ABQ Free Press, May 4, 2016
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Black Boi, Boss Bitch
Black Boi, Boss Bitch Lauryn Hill 18 Jan 1995 - 26 Sep 1998 BLACK QUEER LOOKS Y todo comenzo bailando.... 27 Oct 1998 “Y todo comenzo bailando”...The earliest memories I can recall of my existence are festive. 20 Pound Pots of pernil & pigfeet. Pasteles, Gandulez, Guinea, Pollo Guisado. Habichuelas. 5 different types of beans & 5 different dishes on one plate. Even if only 4 niggas pulled up to the crib, abuela was always cooking for 40. The image of her red lipstick stain on hefty glasses of Budweiser that once contained Goya olives is forever etched in my mind. This was that poor boricua family that stored rice & beans in “I Can’t Believe it’s Not Butter” containers.The kind of family that blasted Jerry Rivera’s & Frankie Ruiz voices over dollar-store speakers. The kind that prized Marc Anthony, Hector LaVoe, El Gran Combo, La India, Tito Rojas. Victor Manuelle. Salsa Legends that put abuela's feet to work. My cousin Nina & her wife Iris who sparked their Ls in the bathroom, waving around floor length box braids, and bomb ass butch-queen aesthetics. “Pero nino, you hoppin on the cyph?. Uncle Negro or “Black”as we called him for his rich dark-skin, stay trying to wife my mom’s friends. 7:11 pm. 7 pounds 8 oz. October 27th. Maybe it was the lucky 7. Maybe it was fated for them to welcome another, intensely-loving Scorpio into their home. Or maybe it was just another blissful evening in the barrio. Where Bottles of Henny would be popped, and cousins & aunts & uncles you didn’t even know you had would reappear. -
The Wire: Adventures in Modern Music: Article
Search all articles Search These Beats Work Issue #178 (Dec 98) | Interviews By: Sasha Frere-Jones | Featuring: Timbaland Interviews Printable version Reviews Defying the wisdom that HipHop innovation equals ugliness, Timbaland's euphoric Essays productions prove that experimental music doesn't have to wear a hairshirt Charts Epiphanies It's raining furiously the night I visit Manhattan Center Studios for an audience with Editor's Letters R&B/HipHop producer Tim Mosley, 26, aka Timbaland. The scene inside hardly Limited Edition T-Shirts resembles your usual HipHop session. There are plenty of young men milling The Wire 300 around but there's no blunt smoke, and everyone's dressed in clothes their The Wire 25 mothers would approve of. Timbaland's brother greets me warmly and passes me a soda, reaching over the head of someone getting a haircut from a man armed Article from issue: with electric clippers. No one has cursed and I've been in the room almost ten minutes. We might be in New York, but Timbaland's "Dirty South", as he calls it, is the spiritual galaxy we presently occupy. For the duration of his sessions, Manhattan Center is transformed into an outpost of straight-up Southern black culture manned by folks who grew up doing equal time in church pews and jeeps pumping Tupac. After all, Virginia, Timbaland's home state, is right on top of DC go-go and just a car ride away from both New York's grimy HipHop and Miami's aluminium, hydraulic Bass Music. At this aesthetic and geographical crossroads, Timbaland has recreated several View contents of issue #178? musics at once with beats as stark as X-rays. -
In the Shadow of the Beast: Violence and Dignity Along the Central American Migrant Trail
In the Shadow of the Beast: Violence and Dignity along the Central American Migrant Trail by John Doering-White A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Social Work and Anthropology) in the University of Michigan 2019 Doctoral Committee: Associate Professor Jason De León, Co-chair Professor Laura Lein, Co-Chair Professor Jorge Delva, Boston University Assistant Professor Reuben Miller, University of Chicago Professor Andrew Shryock John Doering-White [email protected] ORCID ID: 0000-0001-8484-1082 ã John Doering-White 2019 DEDICATION For Emily ii ACKNOWLEDGEMENTS Above all, I thank the many people whose stories fill these pages, including los soldadores ciegos, el equipo chido, los que toman su leche, los cocodrilos, and los de mucho party. Most of you remain unnamed. I hope you know how grateful I am to have worked alongside you, to have been granted the honor of listening to your stories, and the responsibility to share them faithfully. Fieldwork for this project was supported by generous funding from the Wenner-Gren Foundation, The Fulbright García-Robles Fellowship Program, the University of Michigan Rackham Graduate School, and the University of Michigan School of Social Work. I have been blessed with an unimaginably supportive dissertation committee. Thank you to Jason De León for teaching me a different side of antropología and the curative powers of caldo de camarón, for welcoming me into the UMP family, for your meticulous feedback, and for showing me what unapologetically -
I S C O R D E R Free
I S C O R D E R FREE IUTE K OGWAI ARHEAD NC HR IS1 © "DiSCORDER" 2001 by the Student Radio Society of the University of British Columbia. All rights reserved. Circuldtion 1 7,500. Subscriptions, payable in advance, to Canadian residents are $15 for one year, to residents of the USA are $15 US; $24 CDN elsewhere. Single copies are $2 (to cover postage, of course). Please make cheques or money orders payable to DiSCORDER Mag azine. DEADLINES: Copy deadline for the August issue is July 14th. Ad space is available until July 21st and ccn be booked by calling Maren at 604.822.3017 ext. 3. Our rates are available upon request. DiS CORDER is not responsible for loss, damage, or any other injury to unsolicited mcnuscripts, unsolicit ed drtwork (including but not limited to drawings, photographs and transparencies), or any other unsolicited material. Material can be submitted on disc or in type. As always, English is preferred. Send e-mail to DSCORDER at [email protected]. From UBC to Langley and Squamish to Bellingham, CiTR can be heard at 101.9 fM as well as through all major cable systems in the Lower Mainland, except Shaw in White Rock. Call the CiTR DJ line at 822.2487, our office at 822.301 7 ext. 0, or our news and sports lines at 822.3017 ext. 2. Fax us at 822.9364, e-mail us at: [email protected], visit our web site at http://www.ams.ubc.ca/media/citr or just pick up a goddamn pen and write #233-6138 SUB Blvd., Vancouver, BC. -
8123 Songs, 21 Days, 63.83 GB
Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat. -
The Beacon, September 6, 2013 Beacon Staff
Northwestern College, Iowa NWCommons The Beacon, 2013-2014 The Beacon 9-6-2013 The Beacon, September 6, 2013 Beacon Staff Follow this and additional works at: https://nwcommons.nwciowa.edu/beacon2013 This News Article is brought to you for free and open access by the The Beacon at NWCommons. It has been accepted for inclusion in The Beacon, 2013-2014 by an authorized administrator of NWCommons. For more information, please contact [email protected]. Volume 86 - Issue 1 September 6, 2013 Art brings prof Campus welcomes closer to family new dean of students BY ISAIAH CUSTER BY PRIYANKA FERNANDO Art professor Yun Shin has opened her second year at Many students are familiar who is a sophomore in college, and but I had been doing it for 10 Northwestern with an exhibit inspired by her family in with the news of the departure of Annalise and Micah, who are both years,”Elliott said. “I felt it was time South Korea. John Brogan, who held the title under the age of 5. to take on a new challenge and to Her exhibit, Reconstructive-Memory Process, is about dean of students until this spring. Elliott’s story of her homecoming, think about ways that I could grow “containment and preservation and my relationship with my The new arrival to the position though filled with loss, is one and use my gifts in other directions.” family,” Shin said. is a Northwestern alumna Julie students may find inspiration from. Still thinking about both her Her work features raw materials, which she says are very Vermeer Elliott. -
The Long History of Indigenous Rock, Metal, and Punk
UNIVERSITY OF CALIFORNIA Los Angeles Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk 1940s to the Present A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in American Indian Studies by Kristen Le Amber Martinez 2019 © Copyright by Kristen Le Amber Martinez 2019 ABSTRACT OF THESIS Not All Killed by John Wayne: Indigenous Rock ‘n’ Roll, Metal, and Punk History 1940s to the Present by Kristen Le Amber Martinez Master of Arts in American Indian Studies University of California Los Angeles, 2019 Professor Maylei Blackwell, Chair In looking at the contribution of Indigenous punk and hard rock bands, there has been a long history of punk that started in Northern Arizona, as well as a current diverse scene in the Southwest ranging from punk, ska, metal, doom, sludge, blues, and black metal. Diné, Apache, Hopi, Pueblo, Gila, Yaqui, and O’odham bands are currently creating vast punk and metal music scenes. In this thesis, I argue that Native punk is not just a cultural movement, but a form of survivance. Bands utilize punk and their stories as a conduit to counteract issues of victimhood as well as challenge imposed mechanisms of settler colonialism, racism, misogyny, homophobia, notions of being fixed in the past, as well as bringing awareness to genocide and missing and murdered Indigenous women. Through D.I.Y. and space making, bands are writing music which ii resonates with them, and are utilizing their own venues, promotions, zines, unique fashion, and lyrics to tell their stories. -
DAVID RYAN ADAMS C/O PAX-AM Hollywood CA 90028
DAVID RYAN ADAMS c/o PAX-AM Hollywood CA 90028 COMPETENCIES & SKILLS Design and construction of PAX-AM studios in Los Angeles to serve as home of self-owned-and-operated PAX-AM label and home base for all things PAX-AM. Securing of numerous Grammy nominations with zero wins as recently as Best Rock Album for eponymous 2014 LP and Best Rock Song for that record's "Gimme Something Good," including 2011's Ashes & Fire, and going back all the way to 2002 for Gold and "New York, New York" among others. Production of albums for Jenny Lewis, La Sera, Fall Out Boy, Willie Nelson, Jesse Malin, and collaborations with Norah Jones, America, Cowboy Junkies, Beth Orton and many others. RELEVANT EXPERIENCE October 2015 - First music guest on The Daily Show with Trevor Noah; Opened Jimmy Kimmel Live's week of shows airing from New York, playing (of course) "Welcome To New York" from 1989, the song for song interpretation of Taylor Swift's album of the same name. September 2015 - 1989 released to equal measures of confusion and acclaim: "Ryan Adams transforms Taylor Swift's 1989 into a melancholy masterpiece... decidedly free of irony or shtick" (AV Club); "There's nothing ironic or tossed off about Adams' interpretations. By stripping all 13 tracks of their pony-stomp synths and high-gloss studio sheen, he reveals the bones of what are essentially timeless, genre-less songs... brings two divergent artists together in smart, unexpected ways, and somehow manages to reveal the best of both of them" (Entertainment Weekly); "Adams's version of '1989' is more earnest and, in its way, sincere and sentimental than the original" (The New Yorker); "the universality of great songwriting shines through" (Billboard). -
San Miguel Primavera Sound
SAN MIGUEL PRIMAVERA SOUND CARTELL 2012 PARC DEL FÒRUM PROGRAMACIÓ COMPLEMENTÀRIA san MIGUEL PRIMAVERA A LA CIUTAT PRIMAVERAPRO ORGANITZACIÓ I PARTNERS TIQUETS I PUNTS DE VENDA CRONOGRAMA D’activitats PLÀNOL parc DEL fòrum adreces recintes CAMPANYA GRÀFICA CITES DE PREMSA HISTÒRIA ANNEX: Biografies D’artistes CONTACTE SAN MIGUEL PRIMAVERA SOUND Des dels seus inicis el festival ha centrat els seus esforços en oferir noves propostes musicals de l’àmbit independent juntament amb artistes de contrastada trajectòria i de qualsevol estil o gènere, buscant primordialment la qualitat i apostant essencialment pel pop, el rock i les tendències més underground de la música electrònica i de ball. El festival ha comptat al llarg de la seva trajectòria amb propostes dels més diversos colors i estils. Així ho demostren els artistes que durant aquests deu anys han desfilat pels seus escenaris: de Pixies a Aphex Twin, passant per Neil Young,Sonic Youth, Portishead, Pet Shop Boys, Pavement, Yo la tengo, Lou Reed, My Bloody Valentine, El-P, Pulp, Patti Smith, James Blake, Arcade Fire, Public Enemy, Grinderman, Television, Devo, Enrique Morente, The White Stripes, Wil- co, Tindersticks, PJ Harvey, Shellac, Dinosaur Jr., New Order, Surfin’ Bichos, Fuck Buttons, Melvins, The National, Psychic TV o Spiritualized, entre molts d’altres. REPERCUSSIÓ D’EDICIONS ANTERIORS Any rere any, el festival San Miguel Primavera Sound ha anat incrementant tant l’assistència de públic com la re- percussió als principals mitjans de premsa, ràdio i televisió. Si la primera edició va tancar amb una assistència de 8.000 persones, la del 2002 va arribar a 18.000 i la de 2003 va reunir entre els seus espais a més de 24.000 persones, l’assistència de 40.000 persones a l’any 2004 va significar un punt i apart i el festival va abandonar el Poble Espanyol. -
The Black Perspective March 2003
University of Dayton eCommons The lB ack Perspective Student Produced Media 3-1-2003 The lB ack Perspective March 2003 University of Dayton. Black Action Through Unity Follow this and additional works at: https://ecommons.udayton.edu/blk_perspective Recommended Citation University of Dayton. Black Action Through Unity, "The lB ack Perspective March 2003" (2003). The Black Perspective. 29. https://ecommons.udayton.edu/blk_perspective/29 This Book is brought to you for free and open access by the Student Produced Media at eCommons. It has been accepted for inclusion in The lB ack Perspective by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. The Black Perspective Issue: March/April, 2003 Civil Rights Tour Table of Contents By Veronica Ford So what does it mean to be an African American? What does it truly mean to be "black"? What is our history? What made us who we are today? What contributions have we made to the world and to this country? We cannot find the answers in our history books; the bloody and cold side of the United States' history cannot be revealed because it contradicts everything for which "we" stand. For the African Page 1 - American, and any other racial group, it is difficult to take Civil Rights Tour positive steps into the future without first knowing the past. It Page 2 - sounds like a cliche, but truth is truth. Truth is the same as Civil Rights Tour the unrevealed, the unrevealed becomes a denial of something continued that molded us into the people we currently are. -
Qué Es El Tanned Tin?
¿Qué es el Tanned Tin? El Tanned Tin es el festival de invierno por excelencia, el primero con un éxito y continuidad que dura más de una década, siendo ésta su decimotercera edición (la séptima consecutiva en Castellón tras su etapa en Santander), siempre independiente en la confección de su cartel y sin otro interés que el artístico. Plantea un espacio único (el Teatro Principal) donde se puede escuchar la música con una calidad inigualable y la comodidad propia de un recinto acogedor. Y como un punto extra, la cercanía que muestran los artistas, que se mezclan con total naturalidad con el público que acude al evento. Además, se programan matinales de lujo en (sala por confirmar). Con entrada libre para los portadores de la pulsera del festival hasta completar aforo, podremos ver actuaciones de viernes a domingo y de 12 a 15 horas. ¿Qué lo hace diferente? El Tanned Tin mantiene su filosofía de presentar un cartel lleno de futuras estrellas de la escena independiente, nombres que ahora puede que no suenen a la mayoría del público y prensa pero que en unos meses serán los grandes protagonistas de los grandes festivales. No en vano fue en el Tanned Tin donde artistas de la talla de Antony & the Johnsons, Deerhunter, Okkervil River, Final Fantasy, Deertick, Beach House, The Decemberists, Xiu Xiu, Animal Collective, CocoRosie o M.Ward dieron sus primeros conciertos en nuestro país. Buscamos dar la oportunidad al público más inquieto de conocer en su mejor momento a artistas de todo tipo (folk, electrónica, pop de vanguardia, rock arriesgado, etc.) que, además, se sienten orgullosos de formar parte del cartel debido a su reputación fuera de nuestras fronteras. -
Samstag, 18.04.2015 Interpret Titel Format Label Info
Record Store Day - Samstag, 18.04.2015 Interpret Titel Format Label Info !!!'s first release since 2013's THR!!!ER presents the band at their dance 12 inch core with two new house influenced !!! (Chk Chk Chk) All U Writers / Gonna Guetta Stomp 12" WARP tracks. The record approaches sounds of the band's past remixers like Maurice Fulton and Anthony Naples, riding the dance floor as only a 500 Stück - rotes Vinyl, ausführliche Linernotes, 2 exklusive (International) Noise Conspiracy, The Live At Oslo Jazz Festival 2002 Vinyl LP Eliterecords non-Album-Tracks 16 HORSEPOWER FOLKLORE LP VOLKOREN 16 HORSEPOWER OLDEN LP VOLKOREN A: Mary Mary (Seahawks Deep Love For All Mankind Remix) / B: Run Run Run (Wrong Island's Cosmic Plughole Remix) w/CD 2 Bears, The Bears In Space 12" Southern Fried (7 Remixe) 24 GONE THE SPIN LP CULTURE CLASH RECORDS 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side 4 Promille Vinyl 7" Single Sunny Bastards 7" Single / Etched B-Side / Colored Vinyl 999 BIGGEST PRIZE IN SPORT / BIGGEST TOUR IN SPORT LP LETTHEMEATVINYL A Coral Room I.o.T. Vinyl LP INFRACom! RSD 2015 AD LIBS, THE YOU'LL ALWAYS BE IN MY STYLE / THE BOY FROM NYC 7" CHARLY AGAINST ME! OSAMA BIN LADEN AS THE CRUCIFIED CHRIST 7" TOTAL TREBLE AGATHOCLES MINCER (RSD 2015) LP POWER IT UP Limited edition White colored version in 100 copies worldwide. * Setting a new standard for swedish melodic black metal. SOUND POLLUTION / BLACK Ages Malefic Miasma LP * With ex-member from Dissection, Satyricon (live).