Edwin Booth's "Hamlet": a New Promptbook
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Selected Bibliography of American History Through Biography
DOCUMENT RESUME ED 088 763 SO 007 145 AUTHOR Fustukjian, Samuel, Comp. TITLE Selected Bibliography of American History through Biography. PUB DATE Aug 71 NOTE 101p.; Represents holdings in the Penfold Library, State University of New York, College at Oswego EDRS PRICE MF-$0.75 HC-$5.40 DESCRIPTORS *American Culture; *American Studies; Architects; Bibliographies; *Biographies; Business; Education; Lawyers; Literature; Medicine; Military Personnel; Politics; Presidents; Religion; Scientists; Social Work; *United States History ABSTRACT The books included in this bibliography were written by or about notable Americans from the 16th century to the present and were selected from the moldings of the Penfield Library, State University of New York, Oswego, on the basis of the individual's contribution in his field. The division irto subject groups is borrowed from the biographical section of the "Encyclopedia of American History" with the addition of "Presidents" and includes fields in science, social science, arts and humanities, and public life. A person versatile in more than one field is categorized under the field which reflects his greatest achievement. Scientists who were more effective in the diffusion of knowledge than in original and creative work, appear in the tables as "Educators." Each bibliographic entry includes author, title, publisher, place and data of publication, and Library of Congress classification. An index of names and list of selected reference tools containing biographies concludes the bibliography. (JH) U S DEPARTMENT Of NIA1.114, EDUCATIONaWELFARE NATIONAL INSTITUTE OP EDUCATION THIS DOCUMENT HAS BEEN REPRO DUCED ExAC ICY AS RECEIVED FROM THE PERSON OR ORGANIZATIONORIGIN ATING IT POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILYREPRE SENT OFFICIAL NATIONAL INSTITUTEOF EDUCATION POSITION OR POLICY PREFACE American History, through biograRhies is a bibliography of books written about 1, notable Americans, found in Penfield Library at S.U.N.Y. -
The Hamlet of Edwin Booth Ebook Free Download
THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums. -
Actor, Assassin, Patriot, Pawn; What You Think You Know About John Wilkes Booth”
April 14, 2016 The Civil War: April 12, 1861 - May 9, 1865 “Actor, Assassin, Patriot, Pawn; What you think you know about John Wilkes Booth” It was sad news to hear of Don “Duffy” Forsyth’s pass- ing last month. His gentle smile has been missed the last few months. His efforts in getting the speaker for our last luncheon were important to the success of the event. I was pleased to hear from his wife, Nancy, about how much he enjoyed the time he spent with Old Baldy. We are grateful that the family listed Old Baldy as an organization to which a donation could be made to honor Don. Bob Hanrahan, Jr. told us all about the battle between the Kearsarge and the Alabama last month. This month Joanne Hulme, a Booth descendant, will inform us what we do not know about John Wilkes Booth. Next month our vice-president Bob Russo will share his research on Arlington National Cemetery. Be sure to tell others about Joanne Hulme our great programs and activities. Ticket sales for our Iwo Jima print are going well. Pick up a flyer at the meeting to display in your area. Join us at 7:15 PM on Thursday, April 14th, at Camden Planning for our October Symposium is coming along well. County College in the Connector Building, Room 101. At our meeting on the 14th, we will present opportunities This month’s topic is "Actor, Assassin, Patriot, Pawn; for some members to assist on the project. Some tasks we What you think you know about John Wilkes Booth" have identified so far include contacting local businesses presented by Joanne Hulme. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L. -
Introduction
Introduction ADDRESSING A WOULD-BE BIOGRAPHER near the dose of his incomparable career, Thomas Jefferson wrote, "The letters of a person, ... form the only full and genuine journal of his life; and few can let them go out of their own hands while they live. A life written after these hoards become open to investigation must supercede any previous one." Like Jefferson, whose many-sided public life his own resembled significantly, Wil liam Cullen Bryant began in old age a narrative of his early years. But, unlike his great democratic precursor, whom he had lampooned in youth and grown in maturity to admire greatly, he refused to undertake an autobiography. When, nearing eighty, he was urged by William Dean Howells to compose an account of his life, he replied, "I have thought a good deal of the reminiscences which you ask me to dish up for the Atlantic [Monthly], and the more I have thought the less am I inclined to the task. I cannot set them down without running into egotism. I remember more of my own experiences than of my associations with other men and the part they took in what fell under my observation." In the absence of a skillful and uniquely informed biographer, the record of Bryant's versatile career has become "thin and shadowy," wrote Vernon Parrington, since his death nearly a century ago. The unusual length of his public life (just seventy years), his extraordinarily various professional and civic activities, and his in satiable habit of travel, both at home and abroad, pose a stiff challenge to the best of chroniclers. -
THE MAZE the Middlebrooks Family Association, Inc
THE MAZE The Middlebrooks Family Association, Inc. 274 Wilder Drive, Forsyth, GA 31029 __________________________________________________________________________________________________________________________page 1___ MAZE 2014 MAY/June Edition Submitted by: Charles S. & Jo Middlebrooks GHOST OF THE SPRINGER OPERA HOUSE COLUMBUS, GEORGIA Georgia’s Haunted Opera House First and foremost, the beautiful Springer Opera House in Columbus, Georgia is a remarkable monument to the arts that rose in a Deep South city in the midst of the difficult Reconstruction era. Remarkable personalities including Oscar Wilde, Edwin Booth, Lillie Langtrey, John Philip Sousa, Ethel Barrymore, Will Rogers, and even William Jennings Bryan and Franklin D. Roosevelt have graced its stage over the years, making the Springer one of the most significant preserved theaters in America. Although the theater management does not promote the fact, it is also rumored to be one of America’s most haunted historic theaters. Popular Columbus legend holds that the magnificent old Springer Opera House is haunted by restless (and sometimes playful) ghost of the famed actor, Edwin Booth. A major celebrity of his day, Booth is sadly best remembered to our generation as the brother of John Wilkes Booth, the man who assassinated President Abraham Lincoln. The two had performed together, along with their even more famous father, in an acclaimed production of “Julius Caesar” in 1864, but the killing of President Lincoln by John Wilkes Booth in 1865 forced the family into seclusion. A decade later, Edwin Booth came to Columbus to perform “Hamlet” on the stage of the Springer Opera House, then only five years old. His performance there was widely applauded and was an important step in the rebuilding of the actor’s career after it had been shattered by the actions of his brother. -
Caricatures of Henry Irving and Edwin Booth, Inscription Reads
[Caricatures of Henry Irving and Edwin Booth, inscription reads] Box (An English Hamlet)-Who are You? Cox (An American Hamlet)-If it comes to that, Who are You? (artist unidentified, circa 1881-1906?). Folger ART Vol. a8 no.47. Box and Cox was a popular one-act farce written by John Maddison Morton and first produced in 1847. In it, a landlady rents an apartment to one lodger (Cox) by day and another lodger (Box) by night, with both tenants continually confused by changes in "their" apartment, but unaware that they are sharing space. After many mix-ups, they discover the double tenancy, and ultimately decide that the arrangement works for them. In this caricature, an unidentified artist portrays Henry Irving and Edwin Booth, both popular actors known for their performances as Hamlet, as a Shakespearean Cox and Box. When the American Booth visited England during a theatrical tour in 1881 and announced that he would perform Hamlet, many theatergoers anticipated a rivalry with English actor Irving. However, Irving made Booth welcome, and the two actors even performed the title role in Irving's production of Othello on alternating nights. The rival Richards !!! (F. Str., 1817). Folger ART File K24.4 no.90 copy 2 (size M). The artist, identified only as "F.Str.", shows the whim of British theater audiences, personified as Folly, a three-faced jester, preferring rival actors Junius Brutus Booth and Edmund Kean in their performances as Richard III. Other actors who had portrayed the same role are seen fleeing or fainting around the jester: the cluster of actors on the right includes Charles Mayne Young and John Philip Kemble. -
The Camp Olden Gazette News from the Camp Olden Civil War Round Table Fall, 2009
The Camp Olden Gazette News from the Camp Olden Civil War Round Table Fall, 2009 At the next meeting of the Camp Olden Civil War Robert J. O'Connor graduated from Dixon High Round Table to be held on Thursday, September 3, School in Dixon, Illinois and has a Biology at the Hamilton Township Municipal Library, our degree from Northern Illinois University in guest will be Robert J. O'Connor speaking on his DeKalb, Illinois. He has worked full time and book "The Perfect Steel Trap Harpers Ferry 1859" part time as a newspaper reporter, and at a historical novel covering the John Brown raid, various jobs -- many that required writing press trial and execution in Harpers Ferry and releases, news articles, or reports. While Charlestown, Virginia in 1859. director of Tourism in Washington County, Maryland, he became involved in touring local The story covers the time period July 1859 to places like Antietam Battlefield and Harpers December 1859, the beginning of making plans for Ferry National Historical Park and has collected the raid through the hangings in Charles Town of books on three historical characters — John Brown and four of his men. The book is Abraham Lincoln, John Wilkes Booth and John narrated by Owen Brown, one of John Brown's Brown. sons, who escaped from Harpers Ferry and lived until 1889. He and another raider, Osborne Besides writing, he works part time for both the Jefferson County CVB and for the City of Anderson, supposedly gathered the information for this book from participants in the events to get for Charles Town. -
Dickinson Playing Othello, Race and Tommaso Salvini
"We think of others possessing you with the throes of Othello": Dickinson Playing Othello, Race and Tommaso Salvini Páraic Finnerty The Emily Dickinson Journal, Volume 11, Number 1, 2002, pp. 81-90 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/edj.2002.0006 For additional information about this article https://muse.jhu.edu/article/11179 Access provided by University of Wisconsin @ Eau Claire (12 Jul 2018 19:24 GMT) PÁRAIC FINNERTY "We think of others possessing you with the throes of Othello': Dickinson Playing Othello, Race and Tommaso Salvini thello is one of Emily Dickinson's favorite plays. It is the play alluded to most often in her extant letters and the one most often marked with pencil in her copy of Shakespeare's works at the Houghton Library, Harvard (Capps 182-5).1 It is also the only play Dickinson is likely to have seen performed. In 1851, while in Boston, Lavinia Dickinson recorded in her diary on the 8th of September that they 'heard Othello read' at the Museum (Leyda I, 211).2 Dickinson's epistolary allusions to this play begin in 1876 as if the play and its characters had a special significance for Dickinson in the last decade of her life. Moreover, in three of these references, Dickinson actually identifies with Othello. This paper examines Dickinson's identifica- tion with this character by focusing upon his theatrical and critical reception in nineteenth century America. Dickinson references to the play are best understood within this context, particularly the performances of Othello by the Italian actor Tommaso Salvini. -
Sketches TUDOR HALL BOOTH FAMILY
Sketches OF TUDOR HALL AND THE BOOTH FAMILY BY ELLA V. MAHONEY COPYRIGHTED 1925 by ELLA V. MAHONEY TUDOR HALL BELAIR, MD. MAY. 1925 CONTENTS PAGE TUDOR HALL 5 THE CHERRY TREE 12 JUNIUS BRUTUS BOOTH - 15 EDWIN BOOTH 19 JOHN" \VILKES BOOTH 27 THE ENlD MYTH - 43 THE IDENTIFICATION OF JOHN WILKES BOOTH 46 THE SEARCH FOR BooTH AT TenoR HALL AFTER THE ASSASSINATION OF LINCOLN 50 THEIR BcRIAL Pr.ACE 51 AUTHOR'S NOTE I '\\Tas .encouraged to prepare this little volume, for which I claim no literary merit so far as my part in it is concerned, at the request and for the information of many visitors from al1 parts of the country to Tudor Hall, the home of the Booths. best known as the birthplace of Ed,vin Booth. I have tried, so far as possible, to recount such facts as will an~wer all the questions I am asked. Of late the uppermost question in the public mind seems to be that oft revived subject as to the fate of John Wilkes Booth. I hope the evidence and proofs I an1 able to give on that subject may prove convincing to my readers. I have drawn my· information from many sources. I am greatly indebted 'to William Winter, ,vhose "Life And Art of Edwin Booth," is one of the most beautiful tributes to the life and character of a friend~ I have ever read. I am deeply grateful to Mrs. Thomas Baily Aldrich for the privilege of quoting passages from her charming book, "Crowd ing Memories," published by Houghton, Mifflin Company. -
Miller Harvard University
A Pre-History of Performing Rights in Anglo-American Copyright Law Derek Miller Harvard University “It is not courteous, it is hardly even gentlemanly, to persist in this appropriation of a man’s writings to their mountebanks.”1 For its first century, Anglo-American copyright law did not include a performing right. Copyright was literally that, a copy right, the right to produce and sell physical copies of a work, and as such remained closely tied to print technologies and to the commerce of print. Despite copyright’s restriction to a printing right, theater received some protection, namely as printed matter. In the era’s small set of copyright lawsuits regarding theater, however, theatrical performances emerged as a significant subject of legal discussion. Prior to the statutory commodification of theatrical performances—in 1833 in the UK and in 1856 in the US—the law considered performance’s status as property. In Britain, however, these pre-statutory debates over performing rights never embraced performance as an alienable commodity, the value of which arises through use, exchange, and labor, as post-statutory litigation would. Instead, before performance’s commodification, three older ideologies of performance- as-property occluded any emergent sense of performance as an intangible intellectual property. The first, evinced in the first case discussed below, closely associates performance with the physical manuscript, a fixation on a text’s objecthood that persisted in copyright law throughout the eighteenth and early-nineteenth century. -
Mystery Picture 1: the Peyton House in Port Royal, VA
Mystery Picture 1: The Peyton House in Port Royal, VA. John Wilkes Booth and David Herold stopped briefly at the Peyton House looking for shelter after crossing the Rappahannock river. Mystery Picture 2: George Foster Robinson’s Congressional Medal. For saving Secretary of State William Seward’s life, Private George Robinson was presented $5,000 and a gold Congressional Medal featuring his likeness. This particular one is housed at the Abraham Lincoln Presidential Library and Museum in Springfield, IL. Mystery Picture 3: The carte-de-visite entitled, ‘Morning, Noon and Night”. Investigators discovered a photo of JWB hidden behind this CDV when searching the Surratt Boardinghouse in Washington, D.C. This copy is on display in the Surratt House Museum in Clinton, MD. Mystery Picture 4: A reproduction of the Lincoln Rocker on display at Ford’s Theatre in Washington, D.C. The real rocker Lincoln was sitting in when he was shot is housed at the Henry Ford Museum in Dearborn, MI. Mystery Picture 5: The Star Saloon façade outside of Ford’s Theatre. The star saloon was a tavern adjoining Ford’s run by Peter Taltavull. Booth passed a lot of anxious minutes in this tavern before shooting Lincoln. Mystery Picture 6: Junius Brutus Booth’s face sculpted onto the Booth family obelisk in Green Mount Cemetery, Baltimore, MD. John Wilkes is buried here with his parents and several siblings. Mystery Picture 7: John Wilkes Booth’s boot cut off by Dr. Samuel A. Mudd on display at the Ford’s Theatre Museum in Washington, D.C. While treating Booth’s broken leg, Dr.