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Global Makeover Cover V2.Indd 12/21/2010 3:18:21 PM
(1,1) -1- FINAL_global makeover cover v2.indd 12/21/2010 3:18:21 PM � e 11 studies in this book show the “makeover” that selected countries in Asia have undergone due to globalization. Clearly, the la� er’s eff ects go beyond economics as Asian politics and culture (including media) tend to evolve due to the changing times. While these studies do not cover the entire Asian experience with regard to globalization and other in� uences, they nevertheless give interested readers the speci� c experience in selected Asian countries like the Philippines, Korea and East Timor while providing a general context of Asian media and culture. Editor’s Introduction Regional Contexts of Media Cooperation and Artistic Collaboration in East Asia by Caroline S. Hau Whose Stories Do We Listen To? World-System and the Pa� ern of International News Flow global makeover by Seung Joon Jun and Ju-Yong Ha A Yearning for Tenderness in Korean Cinema Media and Culture in Asia by Ju-Yong Ha and Joel David Cultural Proximity and Cultural Distance: � e Reception of Korean Films in China � rough the Case of My Sassy Girl in the Early 2000s by Ying Huang and Kwang Woo Noh Edited by Danilo Araña Arao � e ‘English Fever’ in Korea by Doobo Shim and Joseph Sung-Yul Park � e New Fantasy-Adventure Film as Contemporary Epic, 2000-2007 by Patrick F. Campos � e Alternative Metaphor in Metaphors: Discursive ‘Readings’ on Language, Symbols and Enculturation in Philippine Cinema and Other Media by Shirley Palileo-Evidente Orientalism and Classical Film Practice by Joel David � e Grassroots Approach to Communication: How Participatory Is Participatory Communication in the Philippines? by Randy Jay C. -
Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery ALSO by JOEL DAVID
UNITAS Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery ALSO BY JOEL DAVID The National Pastime: Contemporary Philippine Cinema Fields of Vision: Critical Applications in Recent Philippine Cinema Wages of Cinema: Film in Philippine Perspective Book Texts: A Pinoy Film Course (exclusively on Amauteurish!) Manila by Night: A Queer Film Classic SINÉ: The YES! List of 100+ Films That Celebrate Philippine Cinema (with Jo-Ann Q. Maglipon; forthcoming) VOLUME 89 • NUMBER 1 UNITASSemi-annual Peer-reviewed international online Journal of advanced reSearch in literature, culture, and Society Millennial Traversals Outliers, Juvenilia, & Quondam Popcult Blabbery PART II: EXPANDED PERSPECTIVES Joel david since 1922 Indexed in the International Bibliography of the Modern Language Association of America Millennial Traversals: Outliers, Juvenilia, & Quondam Popcult Blabbery (Part II: Expanded Perspectives) Original Digital Edition Copyright 2015 by Joel David and Ámauteurish Publishing. All Rights Reserved. Cover still from Tiyanak, © 1988 Regal Films. All Rights Reserved. UNITAS is an international online peer-reviewed open-access journal of advanced research in literature, culture, and society published bi-annually (May and November). UNITAS is published by the University of Santo Tomas, Manila, Philippines, the oldest university in Asia. It is hosted by the Department of Literature, with its editorial address at the Office of the Scholar-in-Residence under the auspices of the Faculty of Arts and Letters. Hard copies are printed on demand or in a limited edition. Copyright @ University of Santo Tomas Copyright The authors keep the copyright of their work in the interest of advancing knowl- edge but if it is reprinted, they are expected to acknowledge its initial publication in UNITAS. -
Boxoffice Barometer (April 15, 1963)
as Mike Kin*, Sherman. p- builder the empire Charlie Gant. General Rawlmgs. desperadc as Linus border Piescolt. mar the as Lilith mountain bub the tut jamblei's Zeb Rawlings, Valen. ;tive Van horse soldier Prescott, e Zebulon the tinhorn Rawlings. buster Julie the sod Stuart, matsbil's*'' Ramsey, as Lou o hunter t Pt«scott. marsl the trontie* tatm gal present vjssiuniw SiNGiN^SVnMNG' METRO GOlPWVM in MED MAYER RICHMOND Production BLONDE? BRUNETTE? REDHEAD? Courtship Eddies Father shih ford SffisStegas 1 Dyke -^ ^ panairtSioo MuANlNJR0( AMAN JACOBS , st Grea»e Ae,w entl Ewer Ljv 8ecom, tle G,-eai PRESENTS future as ^'***ied i Riel cher r'stian as Captain 3r*l»s, with FILMED bronislau in u, PANAVISION A R o^mic RouND WofBL MORE HITS COMING FROM M-G-M PmNHunri "INTERNATIONAL HOTEL (Color) ELIZABETH TAYLOR, RICHARD BURTON, LOUIS JOURDAN, ORSON WELLES, ELSA MARTINELLI, MARGARET RUTHERFORD, ROD TAYLOR, wants a ROBERT COOTE, MAGGIE SMITH. Directed by Anthony Asquith. fnanwitH rnortey , Produced by Anotole de Grunwald. ® ( Pana vision and Color fEAlELI Me IN THE COOL OF THE DAY” ) ^sses JANE FONDA, PETER FINCH, ANGELA LANSBURY, ARTHUR HILL. Mc^f^itH the Directed by Robert Stevens. Produced by John Houseman. THE MAIN ATTRACTION” (Metrocolor) PAT BOONE and NANCY KWAN. Directed by Daniel Petrie. Produced LPS**,MINDI// by John Patrick. A Seven Arts Production. CATTLE KING” [Eastmancolor) ROBERT TAYLOR, JOAN CAULFIELD, ROBERT LOGGIA, ROBERT MIDDLETON, LARRY GATES. Directed by Toy Garnett. Produced by Nat Holt. CAPTAIN SINDBAD” ( Technicolor— WondroScope) GUY WILLIAMS, HEIDI BRUEHL, PEDRO ARMENDARIZ, ABRAHAM SOFAER. Directed by Byron Haskin. A Kings Brothers Production. -
Fall of Grace: Nora Aunor As Cinema 46
Flores / Fall of Grace: Nora Aunor as Cinema 46 FALL OF GRACE: NORA AUNOR AS CINEMA Patrick D. Flores University of the Philippines [email protected] Abstract Nora Aunor is enlisted in this speculation as a medium in the register of both the cinema and the transmission of spirit. The key trajectory is the oft-cited film Himala, which opens up a conceptual space for mediumship, the technology of the actress, her biography and corpus of art, and the devotion to her person. The essay constellates a set of texts including the sculpture in honor of Elsa, the main character of Himala, the film Silip, and the life of a fan. Nora, the performative vessel of Elsa, becomes fundamentally cinematic. It is through her that Elsa is fleshed out as a miracle worker of vexing potency. Nora is herself a testament to the transformative potential of the technology of the cinema. Keywords devotion, film, image, medium, spirit, voice About the Author Patrick D. Flores is Professor of Art Studies at the Department of Art Studies at the University of the Philippines, which he chaired from 1997 to 2003, and Curator of the Vargas Museum in Manila. He is Adjunct Curator at the National Art Gallery, Singapore. He was one of the curators of Under Construction: New Dimensions in Asian Art in 2000 and the Gwangju Biennale (Position Papers) in 2008. He was a Visiting Fellow at the National Gallery of Art in Washington, D.C. in 1999 and an Asian Public Intellectuals Fellow in 2004. Among his publications are Painting History: Revisions in Philippine Colonial Art (1999); Remarkable Collection: Art, History, and the National Museum (2006); and Past Peripheral: Curation in Southeast Asia (2008). -
THEVILMASANTOSNEWSLET TER Mula Sa
T H E V I L M AVilma! S No.A 7N – Literary T O IssueS N E W S L E T T E R And thus, the grandslam. Vilma gave Viva Films its first biggest hit in Sinasamba Kita earning over P7M in Metro Manila alone. Then came T-Bird at Ako (a mild hit), Never Ever Say GoodbyeBox (a sorry miss),office Gaano Kadalas Queen ang Minsan? of(her biggest all hit time for that year) and Haplos. I hear even the scriptwriters are feeling frustrated because, when they do a quality script, they only see it changed into something with lots of shrieking and slap- ping. But those are the movies that sell.” Nevertheless, she looks forward to a classier tomorrow for Philippine cinema. “And what’s tomorrow for Vilma Santos? I’m trying to be more stable because I know that show business is not stable. diehard fans of Vilma Santos, 45, the renowned actress-politician and the longest-reigning box-office queen in the Philippines. Last year, hundreds of screaming Vilmanians jammed the Quezon City tax office as Santos showed up to pay delinquent taxes. Many of them had come to seek her authograph. Santos, whose full name is Rosa Vilma Tuazon Santos-Recto, began her career as an award-winning child actress and singer in 1963. In 1992, she married Ralph Gonzalez four Yes, you can say that, for instance, Gloria Romero, Nida Blanca and Charito Solis are durable because they are still on view as performers, if Yes, you can say that,V for instance, GloriaI The LREAL SuperstarM A! Romero, Nida Blanca and Charito Solis are durable be- The hesitant Singer Noong panahon na nakamulatan kong isa akong Vilmanian ay isang napakalaking ligaya ko na pag may nababasa akong balita mula sa kanya.. -
He Oldest Award Giving Body in the Philippines Was the Filipino Academy of Movie Arts and Sciences Simply Called FAMAS
Figure 1: Best Actress from FAMAS, Gawad Urian, Film Academy of the Philippines, and CMMA he oldest award giving body in the Philippines was the Filipino Academy of Movie Arts and Sciences simply called FAMAS. It was launch two years after the Maria Clara awards folded in 1951. FAMAS shared the same name with the American film academy; AMPAS until the later complained and the Filipino organization have to change theirs into the current acronym. FAMAS created a history of controversies throughout their more than sixty years in award-giving business mostly due to their questionable selection of winners. In 2006, FAMAS experienced another setback when two groups divided the organization due to a controversial election of its officers. As the legal battle settled, the battling groups decided to just hand out their own awards, one used the name FAMAS and the other the Maria Clara Awards. Like its infancy, the Maria Clara Awards did not reach its maturity and died the second time. This is not the first time FAMAS experience disgruntled “break-away” members forming their own award. Prior to 1976, FAMAS retained their status as the most prestigious recognition a Filipino actor could have. Charito Solis, who won best actress at the Asian Film Festival in 1967 used to proudly bring her FAMAS trophies on the film set to intimidate starlets and to instigate professionalism. The breakaway group of critics wish to distinguish themselves from FAMAS by successfully branded their award as not for actors who overtly act in films, they catered to the ones who are restrained and controlled. -
Film Industry Executive Summary
An In-depth Study on the Film Industry In the Philippines Submitted by: Dr. Leonardo Garcia, Jr. Project Head and Ms. Carmelita Masigan Senior Researcher August 17, 2001 1 FILM INDUSTRY EXECUTIVE SUMMARY Movies are a powerful force in Philippine society. Movies, more than just a source of entertainment, reflect a nation’s personality. On the silver screen takes shape all the hopes, dreams and fantasies of the common man: legends, love, the stuff of myths and make believe. Its heroes become larger than life, often attaining the stature of demigods. They are looked upon as role models, serving as resources of inspiration. But most important, the movie industry has become a vital part of the national economy. The paper aims to define the industry and its structure, examine the laws that hinder or facilitate its growth as well as the existing associations and what they have done; look into the market potential of the film industry and its foreign market demand; examine supply capability; identify opportunities and threats confronting the industry; prepare an action plan to enhance competitiveness; and recommend a performance monitoring scheme. The film industry shows that its gross value added is growing faster than the gross domestic product and gross national product. In other words, the industry has a lot of potential to improve further through the years. Extent of growth of firms is primarily Metro-Manila based with Southern Tagalog as a far second. There is more investment in labor or manpower than capital expenditures based on the 1994 Census of Establishments. Motion picture also called film or movie is a series of still photographs on film, projected in rapid succession onto a screen by means of light. -
US, Australia, Japan Warships to Deter China in Indo-Pacific
WEEKLY ISSUE @FilAmNewspaper www.filamstar.com Vol. IX Issue 590 1028 Mission Street, 2/F, San Francisco, CA 94103 Email: [email protected] Tel. (415) 593-5955 or (650) 278-0692 July 30-Aug 05, 2020 PH rejects claim Sabah 1 year visa-free entry now part of Malaysia to Taiwan includes PH By Macon Araneta By Daniel Llanto FilAm Star Correspondent FilAm Star Correspondent FILIPINOS and nationals from three other countries can continue THE PHILIPPINES’ top diplomat rejected claims that Sabah is to enjoy traveling to Taiwan without visa for one year starting August now part of Malaysia as the Malaysian foreign ministry announced 1, 2020 until July 31, 2021. that Kuala Lumpur stopped paying cession money to the heirs of Taiwan’s Ministry of Foreign Affairs (MOFA)made the decision in a the Sultanate of Sulu to indicate that Sabah is now its full- bid to promote its New Southbound Policy which allows visa-free entry to fledged territory. foreign nationals from the Philippines, Thailand, Brunei and Russia.. Foreign Affairs Sec. Teodoro Locsin Jr. on July 27 slammed In a statement, the Taipei Economic and Cultural Office a photo caption issued by the US Embassy in Manila that (TECO)in the Philippines stressed that the extension is intended to designates Sabah as part of Malaysia, negating the strengthen Taiwan’s New Southbound Policy. Philippine’s historical claim to Sabah. Datuk Seri Hishammuddin Hussein (Photo: Facebook) ■ TO PAGE A7 (Photo: Wikipedia) ■ TO PAGE A7 Duterte says no to US bases’ return to Subic TRUMP UNLEASHES COVID-19 CURE US NEWS | A3 PH BEHIND ASIAN COUNTRIES IN RECOVERY PH NEWS | A4 Subic Bay (Photo: Youtube) Pres. -
Nora Aunor >>> Page 36
VILMA & NORA VILMARivalryRivalry no&no More!More!NOR A TaposTapos NaNa BaBa AngAng Labanan?Labanan? Nananahimik na ba kayo? Sawa na ba kayo sa mga awayan ang paggawa ng babasahin inyong binabasa ngayon. Hindi niya naisip na ang pagsusulat ko ay isang hobby. Isang out- at bangayan? Alam ko. Tulad mo wala na akong panahon let ng isang simpleng tagahanga. Bakit raw nagaaksaya ako makipagtalo. Tapos na ba ang labanan? Puedeng sabihin. ng panahon. Tulad ng ibang hobby kagaya ng panggagat- Sinong nanalo at sinong natalo. Kung ang pagbabasihan ay silyo o paghahardinero, ang pagsusulat ko’y nagdudulot ng ang career at family life malinaw na si Vilma ay nakaka- ligaya katulad ng kapag nakakabasa ako ng magagandang angat. Maging ang mga Noranians tulad nina Boy Abunda at bagay tungkol sa aking paboritong artista. Hindi niya mara- German Moreno ay pawang nagsasabi na napag-iiwanan na hil nakikita ito. Sa kabila nito nanatili ako sa pagsusulat at ang kanilang minamahal na si Nora. Sa mga ordinaryong paggawa ng babasahin hawak niyo. Tulad ng iba’t ibang tagahanga ni Nora hindi nila matatanggap kalian man na mga tagahanga ni Ate Guy at Ate Vi tapos na ang mga napag-iiwanan na nga ang kanilang idolo. Pilit nilang ibina- pakikipagdebate ko. Pinagdaanan ko na ito at ang libreng balik ang dekada sitenta kung saan malinaw na nilampaso ng oras ko ay ginugugol ko sa ibat ibang bagay tulad ng pag- bikolanang manganganta ang original Tondo girl na si Ate Vi. susulat. Kung sino ang mas sikat at kung sino ang mas ma- Pilit nilang ibinabalik ang kasikatan natapos na. -
The Life and Curious Death of Pepsi Paloma
The Life and Curious Death of Pepsi Paloma Last Updated on 10/07/2018 Undoubtedly one of the most intriguing pop culture figures in the country’s history, the life story of Pepsi Paloma is as sad as it is mysterious. Although having happened three decades ago, her death continues to get a good amount of attention, especially after the Eraserheads supposedly made her infamous rape at the hands of three well-known comedians the subject of their song Spolarium. Also Read: 9 Creepy Pinoy Urban Legends That Never Get Old Was Pepsi Paloma the real inspiration behind the song? In a 2011 Q & A at Jessica Zafra’s blog, lead vocalist Ely Buendia himself only added fuel to the flame when he responded to the question with a cryptic message: “I will take this secret to the grave.” But if there’s anyone who already brought more intriguing secrets to the grave, that would be Pepsi Paloma herself. From: “Pepsi fails the challenge” (Movie Flash Magazine, June 27, 1985). Innocense lost. Born on March 11, 1966, Pepsi (or Delia Duenas Smith in real life) was the eldest of four children. They were raised by their single mother, a Samar native named Lydia Duenas, after their father, an American letter carrier named Kenneth Smith, abandoned them when they’re still young. In 1980, the young Delia met Tita Ester, who then introduced her to Rey de la Cruz, the gay optometrist-turned-talent scout known for catapulting the showbiz careers of Rio Locsin and Myrna Castillo. Not long after that, she quickly earned notoriety for going nude in Celso Ad Castillo’s film Brown Emmanuelle. -
A Certain Tendency Europeanization As a Response to Americanization in the Philippines’ “Golden-Age” Studio System
A Certain Tendency Europeanization as a Response to Americanization in the Philippines’ “Golden-Age” Studio System Joel David Inha University Abstract Malvarosa (Gregorio Fernandez, 1958) possesses a curious reputation in relation to other prestige productions of the so-called first “Golden Age of Philippine Cinema” (roughly the 1950s). Although sharing certain neorealist properties with the other serious outputs of LVN, its production company, it also partakes of the overreliance on coincidence and the mercurial performa- tive style that characterize the then less-reputable undertakings of Philippine cinema. This article attempts a reconsideration of the significance of film texts sourced from Philippine graphic novels (known as komiks) as more properly belonging to the period succeeding the Golden Age, when innovations that would eventually provide the foundation for more accomplished film activity during the martial-law period were first introduced. Keywords Malvarosa, multicharacter narrative, neorealism, Philippine architecture, Philippine cinema, retablo JOEL DAVID: A CERTAIN TENDENCY UNITAS 24 Introduction One recurring lamentation in standard discourses on Philippine architecture is that, despite the obvious and pervasive colonial influences, few structures aspire to breathtaking heights, much less attain them. Such anxieties might be prone to exacerbation now that the once-tallest building in the world has collapsed from a terrorist attack attributed to Islamic militants, and the tallest building (at least from 1998 to 2004 and still the tallest twin-building structure) is a few hours away from Manila by plane in the Islamic state of Malaysia. Other projects intended to challenge the current record holder, Dubai’s Burj Khalifa, continue to be announced and undertaken, mostly outside the Euro-American sphere. -
Commission on Elections Office for Overseas Voting
Republic of the Philippines COMMISSION ON ELECTIONS OFFICE FOR OVERSEAS VOTING LIST OF DEACTIVATED OVERSEAS VOTERS due to Failure to Vote in Two Consecutive National Elections 2016 and 2019 National Elections Embassy/Post : CHICAGO Country : UNITED STATES OF AMERICA # NAME REGISTRATION # NAME REGISTRATION DATE DATE 1. ABAD, ARISTOTLE VIDAD 01/27/2015 62. ACEDILLO, CYRIL GAY REGIS 08/11/2015 2. ABAD, KING JAMES KRISTOFFER PADUA 10/15/2012 63. ACEDILLO, JINAH MARIE LAVA 03/04/2015 3. ABAD, NATHANIEL ALNAS 08/12/2015 64. ACEDILLO, NUMERIANO TOPACIO 03/04/2015 4. ABADESA, MARIO BORJA 08/13/2014 65. ACEDILLO, ROSALIA REGIS 08/11/2015 5. ABADESA, MARY ANNE TAEZA 12/12/2014 66. ACHANZAR, MARIA LOURDES RITA 01/13/2015 6. ABADICIO, MARVIN NONO 09/24/2014 CASTILLO 67. ACMA, RUEL LORETO BALINGKIT 07/31/2012 7. ABADIILLA, JACQUELINE MARIE PANG 05/25/2012 68. ACOL, MYRA VELASCO 09/26/2015 8. ABADILLA, MARTIN JOSEPH ABAD 05/25/2012 69. ACOL, SALVADOR JR. CAGAYAT 09/26/2015 9. ABAGAT, MIGUELITO VILLAVERT 08/08/2015 70. ACOSTA, LEA ARAGAO 09/04/2014 10. ABAGAT, VIVIAN NALDOZA 08/08/2015 71. ACOSTA, MARIA THERESA ARMADA 04/10/2012 11. ABALOS, NATHANIEL CADIENTE 08/04/2014 72. ACOSTA, ROSALYN RESPICIO 08/17/2009 12. ABANDO, MARISSA BALADJAY 11/04/2014 73. ACUB, BRYAN CASTRO 02/27/2015 13. ABANDO, ROGER CASIMINA 02/09/2012 74. ACUESTA, ROWELL JOY SEGUIBAN 01/26/2015 14. ABANTE, RUVI ANNE PARFAN 03/27/2015 75. ACUTIM, MITZIE NUGAS 11/07/2014 15. ABARINTOS, ERNESTO PAQUIT 11/07/2014 76.