DOCSLIB.ORG

Mystery Picture 1: the Peyton House in Port Royal, VA

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mystery Picture 1: the Peyton House in Port Royal, VA Mystery Picture 1: The Peyton House in Port Royal, VA. John Wilkes Booth and David Herold stopped briefly at the Peyton House looking for shelter after crossing the Rappahannock river. Mystery Picture 2: George Foster Robinson’s Congressional Medal. For saving Secretary of State William Seward’s life, Private George Robinson was presented $5,000 and a gold Congressional Medal featuring his likeness. This particular one is housed at the Abraham Lincoln Presidential Library and Museum in Springfield, IL. Mystery Picture 3: The carte-de-visite entitled, ‘Morning, Noon and Night”. Investigators discovered a photo of JWB hidden behind this CDV when searching the Surratt Boardinghouse in Washington, D.C. This copy is on display in the Surratt House Museum in Clinton, MD. Mystery Picture 4: A reproduction of the Lincoln Rocker on display at Ford’s Theatre in Washington, D.C. The real rocker Lincoln was sitting in when he was shot is housed at the Henry Ford Museum in Dearborn, MI. Mystery Picture 5: The Star Saloon façade outside of Ford’s Theatre. The star saloon was a tavern adjoining Ford’s run by Peter Taltavull. Booth passed a lot of anxious minutes in this tavern before shooting Lincoln. Mystery Picture 6: Junius Brutus Booth’s face sculpted onto the Booth family obelisk in Green Mount Cemetery, Baltimore, MD. John Wilkes is buried here with his parents and several siblings. Mystery Picture 7: John Wilkes Booth’s boot cut off by Dr. Samuel A. Mudd on display at the Ford’s Theatre Museum in Washington, D.C. While treating Booth’s broken leg, Dr. Mudd made a vertical slit on the front of the boot to remove it. Mystery Picture 8: Current sign of the former Horsehead Tavern in Baden, MD. One of the possible routes John Wilkes Booth and David Herold could have taken from the Surratt House to Dr. Mudd’s takes them by Horsehead, a tavern and hotel that Booth stayed at while scouting his escape route. The image on the sign is supposed to be a completed horse’s head. During Booth and Herold’s time, an actually dead horse’s head hung outside on a sign, marking the tavern. Mystery Picture 9: Plaque inside the courtyard of the U.S. Court of Claims building in Washington, D.C. This building was built on the same lot that once house William Seward’s house. The plaque has a drawing of the house, and talks about the Secretary’s assassination attempt by the hands of Lewis Powell. Mystery Picture 10: Page from John Wilkes Booth’s “diary” located in the Ford’s Theatre Museum. His “diary” was actually an 1864 date book/calendar that he wrote in while on the run. The first few pages provided almanac like information about 1864. Mystery Picture 11: Decorative box covered in shells created by Dr. Samuel A. Mudd. While in prison at Fort Jefferson, Dr. Mudd learned carpentry and created this box inlaid with shells. This and many other of his creations are housed at the Dr. Samuel A. Mudd House in Waldorf, MD. Mystery Picture 12: Grave of William Storke Jett in Richmond, VA. Willie Jett aided the assassins across the Rappahannock River and to the Garrett farm outside of Port Royal. When the cavalry caught up with him, he revealed Booth’s location, causing his capture and death. .
Load more

Recommended publications
  • The Hamlet of Edwin Booth Ebook Free Download
    THE HAMLET OF EDWIN BOOTH PDF, EPUB, EBOOK Charles H Shattuck | 321 pages | 01 Dec 1969 | University of Illinois Press | 9780252000195 | English | Baltimore, United States The Hamlet of Edwin Booth PDF Book Seward, Lincoln's Secretary of State. I mean—. Melania married Donald Trump in to become his third wife. Kennedy and was later inspired by Ronald Reagan. Born as Michelle LaVaughn Robinson, she grew up in a middle-class family and had a conventional upbringing. So exactly as you said, he ran away with her to America, leaving his wife, Adelaide Booth, and his son, Richard, in a mansion in London. Americans are as divided as ever. Because many people held up John Wilkes Booth as a great actor. He would never learn his lines, so in order to generate excitement on stage, he would improvise a lot of physical violence. Booth personally, but I have always had most grateful recollection of his prompt action on my behalf. Her sense of fashion has become a great source of inspiration for many youngsters across the world. Grant, also wrote to Booth to congratulate him on his heroism. He had a volatile emotional life. It was a decision he soon came to regret. Jimmy Carter was the 39th President of America and aspired to establish a government which was both, competent and compassionate. Goff Robert Lincoln. You're right that he was volcanic and that he was like a lightning bolt. Edwin and John Wilkes Booth would have quarrels over more than just politics, as well. Bon Jovi has also released two solo albums.
    [Show full text]
  • Proquest Dissertations
    INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, som e thesis and dissertation copies are in typewriter face, while others may be from any type of com puter printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 UMI EDWTN BOOTH .\ND THE THEATRE OF REDEMPTION: AN EXPLORATION OF THE EFFECTS OF JOHN WTLKES BOOTH'S ASSASSINATION OF ABRAHANI LINCOLN ON EDWIN BOOTH'S ACTING STYLE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Michael L.
    [Show full text]
  • William Shakespeare's
    classic repertory company STUDY GUIDE William Shakespeare’s JULIUS CAESAR Education Outreach Supporters Funded in part by generous individual contributors, the National Endowment for the Arts, Massachusetts Cultural Council, Foundation for MetroWest, Fuller Foundation, The Marshall Home Fund, Roy A. Hunt Foundation, and Watertown Community Foundation. This program is also supported in part by grants from the Billerica Arts Council, Brookline Commission for the Arts, Canton Cultural Council, Brockton Cultural Council, Lawrence Cultural Council, Lexington Council for the Arts, Marlborough Cultural Council, Newton Cultural Council, Watertown Cultural Council, and Wilmington Cultural Council, local agencies which are supported by the Massachusetts Cultural Council, a state agency. Classic Repertory Company is produced in cooperation with Boston University College of Fine Arts School of Theatre NEW REP ADMINISTRATIVE OFFICE 200 DEXTER AVENUE WATERTOWN, MA 02472 the professional theatre company in residence at the artistic director jim petosa managing director harriet sheets arsenal center for the arts A Timeline of Shakespeare’s Life 1564 Born in Stratford-upon-Avon 1582 Marries Anne Hathaway 1585 Moves to London to pursue theatre career 1592 London closes theatres due to plague 1593 Starts to write sonnets 1594 Publishes first works of poetry 1594 Starts managing, as well as writing for, the Lord Chamberlain’s Men 1599 Writes Julius Caesar 1600 Writes Hamlet, one of his most well-known plays 1603 The Lord Chamberlain’s Men is renamed the King’s Men in honor of the new King James’ patronage 1604 Retires from acting 1613 The Globe Theatre burns down 1614 The Globe Theatre is rebuilt 1616 Dies and is buried at Holy Trinity Church in Stratford-Upon-Avon adapted from http://absoluteshakespeare.com/trivia/timeline.htm C.1600 JOHN TAYLOR THE CHANDOS PORTRAIT, LONDON PORTRAIT GALLERY, NATIONAL Why do we read Shakespeare? Shakespeare’s works are over 400 years old.
    [Show full text]
  • Abraham Lincoln Assassination
    4 \J s > 3 o <v n o fj o X H The Assassination of Abraham Lincoln John Wilkes Booth Miscellaneous Excerpts from newspapers and other sources From the files of the Lincoln Financial Foundation Collection 7/ 2oo<? e>W. OJ3o H says f * ington, Zd. The stex ™ 2d of forehead Uty^.^ > found floating at Govemment ^U'lSD^^SytranBlatecl and is as follows: Washington, April 15, 1865. back m rd J ° he fell ,g°^.° ^- e Mind well that : J. WILKES BOOTH. of expression—those orbs that can meet in On the back of the letter are two endorse- love or flame with passion ; his glances were ments, the first being," Hon. N. S. O. Labam. keen and he read character intuitively. In Richmond, February 12, 1865, In relation to fact, he exercised a kind of magnetism over plans and means of burning the enemy's ship- the person with whom he conversed, and no ping, <fcc. Preparations are in the hands of one could resist his fascination. This was the Prof. McCullough, and are known to only one secret of his influence over Harold, Atzerott party. He asks the President to have an in- and Payne. A mass of curling, jetty hair terview with General Harris, formerly M. C crowned his square forehead and brows ; sueh from Missouri, on the subject." The other is, was his physique. A person who saw him " the Secretary of State, at his convenience, after death, remarked that his features were will please see General Harris, and hear what still beautiful, but it was evident that he had plan he has, for overcoming the difficulties undergone a great struggle, and was now at heretofore experienced.' rest.
    [Show full text]
  • Caricatures of Henry Irving and Edwin Booth, Inscription Reads
    [Caricatures of Henry Irving and Edwin Booth, inscription reads] Box (An English Hamlet)-Who are You? Cox (An American Hamlet)-If it comes to that, Who are You? (artist unidentified, circa 1881-1906?). Folger ART Vol. a8 no.47. Box and Cox was a popular one-act farce written by John Maddison Morton and first produced in 1847. In it, a landlady rents an apartment to one lodger (Cox) by day and another lodger (Box) by night, with both tenants continually confused by changes in "their" apartment, but unaware that they are sharing space. After many mix-ups, they discover the double tenancy, and ultimately decide that the arrangement works for them. In this caricature, an unidentified artist portrays Henry Irving and Edwin Booth, both popular actors known for their performances as Hamlet, as a Shakespearean Cox and Box. When the American Booth visited England during a theatrical tour in 1881 and announced that he would perform Hamlet, many theatergoers anticipated a rivalry with English actor Irving. However, Irving made Booth welcome, and the two actors even performed the title role in Irving's production of Othello on alternating nights. The rival Richards !!! (F. Str., 1817). Folger ART File K24.4 no.90 copy 2 (size M). The artist, identified only as "F.Str.", shows the whim of British theater audiences, personified as Folly, a three-faced jester, preferring rival actors Junius Brutus Booth and Edmund Kean in their performances as Richard III. Other actors who had portrayed the same role are seen fleeing or fainting around the jester: the cluster of actors on the right includes Charles Mayne Young and John Philip Kemble.
    [Show full text]
  • Lincoln's Ghosts
    LINCOLN’S GHOSTS: THE POSTHUMOUS CAREER OF AN AMERICAN ICON Kimberly N. Kutz A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2013 Approved by: John F. Kasson W. Fitzhugh Brundage Bernard Herman David Morgan Heather A. Williams ©2013 Kimberly N. Kutz ALL RIGHTS RESERVED ii ABSTRACT KIMBERLY NOELLE KUTZ: Lincoln’s Ghosts: The Posthumous Career of an American Icon (Under the direction of Professor John F. Kasson) American cultural productions repeatedly have depicted Abraham Lincoln as “living on” as a spirit after his assassination in 1865. The unprecedented death toll of the Civil War coupled with the uncertain future of African American citizenship in the years after the war led Americans, both black and white, to imagine and reimagine how a living Lincoln would have responded to contemporary issues in the United States. As they grappled with Lincoln’s legacy for American race relations, artists, writers, and other creators of American culture did not simply remember Lincoln but envisioned him as an ongoing spiritual presence in everyday life. Immediately after the Civil War, when the American Spiritualist movement encouraged the bereaved to believe that departed loved ones watched over and comforted the living, popular prints and spirit photography depicted Lincoln’s ghost remaining to guide the American people. In the late nineteenth and early twentieth century, actors who played Lincoln on the American stage presented themselves as embodied forms of his spirit, in the process eschewing Lincoln’s political achievement of Emancipation in favor of sentimental portrayals of his boyhood and family life.
    [Show full text]
  • Sketches TUDOR HALL BOOTH FAMILY
    Sketches OF TUDOR HALL AND THE BOOTH FAMILY BY ELLA V. MAHONEY COPYRIGHTED 1925 by ELLA V. MAHONEY TUDOR HALL BELAIR, MD. MAY. 1925 CONTENTS PAGE TUDOR HALL 5 THE CHERRY TREE 12 JUNIUS BRUTUS BOOTH - 15 EDWIN BOOTH 19 JOHN" \VILKES BOOTH 27 THE ENlD MYTH - 43 THE IDENTIFICATION OF JOHN WILKES BOOTH 46 THE SEARCH FOR BooTH AT TenoR HALL AFTER THE ASSASSINATION OF LINCOLN 50 THEIR BcRIAL Pr.ACE 51 AUTHOR'S NOTE I '\\Tas .encouraged to prepare this little volume, for which I claim no literary merit so far as my part in it is concerned, at the request and for the information of many visitors from al1 parts of the country to Tudor Hall, the home of the Booths. best known as the birthplace of Ed,vin Booth. I have tried, so far as possible, to recount such facts as will an~wer all the questions I am asked. Of late the uppermost question in the public mind seems to be that oft revived subject as to the fate of John Wilkes Booth. I hope the evidence and proofs I an1 able to give on that subject may prove convincing to my readers. I have drawn my· information from many sources. I am greatly indebted 'to William Winter, ,vhose "Life And Art of Edwin Booth," is one of the most beautiful tributes to the life and character of a friend~ I have ever read. I am deeply grateful to Mrs. Thomas Baily Aldrich for the privilege of quoting passages from her charming book, "Crowd­ ing Memories," published by Houghton, Mifflin Company.
    [Show full text]
  • Miller Harvard University
    A Pre-History of Performing Rights in Anglo-American Copyright Law Derek Miller Harvard University “It is not courteous, it is hardly even gentlemanly, to persist in this appropriation of a man’s writings to their mountebanks.”1 For its first century, Anglo-American copyright law did not include a performing right. Copyright was literally that, a copy right, the right to produce and sell physical copies of a work, and as such remained closely tied to print technologies and to the commerce of print. Despite copyright’s restriction to a printing right, theater received some protection, namely as printed matter. In the era’s small set of copyright lawsuits regarding theater, however, theatrical performances emerged as a significant subject of legal discussion. Prior to the statutory commodification of theatrical performances—in 1833 in the UK and in 1856 in the US—the law considered performance’s status as property. In Britain, however, these pre-statutory debates over performing rights never embraced performance as an alienable commodity, the value of which arises through use, exchange, and labor, as post-statutory litigation would. Instead, before performance’s commodification, three older ideologies of performance- as-property occluded any emergent sense of performance as an intangible intellectual property. The first, evinced in the first case discussed below, closely associates performance with the physical manuscript, a fixation on a text’s objecthood that persisted in copyright law throughout the eighteenth and early-nineteenth century.
    [Show full text]
  • THE PETITION to EXHUME JOHN WILKES BOOTH: a VIEW from the INSIDE by Francis J
    University of Baltimore Law Forum Volume 27 Article 5 Number 2 Spring 1997 1997 Commentary: The etP ition To Exhume John Wilkes Booth: A View From The nsideI Francis John Gorman Follow this and additional works at: http://scholarworks.law.ubalt.edu/lf Part of the Law Commons Recommended Citation Gorman, Francis John (1997) "Commentary: The eP tition To Exhume John Wilkes Booth: A View From The nI side," University of Baltimore Law Forum: Vol. 27 : No. 2 , Article 5. Available at: http://scholarworks.law.ubalt.edu/lf/vol27/iss2/5 This Article is brought to you for free and open access by ScholarWorks@University of Baltimore School of Law. It has been accepted for inclusion in University of Baltimore Law Forum by an authorized editor of ScholarWorks@University of Baltimore School of Law. For more information, please contact [email protected]. Commentary THE PETITION TO EXHUME JOHN WILKES BOOTH: A VIEW FROM THE INSIDE by Francis J. Gorman arely do history debates leave the confines President and Mrs. Lincoln went with Clara Harris and Rof classrooms, academic journals, or meet­ her fiancee, Major Henry Rathbone, to a performance ings of amateur historians. Did George Washington of "Our American Cousin" at Ford's Theater in really chop down a cherry tree? Or, on a more serious Washington. During the performance, John Wilkes note, did Franklin Roosevelt have advance warning of Booth, an accomplished Shakespearean actor and a Japan's attack on Pearl Harbor? familiar face at Ford's Theater, entered Lincoln's box In Maryland, however, an obscure history debate and shot the President in the back of his head.
    [Show full text]
  • The Night the Lights Went Dim: the Assassination of a President by Jennifer Dryden
    The Night the Lights Went Dim: The Assassination of a President by Jennifer Dryden Students will discuss and analyze primary sources relative to the life of John Wilkes Booth and his role in the assassination of Abraham Lincoln by actively engaging in inquiry based learning with documents, photographs and other materials provided by the teacher to gain understanding of Booth as a person. Students will review national and international published materials and incorporate the information into a newspaper they create and publish. Students will consider different reactions to President Lincoln’s assassination and the events that followed when writing newspapers from the perspective of the North or South. --- Overview------------------------------------------------------------------------------ Subject: Social Studies / Language Arts Time Required: Ten class sessions: two for PowerPoint and eight for newspaper assignment Grade Range: 6 - 8 Understanding Goal: Primary sources will help students understand the real person behind the man who assassinated President Lincoln. Investigative or By exposing Booth’s personal history and beliefs, Essential Question: do we know why Booth assassinated Lincoln? +++Materials++++++++++++++++++++++++++++++++++++++++++++++++++++++ Purpose of Primary sources provides a wonderful opportunity for Library of Congress Items: students to build knowledge and explore some details of Booth’s life and death. Library of Congress Items: Bibliographical Information attached. Additional Materials: Court TV Crime Library
    [Show full text]
  • Theater in Early Buffalo
    THE THEATER IN EARLY BUFFALO by Ardis and Kathryn Smith The drama in Buffalo with professional players, and many of them, began in the summer of 1835. The players, frequently famed, were lured here by two new and splendid theaters which opened within a month: The Buffalo at Washington and South Division Sreets, June 22; and The Eagle Street, between Main and Washington Streets, on July 21. There were buildings used for plays before this, and occasionally a few prized performers got to the growing community on Buffalo Creek. But the young city, incorporated in 1832 with a population of about 10,000,was far behind the eastern seaboard cities where theaters had been thriving since Colonial times. The new-born city of Buffalo had six churches, sixteen public and private schools, a library with 700 books, two banks, a newspaper, an in- surance firm, several debating societies, and a Grecian-columned Courthouse erected in 1816 on the site of the present Buffalo and Erie County Public Library .An old stone jail still stood near the courthouse, a lonely survivor of the fire set by the British in the War of 1812. Now, three years later, the newly theatrical city with approximately 16,000 residents was paving streets, planning a macadam road to Williamsville, and dreaming of the inevitable steam railway from Buffalo to the Hudson River and thus eventually to New York. Already a horse- powered railroad ran from Buffalo to Black Rock, then a separate village, and track was being laid for another to Niagara Falls. Public transporta- tion in the city consisted of four omnibuses making hourly trips up and down Main Street.
    [Show full text]
  • The Dahlgren Affair and the Lincoln Assassination
    THE DAHLGREN AFFAIR AND THE LINCOLN ASSASSINATION William Bryant Monday, October 23, 2017 Christopher Wren Association 1 BACKGROUND Thanks for intro & coming, scheduled last fall, etc. Glad for the opportunity to present a chapter of US history virtually unknown. Debated doing 1-day, 2 hrs vs 3-days, 6 hrs: Not all can attend 6 hrs and conspriracy story so complex with people and events, thread of story might be lost in details. 2 hrs should be enough time to connect the dots →→Presentation on website, books on table 2 www.wm.edu/cwa “course information” “class notes & presentations” [email protected] 3 THREE REFERENCES ON TABLE William Tidwell, Come Retribution: The Confederate Secret Service and the Assassination of Lincoln, 1988. Edward Steers, Jr., Blood on the Moon: The Assassination of Abraham Lincoln, 2001. Edward Steers, Jr. (ed.), The Trial: The Assassination of President Lincoln and the Trial of the Conspirators, 2003. 4 BACKGROUND More written about AL than any other American, always ends with assassination by crazed actor. Recent research by several serious scholars has determined is not accurate—true story once known been lost to history by design. Problem: historical accurate works not widely read, serious historians just writing to each other. 5 BACKGROUND Good scholarship depends on primary sources, sources of the period. But as you will hear, majority of relevant primary sources, but the scholars’ conclusions are indisputable. Objective today: For you to leave believing what I say is historically accurate and wet your appetite to learn more of a topic still relevant today. 6 →HOUR 1 →BACKGROUND 7 HOUR 1 THE DAHLGREN AFFAIR 8 BACKGROUND 9 STONEMAN’S RAID Story begins May 1-3, 1863, with Chancellorsville, Lee’s greatest victory, thanks to Jackson who was mortally wounded by own troops.
    [Show full text]