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Making Peace with the Sixties: Reevaluating the Legacy of a Cultural Revolution
CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 Feature Article: JAS060 MAKING PEACE WITH THE SIXTIES: REEVALUATING THE LEGACY OF A CULTURAL REVOLUTION by Steve Rabey This article first appeared in the Christian Research Journal, volume 27, number 4 (2004). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org SYNOPSIS The 1960s may be long gone, but they certainly are not forgotten, and many of the core ideas and values of this turbulent period remain alive and well in present-day America. Some Christians dismiss the sixties as a period of silliness. Other Christians, however, blame the decade for many of the ills that trouble contemporary America, even though the seeds of many of the sixties upheavals were sown during the seemingly placid fifties. Throughout the sixties, spiritually hungry seekers influenced both alternative and institutional streams of spirituality. Sixties spiritual values such as individualism, the valuing of experience over doctrine, the preference for anything new over anything old, the sacralization of the secular, and the use of drugs as a spiritual tool continue to have a profound influence on modern life and contemporary religion. The Jesus movement was one major Christian response to the revolutionary changes of the sixties. This movement’s contemporary music and more relaxed approach toward church are its major contributions to today’s ecclesiology. Though it was a turbulent and troubling time, the sixties forced many Americans to confront long-simmering issues such as race, gender, sexuality, war, authority, and patriotism. Anyone emerging today from a decades-long, Rip Van Winkle–like slumber (or even a Timothy Leary– like trip to the far side of the space-time continuum) might be forgiven for thinking he or she was still living in the 1960s. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Beil & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Drop City and the Utopian Communes
University of Pennsylvania Carey Law School Penn Law: Legal Scholarship Repository Faculty Scholarship at Penn Law 2015 Punishment: Drop City and the Utopian Communes Paul H. Robinson University of Pennsylvania Carey Law School Sarah M. Robinson Independent Follow this and additional works at: https://scholarship.law.upenn.edu/faculty_scholarship Part of the Criminal Law Commons, Criminology Commons, Criminology and Criminal Justice Commons, Law Enforcement and Corrections Commons, Peace and Conflict Studies Commons, Public Law and Legal Theory Commons, Public Policy Commons, Social Control, Law, Crime, and Deviance Commons, and the Social Policy Commons Repository Citation Robinson, Paul H. and Robinson, Sarah M., "Punishment: Drop City and the Utopian Communes" (2015). Faculty Scholarship at Penn Law. 1148. https://scholarship.law.upenn.edu/faculty_scholarship/1148 This Article is brought to you for free and open access by Penn Law: Legal Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship at Penn Law by an authorized administrator of Penn Law: Legal Scholarship Repository. For more information, please contact [email protected]. PIRATES, PRISONERS, AND LEPERS LESSONS FROM LIFE OUTSIDE THE LAW Paul H. Robinson and Sarah M. Robinson Potomac Books An imprint of the University of Nebraska Press CONTENTS List of Illustrations ix Acknowledgments x~ PART 1. HUMAN RULES 1. What Is Our Nature? What Does Government Do for Us and to Us? 3 2. Cooperation: Lepers and Pirates 11 3· Punishment: Drop City and the Utopian Communes 32 4· Justice: 1850s San Francisco and the California Gold Rush 51 5· Injustice: The Batavia Shipwreck and the Attica Uprising 81 6. -
Tripping with Stephen Gaskin: an Exploration of a Hippy Adult Educator
The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-2012 Tripping With Stephen Gaskin: An Exploration of a Hippy Adult Educator Gabriel Patrick Morley University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Adult and Continuing Education Administration Commons, Civic and Community Engagement Commons, Critical and Cultural Studies Commons, Curriculum and Social Inquiry Commons, Educational Methods Commons, and the Educational Sociology Commons Recommended Citation Morley, Gabriel Patrick, "Tripping With Stephen Gaskin: An Exploration of a Hippy Adult Educator" (2012). Dissertations. 808. https://aquila.usm.edu/dissertations/808 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. The University of Southern Mississippi TRIPPING WITH STEPHEN GASKIN: AN EXPLORATION OF A HIPPY ADULT EDUCATOR by Gabriel Patrick Morley Abstract of a Dissertation Submitted to the Graduate School of The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Education May 2012 ABSTRACT TRIPPING WITH STEPHEN GASKIN: AN EXPLORATION OF A HIPPY ADULT EDUCATOR by Gabriel Patrick Morley May 2012 For the last 40 years, Stephen Gaskin has been an adult educator on the fringe, working with tens of thousands of adults in the counterculture movement in pursuit of social change regarding marijuana legalization, women’s rights, environmental justice issues and beyond. Gaskin has written 11 books about his experiences teaching and learning with adults outside the mainstream, yet, he is virtually unknown in the field of adult education. -
Hippieland: Bohemian Space and Countercultural Place in San Francisco’S Haight-Ashbury Neighborhood
HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. It was within this space that a wellspring of drop-out culture evolved from a combination of psychedelic drugs, experimental lifestyles, and anarchistic thought. The contention of countercultural place was fully realized in the lead up to and during the “Summer of Love” in 1967. This pinnacle moment was also its demise as the massive influx of young people into the area stressed the area and the idea of a local hippie movement to a breaking point. The final part of this thesis looks at how this experience changed the area, and how the countercultural moved on to become a national movement, while its key practitioners moved their countercultural place making to smaller rural communes, where the lessons of the Haight-Ashbury could be applied. -
Manhood in the Age of Aquarius | Chapter 5
Manhood in the Age of Aquarius Chapter 5 Tim Hodgdon Chapter 5 "We Here Work as Hard as We Can": The Farm's Sexual Division of Labor In the spring of 1975, Patricia Mitchell, her preschool son, and her lover, Don 1 Lapidus, arrived at the entrance to The Farm, hoping to join. They had read about the burgeoning commune in its book-length recruitment brochure, Hey, Beatnik, and after much discussion, had packed their possessions in their car. At the front gate, a man with a clipboard described the hippie village as a monastery of householder yogis where Stephen Gaskin's teachings guided daily labor and family life. Gaskin's students, he said, agreed to live together nonviolently, to consume a strictly vegan diet, and to hold all money and property in common. After some time at the gate, the three were admitted as "soakers," soaking up the new life that was The Farm.1 A member of the gate crew drove the new soakers to their host households. The 2 Mitchell-Lapidus trio were welcomed into a structure consisting of a large army tent (recall the frame–and–canvas structures in the television comedy M*A*S*H) flanked by two Caravan-vintage school buses, where twelve people made their home. For the duration of their time as soakers, the family slept on a couch in the tent.2 They arrived in time to help with preparations for dinner. Patricia joined women in the kitchen area of the tent, washing potatoes from the previous year's harvest.3 Over dinner, their hosts reminisced about The Farm's beginnings. -
Oral History Interview with Clark Richert, 2013 August 20-21
Oral history interview with Clark Richert, 2013 August 20-21 Funding for this interview was provided by the Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Clark Richert on August 20-21, 2013. The interview took place in Denver, Colo., and was conducted by Elissa Auther for the Archives of American Art, Smithsonian Institution. This interview is part of the Stoddard-Fleischman History of Rocky Mountain Area Artists project. [Narrator] and the [Interviewer] have reviewed the transcript. Their corrections and emendations appear below in brackets appended by initials. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ELISSA AUTHER: This is Elissa Auther interviewing Clark Richert at the Museum of Contemporary Art, Denver, on August 20th, for the Smithsonian Institution, Archives of American Art, card one. Clark, when did you decide to become an artist and what led up to that decision? CLARK RICHERT: I think I know almost the exact moment when I decided to become an artist. I was living in Wichita, Kansas, going to high school, Wichita East High, and was at a local bookstore perusing the books and I saw this book on the shelf that really puzzled me. The name of it was the Dictionary of Abstract Art. And I opened up the book and flipped through the pages, and I came to this painting by Rothko which really puzzled me. -
The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back o f the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor MI 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced withwith permissionpermission ofof the the copyrightcopyright owner. owner. Further Further reproduction reproduction prohibited prohibited without without permission. -
Time in De-Tension: Some Northern California Experiments in Open Land Sarah A
Fig. 4-1 time in de-tension: Some Northern California Experiments in Open Land Sarah A. Lewison In October1968, Lou Gottlieb, owner of 31 acres north of San Francis- co went before his local Board of Supervisors to offer his property to the people of Sonoma County “as an experiment in living.” In his presenta- tion, Gottlieb elaborated on the advantages of “Land Access To Which Is Denied No One.” He argued that free access to land would reduce the problem of human conflict, by eliminating “the territorial imperative,” and asked Supervisors to support a study to decide conditions of the county’s acceptance of the land. Continuing, Gottlieb described “a new town that would be designed by the people who live in it and marked by folk archi- tecture.”1 Failing to convince the County of the benefits of this bequest, in spring of the next year, Gottlieb transferred the property directly to God through a legitimate deed signed at the Sonoma County Recorder’s office. This delirious episode in ideological philanthropy is documented in Home Free Home, Ramon Bayaron Sender’s online book about two 60s open land communes2 - Morningstar and Wheeler’s Ranch3. Through interviews and anecdotes, former residents describe a period of time without social or economic rules or boundaries. Their experience at these “open-door” communes carried such impact that, over 30 years later, com- mune members maintain ties through a list-serve that provides a stream of conversation on present day concerns: politics, spirituality, healthcare and open land.4 Their accounts of self-organized rural life meet and exceed the stereotypes of Northern California hippie culture preserved by period pho- tojournalism: long-hair, ‘free’ sex, hallucinogens, hedonism and hepatitis. -
A Tale of Two Communes
1 A Tale of Two Communes Noel: Ever since I was kid, I’ve been fascinated by communes and collectives. I grew up during the 1980s in a white picket neighborhood in the old north end of Colorado Springs. It was mostly full of professionals and their nuclear families. But there was a secret side of the neighborhood -- a community of lesbians, including my mom, many of whom had kids around my age. And some of them lived together in a commune. It was in a big old victorian house next to a butcher shop called “Babe’s Meat Market.” And it was started by a woman named Bonnie Poucel. Bonnie Poucel: The vision was that we would live, collectively and that we would help each other with our kids, and we would take turns with the work, you know, and that we would contribute financially according to our abilities, you know, and according to what we were making and that- that was the vision. Noel: My mom and I didn’t live there, and she didn’t live with her partner. She was afraid that I could get taken away from her if a nosy neighbor decided to call child welfare... But Bonnie and her kids Jean-Jacques and Genevieve lived there. And my friends Tom and Brooke lived there part-time with their mom. Part of me was glad we didn’t live there. It was like a cross between a sorority house and a hippie grocery store. It was kind of embarrassing in that buttoned down neighborhood.