AGENDA Call to Order: Pledge of Allegiance: Introductions: Approval of Agenda: Call to the Public: (Please Note: The Board will not begin any new business after 10:00 p.m) 1. Request by Township Manager for interpretation of sections 11.04.03, 11.01.04, and 11.04.05 of the Township Zoning Ordinance as it applies to waterfront yards in accordance with section 23.02.03 of the Township Zoning Ordinance. A. Interpretations of Section 11.04.03 and 11.04.05 as it relates to swimming pools in the required waterfront yard. B. Interpretation of Section 11.01.04 and 11.04.05 as it relates to retaining walls and terraces in the required waterfront yard. 2. 20-18 … A request by Ventures Design, 3470 Pineridge Lane, for a variance to allow a swimming pool in the required waterfront yard and a variance to construct retaining walls in the required waterfront yard. Administrative Business: 1. Member Discussion 2. Adjournment 1 MEMORANDUM TO: Zoning Board of Appeals FROM: Michael Archinal; Manager DATE: 11/10/2020 RE: ZBA Case 20-18 Pursuant to §23.02.03 of the Zoning Ordinance I am requesting that the Zoning Board of Appeals interpret and clarify several sections as they pertain to waterfront yards. The applicant is seeking to install retaining walls and an infinity pool in a waterfront yard. §11.04.03 specifically applies to swimming pools. None of the conditions contained in this section provide a basis for denial. -
Marina Bay Sands Hotel Arch 631 Kayla Brittany Maria Michelle Overall Information
Marina Bay Sands Hotel Arch 631 Kayla Brittany Maria Michelle Overall Information Location: Singapore Date of Completion: 2010 Cost: $5.7 billion Architect: Moshe Safdie Executive Architect: Aedas, Pte Ltd. Structural Engineer: Arup Landscape Architects: Peter Walker and Partners Landscape Architects Height: 57 Stories (197 m, 640 ft) Design Concept • General parameters of the design were • EXPLORE (new living and lifestyle options) • EXCHANGE (new business ideas) • ENTERTAIN (rich cultural experiences) • 55 Stories of hotel • Garden on top of 1 hectare • 150 m (492 ft) infinity pool • Primary driving element of design was the need for a continuous atrium running along all three towers • Tapering of the building was then conceived Foundation Design • Built on reclaimed land • http://vimeo.com/18140 564 • Layers • Deepest layer is stiff-to-hard Old Alluvium (OA) • Middle layer (5m- 35m thick) is Kallang Formation made of deep soft clay marine deposits with some firm clay and medium dense sand of fluvial origin mixed in • Top layer (12m-15m thick) is sand infill Old Alluvium (OA) Layer • Used a forest of barrettes and 1m-3m diameter bored piles • Average excavation depth was 20m • 2.8 cubed Mm of fill and marine clay taken from site Cofferdams • Diaphragm walls used for minimum strutting • 5 reinforced concrete cofferdams – Circular • 2-120m diameter • 1-103 diameter – Peanut shaped (twin-celled) • 75m diameter – Semi-circular • 65m radius • Each was a dry enclosure – Construction carried out without need for conventional temporary support -
Remembering Waylon
FOR IMMEDIATE RELEASE Contact: Jaclyn Todisco 646-695-7053 [email protected] REMEMBERING WAYLON AN UNPRECEDENTED AUCTION FOCUSING ON THE LIFE AND TIMES OF WAYLON JENNINGS, THE LEGENDARY OUTLAW COUNTRY MUSICIAN WHO CARVED HIS WAY TO SUPER-STARDOM Memorable objects from Jennings’ career, plus remarkable items from many of his fellow musicians and friends including Hank Williams, John Lennon, Chet Atkins, Johnny Cash, Willie Nelson, and Muhammad Ali New York, NY (August 5, 2014) – On October 5 at Phoenix's stunning Musical Instrument Museum, New York City-based auction house Guernsey’s will resurrect the aura of outlaw country megastar Waylon Jennings with the sale of many of his personal belongings. For the first time, Jennings’ legions of fans will have a chance to own a piece of musical history. The featured collection is being offered by country music legend Jessi Colter, Jennings’ wife of more than thirty years with whom he often shared the stage. The event will help bring attention to the important care provided at the Phoenix Children’s Hospital. A driving force of the Outlaw Country movement that erupted in the ‘70s, Jennings rejected the conventions of country’s manufactured “Nashville Sound” and reached superstardom with his commanding baritone and stripped-down, updated honky tonk, which gave his music a gritty edge all its own. His style changed the face of country music and influenced countless musicians, as his songs consistently appeared on both Billboard’s country and pop charts throughout a career that spanned more than five decades. Jennings’ album Wanted! The Outlaws – featuring collaborations with his wife, Jessi Colter, Willie Nelson, and Tompall Glaser – peaked at No.1 on the charts and was the first country album to be certified platinum. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference.