Mercan Dede Tarkan Nefes Ahde Vefa
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Tarkan free songs click here to download Watch videos & listen free to Tarkan: Yolla, Simarik & more. popularly known as Tarkan, is a successful World Music award-winning pop music Top Tracks. Free download Download Tarkan Songs mp3 for free. TARKAN - Dudu. Source: TARKAN - Kuzu Kuzu (Original). Source: TARKAN - Simarik With Lyrics. Tarkan Songs Download- Listen Tarkan MP3 songs online free. Play Tarkan album songs MP3 by Tarkan and download Tarkan songs on www.doorway.ru "Simarik" made him an overnight success in European clubs and led to a wider release of his self- titled album from that year. Tarkan included songs from his. Mp3 Free Download. Free download Tarkan Kiss Kiss Turkish Mp3 Free Download mp3 for free TARKAN - Dudu. Source: youtube. Play Stop Tarkan - Şımarık - Simarik- Kiss Kiss (Extended Version) Original Video. Source: youtube. Free download Kiss Kiss Tarkan Mp3. To start this download lagu Remember that by downloading this song you accept our terms and Filename: TARKAN - www.doorway.ru3 Filename: Zumba Simarik Tarkan Kiss www.doorway.ru3. Download Tarkan songs in mp3 format from our multi category Music databases. Free Mp3 Download Tarkan – İnci Tanem karaoke Tarkan – Dudu. Listen Tarkan songs online without any payments! MusicMegaBox give you free access to all the best and new Tarkan songs from any device: PC, Android. Followers. Stream Tracks and Playlists from DJ Tarkan on your desktop or mobile device. DJ Tarkan & V-Sag - Paragalo (Original Mix) [FREE DOWNLOAD]. Unlimited free Tarkan music - Click to play Sikidim, Bu Gece (club remix) and whatever else you want! Tarkan Tevetoğlu (born October 17, in Alzey, West. -
4528, Rue De Bullion Montréal (Québec) Canada H2T 1Y6 WWW
4528, rue de Bullion Montréal (Québec) Canada H2T 1Y6 PHOTO: ANDRÉ CORNELLIER WWW.LOUISELECAVALIER.COM www.facebook.com/LouiseLecavalier.FouGlorieux INTERNATIONAL AGENT (EXCEPT EUROPE): MENNO PLUKKER THEATRE AGENT \ [email protected] T.: 1 514-524-7119 \ F.: 1 514-526-5792 BOOKING EUROPE: ANNE-LISE GOBIN, ALMA OFFICE \ [email protected] \ T.: 32 499 25 00 18 ADMINISTRATIVE DIRECTOR: CYRILLE COMMER \ [email protected] \ T.: 1 514 779-18333 TOUR AND COMMUNICATIONS COORDINATOR: ANNE VIAU \ [email protected] \ T.: 1 514 273-5478 \ Cell.: 1 514 464-5478 TECHNICAL DIRECTOR: PHILIPPE DUPEYROUX \ [email protected] \ T.: 1 514 222-6685 SO BLUE Premiere: December 7, 2012, tanzhaus nrw, Düsseldorf Conceived and choreographed by: Louise Lecavalier Created and performed by: Louise Lecavalier, Frédéric Tavernini Assistant Choreographer and Rehearsal Director: France Bruyère Lighting Design: Alain Lortie Music: Mercan Dede PHOTO: CARL LESSARD Additional Music: Normand-Pierre Bilodeau, Daft Punk, Meiko Kaji Remixing Producer: Normand-Pierre Bilodeau Costume Design: Yso Length: 60 min Production : Fou glorieux, in co-production with: tanzhaus nrw (Düsseldorf); Théâtre de la Ville (Paris); Hellerau (Dresden); National Arts Centre (Ottawa); Festival TransAmériques (Montréal); Residency: Szene Salzburg Louise Lecavalier is supported by the Conseil des arts et des lettres du Québec, the Canada Council for the Arts, and the Montreal Arts Council. PRESENTATION OF THE WORK SO BLUE Louise Lecavalier and partner Frédéric Tavernini risk all in the high-voltage atmosphere of this radical, raw, and haunting work set to the visceral music of Mercan Dede. Quick as thought, the body dictates its laws and transgresses its limits. -
Contestations, Conflicts and Music-Power: Mevlevi Sufism in the 21St Century Turkey
CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY NEVİN ŞAHİN IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE DEPARTMENT OF SOCIOLOGY FEBRUARY 2016 Approval of the Graduate School of Social Sciences _____________________________ Prof. Dr. Meliha Altunışık Director I certify that this thesis satisfies all the requirements as a thesis for the degree of Doctor of Philosophy. _____________________________ Prof. Dr. Sibel Kalaycıoğlu Head of Department This is to certify that we have read this thesis and that in our opinion it is fully adequate, in scope and quality, as a thesis for the degree of Doctor of Philosophy. _____________________________ Assoc. Prof. Dr. Mustafa Şen Supervisor Examining Committee Members Assoc. Prof. Dr. Zana Çıtak (METU, IR) _____________________________ Assoc. Prof. Dr. Mustafa Şen (METU, SOC) _____________________________ Assoc. Prof. Dr. Cenk Güray (YBU, MUS) _____________________________ Assist. Prof. Dr. Yelda Özen (YBU, SOC) _____________________________ Assist. Prof. Dr. Çağatay Topal (METU, SOC) _____________________________ I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last name: Nevin Şahin Signature: iii ABSTRACT CONTESTATIONS, CONFLICTS AND MUSIC-POWER: MEVLEVI SUFISM IN THE 21ST CENTURY TURKEY Şahin, Nevin PhD. Department of Sociology Supervisor: Assoc. Prof. Dr. Mustafa Şen February 2016, 232 pages Established as a Sufi order in central Anatolia following the death of Rumi, Mevlevi Sufism has influenced the spirituality of people for over 8 centuries. -
Testing a Cultural Evolutionary Hypothesis,” Pg
ASEBL Journal – Volume 12 Issue 1, February 2016 February 2016 Volume 12, Issue 1 ASEBL Journal Association for the Study of (Ethical Behavior)•(Evolutionary Biology) in Literature EDITOR St. Francis College, Brooklyn Heights, N.Y. Gregory F. Tague, Ph.D. ~ ▬ EDITORIAL BOARD [click on last name of lead/author to navigate to text] Divya Bhatnagar, Ph.D. ▬ Kristy Biolsi, Ph.D. † Lesley Newson and Peter Richerson, “Moral Beliefs about Homosexuality: Kevin Brown, Ph.D. Testing a Cultural Evolutionary Hypothesis,” pg. 2 Alison Dell, Ph.D. Comments By: Robert A. Paul, pg. 21; Nicole A. Wedberg and Glenn Geher, pg. 23; Austin John Tom Dolack, Ph.D Jeffery and Todd Shackelford, pg. 24; Andreas De Block and Olivier Lemeire, pg. 27; James Waddington, pg. 29; Jennifer M. Lancaster, pg. 30 Wendy Galgan, Ph.D. Cheryl L. Jaworski, M.A. Newson’s and Richerson’s Reply to Comments, pg. 32 Joe Keener, Ph.D. ▬ † Craig T. Palmer and Amber L. Palmer, Eric Luttrell, Ph.D. “Why Traditional Ethical Codes Prescribing Self-Sacrifice Are a Puzzle to Evolutionary Theory: The Example of Besa,” pg. 40 Riza Öztürk, Ph.D. Comments By: Eric Platt, Ph.D. David Sloan Wilson, pg. 50; Guilherme S. Lopes and Todd K. Shackelford, pg. 52; Anja Müller-Wood, Ph.D. Bernard Crespi, pg. 55; Christopher X J. Jensen, pg. 57; SungHun Kim, pg. 60 SCIENCE CONSULTANT Palmer’s And Palmer’s Reply to Comments, pg. 61 Kathleen A. Nolan, Ph.D. ▬ EDITORIAL INTERN Lina Kasem † Aiman Reyaz and Priyanka Tripathi, “Fight with/for the Right: An Analysis of Power-politics in Arundhati Roy’s Walking with the Comrades,” pg. -
New Installations in Historical Dervish Sites of İstanbul Jeffrey
Journal of American Studies of Turkey 25 (2007) : 105-110 Reflections on Movement: New Installations in Historical Dervish Sites of İstanbul Jeffrey Baykal Rollins “Travel is not a new phenomenon in the history of dervishes rather it can be understood as a continuing practice where movement in itself is central.” Bente Nikolaisen Considerable attention has been given of late to many Asian, Middle Eastern, and Near Eastern artists such as Shazia Sikander, Cai Guo-Qiang, and Shirin Neshat, who have brought to the United States art forms rooted in distinctly Eastern traditions. Numerous articles, exhibitions, panels, and documentaries have highlighted these artists’ integration of traditional techniques such as miniature painting, calligraphy, and ukiyo-e prints into contemporary American art-making practices. By focusing however, on what these Eastern artists have brought to the United States, this attention has overlooked that which is being sought by an equally significant migration of American artists going in the opposite direction. I am among these contemporary American artists who have sought to connect to a traditional art making practice beyond the borders of my own country. My current series of multimedia projects are site-specific to historical sacred spaces in Istanbul, including the two oldest Sufi dervish lodges in the city: the Kadirihane and the Galata Mevlevihane Museum. As it has been for many pilgrims over the centuries, my arrival at these sites is also a form of pilgrimage, and the projects I am creating are reflections of that particular response. This work is something I could not do in the same way in the United States, for I create from within these spaces themselves, installations that are intimately bound to the iconographies and shifting functions of those sites throughout their histories. -
Music and Islamic Reform
Linfield University DigitalCommons@Linfield Senior Theses Student Scholarship & Creative Works 5-26-2015 Music and Islamic Reform Amanda Pierce Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/muscstud_theses Part of the History of Religions of Eastern Origins Commons, and the Musicology Commons Recommended Citation Pierce, Amanda, "Music and Islamic Reform" (2015). Senior Theses. 7. https://digitalcommons.linfield.edu/muscstud_theses/7 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. Pierce !1 MUSIC AND ISLAMIC REFORM Amanda Pierce Senior Thesis: Music and Religious Studies May 1, 2015 Signature redacted Signature redacted Pierce !2 Music and Islam have not always been on good terms. 1In many strict orthodox circles of Islam, most things that fall under the Western definition of "music" are Haram can mean forbidden and not permissible or something .(حرام) considered haram like sacred and only accessible by a small group, if not solely by Allah. In this paper, haram, will be defined as forbidden unless specified otherwise. 2Though music has never been absent from Islamic cultures, it has never been completely embraced either. The stance on music in the Islamic world, however, is changing along with many other things that were once standard practice or tradition. -
BO Palais Des Beaux-Arts, Bruxelles Partagent L’Affiche
la Sufi Night réunit toutes les communautés de Bruxelles Info & Tickets autour de la musique extatique de la branche mystique de www.moussem.be l’islam. Des groupes venus des quatre coins du monde se BO PAlais des Beaux-Arts, Bruxelles partagent l’affiche. En plus des concerts, le programme PAleis voor SChone Kunsten, Brussel comporte également cette année une exposition, des Centre for Fine Arts, BrusselS ZAR conférences et des rencontres. Cette union de la musique Rue Ravensteinstraat 23 au mysticisme rassemble un vaste public, de tous âges et 1000 Bruxelles | Brussel de tous horizons. la Sufi Night est événement facilement +32 (0)2 507 82 00 accessible à tous ceux qui manifestent de l’intérêt pour www.bozar.be les autres cultures et la spiritualité universelle. Rue de la Loi l Wetstraat Gare Centrale De Sufi Night is een ontmoetingsplek tussen diverse Centraal Station Grand Place gemeenschappen in Brussel, verenigd rond de exta- Grote Markt Galerie Ravenstein galerij Cantersteen tische muziek van de mystieke traditie in de islam. KantersteenRue des sols Place de Stuiversstraat l’Albertine Rue Baron Groepen van over de hele wereld delen de concert- Albertinaplein Hortastraat Rue Royale Koningstraat n a Parc Royal la at affiche. het programma omvat dit jaar ook een rs a e tr Warande iz s Rue Ducale l Hertogstraat e Mont des Arts in l K e r t Rue tentoonstelling, lezingen en ontmoetingen. het huwe- u Kunstberg s re n e e Belliardstraat p v Em a Place des Palais l Paleizenplein l’ R lijk van muziek en mystiek brengt toeschouwers van alle de e u vd R Bl leeftijden en achtergronden bij elkaar in een sfeervol eve- Place du Musée Koningsplein Museumplein Place royale nement dat toegankelijk is voor iedereen met interesse R u e voor andere culturen en universele spiritualiteit. -
Choreographing Multiculturalism and Dancing Difference Away in Globalised Turkey
Öykü Potuoğlu-Cook: The Uneasy Vernacular: Choreographing Multiculturalism and Dancing Difference Away in Globalised Turkey The Uneasy Vernacular: Choreographing Multiculturalism and Dancing Difference Away in Globalised Turkey Öykü Potuoğlu-Cook George Mason University, [email protected] Abstract In this article, I reflect on the changing valence of urban vernacular movement in contem- porary Turkey as it lingers at the edge of Europe without formal membership. Drawing equally on dance theatre productions and politicised quotidian performances, I examine the frictive relationship between Islamic and secular culture entrepreneurs as well as the precarious, embodied articulations of difference in globalised Istanbul: the current European Capital of Culture. I investigate the overlapping aesthetic and socio-political ramifications of intimate globalisation to expose the limits of Turkish multiculturalism on stage and on the street. My first larger objective is to trace ethnographically the use of mutual ethnic, sexual, and classed bodily distinctions in choreographing pluralism and producing new hierarchies under transnational sanctions and neoliberal investments. Second, I use this materialist dance ethnography to generate fresh interdisciplinary dialogue on entangled questions of social justice and artistic innovation. KEYWORDS: embodied vernacular culture, dance ethnography, multiculturalism, Islami- sm, secularism, political-economic analysis, ethnicity, NGOs, EU, Istanbul/Turkey Introduction In this article, I reflect on the changing valence of urban vernacular movement in contem- porary Turkey, as it lingers at the edge of Europe without formal membership. Drawing equally on dance theatre productions and politicised quotidian performances, I examine the frictive relationship between Islamic and secular cultural entrepreneurs as well as the precarious, embodied articulations of difference in globalised Istanbul: the current Euro- pean Capital of Culture.1 ANTHROPOLOGICAL NOTEBOOKS 16 (3): 93–105. -
Bildiğiniz Dünya Düzenini Unutun!
ÖZEL “İnsan odaklı bir dünya düzeni için çalışıyoruz” RÖPORTAJ Açık Medeniyet Bu ay, kapak konumuzda değişen dünya düzenini ele aldık. Şüphesiz ki her şeyde olduğu gibi dünyada “Dergilik”te… da düzenler, sistemler, teknolojiler, insanlar değişiyor. 20. yüzyılda kendine yer edinen değerlerin ve Gazetemizi bundan sistemlerin sonuna geliyoruz gibi… Geçtiğimiz yüzyılda tüm dünyada dayatılan liberalizmin makyajı böyle Turkcell’in Dergilik dökülüyor. Yaşadığımız yüzyılda ve geleceğe dair yeni şeyler söylemek durumundayız. Türkiye, bu değişen uygulamasından takip 269000 dünyanın neresinde duracak? Yıllarca yürüttüğü ensar olma politikasını dünyaya da dikte edebilecek mi? edebileceksiniz… Bu ve benzeri daha birçok soruyu, değişen küresel sistemde yıllardır görevini başarıyla yürüten Türkiye Hem de tüm geçmiş ISSN 2602-2699 Cumhuriyeti Dışişleri Bakanı Sayın Mevlüt Çavuşoğlu’na yönelttik. Cevaplar oldukça doyurucu… ▸ 42 sayılarıyla birlikte… 772602 9 Mevlüt Çavuşoğlu .Yıl: 2 Sayı: 14 | Haziran 2019 | Fiyatı: 5 tl ا ال ســتقال ل ا لفكــر ي | www.acikmedeniyet.com Fikrî Bağımsızlık | Intellectual Independence İbn Haldun Üniversitesinin aylık gazetesidir. Bildiğiniz dünya düzenini unutun! خطيبة خاشقجي: Hakkı Öcal Idlib province: Innocent Haydut devletler الكونغرس اﻷمريكي خجل lives under attack من موقف ترامب حيال Syria’s Idlib province is the last Türk Savunma Sanayinin stronghold for the opposition forces الجريمة gururu İHA ve SİHA’lar who are trying to rescue themselves 3 ▶ İnsansız Hava Araçları (İHA) ve from the inhumane policies of the ▸ 73 Erik Ringmar Silahlı İnsansız Hava Araçları (SİHA) Assad regime. As Russia backed International order hakkında yapılan çalışmalara regime forces escalated their offensive değinen Selçuk Bayraktar, havacılık to those areas already torn by the 8 alanının gelişmesinde Müslüman years of war, innocent civilians are the Gazetenizle ▶ 17 bilim adamlarının yaptığı buluşların ones who are suffering. -
Michał Kowalczyk Hungarian Turanism : from the Birth of the Ideology to Modernity - an Outline of the Problem
Michał Kowalczyk Hungarian Turanism : from the birth of the ideology to modernity - an outline of the problem Historia i Polityka nr 20 (27), 49-63 2017 Historia i Polityka No. 20 (27)/2017, pp. 49–63 ISSN 1899-5160, e-ISSN 2391-7652 www.hip.umk.pl DOI: http://dx.doi.org/10.12775/HiP.2017.011 Michał KOWA LCZ Y K Cardinal Stefan Wyszyński University, Warszawa, Poland Hungarian Turanism. From the Birth of the Ideology to Modernity – an Outline of the Problem Węgierski turanizm. Od narodzin ideologii do czasów współczesnych – zarys problematyki • A bst ra kt • • A bst ract • Artykuł stanowi zarys problematyki węgier- This article is an outline of Hungarian Turanism, skiego turanizmu – fenomenu ideologicznego Central European ideological phenomenon. The w Europie Środkowej. Odgrywał on relatywnie ideology was relatively important in Hungary ważną rolę na Węgrzech w pierwszej połowie during the first half of the 20th century and is XX w., obecnie zaś następuje jego odrodzenie. currently undergoing a revival in the country. Turanizm jest bardzo ważną częścią ideologii Turanism is a very important part of the ideol- promowanej przez partię Jobbik (Ruch na rzecz ogy promoted by the Jobbik party (Movement Lepszych Węgier). Sam termin „Turanizm” po- for a Better Hungary). The term “Turanism” is chodzi od słowa Turán, prawdopodobnie wy- derived from Turán, a word most likely of Old- wodzącego się z języka staroperskiego. Uży- Persian origin, once used to describe the lands wane było w celu określenia Azji Środkowej of Central Asia inhabited by nomadic tribes. Ac- zamieszkanej przez plemiona koczownicze. cording to the ideology of Turanism, Hungar- Według ideologii turańskiej Węgrzy są spo- ians are related to Altaic peoples, such as Turks, krewnieni z ludami ałtajskimi, takimi jak: Tur- Azeris, Tatars, Kazakhs, Mongols, and even Ti- cy, Azerowie, Tatarzy, Kazachowie, Mongo- betans and Japanese. -
Turkish-German Representations of Berlin by Ela Eylem Gezen a Dissertation Submitted in Partial F
Writing and Sounding the City: Turkish-German Representations of Berlin by Ela Eylem Gezen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Germanic Languages and Literatures) in The University of Michigan 2012 Doctoral Committee: Associate Professor Vanessa Agnew, Co-Chair Associate Professor Kader Konuk, Co-Chair Associate Professor Kerstin Barndt Associate Professor Mark Clague Associate Professor Johannes von Moltke © Ela E. Gezen 2012 Anneme ve Babama ii Acknowledgements Writing this dissertation has been a long journey, which I could not have embarked on and endured without the support of many people and institutions. First I would like to thank my “Doktormütter” Kader Konuk and Vanessa Agnew. Their support, academic and emotional, has been unconditional, invaluable and indispensible. I tremendously benefited from and always admired their ability to identify points at which I needed a push in the right direction—to dig deeper, and to think bigger and further. I could not have done it without them. I am grateful to my committee members. Kerstin Barndt provided encouragement, and advice from the earliest stages to the very end. She has helped me out of dead ends when most needed. Johannes von Moltke was always available to discuss my ideas and work. The clarity and poignancy of his feedback never ceases to impress me. Mark Clague provided encouragement and guidance in listening to and discussing music together, which was greatly appreciated and integral to my analysis. My colleagues and friends at the University of Michigan have helped me to feel at home in Ann Arbor emotionally as well as intellectually. -
142 Nisan / April 2016
Alabilirsiniz / Your Complimentary Copy No: 142 Nisan / April 2016 İçindekiler CONTENTS Onur Air Adına İmtiyaz Sahibi / Publisher Yönetim Kurulu Başkanı / Chairman NİSAN APRIL 2016 Cankut Bagana 28 Yönetim Yeri: Atatürk Havalimanı B Kapısı, Teknik Hangar 06 Sunuş Presentation Yanı 34149 Yeşilköy / İstanbul 08 Ajanda Agenda 10 Nisan Günlüğü April Diary Genel Müdür / General Manager 14 Yaşama Rehberi Living Guide Faik Akın 18 Sinema Cinema Kurumsal İletişim Direktörü Corporate Communications Director 20 DVD DVD Rauf Gerz [email protected] 22 Müzik Music Reklam Grup Başkanı Advertising Group Director 24 Kitap Reading Seda Güven [email protected] 26 Hayatın Renkleri Colors of Life Reklam Direktörleri Advertising Directors 28 Sırt Çantam My Backpack Aladağlar Verda Göktaş [email protected] 42 Proje Project Taksim’de Kent Bahçesi Özlem Belen [email protected] 46 Reklam Koordinatörleri / Advertising Coordinators An “Urban Garden” In Taksim Fatih Akaslan [email protected] 46 Söyleşi Interview Rita Yasemin Bölükbaş [email protected] 52 Gezi Travel Alaçatı İletişim Koordinatörü / Communication Coordinator 60 Fikirden Ürüne From Idea To Product Yasin Zengin [email protected] Güzel Kelimeler Dükkânı Atatürk Havalimanı B Kapısı, Teknik Hangar Yanı 34149 Yeşilköy / İstanbul 68 Adım Adım Step by Step Tel: 0 212 468 67 70 (pbx) / Faks: 0 212 468 67 85 En Keyifli Bahar Rotaları The Most www.onuriletisim.com.tr Pleasant Spring Excursions Onur Air Magazin (On Air), Onur Air’in yolcularına ücretsiz armağanıdır Onur İletişim tarafından