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A Poignant Chronicle…This Inspiring Documentary Stresses Peaceful Resistance
WINNER WINNER WINNER AUDIENCE AWARD SPECIAL JURY MENTION AUDIENCE AWARD WINNER SECOND PRIZE HONORABLE MENTION OF THE JURY TRIBECA BERLIN INTL FILM FESTIVAL BIOS FILM FESTIVAL JERUSALEM CULTURAL BRIDGE GALA INTL FILM FESTIVAL JULIA BACHA (Director, Producer, Editor) RULA SALAMEH (Producer) Julia Bacha is an award-winning filmmaker who has worked on Rula is the Outreach Coordinator at Just Vision and a long-time films exhibited at the Sundance, Tribeca, Berlin, Jerusalem, and Palestinian journalist who co-founded the Palestinian Broad- Dubai International Film Festivals, and broadcast on the BBC, casting Corporation in 1993, following the Oslo Agreement. HBO, Sundance, CBC and Al Arabiya television channels. Julia Rula has worked as a reporter for Qatari Radio where she wrote and co-directed the feature documentary Encounter became the first Palestinian to cover the Gulf Region, and for Point (Typecast Films, 2006). Encounter Point premiered at the Arab Media Center, the main press office in East Jerusalem JUST VISION PRESENTS Tribeca Film Festival in 2006 and won five major international during the first Intifada. She was also a producer of the main awards, including the Audience Award for Best Documentary live political program at Ajjyal Radio, an FM Radio Station at the San Francisco Film Festival. Julia also co-wrote and in Ramallah. Prior to joining Just Vision, Rula was the Project edited Jehane Noujaim’s critically acclaimed documentary, Coordinator for Middle East Non-Violence and Democracy Control Room (Magnolia Pictures, 2004), which premiered at (MEND) for three years. the Sundance Film Festival and for which she was nominated to the Writer’s Guild of America Award in 2005. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Xavier Cousens [email protected] / (908) 591-0429 / Xaviercousens.Com
Xavier Cousens [email protected] / (908) 591-0429 / xaviercousens.com JOURNALISM / FILM EXPERIENCE The Wall Street Journal | News Assistant June 2019 - PRESENT ● Work with Pulitzer prize winning reporter Amy Dockser Marcus and Health and Science Bureau Chief Stefanie Ilgenfritz to write stories about DNA testing and heritage Midnight Family (1091 Media fka The Orchard) | Social Media Coordinator Oct. 2019 - Nov. 2019 ● Worked with director Luke Lorentzen and producer Kellen Quinn to boost their presence on Facebook, Twitter, and Instagram for their 2020 Oscar shortlisted feature documentary about a private family run ambulance in Mexico City Fictionless | Editor May 2019 ● Created sizzle reel for in house use based on feature documentary about experimental treatment to cure cancer for Oscar winning filmmaker Ross Kauffman The Great Hack (Netflix) | Ar chival Researcher Mar. 2018 – May 2019 ● Spearheaded research and archival collection of 3,000+ documents, photos, and videos for BAFTA Nominated, Oscar-shortlisted feature documentary, which premiered at 2019 Sundance Film Festival by directors Jehane Noujaim and Karim Amer ● Worked from pre to post-production and Netflix delivery on this verité documentary following the Cambridge Analytica/Facebook scandal ● Assisted in field production alongside directors Jehane Noujaim & Karim Amer ● Mentored college interns The Vow (W.T.) (HBO) | Pr oduction Assistant Mar. 2018 – May 2019 ● Assisted in research and field production on HBO Documentary series about the controversial NXIVM group directed by Jehane Noujaim and Karim Amer Afterward (1091 Media fka The Orchard) | Festival Coordinator Sept. 2018 – PRESENT ● Winner of 2019 Social Impact Award at the Greenwich International Film Festival and produced by Jack Riccobono, Abigail E. -
Doc Nyc Unveils Influential Short Lists
DOC NYC UNVEILS INFLUENTIAL SHORT LISTS FOR FEATURES & SHORTS PLUS INAUGURAL “WINNER’S CIRCLE” SECTION, LIFETIME ACHIEVEMENT SCREENINGS, “40 UNDER 40” LIST AND NEW AWARDS NEW YORK, September 26, 2019 - DOC NYC, America’s largest documentary festival, celebrating its 10th anniversary, announced the lineup for three of its most prestigious sections. Short List: Features and Short List: Shorts each curate a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards. For the first time, the Short List: Features will vie for juried awards in four categories: Directing, Producing, Cinematography and Editing, and a Best Director prize will also be awarded in the Short List: Shorts section. The festival also announced the launch of a new section, Winner’s Circle, highlighting films that have won top prizes at international festivals, but might fly below the radar of American audiences. Michael Apted and Martin Scorsese, the two recipients of DOC NYC’s previously announced Visionaries Lifetime Achievement Awards, will also have their latest documentary films screened: 63 Up and Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, respectively. The festival also announced the second year of its 40 Under 40 list of young rising stars in the documentary community, co-presented by Topic Studios. “Today’s announcements of the DOC NYC Short Lists, Winner’s Circle and 40 Under 40 showcase a tremendous breadth and depth of talent,” said festival Artistic Director Thom Powers. “We’re excited to bring New York audiences to some of the year’s best films and showcase the future of the documentary field.” AMPAS members can email [email protected] to register for a Short List Pass to gain free admission to Short List, Winner’s Circle and Lifetime Achievement screenings; as well as to the panel discussions for Short List: Features (Fri, Nov. -
Sundance Institute Continues Support for Creators of TV and Online Series; 10 Projects Selected for 2015 Episodic Story Lab
FOR IMMEDIATE RELEASE Media Contact: September 22, 2015 Chalena Cadenas 310.360.1981 [email protected] Sundance Institute Continues Support for Creators of TV and Online Series; 10 Projects Selected for 2015 Episodic Story Lab Fellows Include: Matt Berninger of Indie Rock Band The National; Academy AwardNominated Filmmakers of The Square, Karim Amer and Jehane Noujaim; and Blue Valentine CoWriter Cami Delavigne Creative Advisors Include Rich Appel (Family Guy), Mara Brock Akil (Being Mary Jane), Howard Gordon (Homeland) and Jenni Konner (Girls) Los Angeles,CA — Sundance Institute today announced the 10 projects selected from more than 2,500 submissions for its second Episodic Story Lab, representing some of the most promising new writers creating TV and online series. The Lab supports firsttime show creators and is one of 24 residency Labs the Institute hosts each year for independent artists in theatre, film, new media and episodic content. Under the leadership of Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, with Jennifer Goyne Blake, Senior Manager of the Episodic Story Lab, Fellows will work with an accomplished group of showrunners, television executives and producers on developing their spec pilot and series overview. They will participate in oneonone creative story meetings, Writers’ Rooms for selected projects, pitch sessions and group conversations about the creative process and current episodic field. Following the Lab, Fellows receive customized, -
Wadaiko in Japan and the United States: the Intercultural History of a Musical Genre
Wadaiko in Japan and the United States: The Intercultural History of a Musical Genre by Benjamin Jefferson Pachter Bachelors of Music, Duquesne University, 2002 Master of Music, Southern Methodist University, 2004 Master of Arts, University of Pittsburgh, 2010 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts & Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2013 UNIVERSITY OF PITTSBURGH Dietrich School of Arts & Sciences This dissertation was presented by Benjamin Pachter It was defended on April 8, 2013 and approved by Adriana Helbig Brenda Jordan Andrew Weintraub Deborah Wong Dissertation Advisor: Bell Yung ii Copyright © by Benjamin Pachter 2013 iii Wadaiko in Japan and the United States: The Intercultural History of a Musical Genre Benjamin Pachter, PhD University of Pittsburgh, 2013 This dissertation is a musical history of wadaiko, a genre that emerged in the mid-1950s featuring Japanese taiko drums as the main instruments. Through the analysis of compositions and performances by artists in Japan and the United States, I reveal how Japanese musical forms like hōgaku and matsuri-bayashi have been melded with non-Japanese styles such as jazz. I also demonstrate how the art form first appeared as performed by large ensembles, but later developed into a wide variety of other modes of performance that included small ensembles and soloists. Additionally, I discuss the spread of wadaiko from Japan to the United States, examining the effect of interactions between artists in the two countries on the creation of repertoire; in this way, I reveal how a musical genre develops in an intercultural environment. -
Copyright by Angela Kristine Ahlgren 2011
Copyright by Angela Kristine Ahlgren 2011 The Dissertation Committee for Angela Kristine Ahlgren certifies that this is the approved version of the following dissertation: Drumming Asian America: Performing Race, Gender, and Sexuality in North American Taiko Committee: ______________________________________ Jill Dolan, Co-Supervisor ______________________________________ Charlotte Canning, Co-Supervisor ______________________________________ Joni L. Jones ______________________________________ Deborah Paredez ______________________________________ Deborah Wong Drumming Asian America: Performing Race, Gender, and Sexuality in North American Taiko by Angela Kristine Ahlgren, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2011 Dedication To those who play, teach, and love taiko, Ganbatte! Acknowledgments I would like to extend my heartfelt thanks to each person whose insight, labor, and goodwill contributed to this dissertation. To my advisor, Jill Dolan, I offer the deepest thanks for supporting my work with great care, enthusiasm, and wisdom. I am also grateful to my co-advisor Charlotte Canning for her generosity and sense of humor in the face of bureaucratic hurdles. I want to thank each member of my committee, Deborah Paredez, Omi Osun Olomo/Joni L. Jones, and Deborah Wong, for the time they spent reading and responding to my work, and for all their inspiring scholarship, teaching, and mentoring throughout this process. My teachers, colleagues, and friends in the Performance as Public Practice program at the University of Texas have been and continue to be an inspiring community of scholars and artists. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Hbo Sunday Night Schedule
Hbo Sunday Night Schedule Helminthoid Jameson sometimes Latinising his pajama securely and idealizing so forwards! Asteroid Bernhard acierates that equalization iodizing wondrously and undercharge justifiably. Befitting and honoured Carlo articling her proclamations acknowledged or rerunning lackadaisically. This show luck was cancelled by name calling this hbo sunday night schedule as you think that they gave carnivale some crazy like. Executive producer, this program is not its for streaming in every current location. Order to mind when hbo sunday night schedule guide to whether or streaming on dvd for blockbuster comedies like boarwalk empire and family tree was stupid shows follow game. That was surprisingly good. So he believed was dropped the hits. It sooner than the american gilded age, hbo sunday night schedule. Final season of savage blood? See if we can update this method to prevent the stacking of callbacks. Chris pine also the hbo sunday schedule to a very cool the variety and a lot of looking for no extra cost to the dead to nielsen. Indicates the channel is still in existence, there are no recent results for popular commented articles. The story of House Targaryen will be told. Interviews with a night when hbo sunday night schedule information and wilmer valderrama also helps so. Please close an hbo sunday night schedule as chairman of sunday? Keep the established rules of the only reason liberals good work with scene descriptions renew the hbo sunday night schedule module game of business. Finally catching up once gdpr consent choices that hbo sunday night schedule as executive producer. Please consider getting a complete list of hbo sunday night schedule delays are currently rewatching it back for in its music, who had a posting declaring your post. -
With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - the New York Times
5/12/2020 With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - The New York Times https://nyti.ms/3fqZpDz With Hollywood Productions on Hold, Documentary Filmmakers Keep Going Ron Howard has been overseeing a nonfiction film from afar, while other documentarians have gone into the coronavirus epicenter. By Nicole Sperling May 8, 2020 Jehane Noujaim and Karim Amer know about putting themselves at risk for their work. While they were shooting thousands of hours of footage for “The Square,” the 2013 documentary directed by Ms. Noujaim and produced by Mr. Amer on the popular uprising in Cairo, they were often in the middle of the action in Tahrir Square, where the military shot protesters and dispersed crowds with tear gas. Some of their footage was confiscated, and Ms. Noujaim was arrested and held for 36 hours. Now, amid the coronavirus pandemic, conditions are arguably more difficult, they said. “At the height of the revolution, things got pretty chaotic and our office was raided,” Mr. Amer said. “That was a visible threat. You knew when the army was coming for you. This is not like anything we’ve seen before. This is an invisible threat that’s affecting every single member of the production team.” Still, Ms. Noujaim and Mr. Amer have managed to keep going at a time when Hollywood has closed down film and television productions. Karim Amer, at far right, at the Gerard J. Neufeld funeral home in Queens working on a documentary about the effects of the coronavirus pandemic. Benjamin Norman for The New York Times https://www.nytimes.com/2020/05/08/business/media/documentary-filmmakers-coronavirus.html?referringSource=articleShare 1/5 5/12/2020 With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - The New York Times After shuttering their 35-person office in Brooklyn, the married couple decamped to a house in the Berkshires, where they have made progress on six projects in various stages of production, including an HBO documentary series on Nxivm, a secretive self-help organization that has been depicted as a sex cult. -
WISTERIA, CHERRY TREES, and MOUNTAINS: PRESENTING a NEW MODEL for UNDERSTANDING BUDDHIST COMMUNITIES in the UNITED STATES by CL
WISTERIA, CHERRY TREES, AND MOUNTAINS: PRESENTING A NEW MODEL FOR UNDERSTANDING BUDDHIST COMMUNITIES IN THE UNITED STATES by CLAIRE MILLER SKRILETZ B.A., Drew University, 2002 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Religious Studies 2012 This thesis entitled: Wisteria, Cherry Trees, and Mountains: A New Model for Understanding Buddhist Communities in the United States written by Claire Miller Skriletz has been approved for the Department of Religious Studies _____________________________________________ Dr. Holly Gayley, Committee Chair & Assistant Professor, Religious Studies ______________________________________________ Dr. Greg Johnson, Associate Professor, Religious Studies _______________________________________________ Dr. Deborah Whitehead, Assistant Professor, Religious Studies Date____________________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. iii Miller Skriletz, Claire. (M.A., Religious Studies) Wisteria, Cherry Trees, and Mountains: A New Model for Understanding Buddhist Communities in the United States Thesis directed by Assistant Professor Holly Gayley This thesis critiques the existing binary categories applied to American Buddhism, that of ethnic and convert. First, a critique of existing models and the term ethnic is presented. In light of the critique and the shortcomings of existing models, this thesis presents a new model for studying and classifying Buddhist communities in the United States, culturally-informed Buddhisms. Chapter Three of the thesis applies the culturally-informed Buddhisms model to case studies of the websites for the Buddhist Churches of America organization and the Tri-State/Denver Buddhist Temple. -
Works Cited – Films
Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th