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February 5, 2013 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
volume 13 - issue 3 - tuesday, february 5, 2013 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by staceybrandt Veiled in a dimness that makes every- thing ironic and decorated with items from a shitty garage sale, Radio Bean creates the perfect environment for local talent to sing, strum, and squawk their stuff . It’s no won- der that when sign-ups for Monday night’s Open Mic rolled around the line was liter- ally out the door. Hoards of hipsters and hippies crammed around the sign-up sheet eager to reserve fi ft een precious minutes of attention from strangers. I managed to squeeze my name onto the list, and be- ing a fi rst timer, my name was generously weed smell in one’s dorm room. It’s funny spotlight, an idiot with a microphone, and subsequent performers included a mind- pushed to the top: 9 o’clock was my time. I what the Radio Bean crowd can do to one’s my words now somehow mattered. Con- blowing bongo drummer who later col- would perform fi rst. mental state. Th e cool chick sitting next to templating using an edgy stage name (Cool laborated with a resident beat-boxer (they When I am nervous, I tend to yawn me gave me the sudden urge to dread my Jew?), I half-mumbled my intro and began did an impromptu jam session that brought involuntarily—probably because I forget hair and get a tattoo sleeve. And a heavily to pluck my guitar strings. People got quiet everyone to their feet), a man making nois- to breath and, deprived of oxygen, I must bearded man across the bar made becom- when I started to sing which made me relax es which he called “hip-hop”, and a talented resort to large spontaneous gulps of air to folk-country singer named Will Overman remain conscious. -
The Narrative Functions of Television Dreams by Cynthia A. Burkhead A
Dancing Dwarfs and Talking Fish: The Narrative Functions of Television Dreams By Cynthia A. Burkhead A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University December, 2010 UMI Number: 3459290 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3459290 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DANCING DWARFS AND TALKING FISH: THE NARRATIVE FUNCTIONS OF TELEVISION DREAMS CYNTHIA BURKHEAD Approved: jr^QL^^lAo Qjrg/XA ^ Dr. David Lavery, Committee Chair c^&^^Ce~y Dr. Linda Badley, Reader A>& l-Lr 7i Dr./ Jill Hague, Rea J <7VM Dr. Tom Strawman, Chair, English Department Dr. Michael D. Allen, Dean, College of Graduate Studies DEDICATION First and foremost, I dedicate this work to my husband, John Burkhead, who lovingly carved for me the space and time that made this dissertation possible and then protected that space and time as fiercely as if it were his own. I dedicate this project also to my children, Joshua Scanlan, Daniel Scanlan, Stephen Burkhead, and Juliette Van Hoff, my son-in-law and daughter-in-law, and my grandchildren, Johnathan Burkhead and Olivia Van Hoff, who have all been so impressively patient during this process. -
The Songs of Bob Dylan
The Songwriting of Bob Dylan Contents Dylan Albums of the Sixties (1960s)............................................................................................ 9 The Freewheelin’ Bob Dylan (1963) ...................................................................................................... 9 1. Blowin' In The Wind ...................................................................................................................... 9 2. Girl From The North Country ....................................................................................................... 10 3. Masters of War ............................................................................................................................ 10 4. Down The Highway ...................................................................................................................... 12 5. Bob Dylan's Blues ........................................................................................................................ 13 6. A Hard Rain's A-Gonna Fall .......................................................................................................... 13 7. Don't Think Twice, It's All Right ................................................................................................... 15 8. Bob Dylan's Dream ...................................................................................................................... 15 9. Oxford Town ............................................................................................................................... -
Enews 12-4-20
A message from HARLAN ELEMENTARY SCHOOL Harlan Husky Families, This week seemed to go by fast and these shorter periods of daylight are not helping. I hope that all of the kids transitioned back from the Thanksgiving break easily. I personally found that it was harder for all three of my kids to transition back to school mode from this break. I truly appreciate all of the effort the kids, parents and teachers are making to keep it positive. However, I do think that it is important to acknowledge that this whole situation is difficult, but to remind my kids (and myself) that they can do hard things! Our Huskies sure have proven that they can and I am proud of them! I hope that you all enjoy the weekend! Sincerely, Alex Our Harlan Counselor, Kelsey Arsenault Counselor's Corner Newsletter [email protected] Counselor Meeting Request Form Stay Connected with Harlan on Social Media Twitter: @HarlanElem Facebook: https://www.facebook.com/groups/HarlanPTA/ In addition, stay connected with the district and community during this closure, by using the hashtag #BPSConnectED. HARLAN HUSKY WEEKLY NEWS THE WEEK AHEAD! Monday, December 7 – Tuesday, December 8 – Wednesday, December 9 – ½ Day – Attend only PM session (12:40 – 3:50 PM for BVA students and 1:20 – 3:50 PM for Hybrid students Thursday, December 10 – Friday, December 11 – BPS Spirit Day: Crazy Hat/Hair Day MATERIAL PREPARATION FOR STUDENTS We have had a few requests for teachers to prepare materials weeks in advance for a variety of different reasons for students. -
NOV. 27- Dec. 3, 2014
NOV. 27- DEC. 3, 2014 ----------------------------Cover Story • Les Misérables--------------------------- Ballads and Barricades By Jen Poiry-Prough ment supporting the melody lines that are always felt that American productions of Les some of the most beautiful phrases ever Misérables had a disadvantage because they For the past 5 years, Rich Najuch and written for the stage,” he says. “Cameron didn’t have the versatility of dialect that Brit- Joel Froomkin have produced delightful Macintosh called them ‘magic notes.’ This ish actors were able to employ,” he explains. holiday Supper Club shows at the New Hun- show is filled with themes that support the “In British productions, simply by changing tington Theatre. But to end the inaugural melody, but are absolutely breathtaking. It’s regional dialect the actors are not only able season of their main stage theatre Different one of the only shows I know where the au- to transform their characters, but they can Stages, they decided to do a bit of a 180. dience can hum the accompaniment. That’s also make clear statements regarding geo- Rather than a lighthearted holiday caba- extraordinary.” graphic location, social status and class.” ret show, they are mount- Another enhance- ing a grand production of ment Froomkin is bring- the most heart-wrenching, ing to his production tear-jerking and univer- centers on the characters sally beloved musical in themselves. He has turned history: Les Misérables. to the source material, What makes this sto- the Victor Hugo novel, to ry – about the oppressed -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard). -
September 9, 2014 - Uvm, Burlington, Vt Uvm.Edu/~Watertwr - Thewatertower.Tumblr.Com
volume 16 - issue 1 - tuesday, september 9, 2014 - uvm, burlington, vt uvm.edu/~watertwr - thewatertower.tumblr.com by katjaritchie by dannissim You can go online and see provocative, uncensored pictures of any number of attractive and high-profile Readers, it was a pretty rough sum- women. This has never been a secret of the internet. mer. From Ukraine to Syria (still), Israel- As of this well-documented Labor Day weekend, Gaza, and ISIS, it was one big shitstorm. you can look up nudes of Jennifer Lawrence, Ari- Domestically, things weren’t going so bad ana Grande, Vanessa Hudgens, Olivia Munn, and ap- until the Mike Brown shooting knocked proximately 96 other famous women belonging to an down the doors and plunged our coun- exclusive list put out by users of the havoc-wreaking try into turmoil. Since the August 9th forum giant 4chan. “This is great,” thought millions of incident, facts have slowly streamed out man-children. “I have been having so many wet dreams as well as many contradictory witness about J-Law’s quirky and devil-may-care attitude in for- statements, which only magnified the mal settings, and now by looking at her pixelated boo- issue. The town of Ferguson, Missouri bies, I can stave off my mounting sexual frustration for spiraled into civil unrest because Mike twenty whole minutes, probably.” Brown’s lifeless body was left in the street First of all, 4chan is sort of like the poltergeist for several hours to cool down after sus- younger brother of the internet, and they’ve been taining six gunshot wounds courtesy of around far longer than J-Law’s titties have seen the light a Ferguson police officer. -
Gender Role Construction in the Beatles' Lyrics
“SHE LOVES YOU, YEAH, YEAH, YEAH!”: GENDER ROLE CONSTRUCTION IN THE BEATLES’ LYRICS Diplomarbeit zur Erlangung des akademischen Grades eines Magister der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Mario Kienzl am Institut für: Anglistik Begutachter: Ao.Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, April 2009 Danke Mama. Danke Papa. Danke Connie. Danke Werner. Danke Jenna. Danke Hugo. 2 TABLE OF CONTENTS 1. Introduction .......................................................................................................................... 4 2. The Beatles: 1962 – 1970...................................................................................................... 6 3. The Beatles’ Rock and Roll Roots .................................................................................... 18 4. Love Me Do: A Roller Coaster of Adolescence and Love............................................... 26 5. Please Please Me: The Beatles Get the Girl ..................................................................... 31 6. The Beatles enter the Domestic Sphere............................................................................ 39 7. The Beatles Step Out.......................................................................................................... 52 8. Beatles on the Rocks........................................................................................................... 57 9. Do not Touch the Beatles.................................................................................................. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
The Spectral Voice and 9/11
SILENCIO: THE SPECTRAL VOICE AND 9/11 Lloyd Isaac Vayo A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2010 Committee: Ellen Berry, Advisor Eileen C. Cherry Chandler Graduate Faculty Representative Cynthia Baron Don McQuarie © 2010 Lloyd Isaac Vayo All Rights Reserved iii ABSTRACT Ellen Berry, Advisor “Silencio: The Spectral Voice and 9/11” intervenes in predominantly visual discourses of 9/11 to assert the essential nature of sound, particularly the recorded voices of the hijackers, to narratives of the event. The dissertation traces a personal journey through a selection of objects in an effort to seek a truth of the event. This truth challenges accepted narrativity, in which the U.S. is an innocent victim and the hijackers are pure evil, with extra-accepted narrativity, where the additional import of the hijacker’s voices expand and complicate existing accounts. In the first section, a trajectory is drawn from the visual to the aural, from the whole to the fragmentary, and from the professional to the amateur. The section starts with films focused on United Airlines Flight 93, The Flight That Fought Back, Flight 93, and United 93, continuing to a broader documentary about 9/11 and its context, National Geographic: Inside 9/11, and concluding with a look at two YouTube shorts portraying carjackings, “The Long Afternoon” and “Demon Ride.” Though the films and the documentary attempt to reattach the acousmatic hijacker voice to a visual referent as a means of stabilizing its meaning, that voice is not so easily fixed, and instead gains force with each iteration, exceeding the event and coming from the past to inhabit everyday scenarios like the carjackings. -
ABQ Free Press, May 4, 2016
VOL III, Issue 9, May 4 – May 17, 2016 Albuquerque’s Award-winning Alternative Newspaper Shocker! We Say Something Nice About ABQ PAGE 13 TV’s Dyson Signs Off PAGE 5 Did APD Lie To Us, DOJ? PAGE 6 Crowdfunding a Rock Opera PAGE 26 Beholding the Spectacle PAGE 24 New Mexico Food & Brew News PAGE 19 EDITor’s A&E PICK ABQ FREE PRESS • May 4 – May 17, 2016 • 3 A&E: Three to See [Page 28] #WithinRange #concerts Previews of touring jazz, hip-hop, post-rock and art-punk shows Why settle for less? New Mexico’s largest [Page 26] personal injury law firm #BoomBox #albums is looking for Reviews of new releases by high-powered litigators Aesop Rock, PJ Harvey and Rufus Wainwright who can stand up for what’s right. [Page 22] #NMFilmFocus #movies #TV If you’re ready for a change, Industry insider Christa Valdez we’re ready to listen. reports on the state of film in New Mexico Nice Guys, Tough Lawyers ‘100 % Ginuwine’ Ginuwine is back in the saddle. And his slot on the ’90s R&B revival tour circuit came courtesy of Hollywood and pop culture. Actor Channing Tatum played Michael “Magic Mike” Lane, a stripper at Xquisite, in a 2012 comedy. Tatum’s steamy perfor- mance to Ginuwine’s hook-up paean “Pony” was a zeitgeist trigger in and of itself. Then Jenna Dewan-Tatum gave her husband a lap dance to the song during a reality series lip-sync battle. Cue the comeback. Relive the Timbaland-pro- duced ’90s playground that defined a musical moment in time – a nostalgia I bet I’m not alone in indulging.