Celebrating the Wall's Fall

Total Page:16

File Type:pdf, Size:1020Kb

Celebrating the Wall's Fall E H T Inside... oncordia Campus Life CUI Forensics pg. 3 Sports New rules for athletes pg. 4 Arts Graffiti art hits MOCA pg. 5 ourierInform. Inspire. Ignite. Involve. Volume 5, Issue 3 Concordia University Irvine Tuesday, September 28, 2010 A focus on failure BY ELYSSA SULLIVAN Celebrating the Wall’s fall STAFF WRITER “You can’t really describe it. You have to German Day marks the anniversary of freedom and hope experience it.” The words of Dr. Daniel van Voorhis, As- BY LAUREN WALSH sistant Professor of History, sum up the annual STAFF WRITER CUI Bono retreat centered this year on the topic of vocational failure. The first discussion of the weekend ana- German films, art and heritage are welcomed lyzed the professional and personal roles of by CUI as the University hosts a local cultural professors. Dr. Bret Taylor, Associate Profes- commemoration sor of Mathematics, believes his family always The destruction of the Berlin Wall is a celebra- comes first. Contrastingly, Dr. Ken Ebel, Pro- tion of freedom from the totalitarianism of East fessor of Biology, believes his vocation has pri- Germany. Dr. Senkbeil, Associate Provost, said, ority. He works in order to support his family. “[The importance of this convocation is to give] a In turn, his family supports the amount of time much deeper understanding of this historical pe- he puts into his job. riod, and its implications for life today.” Directly after this discussion was a ques- The construction of the Berlin Wall started in tion and answer panel with the professors. At August 1961. When it was completed, the wall was this time it was specified that vocation is not 96 miles long and had an average height of 11.8 just taking a call but also prioritizing. Failure feet. This wall was not made to protect its inhabit- to prioritize is ultimately what leads to a failure ants but rather to trap people in East Germany. On in one’s calling. June 12, 1987, President Ronald Reagan went to The next session discussed the necessity of Berlin to meet with the Soviet leader Mikhail Gor- universities to prioritize. This was followed by bachev and instructed him to tear down the Wall. lectures from Dr. Adam Francisco, Associate It was not until Nov. 9, 1989, that the East German Professor of History, and Dr. C.J. Armstrong, government allowed visits to West Germany. With Assistant Professor of History and Theology, that announcement thousands of East Berliners entitled “You’re Not Smart” and “You’re Not crossed over into West Germany, starting to tear Special” respectively. Francisco discussed the down the wall as they went. On Oct. 3, 1990, Ger- potential of students and the need to utilize many was officially united again. the tools around them to become smart. Arm- Dr. Uwe Siemon-Netto, Executive Director of strong outlined how students are not entitled the League of Faithful Masks, visiting journalism to anything—everything must be earned with- professor and journalist that not only reported on out exception. the Berlin Wall being built, but was also there to re- To close the weekend, professors spoke port it being torn down, has been instrumental in PHOTO COURTESY DR. UWE SIEMON-NETTO briefly on how students can get the most out of Art pictured on the German Day poster was common along the western side of the their college experience. the orchestration of this celebration. Many of the Berlin Wall. Thousands of people used to draw, scribble and paint on it. There was presenters are his contacts, and his personal expe- no vandalism on the eastern (Communist) side out of fear of forceful retaliation. “[A good student is] one who has the virtue rience with the Berlin Wall inspired this university of courage—the courage to throw out an an- and The League of Faithful Masks (a nonprofit or- that the tearing down of the wall caused. The Ger- presentations all day long as well as a screening swer. Have the courage to raise your hand and ganization that was “formed to create and promote man Consulate in Los Angeles is lending these of a new documentary, “One Germany, Twenty ask a question,” said, Dr. Korey Maas, Associate events and activities that explore the doctrine of films to CUI. The first two nights the films will Years Later.” Professor of Theology and Church History. devotion”) to host this celebration. be shown in the DeNault Auditorium, and the rest CUI faculty members and administrators Dr. Jack Schultz, Associate Professor of An- Dr. Siemon-Netto explained the importance of will be shown in the CU Center. such as Dr. Busch, Dr. Hyunjoo Choi, President thropology, focused on how classroom partici- our generation and future generations remember- Also starting on Oct. 2 is an exhibit at the Krueger and Dr. Senkbeil will be presenting. In pation can make or break a class. ing the reunification of Germany. “Unless you are Wende Museum in Culver City. The exhibit will addition, the Consul-General of Germany, Wolf- Dr. Soper, Assistant Professor of Biology, aware of the gift of freedom, the gift of free speech feature artifacts including the last private papers of gang Drautz, will speak as well as Dr. Michael summarized the weekend stating, “When the and travel, you will find yourself prey to fall under Erich Honecker, East Germany’s Communist Par- Reksulak, a Major in the German Army Reserves. students want more, the professors want to the power of totalitarianism,” Siemon-Netto said. ty Chief, secret police snooping devices and a great Reksulak served in both the East German and give more.” The first event on campus, German Film Week, collection of oil paintings from the time. Some of West German armies. Oct. 11 begins a series of lectures spon- starts on Oct. 2. These videos show various views these artifacts will be displayed on campus. The German Day celebration is free to fac- sored by CUI Bono. Armstrong will lead off, of what life was like in a divided Germany. These Oct. 6 is German Day at Concordia. There ulty and students. For more information visit speaking on “Am I a Good Person?—How Not movies give a glimpse of the kind of oppression will be historical witnesses that will be giving www.germanday.org. to Be a Barbarian” in the Third Floor Confer- ence Room of Grimm Hall at 7 p.m. TIMBER! — CUI construction update BY BRANDI AGUILAR “During the summer it’s easier to do projects STAFF WRITER because the students are home for the time be- ing, and we are free to use more space and time to do what we need to do. We want to get as much Due to structural damage, Facilities is work done as possible in the summertime so when reconstructing the decks in Upper and Lower the new semester starts, students will not have to Quads in addition to removing diseased trees worry about being disturbed by the loud noises around campus. of the machines and other equipment we use,” Richard Greener, Director of Facilities, said, Greener said. “We are trying to address any trip hazards to the Other students feel more positively about the sidewalks so students won’t trip.” In addition to the construction. “Even though sometimes we have sidewalks, concrete in the outdoor amphitheatre to take different routes to class because of the needed to be replaced. construction projects, I think it will be beneficial Students may also have noticed trees being in the long run because even though our cam- trimmed and cut over the weeks since school has pus looks great, it will look even better,” said Jayd started. “We had some diseased trees that we had Banuelos, sophomore. to take out. Branches were falling and we didn’t Although funds and resources are limited, want anyone to get hurt by them. Plus, when Greener made it a point to address the safety issues trees are overplanted, they tend to get unhealthy,” around campus. “I am glad the sidewalks are being said Greener. re-done. Sometimes I am afraid I will trip but now “Sometimes it’s hard to get to all of my classes I guess I won’t have to worry about it anymore” said with the construction going on, especially when Simone Ruffin, sophomore. they block off certain parts of the school,” said Kate To report any maintenance, landscaping or PHOTO BY MARGARET LANGDON Nordseth, sophomore. Greener himself prefers to other grounds concerns, contact Facilities at (949) Due to tree roots and other causes, paved walkways like the steps of the Outdoor do the construction work over the summer. Amphitheatre are being repaired, forcing students to find alternate routes to classes. 854-8002 x1530. Rather, speaking the truth in love, we are to grow up in every way into Him who is the head, into Christ, from whom the whole body, joined and held together by every joint with which it is equipped, when each part is working properly, makes the body grow so that it builds itself up in love. Ephesians 4:15-16 2 OpiniOn September 28, 2010 Editorial Off to Neverland! Or A College Student’s Reflection on the Supposed Life After Graduation The “Real World.” No, I’m not talking about “The true sto- World after I graduate. And if this is the case, how do I know “money doesn’t grow on trees.” [I don’t know anyone who has ry…of eight strangers…picked to live in a house…to find out when I’m there? Does the Real World set in after I shake the ever actually believed this…] what happens….when people stop being polite…” We all have Provost’s hand? What about when I receive my diploma? Or is I also think that they want me to learn how to resolve con- roommates—sometimes we call them family.
Recommended publications
  • Read Razorcake Issue #27 As A
    t’s never been easy. On average, I put sixty to seventy hours a Yesterday, some of us had helped our friend Chris move, and before we week into Razorcake. Basically, our crew does something that’s moved his stereo, we played the Rhythm Chicken’s new 7”. In the paus- IInot supposed to happen. Our budget is tiny. We operate out of a es between furious Chicken overtures, a guy yelled, “Hooray!” We had small apartment with half of the front room and a bedroom converted adopted our battle call. into a full-time office. We all work our asses off. In the past ten years, That evening, a couple bottles of whiskey later, after great sets by I’ve learned how to fix computers, how to set up networks, how to trou- Giant Haystacks and the Abi Yoyos, after one of our crew projectile bleshoot software. Not because I want to, but because we don’t have the vomited with deft precision and another crewmember suffered a poten- money to hire anybody to do it for us. The stinky underbelly of DIY is tially broken collarbone, This Is My Fist! took to the six-inch stage at finding out that you’ve got to master mundane and difficult things when The Poison Apple in L.A. We yelled and danced so much that stiff peo- you least want to. ple with sourpusses on their faces slunk to the back. We incited under- Co-founder Sean Carswell and I went on a weeklong tour with our aged hipster dancing.
    [Show full text]
  • For Those About to Rock’ Cybersimulcasting Live Music on the Internet
    position the experience of different and purcliasing details are available at: and tests of the misuse of market power. nations in promoting competition in http YAvww.circit. rmit.edu.au/publics/ 5 Extending across: carrier interconnection; information and communications sectors ipm_book.html service provider and content creator access to distribution channels; and end-user access to to provide some guidance and signposts services. through the policy development maze. 1 Nevertheless, the study does recognise national differences. For example, in Australia, legislation targeted the development of a dual network Published by RMIT University Press in Ross Kelso is Senior Research Fellow infrastructure between 1991-1997 and carriers for the International Research on December 1999, The Information Policy have invested significantly in infrastructure Maze: Global Challenges - National development. Similarly, in the UK, policy has Communication and Information Responses is the result of a three-year supported infrastructure duplication. With the Technologies at RMIT. project conducted by the Centre for announcement of the US National Information Infrastructure agenda in 1993 there was a Dianne Northfteld is a Research Fellmv International Research on Communication coincidence of industry investment in and Information Technologies infrastructure and new services. at CIRCIT at RMIT and the Harvard (“CIRCIT”) at RMIT, Melbourne Information Infrastructure 1 Including regulation of horizontal and vertical Project, Kennedy School of Australia, and the Program on Information agreements between firms; control of mergers Resources Policy (“PIRP”), Harvard and acquisitions; regulation of horizontal and/or Government, Harvard University. University, U.S.A, Further information vertical integration activities of individual firms; [email protected] ‘For Those About to Rock’ Cybersimulcasting Live Music on the Internet Therese Catanzariti offers a lively analysis of the intellectual property issues in cybersimulcasting.
    [Show full text]
  • BRAVO HITS 49 Datum Vydání: 10
    BRAVO HITS 49 Datum vydání: 10. 6. 200 5 Počet nosičů: 2CD Počet skladeb: 42 Vydavatelství: Sony BMG Music Entertaiment (Germany) GmbH Verze: německá | club EAN: 828766 994827 | 370031 TRACKLIST: CD1: 01. WILL SMITH Switch 3:17 (Will Smith, Kwarme Holland, Lennie Bennett ) - Treyball Music Inc. (ASCAP)/Love -N-Loyalty Music (BMI) ; (P) 200 5 Interscope Records ; S laskavým svolením firmy Universal Music International Division, a division of Universal Music GmbH 02. GWEN STEFANI FEAT. EVE Rich Girl 3:57 (M. Batson, J. Bock, K. DioGuardi, M. Elizondo, Eve, S. Harnick, Chantal Kreviazuk, G. Stefani, Andre R. Young ) - Ain't Nuthin' Goin' On But Fuckin' Music/WB Music Corp. (ASCAP)/Bat Future Music (BMI)/Blondie Rockwell Publishing/Universal Music Corp. (ASCAP)/Elvismambo Music/Blotter/Music Of Windswept (ASCAP)/HaraJaku Lover Music (ASCAP)/Jer ry Bock Enterprises (BMI)/K'Stuff Publishing (BMI), administered in the U.S. and Canada by ArtHouse Entertaiment. Administered outside the U.S. and Canada by EMI Music Ltd./Mayerling Productions Ltd. (BMI), adm. by R&H Music/Neverwouldhavethought Music/Son y Music Publishing (SOCAN) ; (P) 200 4 Interscope Records; S laskavým svolením firmy U niversal Music International Division, a division of Universal Music GmbH 03. PHANTOM PLANET California 3:14 (Alexander Greenwald/Jason Schwartzmann ) - Flying Saucer Fuel Music/Beaucoup Bucks Inc ./Johnny Rebel Music/I Like Music/Shaggstar Publishing Co. ; (P) 200 1 Sony BMG Music Entertaiment 04. LINDSAY LOHAN Over 3:35 (Kara DioGuardi, John Shanks, Lindsay Lohan ) - K'Stuff Publishing (BMI)/Dylon Jackson Music/ WB Music Corp. (ASCAP) ; (P) 200 4 Casablance Music LLC ; S laskavým svolením firmy Universal Music International Division, a division of Universal Music GmbH 05.
    [Show full text]
  • PLAYTEX Ja N 1 I
    PAGE FORTY-FOUR Aanrhi^ater lEwntng Hwali* df' The Rotary <31ub will meet tomorrow at «:80 p.m. at -the About Town Manchester Country Club. Capt. KiBg David Lodge of Odd Lawrerice Beadle, offlcervln- Fellowa will meet at Watkto ctaarge of th6 Manchester Sal­ IJOH LSI: Funeral Home tonight at 8 to vation Army Corps Vrtll present you've .drf conduct a memorial service for a special program. LaBergeOeer, a member. Drniald and Eileen Tlem ey OUR The Advent Study Group of Hayes of Sacramento, Calif., are Tinex Gift Watches B t A'T St. M ary’s^ Bidscopak Church visiting with their families, Mrs. T B t CAN will meet tonight at 8 in the Dorothy Hayes of 28 Parker Old P ^ s h Hall to consider the St., and Mr. and Mrs. Peter third and last of the services of Tlemey of East Hartford, for Holy Communion 'which have the holidays. u s MAIN NntKVr ForMTheFaaal) , Y oung V o ter s been approved for trial use In And we tell you that when it comes to the Bpiscopal ClMirch. v Holiday S w ^ ish Korv, Fresh Capons, on SST Manchester C3iaptor, Filibuster Conne^cut Fresh Turkeys, U.S. Manchester Lodge of Masons SPEBSQBA ,wlU rehearse to­ Wooed by Political Gfbups Choice Aged Tender Rib Roast Beef will have a short business night at 8 at the Army-Navy and Morrell Hams, we agree with you. meeting tomorrow at 7:80 p.m. Club. The rehearsal la open to *6“ to *45. JOHN STOWEUi ering the voting age to 18 for all vada.
    [Show full text]
  • Orchestrating Public Opinion
    Paul ChristiansenPaul Orchestrating Public Opinion Paul Christiansen Orchestrating Public Opinion How Music Persuades in Television Political Ads for US Presidential Campaigns, 1952-2016 Orchestrating Public Opinion Orchestrating Public Opinion How Music Persuades in Television Political Ads for US Presidential Campaigns, 1952-2016 Paul Christiansen Amsterdam University Press Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout Amsterdam University Press English-language titles are distributed in the US and Canada by the University of Chicago Press. isbn 978 94 6298 188 1 e-isbn 978 90 4853 167 7 doi 10.5117/9789462981881 nur 670 © P. Christiansen / Amsterdam University Press B.V., Amsterdam 2018 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Table of Contents Acknowledgments 7 Introduction 10 1. The Age of Innocence: 1952 31 2. Still Liking Ike: 1956 42 3. The New Frontier: 1960 47 4. Daisies for Peace: 1964 56 5. This Time Vote Like Your Whole World Depended On It: 1968 63 6. Nixon Now! 1972 73 7. A Leader, For a Change: 1976 90 8. The Ayatollah Casts a Vote: 1980 95 9. Morning in America: 1984 101 10.
    [Show full text]
  • SIXTY YEARS of AUSTRALIAN UNION SONGS the Australian Folk Revival and the Australian Labour Movement Since the Second World War
    SIXTY YEARS OF AUSTRALIAN UNION SONGS The Australian Folk Revival and The Australian Labour Movement Since The Second World War Mark Gregory Books, magazines, concerts and recordings !is book was made available with the generous support of CFMEU (Mining and Energy Division) Maritime Union of Australia NSW Teachers Federation Peter Neilson CONTENTS Summary i Acknowledgements ii Introduction 1 Chapter One 5 The Australian Folk Revival and the Union Movement Chapter Two 23 Folk Song and Unions - Political Songs Chapter Three 37 Art and Working Life Program Chapter Four 48 MUA centenary CD and the Union Songs website Chapter Five 61 Rights at Work: Contemporary Song and Poetry Chapter Six 71 Conclusion Bibliography 76 Discography 80 Websites cited 82 Listen to MUA centenary CD tracks online at http://unionsong.com/wtatracks.html SUMMARY This thesis, Sixty Years of Australian Union Songs, comprises three parts: a CD - With These Arms, a website – Union Songs, and a critical review of union songs written in Australia over the past sixty years. The thesis explores the relationship between the Australian folk revival and Australian Trade Unions. It provides a detailed study of events in the post war history of the union movement and the folk revival as evidence of a long relationship between them. Through a series of interviews with songwriters, and a discussion of folk revival magazines and folk song books, the thesis investigates the details of the connections between the two movements, and the social and political effects of these movements on changes that have occurred in Australia since the end of World War 2.
    [Show full text]
  • Doctor of Philosophy
    A thesis submitted in total fulfilment of the requirements for the degree of Doctor of Philosophy School of Social Sciences University of Western Sydney March 2007 ii CONTENTS LIST OF TABLES........................................................................................ VIII LIST OF FIGURES ...................................................................................... VIII LIST OF PHOTOGRAPHS ............................................................................ IX ACKNOWLEDGMENTS................................................................................. X STATEMENT OF AUTHORSHIP .................................................................. XI PRESENTATION OF RESEARCH............................................................... XII SUMMARY ..................................................................................................XIV CHAPTER 1 INTRODUCING MUSIC FESTIVALS AS POSTMODERN SITES OF CONSUMPTION.............................................................................1 1.1 The Aim of the Research ................................................................................................................. 6 1.2 Consumer Society............................................................................................................................. 8 1.3 Consuming ‘Youth’........................................................................................................................ 10 1.4 Defining Youth ..............................................................................................................................
    [Show full text]
  • An Examined Life
    THE MAGAZINE OF MONMOUTH UNIVERSITY » FALL 2018 BEATLEMANIA EXPLAINED Why the Fab Four still fascinate us. AN page 04 EXAMINED PAW BEARER The life of a pet funeral director. LIFE page 32 Acclaimed sculptor Brian REEL Hanlon ’88 finds the untold EXCITEMENT Catching sharks stories behind his famous subjects. for science. page 22 page 36 GRADUATE STUDIES YOUR FUTURE: MASTERED Information Session 11/17 @ 10 a.m. REGISTER @ MONMOUTH.EDU/INFO Continue your studies by pursuing a graduate degree at Monmouth University. Programs include: • Addiction Studies • Anthropology • Business Administration (MBA) • Clinical Mental Health Counseling • Communication • Computer Science • Criminal Justice • Education - Teaching, MSEd, MEd and EdD options • English • History • Information Systems • Nursing (MSN, DNP) • Physician Assistant • Social Work - Traditional/Advanced Standing MSW • Software Engineering • Speech-Language Pathology Graduate scholarships available for eligible students. 732-571-3452 | West Long Branch, NJ MU206017_GRAD_Ad-8x10.5_Generic_FINAL.indd 1 9/12/18 4:58 PM GRADUATE STUDIES Contents Features | Fall 2018 YOUR FUTURE: BACKSTORY » Keith Dunton and his research team fish for sharks for hours, sometimes casting lines until MASTERED midnight. Despite their best efforts, it still took two trips to photograph our “Tag Team” Information Session feature. On the first night, the team didn’t get a single bite. 11/17 @ 10 a.m. Story, p. 36. REGISTER @ MONMOUTH.EDU/INFO Continue your studies by pursuing a graduate degree at Monmouth University.
    [Show full text]
  • Narelle Gee Thesis
    MAINTAINING OUR RAGE: INSIDE AUSTRALIA’S LONGEST-RUNNING MUSIC VIDEO PROGRAM. By Narelle Gee BA/DipEd (University of NSW) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Creative Industries) School of Media, Entertainment, Creative Arts, Film, Screen and Animation Creative Industries Faculty Queensland University of Technology 2015 Key Words ABC Music Television Alternative Music Music Videos Australian Broadcasting Corporation Popular Music Australian Cultural Industries Production Cultures Australian Television Public Service Broadcasting Creative Labour rage Cultural Production Television Broadcasting Media Culture Television Production Music Industry TV Programs 2 Abstract The thesis, “Maintaining our rage: inside Australia’s longest-running music video program”, takes a reflective and reflexive narrative journey across the decades of rage, from its 1987 creation through to the program’s current incarnation, providing unique insider perspectives and affordances. Australia’s longest-running music video program is also, arguably, the most sustained such program globally (Bodey, 2012; Helper, 2012). Despite its longevity, there has been scarce scholarly analysis of rage, and of what has underpinned its unusual endurance; many music video programs have come and gone during the program’s long-held tenure. How has rage survived the vicissitudes of network programming – particularly within the capricious space of music video programming - and maintained its cultural place and role, for more than a quarter of a century? The significance of this research is that it explores rage’s unusual durability, examines the program’s unique elements, and answers three key research questions: What has been the history of rage as a program and a cultural entity? What has been the cultural significance of rage? How did rage create a shift within the music industry ecology of Australia? This thesis presents an insider’s account of rage, exploring it within its ABC TV and public broadcasting context.
    [Show full text]
  • American Popular Music
    American Popular Music Larry Starr & Christopher Waterman Copyright © 2003, 2007 by Oxford University Press, Inc. This condensation of AMERICAN POPULAR MUSIC: FROM MINSTRELSY TO MP3 is a condensation of the book originally published in English in 2006 and is offered in this condensation by arrangement with Oxford University Press, Inc. Larry Starr is Professor of Music at the University of Washington. His previous publications include Clockwise from top: The Dickinson Songs of Aaron Bob Dylan and Joan Copland (2002), A Union of Baez on the road; Diana Ross sings to Diversities: Style in the Music of thousands; Louis Charles Ives (1992), and articles Armstrong and his in American Music, Perspectives trumpet; DJ Jazzy Jeff of New Music, Musical Quarterly, spins records; ‘NSync and Journal of Popular Music in concert; Elvis Studies. Christopher Waterman Presley sings and acts. is Dean of the School of Arts and Architecture at the University of California, Los Angeles. His previous publications include Jùjú: A Social History and Ethnography of an African Popular Music (1990) and articles in Ethnomusicology and Music Educator’s Journal. American Popular Music Larry Starr & Christopher Waterman CONTENTS � Introduction .............................................................................................. 3 CHAPTER 1: Streams of Tradition: The Sources of Popular Music ......................... 6 CHAPTER 2: Popular Music: Nineteenth and Early Twentieth Centuries .......... ... 1 2 An Early Pop Songwriter: Stephen Foster ........................................... 1 9 CHAPTER 3: Popular Jazz and Swing: America’s Original Art Form ...................... 2 0 CHAPTER 4: Tin Pan Alley: Creating “Musical Standards” ..................................... 2 6 CHAPTER 5: Early Music of the American South: “Race Records” and “Hillbilly Music” ....................................................................................... 3 0 CHAPTER 6: Rhythm & Blues: From Jump Blues to Doo-Wop ................................
    [Show full text]
  • Education Kit
    2017 Limelight Australian Composition Seminar Hosted by Santa Sabina College, Strathfield Education Kit This is the Test from No Distant Place - Lisa Cheney ​ ​ ​ Debugeti from The Lyrebird in my Piano - Richard Grantham ​ ​ ​ Tango-Valse-Rag from L’Histoire du Soldat - Igor Stravinsky ​ ​ Kit authored by Andrew Batt-Rawden, Lisa Cheney and Richard Grantham This is the Test Movement 2 of ‘No Distant Place’ Lisa Cheney 2015 Context Composed: 2015 Audio Link: www.limelightmagazine.com.au/acs2017 Tempo; MM=60 Key; Tonal centres with different scale structures throughout Metre: None Composition Notes - By Lisa Cheney I. Soul’s Eternity II. This is the Test Earlier this year I had the unique experience of discovering a poem by Derek Bourne-Jones in a cemetery, located on a rock in the centre of a beautiful ‘Garden of No Distant Place’. The powerful words of the poem eloquently touched on many feelings that I had had up until to that point about life, loss, sacrifice, eternity and most importantly, love. Drawing my inspiration from the poem, ‘No Distant Place’ is being approached as a large-scale and long-term project, of which Movement I and II are initial offerings. Movement I, ‘Soul’s Eternity’ is dedicated to the contributions of our World War 1 heroes, in particular the selfless bravery of Army Nurse Rachel Pratt. Conflicting emotions arise when reflecting on such tragic events as war and sacrifice; an undeniable sense of deep sadness and loss, an aching awareness of the long term impacts and of the vast legacies left behind. These feelings combined left me with a sense of depth, timelessness and the gravity of an immeasurable ‘eternity’.
    [Show full text]
  • Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
    Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David).
    [Show full text]