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Re-Mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity by Melina Kristine Dabney A
Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity By Melina Kristine Dabney A thesis submitted to the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Film Studies 2017 This thesis entitled: Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the new Femininity written by Melina Kristine Dabney has been approved for the Department of Film Studies ________________________________________________ (Melinda Barlow, Ph.D., Committee Chair) ________________________________________________ (Suranjan Ganguly, Ph.D., Committee Member) ________________________________________________ (Reiland Rabaka, Ph.D., Committee Member) Date: The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Dabney, Melina Kristine (BA/MA Film Studies) Re-mixing Old Character Tropes on Screen: Kerry Washington, Viola Davis, and the New Femininity Thesis directed by Professor Melinda Barlow While there is a substantial amount of scholarship on the depiction of African American women in film and television, this thesis exposes the new formations of African American femininity on screen. African American women have consistently resisted, challenged, submitted to, and remixed racial myths and sexual stereotypes existing in American cinema and television programming. Mainstream film and television practices significantly contribute to the reinforcement of old stereotypes in contemporary black women characters. However, based on the efforts of African American producers like Shonda Rhimes, who has attempted to insert more realistic renderings of African American women in her recent television shows, black women’s representation is undergoing yet another shift in contemporary media. -
Testimony of Richard Vetere, Adjunct Assistant Professor Queens College Before the Board of Trustees at Queens Public Hearing
1 Testimony of Richard Vetere, Adjunct Assistant Professor Queens College Before the Board of Trustees at Queens Public Hearing April 19, 2017 I have taught one class at Queens College since 1983. That was the year, Vigilante, a film I wrote, was released. Since then I have become successful enough that I was named a lifetime member of the Writers Guild of America East and was elected to Council for a two-year term in 2012. I have worked with film producers who have either produced, starred in or directed my work, and that list includes Francis Ford Coppola, Ed Harris, Walter Matthau, Carol Burnett, Jason Alexander, Agnieszka Holland and George Clooney, to name a few. I have written scripts for Paramount, Universal, ABC, CBS, and Disney, and yet what gives me the most satisfaction is helping students who come to Queens College from all over the world to learn how to write movies. And I’m treated like a seasonal worker by the Board of Trusties at CUNY. I’m hired semester-by-semester, and my pay, though I’ve been teaching nearly non-stop since 1983, is abysmal. I do not believe I’m appreciated by this educational system. However, I haven’t complained because, as I stated, I love teaching at Queens. Yet now is the time to give me equal pay for all I have contributed to Queens College, and pay all those others who work as hard as me to educate the young minds who come to our classrooms hopeful that what they learn will give them the opportunity to change their lives. -
Sunshine State
SUNSHINE STATE A FILM BY JOHN SAYLES A Sony Pictures Classics Release 141 Minutes. Rated PG-13 by the MPAA East Coast East Coast West Coast Distributor Falco Ink. Bazan Entertainment Block-Korenbrot Sony Pictures Classics Shannon Treusch Evelyn Santana Melody Korenbrot Carmelo Pirrone Erin Bruce Jackie Bazan Ziggy Kozlowski Marissa Manne 850 Seventh Avenue 110 Thorn Street 8271 Melrose Avenue 550 Madison Avenue Suite 1005 Suite 200 8 th Floor New York, NY 10019 Jersey City, NJ 07307 Los Angeles, CA 9004 New York, NY 10022 Tel: 212-445-7100 Tel: 201 656 0529 Tel: 323-655-0593 Tel: 212-833-8833 Fax: 212-445-0623 Fax: 201 653 3197 Fax: 323-655-7302 Fax: 212-833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com CAST MARLY TEMPLE................................................................EDIE FALCO DELIA TEMPLE...................................................................JANE ALEXANDER FURMAN TEMPLE.............................................................RALPH WAITE DESIREE PERRY..................................................................ANGELA BASSETT REGGIE PERRY...................................................................JAMES MCDANIEL EUNICE STOKES.................................................................MARY ALICE DR. LLOYD...........................................................................BILL COBBS EARL PICKNEY...................................................................GORDON CLAPP FRANCINE PICKNEY.........................................................MARY -
Tasha Smith Bio
TASHA SMITH BIO Tasha Smith is a multifaceted actress whose work brings style and intensity to the subjects she plays on the big and small screens. She currently stars in the Tyler Perry television series, “FOR BETTER OR WORSE,” on OWN for which she earned an NAACP Image Award nomination as “Outstanding Actress in a Comedy Series.” Smith‟s memorable portrayal of „Angela,‟ in Perry‟s box office hits, “WHY DID I GET MARRIED?” and its sequel, “WHY DID I GET MARRIED, TOO?”, alongside Janet Jackson and Jill Scott, sparked the creation of the spin-off series which is focused around her relationship with onscreen husband, „Marcus,‟ played by Michael Jai White. She will next be seen on the silver screen in Lionsgate‟s upcoming feature, “ADDICTED,” with Sharon Leal and Boris Kodjoe. The film, adapted from the popular erotic fiction novel which follows trials and tribulations of a successful sex-addicted African-American businesswoman, is slated for an October 10, 2014 theatrical release. Additionally, Smith was just tapped for Fox‟s Lee Daniels hip-hop drama pilot, “EMPIRE,” in a recurring role opposite Taraji P. Henson. Smith‟s other film credits include Tyler Perry‟s “DADDY’S LITTLE GIRLS” (Lionsgate), as “Jennifer” opposite Idris Elba and Gabrielle Union. Her performance still resonates with audiences and critics alike. Smith went on to co-star in the #1 box office film, “JUMPING THE BROOM” (Columbia), starring Paula Patton, Laz Alonso and Angela Bassett. She also appeared in the romantic comedy, “COUPLES RETREAT” (Universal), starring opposite Vince Vaughn, Jon Favreau, Jason Bateman and Faizon Love, adding to her already impressive box office resume which includes; “ATL” (Warner Bros.) with T.I. -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
From Cairo to California a Concise History of Bellydance in Egypt and America
From Cairo to California a concise history of bellydance in Egypt and America by Renée Rothman, PhD From Cairo to California: a concise history of bellydance in Egypt and America by Renée Rothman, PhD copyright 2013 please do not use material without proper attribution to me. 1 TABLE OF CONTENTS FORWARD 5 BELLYDANCE FAQs: An Introduction to Bellydance in Context 10 The Socio-religious Context of Egypt’s Dance Traditions 10 Bellydance in the Context of America’s “Melting Pot” and Feminist Politics 10 What is Bellydance? 11 Non-bellydance Forms in North Africa 12 Childbirth and Bellydance 13 Distinguishing Features of Bellydance 13 Bellydance Variations: Baladi, Raks Sharqi, and Tribal Fusion 14 The Bellydance World 15 PART ONE: EGYPTIAN BELLYDANCE 16 The Politics of Dancing in Egypt 16 Orientalism and the Occident 17 TRADITIONS OF FEMALE DANCERS IN EGYPT 19 Contextualizing Egypt’s Dancing Women 19 Awalim 19 Muhammad Ali Street Dancers 20 Ghawazi Dancers: The Banat Mazin 22 A Brief History of the Roma (Gypsy) 25 America’s Fictive Gypsy 27 THE RAQS SHARQI REVOLUTION 28 Badia Masabni (1894-1975) 28 Tahia Carioca (1919-1999) 30 NATIONAL FOLKDANCE AND THE FAMILIES REDA AND FAHMY 32 TRADITIONS OF MALE DANCERS IN EGYPT 33 Tito Seif 34 THE SURVIVAL OF BELLYDANCE IN EGYPT 34 PART TWO: AMERICAN BELLYDANCE 36 ORIENTALIST EXPRESSIONS: THE FIRST 100 YEARS OF BELLYDANCE IN THE WEST 36 America and the Middle East 36 Chicago World Fair and the Legend of Little Egypt 36 Orientalist Aesthetics 37 Oscar Wilde and Salomania 37 Ruth St. Denis and Divine Dance -
Should Magazines Sell Stuff? Church and State Issues Aside
Fashion. Beauty. Business. TOMMY FASHION TOUGH TUNE IN CHINA NIGHT The shuttering of JUN 2015 Tommy Hilfiger took All the winners, the Band of Outsiders No.1 his show on the road red carpet and the exemplifies the and opened his first after-party action at challenges young flagship in Beijing. the CFDA Awards. designers face. Markets p. 26 Eye p. 35 Markets p. 24 HARD SELL Should magazines sell stuff? Church and State issues aside, “Times are tough for independent labels.” independent labels.” for tough “Times are it hasn’t worked yet. Will it ever? KRIS VAN ASSCHE KRIS VAN Hard Sell US $9.99 JAPAN ¥1500 CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 EUROPE € 11 INDIA 800 Edward Nardoza EDITOR IN CHIEF Pete Born EXECUTIVE EDITOR, BEAUTY Bridget Foley The EXECUTIVE EDITOR James Fallon EDITOR Robb Rice Features GROUP DESIGN DIRECTOR John B. Fairchild 1927 — 2015 MANAGING EDITOR Peter Sadera Hard Sell MANAGING EDITOR, Dianne M. Pogoda FASHION/SPECIAL REPORTS 46 As newsstand and EUROPEAN EDITOR Miles Socha DEPUTY MANAGING EDITOR Evan Clark advertising revenues plunge, NEWS DIRECTOR Lisa Lockwood DEPUTY EDITOR, DATA AND ANALYSIS Arthur Zaczkiewicz magazine companies are DEPUTY FASHION EDITOR Donna Heiderstadt SITTINGS DIRECTOR Alex Badia desperately seeking new SENIOR EDITOR, RETAIL David Moin SENIOR EDITOR, SPECIAL PROJECTS, Arthur Friedman TEXTILES & TRADE revenue streams. Does the SENIOR EDITORS, FINANCIAL Arnold J. Karr, Vicki M. Young ASSOCIATE EDITOR Lorna Koski answer reside in magazine BUREAU CHIEF, LONDON Samantha Conti BUREAU CHIEF, MILAN Luisa Zargani e-commerce? BUREAU CHIEF, LOS ANGELES Marcy Medina ASIAN EDITOR Amanda Kaiser BUREAU CHIEF, WASHINGTON Kristi Ellis SENIOR FASHION EDITOR Bobbi Queen The Lone Ranger ASSOCIATE EDITOR Jenny B. -
Society of Dance History Scholars Proceedings
Society of Dance History Scholars Proceedings Twenty-Seventh Annual Conference Duke University ~ Durham, North Carolina 17-20 June 2004 Twenty-Eighth Annual Conference Northwestern University ~ Evanston, Illinois 9-12 June 2005 The Society of Dance History Scholars is a constituent member of the American Council of Learned Societies. This collection of papers has been compiled from files provided by individual authors who wished to contribute their papers as a record of the 2004 Society of Dance History Scholars conference. The compiler endeavored to standardize format for columns, titles, subtitles, figures or illustrations, references, and endnotes. The content is unchanged from that provided by the authors. Individual authors hold the copyrights to their papers. Published by Society of Dance History Scholars 2005 SOCIETY OF DANCE HISTORY SCHOLARS CONFERENCE PAPERS Susan C. Cook, Compiler TABLE OF CONTENTS 17-20 June 2004 Duke University ~ Durham, North Carolina 1. Dancing with the GI Bill Claudia Gitelman 2. Discord within Organic Unity: Phrasal Relations between Music and Choreography in Early Eighteenth-Century French Dance Kimiko Okamoto 3. Dance in Dublin Theatres 1729-35 Grainne McArdle 4. Queer Insertions: Javier de Frutos and the Erotic Vida Midgelow 5. Becomings and Belongings: Lucy Guerin’s The Ends of Things Melissa Blanco Borelli 6. Beyond the Marley: Theorizing Ballet Studio Spaces as Spheres Not Mirrors Jill Nunes Jensen 7. Exploring Ashton’s Stravinsky Dances: How Research Can Inform Today’s Dancers Geraldine Morris 8. Dance References in the Records of Early English Drama: Alternative Sources for Non- Courtly Dancing, 1500-1650 E.F. Winerock 9. Regional Traditions in the French Basse Dance David Wilson 10. -
Altreitalie 38,39
ALTREITALIE gennaio-dicembre 38-39/2009 Rivista internazionale di studi sulle migrazioni italiane nel mondo International journal of studies on Italian migrations in the world INDICE Editoriale Saggi Stefano Luconi From William C. Celentano to Barack Obama: Ethnic and Racial Identity in Italian-American Postwar Political Experience, 1945-2008 7 Sommario | Abstract | Résumé | Extracto 21 Robert Buranello Between Fact and Fiction: Italian Immigration to South Africa 23 Sommario | Abstract | Résumé | Extracto 45 Alessandro Arduino Giovani e mobilità in Estremo Oriente 47 Sommario | Abstract | Résumé | Extracto 59 Modelli di migrazioni femminili Oriana Bruno «Le navi delle mogli»: donne calabresi in Argentina 61 Susanna Scarparo Italian Proxy Brides in Australia 85 Silvia Cassamagnaghi Relax Girls, U.S. Will Treat You Right Le spose italiane dei GI della Seconda guerra mondiale 109 Sommario | Abstract | Résumé | Extracto 133 Canada Francesca L’Orfano The Overwhelming Albatross: Stereotypical Representations and Italian-Canadian Political and Cultural Life 137 Irene Poggi La comunità italiana a Montréal e la questione linguistica 158 Sommario | Abstract | Résumé | Extracto 187 Brasile Aurelia H. Castiglioni e Mauro Reginato Impatti socio demografici dell’immigrazione europea in Espirito Santo 190 Federico Croci Dal «pericolo giallo» a «l’invasione nipponica». L’impatto dell’immigrazione giapponese sulla comunità italiana di São Paulo: solidarietà, rifiuto e conflitto 222 Sommario | Abstract | Résumé | Extracto | Resumo 250 Cinema e letteratura -
DSTLD Plans Second Round of Crowdfunding, Pop-Ups and Other
NEWSPAPER 2ND CLASS $2.99 VOLUME 73, NUMBER 34 AUGUST 11–17, 2017 THE VOICE OF THE INDUSTRY FOR 72 YEARS New BCBG Owners Outline Their Plans for Moving the Brands Forward By Deborah Belgum Senior Editor When Michael DeVirgilio and Cory Baker were figuring out whether they wanted to acquire the BCBGMaxAzria la- bel and its sister brands, they quizzed retailers about whether they were still willing to carry the decades-old brands in their stores. They were happy to find that the labels weren’t on life support yet. Polling shoppers, they found that customers were still loyal to the sophisticated collections that until last year were con- sistently seen on the runways of New York Fashion Week. “What was wrong with them was what was under the hood, not what was in the eyes of the customer,” said Baker, the chief operating officer at Marquee Brands, the New York–brand management group that acquired the intellectual-property rights out of bankruptcy court for BCBGMaxAzria, BCB- ➥ BCBG page 12 DENIM Japan’s Edwin Denim Retailers Emily Park, left, and Esther Paik in their new bricks-and-mortar store, Le Box Blanc, located in downtown LA’s South Park neighborhood. For more about the store, see page 10. Brand to Unveil Adriano Goldschmied Line for U.S. DSTLD Plans Second Round of Crowdfunding, By Andrew Asch Retail Editor Pop-Ups and Other Events In its 70th anniversary year, Japanese denim power- house Edwin Co. Ltd. opened a U.S. creative studio and is By Alison A. Nieder Executive Editor percent in the last year. -
ADF-Timeline.Pdf
Timeline 1934 • ADF, then known as the Bennington School of Dance, is founded at Bennington College in Bennington, Vermont. The first six-week session attracts 103 students (68 of whom were dance teachers) from 26 states, the District of Columbia, Canada and Spain. Their ages range from 15 to 49. • Martha Hill and Mary Josephine Shelly are Co-Directors. Martha Graham, Doris Humphrey, Charles Weidman, and Hanya Holm, also known as "The Big Four,” are recruited to be faculty. They each teach for a week in succession. 1935 • Martha Graham premieres Panorama with Alexander Calder mobiles (his first dance collaboration). • Doris Humphrey premieres New Dance. • The "Big Four" overlap teaching during the six weeks. 1936 • Betty Ford (Elizabeth Bloomer) is a student. • Humphrey completes her New Dance Trilogy with premiere of With My Red Fires; Weidman creates Quest. • World debut of Lincoln Kirstein's Ballet Caravan. Kirstein delivers lectures on classical ballet. 1937 • Anna Sokolow, José Limón, and Esther Junger are the first Bennington Fellows. • Premieres of Holm's Trend, Limón's Danza de la Muerte, Sokolow's Facade-Esposizione Italiana. • Alwin Nikolais is a student. • Graham premieres two solos. 1938 • Premieres are Graham's American Document, Holm's Dance of Work and Play and Dance Sonata, Humphrey's Passacaglia in C Minor, and Weidman's Opus 51. • Anna Halprin and Alwin Nikolais are students. 1939 • Bennington School of Dance spends summer at Mills College in Oakland, CA. • Merce Cunningham is a student. • Limón premieres 5-part solo, Danza Mexicanas. • John Cage gives concert of percussion music. 1940 • School of Dance returns to Bennington and is incorporated under The School of the Arts to foster relationships with the other arts. -
Intersection of Gender and Italian/Americaness
THE INTERSECTION OF GENDER AND ITALIAN/AMERICANESS: HEGEMONY IN THE SOPRANOS by Niki Caputo Wilson A Dissertation Submitted to the Faculty of The Dorothy F. Schmidt College of Arts and Letters in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL December 2010 ACKNOWLEDGEMENTS I could not have completed this dissertation without the guidance of my committee members, the help from my friends and colleagues, and the support of my family. I extend my deepest gratitude to my committee chair Dr. Jane Caputi for her patience, guidance, and encouragement. You are truly an inspiration. I would like to thank my committee members as well. Dr. Christine Scodari has been tireless in her willingness to read and comment on my writing, each time providing me with insightful recommendations. I am indebted to Dr Art Evans, whose vast knowledge of both The Sopranos and ethnicity provided an invaluable resource. Friends, family members, and UCEW staff have provided much needed motivation, as well as critiques of my work; in particular, I thank Marc Fedderman, Rebecca Kuhn, my Aunt Nancy Mitchell, and my mom, Janie Caputo. I want to thank my dad, Randy Caputo, and brother, Sean Caputo, who are always there to offer their help and support. My tennis friends Kathy Fernandes, Lise Orr, Rachel Kuncman, and Nicola Snoep were instrumental in giving me an escape from my writing. Mike Orr of Minuteman Press and Stefanie Gapinski of WriteRight helped me immensely—thank you! Above all, I thank my husband, Mike Wilson, and my children, Madi and Cole Wilson, who have provided me with unconditional love and support throughout this process.