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The 16Th Congress
CongressWatch Report No. 176 Report No. 176 17 June 2013 The 16th Congress In the Senate The 16th Congress will open on 22 July, the same day that President Benigno Aquino III delivers his fourth State-of-the-Nation Address (SONA). The Senate will likely have a complete roster for the first time since the 12th Congress. It may be recalled that during the 2001 elections, 13 senators were elected, with the last placer serving the unfinished term of Sen. Teofisto Guingona who was then appointed as vice president. The chamber had a full roll of 24 senators for only a year, due to the appointment of Sen. Blas Ople as Foreign Affairs Secretary on 23 July 2002, and due to the passing of Sen. Renato Cayetano on 25 June 2003. The 11th, 13th, 14th, and 15th Congresses did not have full membership, primarily because a senator did not complete the six-year term due to being elected to another post.1 In the 2013 midterm elections last May, all of the six senators seeking re-election made it to the top 12, while two were members of the House of Representatives in the 15th Congress. The twelve senators-elect are: SENATOR PARTY PREVIOUS POSITION 1. ANGARA, Juan Edgardo M. LDP Representative (Aurora, lone) 2. AQUINO, Paolo Benigno IV A. LP Former chairperson, National Youth Commission 3. BINAY-ANGELES, Nancy S. UNA 4. CAYETANO, Alan Peter S. NP Outgoing senator 5. EJERCITO, Joseph Victor G. UNA Representative (San Juan City, lone) 6. ESCUDERO, Francis Joseph G. Independent Outgoing senator 7. -
Global Makeover Cover V2.Indd 12/21/2010 3:18:21 PM
(1,1) -1- FINAL_global makeover cover v2.indd 12/21/2010 3:18:21 PM � e 11 studies in this book show the “makeover” that selected countries in Asia have undergone due to globalization. Clearly, the la� er’s eff ects go beyond economics as Asian politics and culture (including media) tend to evolve due to the changing times. While these studies do not cover the entire Asian experience with regard to globalization and other in� uences, they nevertheless give interested readers the speci� c experience in selected Asian countries like the Philippines, Korea and East Timor while providing a general context of Asian media and culture. Editor’s Introduction Regional Contexts of Media Cooperation and Artistic Collaboration in East Asia by Caroline S. Hau Whose Stories Do We Listen To? World-System and the Pa� ern of International News Flow global makeover by Seung Joon Jun and Ju-Yong Ha A Yearning for Tenderness in Korean Cinema Media and Culture in Asia by Ju-Yong Ha and Joel David Cultural Proximity and Cultural Distance: � e Reception of Korean Films in China � rough the Case of My Sassy Girl in the Early 2000s by Ying Huang and Kwang Woo Noh Edited by Danilo Araña Arao � e ‘English Fever’ in Korea by Doobo Shim and Joseph Sung-Yul Park � e New Fantasy-Adventure Film as Contemporary Epic, 2000-2007 by Patrick F. Campos � e Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and Other Media by Shirley Palileo-Evidente Orientalism and Classical Film Practice by Joel David � e Grassroots Approach to Communication: How Participatory Is Participatory Communication in the Philippines? by Randy Jay C. -
Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery ALSO by JOEL DAVID
UNITAS Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery ALSO BY JOEL DAVID The National Pastime: Contemporary Philippine Cinema Fields of Vision: Critical Applications in Recent Philippine Cinema Wages of Cinema: Film in Philippine Perspective Book Texts: A Pinoy Film Course (exclusively on Amauteurish!) Manila by Night: A Queer Film Classic SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema (with Jo-Ann Q. Maglipon; forthcoming) VOLUME 89 • NUMBER 1 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery PART II: EXPANDED PERSPECTIVES Joel david since 1922 Indexed in the International Bibliography of the Modern Language Association of America Millennial Traversals: Outliers, Juvenilia, & Quondam Popcult Blabbery (Part II: Expanded Perspectives) Original Digital Edition Copyright 2015 by Joel David and Ámauteurish Publishing. All Rights Reserved. Cover still from Tiyanak, © 1988 Regal Films. All Rights Reserved. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Journal of the House of Representatives
Journal of the House of Representatives SEVENTEENTH CONGRESS FIRST REGULAR SESSION 2016 - 2017 JOURNAL NO. 10 Monday, August 15, 2016 Prepared by the JOURNAL SERVICE Plenary Affairs Bureau JOURNAL NO. 10 Monday, August 15, 2016 CALL TO ORDER By Representative Rodriguez (M.) At 4:00 p.m., Deputy Speaker Raneo “Ranie” E. TO THE COMMITTEE ON DANGEROUS Abu called the session to order. DRUGS House Bill No. 2569, entitled: NATIONAL ANTHEM AND PRAYER “AN ACT FURTHER STRENGTHENING THE Pursuant to Section 73, Rule XI of the amended GOVERNMENT SERVICE INSURANCE Provisional Rules of the House, the Members sang the SYSTEM” National Anthem and thereafter, Representative Rose Marie “Baby” J. Arenas delivered the invocation. By Representative Rodriguez (M.) DEFERMENT OF THE ROLL CALL TO THE COMMITTEE ON GOVERNMENT AND APPROVAL OF THE JOURNAL ENTERPRISES AND PRIVATIZATION House Bill No. 2570, entitled: On motion of Rep. Juan Pablo “Rimpy” P. Bon- doc, there being no objection, the Body deferred the “AN ACT ESTABLISHING AND MAINTAIN- calling of the Roll and the approval of the Journal. ING THE OFFICE OF VETERANS AF- FAIRS IN THE PHILIPPINE EMBASSY IN REFERENCE OF BUSINESS THE UNITED STATES OF AMERICA, PRESCRIBING ITS FUNCTIONS AND PROVIDING FUNDS THEREFOR” On further motion of Rep. Bondoc, there being no objection, the Body proceeded to the Reference of By Representative Rodriguez (M.) Business. TO THE COMMITTEE ON FOREIGN AF- Upon direction of the Chair, the Secretary General FAIRS read on First Reading the titles of the following Bills and Resolutions which were referred to the appropri- House Bill No. 2571, entitled: ate Committees as hereunder indicated: “AN ACT REORGANIZING THE COOPERA- TIVE DEVELOPMENT AUTHORITY, RE- PEALING FOR THE PURPOSE REPUBLIC BILLS ON FIRST READING ACT NO. -
Fall of Grace: Nora Aunor As Cinema 46
Flores / Fall of Grace: Nora Aunor as Cinema 46 FALL OF GRACE: NORA AUNOR AS CINEMA Patrick D. Flores University of the Philippines [email protected] Abstract Nora Aunor is enlisted in this speculation as a medium in the register of both the cinema and the transmission of spirit. The key trajectory is the oft-cited film Himala, which opens up a conceptual space for mediumship, the technology of the actress, her biography and corpus of art, and the devotion to her person. The essay constellates a set of texts including the sculpture in honor of Elsa, the main character of Himala, the film Silip, and the life of a fan. Nora, the performative vessel of Elsa, becomes fundamentally cinematic. It is through her that Elsa is fleshed out as a miracle worker of vexing potency. Nora is herself a testament to the transformative potential of the technology of the cinema. Keywords devotion, film, image, medium, spirit, voice About the Author Patrick D. Flores is Professor of Art Studies at the Department of Art Studies at the University of the Philippines, which he chaired from 1997 to 2003, and Curator of the Vargas Museum in Manila. He is Adjunct Curator at the National Art Gallery, Singapore. He was one of the curators of Under Construction: New Dimensions in Asian Art in 2000 and the Gwangju Biennale (Position Papers) in 2008. He was a Visiting Fellow at the National Gallery of Art in Washington, D.C. in 1999 and an Asian Public Intellectuals Fellow in 2004. Among his publications are Painting History: Revisions in Philippine Colonial Art (1999); Remarkable Collection: Art, History, and the National Museum (2006); and Past Peripheral: Curation in Southeast Asia (2008). -
THEVILMASANTOSNEWSLET TER Mula Sa
T H E V I L M AVilma! S No.A 7N – Literary T O IssueS N E W S L E T T E R And thus, the grandslam. Vilma gave Viva Films its first biggest hit in Sinasamba Kita earning over P7M in Metro Manila alone. Then came T-Bird at Ako (a mild hit), Never Ever Say GoodbyeBox (a sorry miss),office Gaano Kadalas Queen ang Minsan? of(her biggest all hit time for that year) and Haplos. I hear even the scriptwriters are feeling frustrated because, when they do a quality script, they only see it changed into something with lots of shrieking and slap- ping. But those are the movies that sell.” Nevertheless, she looks forward to a classier tomorrow for Philippine cinema. “And what’s tomorrow for Vilma Santos? I’m trying to be more stable because I know that show business is not stable. diehard fans of Vilma Santos, 45, the renowned actress-politician and the longest-reigning box-office queen in the Philippines. Last year, hundreds of screaming Vilmanians jammed the Quezon City tax office as Santos showed up to pay delinquent taxes. Many of them had come to seek her authograph. Santos, whose full name is Rosa Vilma Tuazon Santos-Recto, began her career as an award-winning child actress and singer in 1963. In 1992, she married Ralph Gonzalez four Yes, you can say that, for instance, Gloria Romero, Nida Blanca and Charito Solis are durable because they are still on view as performers, if Yes, you can say that,V for instance, GloriaI The LREAL SuperstarM A! Romero, Nida Blanca and Charito Solis are durable be- The hesitant Singer Noong panahon na nakamulatan kong isa akong Vilmanian ay isang napakalaking ligaya ko na pag may nababasa akong balita mula sa kanya.. -
Nombre Del Productor Número De Identificación Luis Aurelio Gomez Cardenas 17.681 Blanca Helena García Pardo 20.659 Blanca
NOMBRE DEL PRODUCTOR NÚMERO DE IDENTIFICACIÓN LUIS AURELIO GOMEZ CARDENAS 17.681 BLANCA HELENA GARCÍA PARDO 20.659 BLANCA CECILIA MALDONADO TRIANA 21.243 LUS STELLA MORALES SOLORZANO 40.428 HECTOR ALIRIO MORA RODRÍGUEZ 125.377 ANTONIIO CONTRERAS MAHECHA 200.847 ARISTOBULO MORENO 229.872 RAMÓN EMILIO BARBOSA MORALES 242.739 JORGE ENRIQUE SIERRA DÍAZ 245.866 JOSÉ OMAR CRUZ PEÑA 265.668 HERNAN DE JESÚS MUÑOS ROMERO 274.688 ANTONIO MARÍA REY PARDO 287.464 JOSÉ VICENTE MORALES PARDO 287.517 MARCO ANTONIO MORENO DÍAZ 287.544 JOSÉ ALEJANDRO RIVEROS LADINO 287.682 JOSÉ RUPERTO PARDO RIVEROS 287.712 RAFAEL QUEVEDO QUEVEDO 287.729 EVARISTO QUEVEDO MAYORGA 287.738 LUIS ADELMO GUTIERREZ 287.777 LUIS ERNESTO QUEVEDO MORENO 287.782 LIBERIO QUEVEDO PERALTA 287.786 RAFAEL ENRIQUE ROZO SANABRIA 287.799 JUAN DE JESÚS MORALES 287.801 JOSÉ RAMIRO PEREZ REY 287.808 NEPTALI PARDO RIVEROS 287.829 SALUSTIANO RUIZ REYES 287.840 JOSÉ LAUREANO PARDO SECHAGUA 287.845 JESÚS ANTONIO REY REY 287.848 TITO ALONSO QUEVEDO RUIZ 287.890 JOSÉ ARGEMIRO CUBILLOS CASTRO 287.898 JAIRO RIVEROS LADINO 287.900 ALIPIO DÍAZ RUIZ 287.922 LUIS HELI MORALES RUIZ 287.945 PANFILO ULICES MORALES PARDO 287.966 LUIS HERNANDO VELÁSQUEZ CIFUENTES 291.267 JHON GELMAN MARIN FLORES 311.132 AQUILINO MEDELLÍN VELÁSQUEZ 311.170 OSCAR FAES MENDIETA 311.170 RAMIRO MALDONADO 311.779 CAMPO ELIAS ORJUELA CRUZ 316.359 JOSE GERMAN LÓPEZ BARRERA 317.346 JOSÉ LIBORIO PARRA URREA 323.079 LUIS ALFONSO LÓPEZ ACOSTA 323.404 JOSE MANUEL FORERO 324.764 ALVARO SOTO 326.911 LUIS CARLOS PINEDA PEÑA 328.495 ISAIAS TORRES GÓMEZ 333.914 ARQUIMEDES LADINO JIMENEZ 333.931 LIBARDO CASTRO BERMUDEZ 334.083 JOSÉ BARONI BORDA ROBLE 334.112 JOSÉ GABRIEL GARCÍA ROSO 334.184 ISIDRO GARCÍA BELTRAN 334.208 LUPERSO HERNANDES RODRÍGUEZ 334.225 ALFREDO CANO CANO 334.228 RUBEN LIEVANO ROA 334.320 VICTOR JULIO RODRÍGUEZ IBAÑEZ 334.421 GUILLERMO CHITIVA 334.449 JOSÉ ARMANDO BERNAL HERNANDEZ 334.456 RIGOBERTO GARZÓN MOLINA 334.489 JOSÉ DEL CARMEN AVENDAÑO LÓPEZ 334.491 GABRIEL RODRÍGUEZ MERGAREJO 334.541 HERNANDO MORA ROJAS 334.557 YESID LOZANO. -
List of Applicants VRM 1
Republic of the Philippines COMMISSION ON ELECTIONS OFFICE FOR OVERSEAS VOTING LIST OF APPLICANTS Period Covered: Dec. 16, 2019 - Jun. 30, 2020 Country : STATE OF KUWAIT Embassy/Post : KUWAIT PE No. Name Type of Application 1 AALA, EDWIN VENZON CERTIFICATION 2 ABA, LIZA DEOCARES CERTIFICATION 3 ABABAN, CHARLYN OBENQUE REGISTRATION 4 ABACIAL, MARY CICILE BANAWAN CERTIFICATION 5 ABAD, KAYLA SAMUNGKAIL REGISTRATION 6 ABAD, LOIDA RAMOS REGISTRATION 7 ABAD, MERCEDES AMPARO CERTIFICATION 8 ABADIANO, SIRESIO SOLIS CERTIFICATION 9 ABAG, MYRA GANDAWALI REGISTRATION 10 ABALAJEN, JERALYN BABATLA CERTIFICATION 11 ABALOS, EDWIN PINERA REGISTRATION 12 ABALOS, JONAR CARINO CERTIFICATION 13 ABALOS, SUZANNE NULUD CERTIFICATION 14 ABAN, PAULO GUNDRAN CERTIFICATION 15 ABAÑO, JENNIFER PANDAY REACTIVATION 16 ABAO, MA RUBY CHIU REGISTRATION 17 ABAO, ROSALIZA ABAD CERTIFICATION 18 ABARGOS, ANALETTE CONCEPCION CERTIFICATION 19 ABARQUEZ, RICHELLE CRUZ CERTIFICATION 20 ABARRATIGUE, CANDELARIA LASCO REGISTRATION 21 ABAS, CHERYL - REGISTRATION 22 ABAS, MUSLIMA USOP REGISTRATION 23 ABAT, LEAH MAY REGISTRATION 24 ABATAYO, MARICHU CONEJOS CERTIFICATION 25 ABAYA, JOE ANN DINO REGISTRATION 26 ABAY-ABAY, MINDA OLAGUIR CERTIFICATION NOTICE: All authorized recipients of any personal data, personal information, privileged information and sensitive personal information contained in this document, including other pertinent documents attached thereto that are shared by the Commission on Elections in compliance with the existing laws and rules, and in conformity with the Data Privacy Act of 2012 ( R.A. No. 10173 ) and its implementing Rules and Regulations, as well as the pertinent Circulars of the National Privacy Commission, are similarly bound to comply with the said laws, rules and regulations, relating to data privacy, security, confidentiality, protection and accountability. -
He Oldest Award Giving Body in the Philippines Was the Filipino Academy of Movie Arts and Sciences Simply Called FAMAS
Figure 1: Best Actress from FAMAS, Gawad Urian, Film Academy of the Philippines, and CMMA he oldest award giving body in the Philippines was the Filipino Academy of Movie Arts and Sciences simply called FAMAS. It was launch two years after the Maria Clara awards folded in 1951. FAMAS shared the same name with the American film academy; AMPAS until the later complained and the Filipino organization have to change theirs into the current acronym. FAMAS created a history of controversies throughout their more than sixty years in award-giving business mostly due to their questionable selection of winners. In 2006, FAMAS experienced another setback when two groups divided the organization due to a controversial election of its officers. As the legal battle settled, the battling groups decided to just hand out their own awards, one used the name FAMAS and the other the Maria Clara Awards. Like its infancy, the Maria Clara Awards did not reach its maturity and died the second time. This is not the first time FAMAS experience disgruntled “break-away” members forming their own award. Prior to 1976, FAMAS retained their status as the most prestigious recognition a Filipino actor could have. Charito Solis, who won best actress at the Asian Film Festival in 1967 used to proudly bring her FAMAS trophies on the film set to intimidate starlets and to instigate professionalism. The breakaway group of critics wish to distinguish themselves from FAMAS by successfully branded their award as not for actors who overtly act in films, they catered to the ones who are restrained and controlled. -
Film Industry Executive Summary
An In-depth Study on the Film Industry In the Philippines Submitted by: Dr. Leonardo Garcia, Jr. Project Head and Ms. Carmelita Masigan Senior Researcher August 17, 2001 1 FILM INDUSTRY EXECUTIVE SUMMARY Movies are a powerful force in Philippine society. Movies, more than just a source of entertainment, reflect a nation’s personality. On the silver screen takes shape all the hopes, dreams and fantasies of the common man: legends, love, the stuff of myths and make believe. Its heroes become larger than life, often attaining the stature of demigods. They are looked upon as role models, serving as resources of inspiration. But most important, the movie industry has become a vital part of the national economy. The paper aims to define the industry and its structure, examine the laws that hinder or facilitate its growth as well as the existing associations and what they have done; look into the market potential of the film industry and its foreign market demand; examine supply capability; identify opportunities and threats confronting the industry; prepare an action plan to enhance competitiveness; and recommend a performance monitoring scheme. The film industry shows that its gross value added is growing faster than the gross domestic product and gross national product. In other words, the industry has a lot of potential to improve further through the years. Extent of growth of firms is primarily Metro-Manila based with Southern Tagalog as a far second. There is more investment in labor or manpower than capital expenditures based on the 1994 Census of Establishments. Motion picture also called film or movie is a series of still photographs on film, projected in rapid succession onto a screen by means of light. -
US, Australia, Japan Warships to Deter China in Indo-Pacific
WEEKLY ISSUE @FilAmNewspaper www.filamstar.com Vol. IX Issue 590 1028 Mission Street, 2/F, San Francisco, CA 94103 Email: [email protected] Tel. (415) 593-5955 or (650) 278-0692 July 30-Aug 05, 2020 PH rejects claim Sabah 1 year visa-free entry now part of Malaysia to Taiwan includes PH By Macon Araneta By Daniel Llanto FilAm Star Correspondent FilAm Star Correspondent FILIPINOS and nationals from three other countries can continue THE PHILIPPINES’ top diplomat rejected claims that Sabah is to enjoy traveling to Taiwan without visa for one year starting August now part of Malaysia as the Malaysian foreign ministry announced 1, 2020 until July 31, 2021. that Kuala Lumpur stopped paying cession money to the heirs of Taiwan’s Ministry of Foreign Affairs (MOFA)made the decision in a the Sultanate of Sulu to indicate that Sabah is now its full- bid to promote its New Southbound Policy which allows visa-free entry to fledged territory. foreign nationals from the Philippines, Thailand, Brunei and Russia.. Foreign Affairs Sec. Teodoro Locsin Jr. on July 27 slammed In a statement, the Taipei Economic and Cultural Office a photo caption issued by the US Embassy in Manila that (TECO)in the Philippines stressed that the extension is intended to designates Sabah as part of Malaysia, negating the strengthen Taiwan’s New Southbound Policy. Philippine’s historical claim to Sabah. Datuk Seri Hishammuddin Hussein (Photo: Facebook) ■ TO PAGE A7 (Photo: Wikipedia) ■ TO PAGE A7 Duterte says no to US bases’ return to Subic TRUMP UNLEASHES COVID-19 CURE US NEWS | A3 PH BEHIND ASIAN COUNTRIES IN RECOVERY PH NEWS | A4 Subic Bay (Photo: Youtube) Pres.