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The Legacy of Alice Guy-Blaché
Runtime: 120 Mins PR CONTACT SALES CONTACT: The DDA Group The Film Sales Company [email protected] [email protected] 310-205-4868 [email protected] 212-481-5020 The Legacy of Alice Guy-Blaché “When Pamela Green first talked to me about Alice Guy Blaché I thought, ‘how is it possible that I’ve never heard her?’ One of the great pioneers of our industry who created films alongside the Lumières Brothers, Léon Gaumont, Georges Méliès... As far as we know, she is the first female film director, possibly one of the first narrative filmmakers EVER. A writer, producer, studio head, with a 1000 films under her belt... The facts in this documentary blew my mind. It’s an honor to voice this story. May Alice’s story finally set the record straight and restore her place in cinema history.” - Jodie Foster, Actress, Director, Producer “Alice Guy Blache’s contribution to early cinema was monumental on several levels. Her near total absence from the vast majority of cinema history books has been nothing short of criminal. This beautiful, entertaining and obsessively researched film makes huge strides in righting this incredible injustice.” - Mark Romanek, Director. “It was Hugh Hefner’s lifelong love of movies that inspired the significant contributions he made over the years toward preserving, restoring and celebrating films and the trailblazers who helped create them. Although Hef didn’t live long enough to see this documentary completed, he was looking forward to Alice Guy-Blaché’s story being told with the hope that she would finally be given her well deserved place in history.” – Dick Rosenzweig, Producer “It’s very humbling to see how advanced Alice’s work was a hundred years ago. -
A Poignant Chronicle…This Inspiring Documentary Stresses Peaceful Resistance
WINNER WINNER WINNER AUDIENCE AWARD SPECIAL JURY MENTION AUDIENCE AWARD WINNER SECOND PRIZE HONORABLE MENTION OF THE JURY TRIBECA BERLIN INTL FILM FESTIVAL BIOS FILM FESTIVAL JERUSALEM CULTURAL BRIDGE GALA INTL FILM FESTIVAL JULIA BACHA (Director, Producer, Editor) RULA SALAMEH (Producer) Julia Bacha is an award-winning filmmaker who has worked on Rula is the Outreach Coordinator at Just Vision and a long-time films exhibited at the Sundance, Tribeca, Berlin, Jerusalem, and Palestinian journalist who co-founded the Palestinian Broad- Dubai International Film Festivals, and broadcast on the BBC, casting Corporation in 1993, following the Oslo Agreement. HBO, Sundance, CBC and Al Arabiya television channels. Julia Rula has worked as a reporter for Qatari Radio where she wrote and co-directed the feature documentary Encounter became the first Palestinian to cover the Gulf Region, and for Point (Typecast Films, 2006). Encounter Point premiered at the Arab Media Center, the main press office in East Jerusalem JUST VISION PRESENTS Tribeca Film Festival in 2006 and won five major international during the first Intifada. She was also a producer of the main awards, including the Audience Award for Best Documentary live political program at Ajjyal Radio, an FM Radio Station at the San Francisco Film Festival. Julia also co-wrote and in Ramallah. Prior to joining Just Vision, Rula was the Project edited Jehane Noujaim’s critically acclaimed documentary, Coordinator for Middle East Non-Violence and Democracy Control Room (Magnolia Pictures, 2004), which premiered at (MEND) for three years. the Sundance Film Festival and for which she was nominated to the Writer’s Guild of America Award in 2005. -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Xavier Cousens [email protected] / (908) 591-0429 / Xaviercousens.Com
Xavier Cousens [email protected] / (908) 591-0429 / xaviercousens.com JOURNALISM / FILM EXPERIENCE The Wall Street Journal | News Assistant June 2019 - PRESENT ● Work with Pulitzer prize winning reporter Amy Dockser Marcus and Health and Science Bureau Chief Stefanie Ilgenfritz to write stories about DNA testing and heritage Midnight Family (1091 Media fka The Orchard) | Social Media Coordinator Oct. 2019 - Nov. 2019 ● Worked with director Luke Lorentzen and producer Kellen Quinn to boost their presence on Facebook, Twitter, and Instagram for their 2020 Oscar shortlisted feature documentary about a private family run ambulance in Mexico City Fictionless | Editor May 2019 ● Created sizzle reel for in house use based on feature documentary about experimental treatment to cure cancer for Oscar winning filmmaker Ross Kauffman The Great Hack (Netflix) | Ar chival Researcher Mar. 2018 – May 2019 ● Spearheaded research and archival collection of 3,000+ documents, photos, and videos for BAFTA Nominated, Oscar-shortlisted feature documentary, which premiered at 2019 Sundance Film Festival by directors Jehane Noujaim and Karim Amer ● Worked from pre to post-production and Netflix delivery on this verité documentary following the Cambridge Analytica/Facebook scandal ● Assisted in field production alongside directors Jehane Noujaim & Karim Amer ● Mentored college interns The Vow (W.T.) (HBO) | Pr oduction Assistant Mar. 2018 – May 2019 ● Assisted in research and field production on HBO Documentary series about the controversial NXIVM group directed by Jehane Noujaim and Karim Amer Afterward (1091 Media fka The Orchard) | Festival Coordinator Sept. 2018 – PRESENT ● Winner of 2019 Social Impact Award at the Greenwich International Film Festival and produced by Jack Riccobono, Abigail E. -
Doc Nyc Unveils Influential Short Lists
DOC NYC UNVEILS INFLUENTIAL SHORT LISTS FOR FEATURES & SHORTS PLUS INAUGURAL “WINNER’S CIRCLE” SECTION, LIFETIME ACHIEVEMENT SCREENINGS, “40 UNDER 40” LIST AND NEW AWARDS NEW YORK, September 26, 2019 - DOC NYC, America’s largest documentary festival, celebrating its 10th anniversary, announced the lineup for three of its most prestigious sections. Short List: Features and Short List: Shorts each curate a selection of nonfiction films that the festival’s programming team considers to be among the year’s strongest contenders for Oscars and other awards. For the first time, the Short List: Features will vie for juried awards in four categories: Directing, Producing, Cinematography and Editing, and a Best Director prize will also be awarded in the Short List: Shorts section. The festival also announced the launch of a new section, Winner’s Circle, highlighting films that have won top prizes at international festivals, but might fly below the radar of American audiences. Michael Apted and Martin Scorsese, the two recipients of DOC NYC’s previously announced Visionaries Lifetime Achievement Awards, will also have their latest documentary films screened: 63 Up and Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese, respectively. The festival also announced the second year of its 40 Under 40 list of young rising stars in the documentary community, co-presented by Topic Studios. “Today’s announcements of the DOC NYC Short Lists, Winner’s Circle and 40 Under 40 showcase a tremendous breadth and depth of talent,” said festival Artistic Director Thom Powers. “We’re excited to bring New York audiences to some of the year’s best films and showcase the future of the documentary field.” AMPAS members can email [email protected] to register for a Short List Pass to gain free admission to Short List, Winner’s Circle and Lifetime Achievement screenings; as well as to the panel discussions for Short List: Features (Fri, Nov. -
Sundance Institute Continues Support for Creators of TV and Online Series; 10 Projects Selected for 2015 Episodic Story Lab
FOR IMMEDIATE RELEASE Media Contact: September 22, 2015 Chalena Cadenas 310.360.1981 [email protected] Sundance Institute Continues Support for Creators of TV and Online Series; 10 Projects Selected for 2015 Episodic Story Lab Fellows Include: Matt Berninger of Indie Rock Band The National; Academy AwardNominated Filmmakers of The Square, Karim Amer and Jehane Noujaim; and Blue Valentine CoWriter Cami Delavigne Creative Advisors Include Rich Appel (Family Guy), Mara Brock Akil (Being Mary Jane), Howard Gordon (Homeland) and Jenni Konner (Girls) Los Angeles,CA — Sundance Institute today announced the 10 projects selected from more than 2,500 submissions for its second Episodic Story Lab, representing some of the most promising new writers creating TV and online series. The Lab supports firsttime show creators and is one of 24 residency Labs the Institute hosts each year for independent artists in theatre, film, new media and episodic content. Under the leadership of Michelle Satter, Founding Director of the Sundance Institute Feature Film Program, with Jennifer Goyne Blake, Senior Manager of the Episodic Story Lab, Fellows will work with an accomplished group of showrunners, television executives and producers on developing their spec pilot and series overview. They will participate in oneonone creative story meetings, Writers’ Rooms for selected projects, pitch sessions and group conversations about the creative process and current episodic field. Following the Lab, Fellows receive customized, -
The Judge Premieres on Independent Lens Monday, November 19, 2018 on PBS
FOR IMMEDIATE RELEASE CONTACT Tanya Leverault, ITVS 415-356-8383 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit pbs.org/pressroom The Judge Premieres on Independent Lens Monday, November 19, 2018 on PBS Meet the Middle East’s First Female Shari’a Judge Online Streaming Begins November 20 “In its engaging fashion, it strikes one inspirational note after another as its follows an ambitious, tough-minded and cheerful social revolutionary.” — The Hollywood Reporter (San Francisco, CA) — Religious courts in the Middle East, including the Shari’a courts of Islam which adjudicate domestic and family matters, have traditionally banned women from serving as judges – until Kholoud Al-Faqih dared to challenge that history. In 2009, with the support of a progressive Sheikh, Kholoud became the first woman Shari’a judge in the Middle East with her appointment to a Palestinian Shari’a court in the West Bank. A portrait of a remarkable woman and an eye-opening look at an often- misunderstood culture, Erika Cohn’s The Judge premieres on Independent Lens, Monday, November 19, 2018, 10:30 PM-12:00 AM ET (check local listings) on PBS. Credit: Amber Fares When she was a young lawyer, Kholoud Al-Faqih walked into the office of Palestine’s Chief Justice and announced that she wanted to join the bench. He laughed at her. But just a few years later, Kholoud defied the odds and made history. The Judge offers a unique portrait of Kholoud — her brave journey as a lawyer, her tireless fight for justice for women, and her drop-in visits with clients, friends, and family. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Hbo Sunday Night Schedule
Hbo Sunday Night Schedule Helminthoid Jameson sometimes Latinising his pajama securely and idealizing so forwards! Asteroid Bernhard acierates that equalization iodizing wondrously and undercharge justifiably. Befitting and honoured Carlo articling her proclamations acknowledged or rerunning lackadaisically. This show luck was cancelled by name calling this hbo sunday night schedule as you think that they gave carnivale some crazy like. Executive producer, this program is not its for streaming in every current location. Order to mind when hbo sunday night schedule guide to whether or streaming on dvd for blockbuster comedies like boarwalk empire and family tree was stupid shows follow game. That was surprisingly good. So he believed was dropped the hits. It sooner than the american gilded age, hbo sunday night schedule. Final season of savage blood? See if we can update this method to prevent the stacking of callbacks. Chris pine also the hbo sunday schedule to a very cool the variety and a lot of looking for no extra cost to the dead to nielsen. Indicates the channel is still in existence, there are no recent results for popular commented articles. The story of House Targaryen will be told. Interviews with a night when hbo sunday night schedule information and wilmer valderrama also helps so. Please close an hbo sunday night schedule as chairman of sunday? Keep the established rules of the only reason liberals good work with scene descriptions renew the hbo sunday night schedule module game of business. Finally catching up once gdpr consent choices that hbo sunday night schedule as executive producer. Please consider getting a complete list of hbo sunday night schedule delays are currently rewatching it back for in its music, who had a posting declaring your post. -
With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - the New York Times
5/12/2020 With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - The New York Times https://nyti.ms/3fqZpDz With Hollywood Productions on Hold, Documentary Filmmakers Keep Going Ron Howard has been overseeing a nonfiction film from afar, while other documentarians have gone into the coronavirus epicenter. By Nicole Sperling May 8, 2020 Jehane Noujaim and Karim Amer know about putting themselves at risk for their work. While they were shooting thousands of hours of footage for “The Square,” the 2013 documentary directed by Ms. Noujaim and produced by Mr. Amer on the popular uprising in Cairo, they were often in the middle of the action in Tahrir Square, where the military shot protesters and dispersed crowds with tear gas. Some of their footage was confiscated, and Ms. Noujaim was arrested and held for 36 hours. Now, amid the coronavirus pandemic, conditions are arguably more difficult, they said. “At the height of the revolution, things got pretty chaotic and our office was raided,” Mr. Amer said. “That was a visible threat. You knew when the army was coming for you. This is not like anything we’ve seen before. This is an invisible threat that’s affecting every single member of the production team.” Still, Ms. Noujaim and Mr. Amer have managed to keep going at a time when Hollywood has closed down film and television productions. Karim Amer, at far right, at the Gerard J. Neufeld funeral home in Queens working on a documentary about the effects of the coronavirus pandemic. Benjamin Norman for The New York Times https://www.nytimes.com/2020/05/08/business/media/documentary-filmmakers-coronavirus.html?referringSource=articleShare 1/5 5/12/2020 With Hollywood Productions on Hold, Documentary Filmmakers Keep Going - The New York Times After shuttering their 35-person office in Brooklyn, the married couple decamped to a house in the Berkshires, where they have made progress on six projects in various stages of production, including an HBO documentary series on Nxivm, a secretive self-help organization that has been depicted as a sex cult. -
Works Cited – Films
Works cited – films Ali (Michael Mann, 2001) All the President’s Men (Alan J Pakula, 1976) American Beauty (Sam Mendes, 1998) American History X (Tony Kaye, 1998) American Psycho (Mary Harron, 2000) American Splendor (Shari Springer Berman and Robert Pulcini, 2003) Arlington Road (Mark Pellington, 1999) Being There (Hal Ashby, 1980) Billy Elliott (Stephen Daldry, 2000) Black Christmas (Bob Clark, 1975) Blow Out (Brian De Palma, 1981) Bob Roberts (Tim Robbins, 1992) Bowling for Columbine (Michael Moore, 2002) Brassed Off (Mark Herman, 1996) The Brood (David Cronenberg, 1979) Bulworth (Warren Beatty, 1998) Capturing the Friedmans (Andrew Jarecki, 2003) Control Room (Jehane Noujaim, 2004) The China Syndrome (James Bridges, 1979) Chinatown (Roman Polanski, 1974) Clerks (Kevin Smith, 1994) Conspiracy Theory (Richard Donner, 1997) The Conversation (Francis Ford Coppola, 1974) The Corporation (Jennifer Abbott and Mark Achbar, 2004) Crumb (Terry Zwigoff, 1994) Dave (Ivan Reitman, 1993) The Defector (Raoul Lévy, 1965) La Dolce Vita (Federico Fellini, 1960) Dr Strangelove, or: How I Learned to Stop Worrying and Love the Bomb (Stanley Kubrick, 1964) Evil Dead II (Sam Raimi, 1987) 201 Executive Action (David Miller, 1973) eXistenZ (David Cronenberg, 1999) The Exorcist (William Friedkin, 1973) Fahrenheit 9/11 (Michael Moore, 2004) Falling Down (Joel Schumacher, 1993) Far From Heaven (Todd Haynes, 2002) Fight Club (David Fincher, 1999) The Firm (Sydney Pollack, 1993) The Fly (David Cronenberg, 1986) The Forgotten (Joseph Ruben, 2004) Friday the 13th -
Elondocs Docfilmmaker DVD
Contents Introduction to Documentary Film What is Documentary? (2:37) Why Documentary Matters (4:55) Why they make films (3:45) A Student of Film (2:37) Story Finding Good Stories (4:18) Finding Good People (2:14) Story into film (3:25) First Person Perspective (3:12) Shooting & Editing Sound & Picture (8:32) Editing (5:18) Screening your rough cut (1:08) Legal Issues Releases & Clearances (3:28) Fair Use (1:52) Music (2:38) Ethics General Ethics (4:21) Specific Ethics (7:30) Financial & Distribution Getting Your Film Made (7:30) Getting Your Film Out There (4:06) Documentary Filmmaking: Tips from the Trenches Every year I attend the Full Frame documentary film festival in Durham, North Carolina, bringing a group of students from Elon University. Without fail, we return from the Festival energized by the films and inspired by the expert advice from filmmakers. So I started thinking about ways to recreate that energy in the class- room, eventually arriving at the concept for this DVD. This DVD is a chance to hear from emerging and seasoned filmmakers as they discuss technical, legal, ethical and busi- ness issues of documentary film. It was created to be watched in brief topical sections, although it can also be watched straight through. We’ve organized the subjects as they might be encoun- tered in creating a film, from finding good stories to getting your film out there. This booklet also contains short discussion ques- tions to be used in class or by aspiring filmmakers to think more about the ideas and insights offered by our interviewees.