1969-70 Season the Alvin Ailey

Total Page:16

File Type:pdf, Size:1020Kb

1969-70 Season the Alvin Ailey -- Brooklyn Academy of Music 1969-70 Season The Alvin Ailey American Dance Theater NOVEMBER 20 - 30, 1969 4111111111011111111211111111R ABRAHAM si UI ""-- 7-o11 -110# Ct A SCHUSSING 'N SUNNING sz: Visit A&S Ski Shop and see all that's dazzling bright for the skier... pants, jackets, headgear ... plus the latest, greatest in ski equipment! Then head for the Cruise Shop and take in the newest looks in sun'n fun fashions from all the top designers ... in all the now colors! L NOVEMBER 1969 / BROOKLYN ACADEMY OF MUSIC / 3 FESTIVAL OF DANCE 69-70 i k! The Brooklyn Academy of Music presents THE ALVIN AILEY AMERICAN DANCE THEATER A REPERTORY COMPANY OF AMERICAN DANCE Thursday, November 27, 1969 DUDLEY WILLIAMS JUDITH JAMISON KELVIN ROTARDIER CONSUELO ATLAS GEORGE FAISON MICHELE MURRAY RENEE ROSE LINDA KENT SYLVIA WATERS JOHN MEDEIROS HARVEY COHEN WILLIAM HANSEN Artistic Director ALVIN AILEY THE ALVIN AILEY DANCE THEATER Is produced by DANCE THEATRE FOUNDATION, Inc., a non-profit, tax-exempt corporation. the unauthorized use of cameras or recording equipment Is absolutely prohibited during performances. Baldwin is the official piano of The Brooklyn Academy of Music. 196-feee).2{.)-1/0 4 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969 The Brooklyn Academy of Music The Brooklyn Academy of Music Is a department of the Brooklyn Institute of Arts and Sciences. The Governing Committee Ticket Reservation Systems - TICKETRON Seth S. Faison, Chairman Edward S. Reid, Vice Chairman Computerized ticket selling system which Monroe D. Stein, Vice Chairman permits purchase of tickets to Academy Hon. Alexander Aldrich events at the following locations: Bernard S. Barr Mrs. H. Houghton Bell MANHATTAN: Donald F. Benjamin Gimbels 33rd St.; Chase Manhattan Bank, Dr. William M. Birenbaum 1 Chase Manhattan Plaza and 52nd St. Donald M. Blinken & Ave. of Americas; Freedom National John R. H. Blum 275 125th St.; Central Patrick Carter Bank, W. Grand Station, Information and Balcony Areas; William B. Hewson Hunter College Concert Bureau, 695 Park Rev. W. G. Henson Jacobs Ave. Howard H. Jones Max L. Koeppel Msgr. Raymond S. Leonard BROOKLYN: Mrs. George Liberman Chase Manhattan Bank, Court and Mon- Harvey Lichtenstein tague Sts.; Four Season Ticket Informa- Mrs. Constance J. McQueen tion Association, 1625 Jerome Ave.; Free- Alan J. Patricof dom National Bank, 493 Nostrand Ave. James Q. Riordan William Tobey Administrative Staff LONG ISLAND: Harvey Lichtenstein, Gimbels, Roosevelt Field and Valley Director Stream; Grand Union, Great Neck; Gertz, Lewis L. Lloyd, Flushing, Jamaica, Hicksville, Great General Manager Neck, Bayshore; Austin Travel, Hemp- Charles Hammock, Asst. General Manager stead; Sears, Hicksville. Walter Price, Asst. Director, Press & Public Relations STATEN ISLAND: Thomas Kerrigan, Assistant to the Director Major's Travel. Ron Christopher, Public Affairs Coordinator WESTCHESTER: Judith Blinken, Music Program Coordinator Gimbels, Cross County Shopping Center; B. Altman and Co., White Plains; Sears, Administrator, School Time Program Yonkers. Sarah Welder, Administrator, Membership Program NEW JERSEY: Jane Yockel, Administrative Assistant Gimbels, Paramus and Moorestown; Mildred Levinson, Broadway Bank and Trust, Paterson; Administrative Secretary Grand Union, Morristown; Acme Super- Adele Allen, Administrative Secretary market, Somerville; B. Altman and Co., Sylvia Rodin, Short Hills; Customer Made Shirts, 31 E. Administrative Assistant Broad St., Westfield; Diners/Fugazy Frances M. Seidenberg, Travel, Broad and Monmouth, Red Bank; Assistant, Public Affairs Food Circus, 835 Highway St., Middle- Merle Johnson, town; Levy Bros., Clifton and Financial Elizabeth; Secretary Linden Travel, Linden; Stores, Evelyn August, Liptons Staff Assistant Bloomfield; Mercury Travel, 4 Lafayette, Paula Cohen, Trenton; Paramus Bowling, Rte. 17, Pa- Subscription Secretary ramus; Princeton University Store, House Staff Princeton; Ridgewood Newspapers, Alfred Salmaggi, Jr., House Manager Ridgewood; Steinbach Goerke, Asbury Alan Schnurmacher, Asst. House Manager Park, Bricktown, Elizabeth, Plainfield, Harry Pearl, Box Office Treasurer Red Bank; Stem Brothers, Paterson, Pa- Ronald Argermio, Assistant ramus, Preakness; Valley Fair, Irvington; Donald Giebler, Assistant Woodbridge Travel, Woodbridge. Richard Beck, Master Carpenter Edward Cooney, Assistant CONNECTICUT: Donald Beck, Chief Electrician Gimbels, Stamford; Grand Union, Green- Louis Beck, Assistant wich; Lafayette Radio, Danbury; Stoler's, John Cooney, Property Manager Darien; Yale Cooperative Corp., 77 Broad- Charles Brette, Custodian way, New Haven. IN CASE OF FIRE, WALK, DO NOT RUN, TO THE NEAREST EXIT. L NOVEMBER INS / BROOKLYN ACADEMY OF MUSIC / 5 MEMBERS OF THE BOARD OF TRUSTEES OF THE BROOKLYN INSTITUTE OF ARTS AND SCIENCES Mr. Alexander Aldrich Mrs. Edward M. Fuller Mr. Warren H. Phillips Miss Marian Anderson Mr. Andrew L. Gomory Mr. Rutherford Hon. Emil N. Baar Mr. Covington Hardee Mr. Eben W. Pyne Mr. Edward K. Bachman Mr. F. Warren Hellman Mr. Edward S. Reid Mr. Bernard S. Barr Mr. J. Victor Herd Mr. Frederick W. Richmond Mrs. H. Naughton Bell Dr. James McN. Hester Mr. James O. Riordan Mr. Donald F. Benjamin Mr. William B. Hewson Mrs. Thomas H. Roulston Dr. William Birenbaum Mr. John E. Heyke, Jr. Robert S. Rubin Mr. John R. H. Blum Mr. Winston E. Himsworth Mrs. Frank K. Sanders, Jr. Mr. Robert E. Blum Dr. R. Gordon Hoxie Mr. J. Folwell Scull, Jr. Mr. Gordon S. arab lin Mrs. Darwin R. James III Mr. Donald G. C. Sinclair Mr. Robert M. Burke Mr. Howard Jones Mr. Monroe D. Stein Mr. Patrick Carter Dr. John B. King Mr. Gerard Swope, Jr. Mr. Francis T. Christy Mr. Preston. L. Lambert Mr. Harold J. Szo Id Mrs. Robert T. H. Davidson Mr. Wilbur A. Levin Mrs. Hollis K. Thayer Mr. Sidney W. Davidson Mrs. Abbott A. Lippman Mrs. John F. Thompson, Jr. Mrs. Berton J. Delmhorst Mr. Alastair B. Martin Mr. William Tobey Mrs. Carroll J. Dickson Mrs. Emmet J. McCormack Mr. George R. Tollefsen Mr. T. Veer Mr. Thomas A. The Very Rev. Milton Vander Donnelly Eugene J. Molloy Mrs. Tracy S. Voorhees Dr. James B. Donovan Hon. Leonard P. Moore Mr. Francis B. Wadelton, Jr. Mrs. Mary Childs Draper Mr. Justin J. Murphy Hon. George C. Wildermuth Mr. Paul F. Ely Mrs. Louis Nathanson Mr. Robert Wilson Mr. Seth S. Faison Mr. Michael C. O'Brien, Jr. Mrs. Earle Kress Williams Mr. Lewis W. Francis, Jr. Mr. Donald M. Oenslager Judge Joseph B. Williams FOUNDATION AND CORPORATE CONTRIBUTORS A & S Foundation Marine Electric Corporation Albert and Greenbaum Foundation, Inc. Marine Midland Grace Trust Company American Airlines Foundation of New York Bache Corporation Foundation Martin's Department Store Bankers Trust Company Mays (J.W.) Department Store Bay Ridge Savings Bank (now Anchor) Matz Foundation Bristol-Myers Fund Merrill, Lynch, Pierce, Fenner and Smith, Inc. Brooklyn Savings Bank Henry and Lucy Moses Fund Brooklyn Union Gas Company Nathan's Famous, Inc. Burlington Industries Foundation National Lead Foundation Chase Manhattan Bank Foundation New York Community Trust Chemical Bank New York Trust Company - Brooklyn Heights Cities Service Foundation - Cultural Fund Corning Glass Works Foundation - Prospect Park Cranshaw Corporation New York Foundation CT Foundation New York Post Foundation Dell Publishing Company Foundation New York State Council on the Arts Dime Savings Bank of Brooklyn New York Telephone Company Dow Jones Foundation New York Times Foundation, Inc. Duplan Corporation Ogilvy & Mather, Inc. East New York Savings Bank Pack-Kahn Foundation Eighty Maiden Lane Foundation Pfizer Foundation Fawcett Enterprises, Inc. Jerome Robbins Foundation First National City Bank Foundation Rockefeller Brothers Fund Ford Foundation Rockefeller Foundation Greater New York Savings Bank F. & M. Shaefer Brewing Company Green Point Savings Bank Scherman Foundation Hudson Pulp and Paper Company Sears, Roebuck and Company IBM Corporation Shell Companies Foundation, Inc. Kaplan Fund South Brooklyn Savings Bank Kidder Peabody Foundation Spartans Industries Kings County Lafayette Trust Co. Trans World Airlines Inc. Kirsch Beverages, Inc. Trump Foundation (Fred C.) Klein, Stephen and Regina, Foundation United Airlines Kraftco Corporation (National Dairy) United States Trust Company Lincoln Savings Bank vanArneringen Foundation, Inc. Manufacturers Hanover Trust Company William C. Whitney Foundation Foundation Williarnsburgh Savings Bank FRIENDS OF THE BROOKLYN ACADEMY Friends of the Brooklyn Academy offer assistance to the educational services provided by the Academy, inform the community of various programs at the Academy and help bridge the gap between receipts and costs. Membership is tax deductible to the extent provided by law. ANNUAL MEMBERSHIP Regular $5.05 Supporting $10.00 Sponsor ... $25.00 Patron $50.00 Donor $100.00 Benefactor. $500.00 and over FRIENDS OF THE BROOKLYN ACADEMY OF MUSIC 30 Lafayette Avenue Brooklyn, New York 11217 Tel.: 783-6700 6 / BROOKLYN ACADEMY OF MUSIC / NOVEMBER 1969 BLUES SUITE Choreography: Alvin Ailey Music: Traditional Decor and Costumes: George Faison Lighting: Nicola Cernovitch "'Been down so long Getting up don't cross my mind . When you see me laughing I'm laughing to keep from crying ..." From the fields and barrelhouses of the southern Negro sprang the blues-song of lost love, despair, protest and anger-hymns to the secular regions of his soul. Good Morning Blues THE COMPANY Long Time . KELVIN ROTARDIER and THE COMPANY Mean 01' Frisco DUDLEY WILLIAMS, GEORGE FAISON, HARVEY COHEN, WILLIAM HANSEN, JOHN MEDEIROS
Recommended publications
  • MEREDITH MONK and ANN HAMILTON: Aaron Copland Fund for Music, Inc
    The House Foundation for the Arts, Inc. | 260 West Broadway, Suite 2, New York, NY 10013 | Tel: 212.904.1330 Fax: 212.904.1305 | Email: [email protected] Web: www.meredithmonk.org Incorporated in 1971, The House Foundation for the Arts provides production and management services for Meredith Monk, Meredith Monk & Vocal Ensemble, and The House Company. Meredith Monk, Artistic Director • Olivia Georgia, Executive Director • Amanda Cooper, Company Manager • Melissa Sandor, Development Consultant • Jahna Balk, Development Associate • Peter Sciscioli, Assistant Manager • Jeremy Thal, Bookkeeper Press representative: Ellen Jacobs Associates | Tel: 212.245.5100 • Fax: 212.397.1102 Exclusive U.S. Tour Representation: Rena Shagan Associates, Inc. | Tel: 212.873.9700 • Fax: 212.873.1708 • www.shaganarts.com International Booking: Thérèse Barbanel, Artsceniques | [email protected] impermanence(recorded on ECM New Series) and other Meredith Monk & Vocal Ensemble albums are available at www.meredithmonk.org MEREDITH MONK/The House Foundation for the Arts Board of Trustees: Linda Golding, Chair and President • Meredith Monk, Artistic Director • Arbie R. Thalacker, Treasurer • Linda R. Safran • Haruno Arai, Secretary • Barbara G. Sahlman • Cathy Appel • Carol Schuster • Robert Grimm • Gail Sinai • Sali Ann Kriegsman • Frederieke Sanders Taylor • Micki Wesson, President Emerita MEREDITH MONK/The House Foundation for the Arts is made possible, in part, with public and private funds from: MEREDITH MONK AND ANN HAMILTON: Aaron Copland Fund for
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE to BROOKLYN Judith E
    L(30 '11 II. BROOKLYN ACADEMY OF MUSIC BOARD OF TRUSTEES Hon. Edward I. Koch, Hon. Howard Golden, Seth Faison, Paul Lepercq, Honorary Chairmen; Neil D. Chrisman, Chairman; Rita Hillman, I. Stanley Kriegel, Ame Vennema, Franklin R. Weissberg, Vice Chairmen; Harvey Lichtenstein, President and Chief Executive Officer; Harry W. Albright, Jr., Henry Bing, Jr., Warren B. Coburn, Charles M. Diker, Jeffrey K. Endervelt, Mallory Factor, Harold L. Fisher, Leonard Garment, Elisabeth Gotbaum, Judah Gribetz, Sidney Kantor, Eugene H. Luntey, Hamish Maxwell, Evelyn Ortner, John R. Price, Jr., Richard M. Rosan, Mrs. Marion Scotto, William Tobey, Curtis A. Wood, John E. Zuccotti; Hon. Henry Geldzahler, Member ex-officio. A STAR SPANGLED OFFICERS Harvey Lichtenstein President and Chief Executive Officer SALUTE TO BROOKLYN Judith E. Daykin Executive Vice President and General Manager Richard Balzano Vice President and Treasurer Karen Brooks Hopkins Vice President for Planning and Development IN HONOR OF THE 100th ANNIVERSARY Micheal House Vice President for Marketing and Promotion ADMINISTRATIVE OFFICE STAFF OF THE Ruth Goldblatt Assistant to President Sally Morgan Assistant to General Manager David Perry Mail Clerk BROOKLYN BRIDGE FINANCE Perry Singer Accountant Tuesday, November 30, 1982 Jack C. Nulsen Business Manager Pearl Light Payroll Manager MARKETING AND PROMOTION Marketing Nancy Rossell Assistant to Vice President Susan Levy Director of Audience Development Jerrilyn Brown Executive Assistant Jon Crow Graphics Margo Abbruscato Information Resource Coordinator Press Ellen Lampert General Press Representative Susan Hood Spier Associate Press Representative Diana Robinson Press Assistant PLANNING AND DEVELOPMENT Jacques Brunswick Director of Membership Denis Azaro Development Officer Philip Bither Development Officer Sharon Lea Lee Office Manager Aaron Frazier Administrative Assistant MANAGEMENT INFORMATION Jack L.
    [Show full text]
  • Imes I Wonder What "Wrang with Me. I Keep Hearing People Soy That They Have Changed Jobs Because Five Or Ten Years in a Job Is Enough
    BROOKLYN ACADEMY OF MUSIC Letter from the President ~imes I wonder what "wrang with me. I keep hearing people soy that they have changed jobs because five or ten years in a job is enough. And here I am after 25 years, still at it, and still, for the most part, enjoying the ride. BAM has changed over the years and yet remains steadily on course. The outpouring of new work by some of our "old-timers" and by young, developing artists trying their wings, and the pursuit of several new initiatives, plus the stimulation of my BAM colleagues, have managed to keep me (or part of me) virgin, available and interested. The first major attraction of my initial season at BAM was Sarah Caldwell's newly formed American National Opera Company, which featured the first staged production in New York of Alban Berg's LULU. The next season, in 1968, had the return of The living Theater in four productions new to New York. In 1969, we introduced Jerzy Grotowski's Polish laboratory Theatre in three productions, and also Twyla Tharp's company on the Opera House stage, with the audience also onstage, seated on three sides. Robert Wilson's LIFE AND TIMES OF SIGMUND FREUD also appeared at BAM in 1969. What is the point of view that informed those early years and that is still operative today? It may seem to be contemporary work by artists outside the mainstream. I think it is deeper and more inclusive than that. For me, it is the application of a critical approach informed by a contemporary sensibility, to what is being produced for the stage today.
    [Show full text]
  • UNLIMITED Presents OPPORTUNITY
    fOR PfRfORMIhO f)RT5 Governors State University UNLIMITED presents OPPORTUNITY Complete your degree SYLVIA WATERS-ARTISTILEYC DIRECTOER Lowest tuition in Chicagoland Troy Powell -Associate Artistic Director Improve your skills and qualifications Company Members Sarah Daley, Solomon Dumas, Brittany Engel-Adams, Renaldo Gardner, Prepare for success Jacqueline Green, Collin Heyward, Yusaku Komori, Slim Mello, Major Nesby, Kelly Robotham, Fana Tesfagiorgis, Elizabeth Washington JUDITH JAMISON -ARTISTIC ADVISOR Ailey II is produced by Alvin Ailey Dance Foundation, Inc. Governors Sharon Gersten Luckman, Executive Director (TV) State Alley II gratefully acknowledges the generous support provided by the New York State Council on the Arts, a state agency, the New York City Department of Cultural Affairs, Dizzy Feet Foundation, LCU Foundation, yXC^s University New York Community Trust, and the Oceanic Heritage Foundation. University Park, IL Official U.S. Tour Sponsor 708.534.6802 Met Life Foundation www.govst.edu/4gsu Saturday. November 6.2010 This presentation is supported by the AM Performing Arts Fund, a program of Arts Governors MIDWEST Midwest funded by the National Endowment State for the Arts, with additional contributions from University The Illinois Arts Council, General Mills i I NATIONAL www.govst.edu ENDOWMENT Foundation, and Land O'Lakes Foundation. FOR THE ARTS The taking of photographs and the use of recording equipment of any kind during performances is strictly prohibited. Programming and casting subject to change. REVELATIONS
    [Show full text]
  • Qurrat Ann Kadwani: Still Calling Her Q!
    1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St.
    [Show full text]
  • From Museums to Film Studios, the Creative Sector Is One of New York City’S Most Important Economic Assets
    CREATIVE NEW YORK From museums to film studios, the creative sector is one of New York City’s most important economic assets. But the city’s working artists, nonprofit arts groups and for-profit creative firms face a growing number of challenges. June 2015 www.nycfuture.org CREATIVE NEW YORK Written by Adam Forman and edited by David Giles, Jon- CONTENTS athan Bowles and Gail Robinson. Additional research support from from Xiaomeng Li, Travis Palladino, Nicho- las Schafran, Ryan MacLeod, Chirag Bhatt, Amanda INTRODUCTION 3 Gold and Martin Yim. Cover photo by Ari Moore. Cover design by Amy ParKer. Interior design by Ahmad Dowla. A DECADE OF CHANGE 17 Neighborhood changes, rising rents and technology spark This report was made possible by generous support anxiety and excitement from New York Community Trust, Robert Sterling Clark Foundation, Laurie M. Tisch Illumination Fund, Rock- SOURCES OF STRENGTH 27 efeller Brothers Fund and Edelman. Talent, money and media make New York a global creative capital CENTER FOR AN URBAN FUTURE CREATIVE VOICES FROM AROUND THE WORLD 33 120 Wall St., Fl. 20 New YorK, NY 10005 Immigrants enrich New York’s creative sector www.nycfuture.org THE AFFORDABILITY CRISIS 36 Center for an Urban Future is a results-oriented New Exorbitant rents, a shortage of space and high costs York City-based think tank that shines a light on the most critical challenges and opportunities facing New ADDITIONAL CHALLENGES 36 YorK, with a focus on expanding economic opportunity, New York City’s chief barriers to variety and diversity creating jobs and improving the lives of New York’s most vulnerable residents.
    [Show full text]
  • The Brooklyn Delegation of the New York City Council for Its Vital Toric Visit to New York Gty
    Cbail'lllln Asher B. Edelman Brooklyn Academy of Music Preside at Harvey Lichtenstein Board of Trustees Vice Ck1irmen Neil D. Chrisman Rita Hillman I. Stanley Kriegel Franklin R. Weissberg Mem~ers Francis M. Austin, Jt Jenne K. Britell SPECIA L FUNDIN G FOR T HI S ANNU AL REPORT HAS BEEN Kevin Burke PROVIDED THROUGH THE GENEROUS SU PPORT OF Joanne L. Cossullo Warren B. Coburn MANUFACT U RERS HANOVER C O RPORATION . Beth DeWoody PRINTED B Y HARD ING Be H ARD ING GRAPHICS, INC. Charles M. Diker Brendan Duggan Choim Edelstein Mallory Foetor Ronald E. Feiner Alan H. Fishman Robert L. Forbes Michael Fuchs Faith G. Golding Morton Gottlieb Stephen R. Greenwald Sidney Kantor Stanley H. Kaplan Andrew K. Klink Bettina Bancroft Klink Robert A. Krasnow lngo Kretzschmar Edgar A. Lampert Eugene H. luntey laurie Mollet Martin F. Mertz Evelyn Ortner David L. Ramsay Bruce (. Ratner Richard M. Roson Jonathon F. P. Rose Robert (. Rosenberg Pippa Scott Mikki Shepard Vaughn (. Williams Ho10r1ry Chlirmen David N. Dinkins Officers Howa rd Go Iden Harvey Lichtenstein, IIHonry Tr11tees President and Executive Producer Seth Faison Koren Brooks Hopkins, leonard Garment Executive Vice President & Managing Director Paul lepercq Douglas W. Allan, Arne Vennemo Vice President for Marfceting and Promotion Ex-officii Jacques Brunswick, Mary Schmidt Campbell Vice President for Administration During the post yeo~ public funding of the arts weathered not only Fuchs and the Recording Industry Council chaired by Elelctro Entertoin­ Amidst a year of uncertainty at the National Endowment lor the intense challenges, but ever declining appropriation levels in the menrs Robert Krasnow, the Golo Committee organized a roving, post­ Arts, and a sense of growing unease with the country's economy, face of budget reductions of all levels of government.
    [Show full text]
  • From Cairo to California a Concise History of Bellydance in Egypt and America
    From Cairo to California a concise history of bellydance in Egypt and America by Renée Rothman, PhD From Cairo to California: a concise history of bellydance in Egypt and America by Renée Rothman, PhD copyright 2013 please do not use material without proper attribution to me. 1 TABLE OF CONTENTS FORWARD 5 BELLYDANCE FAQs: An Introduction to Bellydance in Context 10 The Socio-religious Context of Egypt’s Dance Traditions 10 Bellydance in the Context of America’s “Melting Pot” and Feminist Politics 10 What is Bellydance? 11 Non-bellydance Forms in North Africa 12 Childbirth and Bellydance 13 Distinguishing Features of Bellydance 13 Bellydance Variations: Baladi, Raks Sharqi, and Tribal Fusion 14 The Bellydance World 15 PART ONE: EGYPTIAN BELLYDANCE 16 The Politics of Dancing in Egypt 16 Orientalism and the Occident 17 TRADITIONS OF FEMALE DANCERS IN EGYPT 19 Contextualizing Egypt’s Dancing Women 19 Awalim 19 Muhammad Ali Street Dancers 20 Ghawazi Dancers: The Banat Mazin 22 A Brief History of the Roma (Gypsy) 25 America’s Fictive Gypsy 27 THE RAQS SHARQI REVOLUTION 28 Badia Masabni (1894-1975) 28 Tahia Carioca (1919-1999) 30 NATIONAL FOLKDANCE AND THE FAMILIES REDA AND FAHMY 32 TRADITIONS OF MALE DANCERS IN EGYPT 33 Tito Seif 34 THE SURVIVAL OF BELLYDANCE IN EGYPT 34 PART TWO: AMERICAN BELLYDANCE 36 ORIENTALIST EXPRESSIONS: THE FIRST 100 YEARS OF BELLYDANCE IN THE WEST 36 America and the Middle East 36 Chicago World Fair and the Legend of Little Egypt 36 Orientalist Aesthetics 37 Oscar Wilde and Salomania 37 Ruth St. Denis and Divine Dance
    [Show full text]
  • A Nonesuch Retrospective
    STEVE REICH PHASES A N O nes U ch R etr O spective D isc One D isc T W O D isc T hree MUSIC FOR 18 MUSICIANS (1976) 67:42 DIFFERENT TRAINS (1988) 26:51 YOU ARE (VARIATIONS) (2004) 27:00 1. Pulses 5:26 1. America—Before the war 8:59 1. You are wherever your thoughts are 13:14 2. Section I 3:58 2. Europe—During the war 7:31 2. Shiviti Hashem L’negdi (I place the Eternal before me) 4:15 3. Section II 5:13 3. After the war 10:21 3. Explanations come to an end somewhere 5:24 4. Section IIIA 3:55 4. Ehmor m’aht, v’ahsay harbay (Say little and do much) 4:04 5. Section IIIB 3:46 Kronos Quartet 6. Section IV 6:37 David Harrington, violin Los Angeles Master Chorale 7. Section V 6:49 John Sherba, violin Grant Gershon, conductor 8. Section VI 4:54 Hank Dutt, viola Phoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, 9. Section VII 4:19 Joan Jeanrenaud, cello Marie Hodgson, Emily Lin, sopranos 10. Section VIII 3:35 Sarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, 11. Section IX 5:24 TEHILLIM (1981) 30:29 Kim Switzer, Tracy Van Fleet, altos 12. Section X 1:51 4. Part I: Fast 11:45 Pablo Corá, Shawn Kirchner, Joseph Golightly, Sean McDermott, 13. Section XI 5:44 5. Part II: Fast 5:54 Fletcher Sheridan, Kevin St. Clair, tenors 14. Pulses 6:11 6. Part III: Slow 6:19 Geri Ratella, Sara Weisz, flutes 7.
    [Show full text]
  • Society of Dance History Scholars Proceedings
    Society of Dance History Scholars Proceedings Twenty-Seventh Annual Conference Duke University ~ Durham, North Carolina 17-20 June 2004 Twenty-Eighth Annual Conference Northwestern University ~ Evanston, Illinois 9-12 June 2005 The Society of Dance History Scholars is a constituent member of the American Council of Learned Societies. This collection of papers has been compiled from files provided by individual authors who wished to contribute their papers as a record of the 2004 Society of Dance History Scholars conference. The compiler endeavored to standardize format for columns, titles, subtitles, figures or illustrations, references, and endnotes. The content is unchanged from that provided by the authors. Individual authors hold the copyrights to their papers. Published by Society of Dance History Scholars 2005 SOCIETY OF DANCE HISTORY SCHOLARS CONFERENCE PAPERS Susan C. Cook, Compiler TABLE OF CONTENTS 17-20 June 2004 Duke University ~ Durham, North Carolina 1. Dancing with the GI Bill Claudia Gitelman 2. Discord within Organic Unity: Phrasal Relations between Music and Choreography in Early Eighteenth-Century French Dance Kimiko Okamoto 3. Dance in Dublin Theatres 1729-35 Grainne McArdle 4. Queer Insertions: Javier de Frutos and the Erotic Vida Midgelow 5. Becomings and Belongings: Lucy Guerin’s The Ends of Things Melissa Blanco Borelli 6. Beyond the Marley: Theorizing Ballet Studio Spaces as Spheres Not Mirrors Jill Nunes Jensen 7. Exploring Ashton’s Stravinsky Dances: How Research Can Inform Today’s Dancers Geraldine Morris 8. Dance References in the Records of Early English Drama: Alternative Sources for Non- Courtly Dancing, 1500-1650 E.F. Winerock 9. Regional Traditions in the French Basse Dance David Wilson 10.
    [Show full text]
  • Mdaa 2021 Spring Workshop Faculty
    MDAA 2021 SPRING WORKSHOP FACULTY BALLET Alexis Drabek received her early dance training in Colorado and was awarded scholarships to the summer programs of School of American Ballet and Pacific Northwest Ballet. She attended Interlochen Arts Academy in Michigan and was a NFAA/ARTS awardee in both Ballet and Modern. Ms. Drabek earned her Bachelor of Fine Arts degree from the Juilliard School in NYC, where she trained under the country’s top ballet and modern teachers including Benjamin Harkarvy, Hector Zaraspe, Stephen Pier, Alexandra Wells, Lupe Serrano, Alphonse Poulin, Laura Glenn, Carolyn Adams, Linda Kent, Jacqulyn Buglisi and Christine Dakin. As part of the Juilliard Dance Ensemble, Ms. Drabek performed works by Colin Connor, Adam Hougland, Jose Limon, Igal Perry, Abdul Rahim-Jackson, Maurice Wainrot and Reginald Yates. Ms. Drabek also danced with Desmond Richardson at the Guggenheim’s Work & Process: Picasso Dances, choreographed by George Faison. She has performed with David Taylor Dance Theater, Kim Robards Dance, Diablo Ballet, Oakland Ballet, Company C Contemporary Ballet, and BRIAH Danse, performing leading roles in works by Charles Anderson, Patrick Corbin, Jayne Persch, James Sewell, Twyla Tharp and Antony Tudor. Ms. Drabek also served as Ballet Mistress for Company C Contemporary Ballet and BRIAH Danse, assisting many choreographers including Maurice Causey, Dennis Nahat, Peter Anastos, and Susan Jaffe. Ms. Drabek currently lives in Lakewood, Colorado and is on faculty at the Colorado Ballet Academy. Jazz/Musical Theater Sean McKnight brings over 20 years of experience in professional theatre to The Hybrid Agency. Together with owner/founder Rikky Fishbein, their clients appear nightly on Broadway, in national touring companies, and on stages across the world as well as appearing regularly on TV and film.
    [Show full text]