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Escape reality through the psychedelic movement.

Created by Shannen Hulley & Melissa Lager DES 185 | Winter Quarter 2017

Introduction i

Exhibition Overview 1 Exhibition Brief 2 Lookbooks 3-5 Object List 6-19 Concept Plan & Massing Study 20-21 Floor Plan 22-23 Scale Model 24-27 Interviews 28-29

Exhibition Details 31 Renderings 32-36 Color Palette 37 Material Palette 38 Furniture 39 Paint Locations 40 Lighting 41

Exhibition Identity 43 Typology 44-46 Graphic Color Palette 47 Promotional Graphics 48-53 Merchandise 54-55 FAR OUT Manetti Shrem Museum of Art

Shannen Hulley & Melissa Lager Introduction 16 March 2017

Far Out is an exhibit that curates escapism through various mediums from the counterculture movements that took place during the 60s and 70s Psychedelic era, including anti-society groups, music and art. Far Out aims to create a conversation among its visitors, asking them to question whether counterculture still exists today, with the inclusion of a collection of a 21st century re-emergence of transcendence through the arts. Far Out will be a safe space for people to gather, reflect, and communicate about the impact issues in society have on individuals and groups of people, all while considering the movements of the past.

The psychedelic movement started in , and quickly found its way to Davis as evident by the UC Davis Domes. Although the domes were established in 1972, they still exist today, keeping alive the spirit of escapism at the school, and making Far Out a relevant exhibit for the community.

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Exhibition Overview Shannen Hulley & Melissa Lager Exhibition Brief & Outline 16 March 2017

heme hiition utine

A display of art created during and inspired by the late 1960s-70s Psychedelic and counterculture movements, including the extension aroun nformation of escapism into the 21st century through art. The introductory space will feature information about major events that led up to the Psychedelic era, such as the Vietnam War and the Civil Rights Movement, providing context as to what created a desire to escape from these harsh realities. ite Far Out ounteruturero it Ant arm en ese enue Manetti Shrem Museum of Art, Davis, CA Emerging from the entrance space, visitors will enter a large room housing the geodesic dome that is Drop City. Inside the dome, images and a video documentary about Drop City will be ates November 7, 2017 – February 10, 2018 featured, as well as images of Ant Farm and Ken Kesey, The Acid Test and the . This space highlights the anti-society groups that reacted against reality by forming their own Auiene General, especially with interest in art, music and the . cognitive sciences. Ant arm nfatae oation Temporary exhibition space Upon exiting the dome, visitors will be able to experience the inside of the Ant Farm inflatable, an example of anti-architecture. Sie of Sae 9,000 sq. ft./2,600 sq. meters Musi umer of ets 159 Visitors will be able to listen to from the 60s and 70s in vintage sound-proof listening booths. They will also be able to participate in an interactive experience that consists of etai Area Located in the lobby stepping on various guitar pedals to hear the different distortion effects they create. Album artwork from popular music of the time period as well as a wall of vintage electric guitars and nterretie ements Exhibition texts and object labels, audio clips, an oil projection will be featured in this space. film visuals, sculpture, immersive installations, and interactive guitar pedals and music listening booths. Art This space will consist of Matti Klarwein’s psychedelic inspired paintings, as well as concert romotion Full array of promotional banners, posters, t-shirts and a posters inspired by the music from late 60s, early 70s time period. compilation vinyl record. 1st entur ieo This room will be a space for visitors to relax and view a loop of psychedelic inspired contemporary music videos and other visuals.

urnin Man Visitors will be able to view a short video about Burning Man projected on a large panoramic screen. Photos of the festival will also be featured in this space. Burning Man is a contemporary example of a counterculture movement that occurs for one week, once a year, where people create a new “city” in the middle of the desert to escape reality for a week by creating their own collective society of , art, music and togetherness.

1st entur Suture Sculptures by modern artist, Dan Lam, will be featured in this space, intending to provide the audience with a new means of escape from reality.

mmersie nstaation An installation be Peter Kogler will be featured in an entire room, covering the walls and floor, allowing viewers to be immersed in “another world”. 2 FAR OUT Manetti Shrem Museum of Art

Exhibition Overview Shannen Hulley & Melissa Lager Lookbook: Inspiration 16 March 2017

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Exhibition Overview Shannen Hulley & Melissa Lager Lookbook: Furniture 16 March 2017

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Exhibition Overview Shannen Hulley & Melissa Lager Lookbook: Lighting 16 March 2017

The primary function of lighting in the exhibit is to highlight the various objects. Certain spaces will require dim lighting in order to accommodate projections. In the entrance space, lighting is used to draw people through the hallway and out into the rest of the exhibit. In the music room, for example, the lighting will be used to create ambience, enhancing the visitor’s experience of the music.

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

01 02 03 04 05 06 Horst Faas Philip Jones G rifith Hugh Van Es PastCentur y Tube Harvey Richards Marc Ribou d Vietnam, 1965 Battle for Saigon, 1968 Wounded U.S. Soldier in The Most Terrible War In Protestors in San Fr ancisco, Protestor, 1967 Photograph Photograph Vietnam Indochina CA, 1967 Photograph 24x36” 24x36” Photograph Documantar y Clip Photograph 24x36” 24x36” 1h 46m 24x36”

07 08 09 10 11 12 Harvey Richard s Unknown Charles Moore Spider Mar tin Don Hogan Char les Unknown Vietnam War Protest March , Protest at the P entagon, African American people being Marching with MLK, 1965 U.S. Troops intervien dur ing “I Have A Dream” speech San Francisco, 1967 1967 sprayed with a fire hose Photograph Civil Rights protests, 1967 Video clip Photograph Film footage Photograph 24x36” Photograph 17m 29s 24x36” 14m 32s 24x36” 24x36”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

13 14 15 16 17 18 Unknonw Ken Kesey Paul Foster Ted Streshinsky Lisa Law Further “Can You Pass The Acid Test?” Print Of A Merry Prankster Print Of The Further Bus Print Of Merry Pranksters Oil, Various Colored Dyes, Painted School Bus Poster Photograph Photograph Photograph Water 20 X 5’ 17x22” 8x10” 8x10” 13x19” No Size

19 20 21 22 23 24 David Gahr Ted Streshinsky Gene Anthony Allison Ellwood And Alex Ken Kesey Print Of Ken Kesey In The Print Of Further Print Of Further Poster For The Acid Trip Gibney Interview Further Photograph Photograph 13x19” Magic Trip Audio Photograph 10x8” 8x10” Film 7m 26s 8x10” 1h 30m

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

25 26 27 28 29 30 Ant Farm Unknown Unknown Unknown Antfarm Antfarm Inflatocookbook Untitled Clean Air Pod (1970) Untitled Inflatocookbook Inflatables Pamphlet Photograph Photograph Photograph Pamphlet Pamphlet 8.5 x 11” 8 X 10” 8 X 10” 8 X 10” 8.5 X 11” 8.5 X 11”

31 32 33 34 35 36 Ant Farm Inflatable Dennis Stock Clark Richer t Clark Richer t Unknown To Be Made Drop City Artists Drop City P anorama In Theater Dome With Drop City, , Usa Geodesic Dome Plastic Sheets, pump (1969) Photograph “Ultimate P ainting” (1966) Photograph (To Be Constr ucted) 20x24’ Photograph 6 X 13” Photograph 8 X 10” Steel, Aluminum 8 X 10” 6 X 13” 24’ X 12’

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

37 38 39 40 41 42 Unknown Joan Grossman Gene Ber nofsky, Joann Vintage 1960 ’s Teisco ET-??? Vintage 1959 Fender Vintage 1965 Fender Duo-Sonic Drop City Drop City Bernofsky, Richard Kallweit & Electric Guitar MusicMaker Electr ic Guitar Electric Guitar Photograph Documentary Clark Richert 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 8 X 10” 1h22m Drop City Photograph 10” X 8”

43 44 45 46 47 48 Vintage 1960’ s Domino Vintage 1960’ s Domino Spar tan Vintage 1960’ s Norma Electr ic Vintage 1960 ’s Teisco EP7T Vintage 1960 ’s Welson Concord Vintage 1960 ’s Victoria Electric Californian Electr ic Guitar Electric Guitar Guitar Electric Guitar Electric Guitar Guitar 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 14”x21”x1 3/4 ” 14”x21”x1 3/4 ”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

49 50 51 52 53 54 Vintage 1960 ’s Tradition Zenon Tycobrahe Parapedal Vox Clyde McC oy 1966 Dallas Rangemaster 1976-’77 Tycobrahe 1976-’77 Tycobrahe Electric Guitar (Octavia) Wah-Wah Pedal Treble Booster Pedalflanger Octavia 14”x21”x1 3/4 ” 3x4.5” 3.5x9” 6.5x4x5” 3x9” 3x9”

55 56 57 Dallas-Arbiter Fuzz Face Late-’60s/ea rly-’70s Univ ox ’77 Mu-Tron Flanger 5.5” Diameter Uni-Vibe 7x11” 10x5.5”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

58 59 60 61 62 63 The Beatles The Beatles The Beatles The The Grateful Dead The Grateful Dead Rubber Soul Revolver Sgt Peppers Lonely Hear ts Self-titled Anthem Of The Sun Album Artwork Album Artwork Club Band Album Artwork Album Artwork Album Artwork 12 X 12” 12 X 12” Album Artwork 12 X 12” 12 X 12” 12 X 12” 12 X 12”

64 65 66 67 68 69 Jefferson Airplane The Door s The Jimi Hendr ix Exper ience The Jimi Hendr ix Exper ience Jefferson Airplane Takes Off Surrealistic Pill ow Self-titled Are You Experienced Electric Ladylan d Dark Side Of The Moon Album Artwork Album Artwork Album Artwork Album Artwork Album Artwork Album Artwork 12 X 12” 12 X 12” 12 X 12” 12 X 12” 12 X 12” 12 X 12”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

70 71 72 73 74 75 Mati Klarwein Mati Klarwein Mati Klarwein Mati Klarwein Mati Klarwein Mati Klarwein St. John New York Angel Brazilian Angel St. John Flight To Egypt Oil And Tempera Oil And Tempera Oil And Tempera Oil And Tempera Oil And Tempera Oil And Tempera

76 77 Mati Klarwein Mati Klarwein Blessing Bitches Brew Oil And Tempera Oil And Tempera

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

78 79 80 81 82 83 Wes Wilson Wes Wilson Wes Wilson Wes Wilson Wes Wilson Wes Wilson Fillmore Poster For Fillmore Poster For Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For The Grateful Dead Grateful Dead Jefferson Airplane Captain Beefha rt Buffalo Spr ingfield Bola Sete 13x19” 13x19” 13x19” 13x19” 13x19” 13x19”

84 85 86 87 88 89 Wes Wilson Wes Wilson Wes Wilson Wes Wilson Wes Wilson Wes Wilson Fillmore Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For Chuck Berry Jefferson Airplane Otis Redding The Association The Grateful Dead The Chamber s Brothers 13x19” 13x19” 13x19” 13x19” 13x19” 13x19”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

90 91 92 93 94 95 Victor Moscoso Victor Moscoso Victor Moscoso Victor Moscoso Victor Moscoso P oster For Fillmore Poster For Fillmore Poster For Fillmore Poster For Avalon Ballroom P oster Avalon Ballroom P oster For Oxford Circl e, Etc. The Miller Blues Band The Chamber s Bros The Blues Project For The Peacock Bal l 13x19” 13x19” 13x19” 13x19” 13x19” 13x19”

96 97 98 99 100 101 Victor Moscoso Victor Moscoso Victor Moscoso Victor Moscoso Victor Moscoso Victor Moscoso Avalon Ballroom P oster For The Avalon Ballroom P oster For Avalon Ballroom P oster For Avalon Ballroom P oster For Avalon Ballroom P oster For Avalon Ballroom P oster For Young Bloods Blue Cheer The Miller Blues Band The Doors The Young Bloods The Quicksilv er Messenger 13x19” 13x19” 13x19” 13x19” 13x19” Service 13x19”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

102 103 104 105 106 107 Bonnie Maclean Bonnie Maclean Bonnie Maclean Bonnie Maclean Bonnie Maclean Bonnie Maclean Fillmore Poster For Pink Floyd Fillmore Poster For Martha & Fillmore Poster For Fillmore Poster For Byrds Fillmore Poster For Cow Palace Poster For 13x19” The Vandellas Muddy Waters 13x19” Jim Kweskin Donovan 13x19” 13x19” 13x19” 13x19”

108 109 110 111 112 Bonnie Maclean Bonnie Maclean Bonnie Maclean Bonnie Maclean Bonnie Maclean Fillmore Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For Fillmore Poster For The Doors The Doors Bo Diddley 13x19” 13x19” 13x19” 13x19” 13x19”

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

113 114 115 116 117 118 Chelou Tame Impala Fever the Ghos t Flaming Lips Animal Collectiv e Tame Impala Halfway to Nowhere Feels Like We Only Go Source The W.A.N.D. Golden Gal Half Full Glass of Wine Music Video Backwards Music Video Music Video Music Video Music Video 3m 15s Music Video 4m 10s 3m 49s 4m 42s 4m 27s 3m 21s

119 120 121 122 123 124 Animal Collective Foster the People Toro Y Moi Glass Animals Temples Tame Impala My Girls Pseudologica Fantastica Rose Quartz Season 2 Episode 3 Shelter Song The Less I Know the Better Music Video Music Video Music Video Music Video Music Video Music Video 5m 46s 5m 33s 4m 14s 4m 07s 3m 15s 5m 43s

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

125 126 127 128 129 130 Victor Habch y Victor Habch y Victor Habch y Victor Habch y Victor Habch y Victor Habch y Untitled Untitled Untitled Untitled Untitled Untitled Photograph Photograph Photograph Photograph Photograph Photograph 16x20” 36x24” 16" x 20" 16" x 20" 16" x 20" 11" x 14"

131 132 133 134 135 136 Victor Habch y Victor Habch y Victor Habch y Victor Habch y Victor Habch y Victor Habch y Untitled Untitled Untitled Untitled Untitled Untitled Photograph Photograph Photograph Photograph Photograph Photograph 11" x 14" 11" x 14" 11" x 14" 16" x 20" 11" x 14" 16" x 20"

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

137 138 139 140 141 142 Victor Habch y Victor Habch y Victor Habch y Victor Habch y Victor Habch y Philippe Meicler Untitled Untitled Untitled Untitled Untitled Burning Man 201 6 Photograph Photograph Photograph Photograph Photograph Video Footag e 36x24” 24x18” 24x18” 24x18” 24x18” 5m10s

143 144 145 146 147 148 Dan Lam Dan Lam Dan Lam Drinking Watermelon Youthful Glow Kinda Manly Thunder Thighs Between The Lines Hot To Trot Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Acrylic, Wood Panel Acrylic, Wood Panel Acrylic, Wood Panel Acrylic Acrylic Acrylic 13 X 12 X 7” 13 X 12 X 7” 11 X 11 X 7” To be made To be made To be made

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Exhibition Overview Shannen Hulley & Melissa Lager Object List 16 March 2017

149 150 151 152 153 154 Dan Lam Dan Lam Dan Lam Dan Lam Dan Lam Dan Lam Knobby Knee You’re A Spring Bombshell Flattery The Natur al Look Sweet And Sour Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Polyurethane Foam, Resin, Acrylic Acrylic Acrylic, Wood Panel Acrylic, Wood Panel Acrylic, Wood Panel Acrylic, Wood Panel To be made To be made 11 X 11 X 7 ” 16 X 18 X 7 ” 19 X 18 X 9 ” 11 X 11 X 8 ”

155 156 157 158 159 Dan Lam Dan Lam Davis Mccarty Peter Kogler Unknown Artist Fleshpot They’re Kind Of Small Pulse Portal Untitled Record Listening Booths Polyurethane Foam, Resin, Polyurethane Foam, Resin, Dichroic Acrylic, Wallpaper designed on circa 1960 Acrylic, Wood Panel Acrylic, Wood Panel Steel computer Wood 12 X 14 X 8 ” 14 X 14 X 9 ” To be made To be made To be made

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Exhibition Overview Shannen Hulley & Melissa Lager Concept Map 16 March 2017

A The first concept plan involves the visitor entering the museum through the introduction hallway, entering the main space containing Drop City and Ant Farm, and A then having the choice to proceed into any other space in any order.

B The next plan once again has visitors walking through the exhibition introduction hallway and into the space with Drop City and Ant Farm. After this their path becomes linear, as they go left and flow through the museum in a clockwise fashion.

C The final plan is the ideal one. After visitors leave the introduction hallway and move through Drop City and Ant Farm, they move through the exhibit in a counter- clockwise fashion.

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Exhibition Overview Shannen Hulley & Melissa Lager Massing Study 16 March 2017

Streaer

Stroller

Stuier

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Exhibition Overview Shannen Hulley & Melissa Lager Floor Plan: Exhibit Sections 16 March 2017

ontext sycheelic oncert osters

ounterculture ro ity 21st entury ieo EntranceExit en esey an nt ar

nt ar nlatable urning Man

Music oo an La Sculture

Matti larwein aintings eter ogler nstallation

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Exhibition Overview Shannen Hulley & Melissa Lager Floor Plan: Object Placement 16 March 2017

EntranceExit 112

6 Object 1 will be lace in the avillion 7 outsie the ront o the useu Object 2 17 will be lace in the outoor courtyar near the useu lobby

1 12

20

1

1 1212 1 1 1 10 1111 12 1116 1 1017

7 1112 1112 1

161 111 1 70 707 76 77 1 1

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Exhibition Overview Shannen Hulley & Melissa Lager Scale Model 16 March 2017

A

A The introduction hall will be gray tones. It will provide context as well as contrast–after leaving the dimly lit hallway the brightly lit, colorful main space will look all the more vibrant.

B, C Behind the Drop City dome and the Ant Farm inflatable is the space for music inspired art. This includes both classic concert posters from the 60s and 70s, and artwork by Mati Klarwein.

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Exhibition Overview Shannen Hulley & Melissa Lager Scale Model 16 March 2017

A

A In between the space for music inspired art and the space for Burning Man, there will be a sitting room with televisions and headphones for people to view 21st century, new-age psychedelic music videos. This is meant to be a place to rest, as well as a transition place, moving visitors from escapism of the 60s and 70s to modern escapism.

B, C The next space features photographs taken by Victor Habchy at Burning Man. The space will also have a curved panoramic screen playing a drone video of the Burning Man festival in 2016. The screen will act as a dividing wall, allowing it to be large and curved, creating an immersive experience for the visitor.

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Exhibition Overview Shannen Hulley & Melissa Lager Scale Model 16 March 2017

A

A, B The sculpture room features pieces by artist Dan Lam. They will be placed on podiums varying in height, and dispersed throughout the room. Some will also be placed on shelves.

C The final space will contain an installation by Peter Kogler. His piece will fill the entire space, on all walls and the floor. It will be a closed off space with one entrance/exit, and will be a sensory experience.

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Exhibition Overview Shannen Hulley & Melissa Lager Scale Model 16 March 2017

Overview of the scale model Entrance/Exit Entrance/Exit exhibition space.

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Exhibition Overview Shannen Hulley & Melissa Lager Interviews 16 March 2017

ate ebruary 2 2017 ate March 1 2017 uration 12 inutes uration 1 inutes Location Shiels Library avis Location Social Sciences & Huanities uiling avis

thin it woul robably change the exerience eening on his is the sort o thing coul see ysel going bac to ultile who was to go with hat your exhibition aes e thin o ties an exeriencing in ierent contexts love the interactive is y boss who is 6 an is constantly taling about things relate asect o it an by nature o being able to interact with the objects to this era e also stuy eitation so thin theres a threa in it eans you can get a ierent exerience when you interact with thatsoe other eole ro our lab went on to stuy it with ierent eole uinn onin Anea aarian sycheelics So while going with y boss woul be entertaining esearch ssistant thin going on y own or with soe o y riens woul be the rauate Stuent hen we engage with art its an escais o our own lie enter or Min an rain enter or Min an rain ost authentic exerience selrelection so really enjoy that asect o it also a little biase avis avis because y research is on usic so love the usic eleent o woul robably sen an hour ax in the exhibit soewhere your exhibit an the cultural curating that youre oing with the between hal an hour an an hour osters

here are einitely asects o your exhibit that overla with love the Shre ve been a coule ties beore an it sees lie sychology in general an ties into eoles ierent resonses to they have a ierent sort o aret that theyre aealing to his things an how you eal with current events sees to be a really nstagraable exhibit which is in your avor

ont have very uch o a usic bacgroun so woner i ou coul encourage other stuent grous let the now that this hearing the usic irst ight rovie ore context or the exhibit is soewhere they can go to hang out an tal about the artwor usic an art an what arallels there are between that tie erio an now ecause youre rightthere are so any siilarities ro ity reins e o the oes on caus so there are even arallels between that counterculture an avis

ts nice to broaen eoles horions ro a sychological ersective reining the what things were lie beore an aybe challenging the to thin have we change o we eel lie counterculture is aybe reeerging now in light o the recent olitical cliate So thin your exhibit is a goo thoughtrovoing exercise an is relevant to so any ierent grous on caus

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Exhibition Overview Shannen Hulley & Melissa Lager Interviews 16 March 2017

ate March 2 2017 uration inutes Location ruess Hall avis

he tye o liestyle oele by ro ity becae a oint o uinns eebac was valuable because it le us ascination or eole all over the worl to reevaluate our narrative so that visitors will be able to hear an interact with oular sycheelic here are any countercultures an it goes through hases usic beore viewing the aintings an concert osters that were insire by it Simon Saer ro ity was lie art o that early utoian oentit was art o that initial oent o roing aci an getting ri o all roessor ossible rules an iguring out how to start over together eole esign eartent at ro ity as well as with en esey an the Merry ransters ngela was able to relate to the usic asect o avis lost their original ientities they create new naes an they just our exhibit because her research ocuses on how starte over usic aects eory t was helul to hear her thoughts an suggestions She seee to be very intereste in the iea o our exhibit an its ounterculture slits in two eole lie en esey just ecie relevance to toay which reaire what we to ro out o society be one with it an create their own hoe others woul gain ro our exhibit society hile the other sie o the counterculture the new let ecie to organie arch an conront the olice hat was haening in ereley while here in avis we caught on to the roessor Saler was very nowlegable about counterculture an ecie to buil the oes avis is the ro ity an counterculture oveents in eranent rearguar o the counterculturero the oes cae general e ha an interesting iscussion with the ecovillage hoes an the irst bie lanes an one o the irst Saler about counterculture an the siilarities arers arets in erica between the 60s70s an toay an the ways in which eole escae society in the 21st century

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Exhibition Details Shannen Hulley & Melissa Lager Rendering: Pavilion & Courtyard 16 March 2017

he avilion will eature inlatable ors that iic the shaes oun within the oil rojections hey will be ae o vinyl an hung by clear ishing line as shown to the let

o raw urther attention to the useu a relica o en eseys urther bus will be on islay outsie isitors will be welcoe to enter the bus

he rojector wall in the avilion will eature ils showings on seciic nights ils will inclue ro ity an Magic ri both ils relevant to the exhibit ter sunset the useu will roject liui light rojections on the wall

he sculture title ulse ortal by avis Mcarty will be lace in the courtyar e chose to ee this sculture searate ro the bus as it is a oern sculture ulle irectly ro a oern source o escais urning Man

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Exhibition Details Shannen Hulley & Melissa Lager Rendering: Interior 16 March 2017

nsie ro ity the geoesic oe will consist o iages o the counterculture oveents that occurre uring the 60s an 70s ro ity an en esey urther an the Merry ransters

his large sace will be brighlty lit with the useus trac lighting Lighting will be installe within the oe to accoaate the iages islaye insie

Objects 1 0 2 an 7 will be islaye within in the ro ity oe

01 02 0

ounterculture oveent sace eaturing ro ity en esey an nt ar

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Exhibition Details Shannen Hulley & Melissa Lager Rendering: Interior 16 March 2017

he lighting will be i to accooate the liui light show rojections throughout the sace Objects will be highlighte with sot lighting

0 02

he re color o this wall in the exhibit is intene to allue to the aous illore in San rancisco an the role it laye in the usic scene uring the sycheelic era

Listening booths in this sace are reresentative o the soun roo listening booths that gaine oularity in the 160s hese booths allow visitors to exerience the usic that inluence an was inluence by the sycheelic oveent

Music oo eaturing interactive guitar eals an vintage listening booths

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Exhibition Details Shannen Hulley & Melissa Lager Rendering: Interior 16 March 2017

he sace will encororate seating reresenting the ors create with liui light show oil rojections an an overall sycheelic eel

he osters an other artwor in this sace will be highlighte with wall wash lighting

art o nt ar will exten into this sace acting as a ivier between the art an the introuctory sace isitors will be able to exerience the insie o the inlatable

02 01 0

Musicinsire art eaturing aintings by Matti larwein an osters by ictor Moscoso es ilson & onnie Maclean

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Exhibition Details Shannen Hulley & Melissa Lager Rendering: Interior 16 March 2017

01

he sace will encororate a rojection that lows own the walls an onto the loor creating a new worl or visitors to exerience

rtwor will be islaye on white oius highlighte in the sace with the use o sotlights icture above

isitors will be able to wal aongst an get a close u view o an Las scultures

onteorary surreal sculture roo eaturing an La scultures

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Exhibition Details Shannen Hulley & Melissa Lager Color Palette 16 March 2017

enamin Moore aint Sathes

rimar oor aette he riary color alette also use in the exhibition grahic ientity is use to create bright contrast an bol stateents within the exhibit hese colors will be use on riarily bare walls not or walls that islay a lot o content

Exotic e eal last Orange Sy

21 M 11 6 M0 0 0 M 0 10 6 1 16 2 1 0 27 1 1E

Seonar oor aette he seconary color alette also use in the exhibition grahic ientity is use to suleent the riary color alette hese aint colors will be use on the walls islaying objects that are bright an colorul theselves so as not to coete with the artwor

rystal lue elray ray istant ray

1 M01 07 0 2 M2 1 0 0 M01 02 0 216 26 2 1 1 162 2 2 26 EE 2 6

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Exhibition Details Shannen Hulley & Melissa Lager Material Palette 16 March 2017

A

A urve screen to eature rone vieo o urning Man he curve shae will allow larger grous o eole to view the vieo at various angles an eel ierse in the vieo

rojectors will be use throughout the useu to roject both the il viewings outsie the urning Man vieo insie an the oil rojections throughout the exhibit

Heahones will be lace in the listening booths an the 21st F entury Music ieo roo to allow visitors to listen to oular usic ro both the 60s an 70s an oern ties

he listening booths will be constructe out o oa as they were in the 60s

he outsie avilion will contain large organic transarent shaes which iic the ors oun in both oil rojections an lava las hey will be ae out o olyethylene the sae lastic use to ae ool rats

F he outsie ors will be strung u by a heavy uty clear ishing line

atorboar will be use on the niche entrance or the O cut out

luinu oles an trilesie connectors will be use to recreate the ro ity geoesic oes 38 FAR OUT Manetti Shrem Museum of Art

Exhibition Details Shannen Hulley & Melissa Lager Furniture 16 March 2017

enches labele an will be lace in the sace or usic insire art here will be two o the benches A labele lace in the 21st century usic vieo roo oosite each other an in ront o the televisions

hese benches iic the organic an lui shaes oun in oil rojections an lava las

enches will be uholstere in a velvet abric in the sae orange color use throughout the 10 exhibit elvet was a oular abric use in the 60s an 70s which is why it is being use in the exhibit

1 1

lain white oius will be use to resent the 2 an La scultures his will allow the scultures to stan out t is also how the artist reers to 1 resent her wor

1 Exale o oiu ae o articleboar with white veneer coating to ee it sooth

2 2

wo benches esigne by eter ogler will be eature in the eter ogler installation within the exhibit Lie the installation the benches are ae u o lines that create the illusion that the benches are uneven an contain bus an is

39 FAR OUT Manetti Shrem Museum of Art

Exhibition Details Shannen Hulley & Melissa Lager Paint Locations 16 March 2017

0 01 02 0

0

01 0 0 06

0 02

06

06 02 02

06 06

0 01 0 06 0 0

06

02 0 01

40 FAR OUT Manetti Shrem Museum of Art

Exhibition Details Shannen Hulley & Melissa Lager Lighting 16 March 2017

Entrance he entrance hallway will be airly i with a sotlight at the en o the hallway rawing visitors through the introuctory sace an into the rest o the exhibit

ro ity he ro ity oe will be lit by stanar trac lighting allowing clear visibility all the way to the to o the large structure Sot lighting will also be installe within the oe to accooate the objects eature insie rtwor aintings an the concert osters will be lit using wall Music oo wash lighting he usic area will be airly ily lit to accooate the oil rojections that will be eature in the sace he objects Sculture will be highlighte with sot lighting he sace eaturing the blob scultures will be airly ily lit to accooate the rojection that will low own the wall an onto the loor he iniviual scultures will be highlighte with the use o sotlights

nstallation he eter ogler installation roo will be well lit with trac lighting so that the etails o the installation will be clearly visible

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43 FAR OUT FAR OUT Manetti Shrem Museum of Art Exhibition entity Exhibition Identity itle all Manetti ShremShannen HulleyMuseum & Melissa ofLager Art Typology 16 March 2017

TFA RTO TFA

FRA OT O se or the ain title o our exhibit as the object title on our object labels an to ABCDEFGHIJKLMNOPQRSTUVWXYZ ut ehasis on iortant text on avertiseents such as ates etc his ont will be abcdefghijklmnopqrstuvwxyz use all caitals an with tracing set at 120 ranlin othic onense is a variation 1234567890!@#$&* o the classic ont originally ae in 102 an wiely use throughout the 160s an 70s as a bol sansseri title ont

LL SS LH se or the boy text when text nees to be rea at a eiu to close istance EHLMOS nown as being a huanist style this ont is uch ore layul than onts such as abceghijlnorstuvwxy Helvetica utiliing less harsh geoetry to construct its letters his ont was also use 12670& in the 60s an 70s

SAS A se or subheaers as it is slightly boler than ill Sans Light lso to be use as boy AMS text when text nees to be rea ro a eiu to ar istance aefhimnorstu

44 FAR OUT FAR OUT Manetti Shrem Museum of Art Exhibition entity Exhibition Identity itle all Manetti Shrem Museum of Art Shannen Hulley & Melissa Lager Typology: Logotype 16 March 2017

he signature logotye aears one o two waysstace with tracing set to 0 or horiontally aligne in the ranlin othic conense tyeace with tracing set at 120 he stace version is use or all rootional aterial banners osters erchanise etc an the horiontally aligne version is use or the title treatent in the entry an the ain title wall insie the exhibition sace TFA RTO TFA

FRA OT O se or the ain title o our exhibit as the object title on our object labels an to ABCDEFGHIJKLMNOPQRSTUVWXYZ ut ehasis on iortant text on avertiseents such as ates etc his ont will be abcdefghijklmnopqrstuvwxyz use all caitals an with tracing set at 120 ranlin othic onense is a variation 1234567890!@#$&* o the classic ont originally ae in 102 an wiely use throughout the 160s an 70s as a bol sansseri title ont

LL SS LH se or the boy text when text nees to be rea at a eiu to close istance EHLMOS nown as being a huanist style this ont is uch ore layul than onts such as abceghijlnorstuvwxy he stace logotye as a cut out with an oil rojection iage showing through Helvetica utiliing less harsh geoetry to construct its letters his ont was also use 12670& he cut out creates eth an a sense o escais as i in the 60s an 70s you can see through the wors into another worl

SAS A se or subheaers as it is slightly boler than ill Sans Light lso to be use as boy AMS text when text nees to be rea ro a eiu to ar istance aefhimnorstu

45 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Typology: Object Label 16 March 2017

hese object labels will be lace irectly onto the wall via vinyl cut out sticers hey will be lace 6 away ro each o the ieces to be lace on the walls

all sticers have been chosen or the object label as they are unobtrusive an wont istract ro the iece itsel

ite font ranlin othic onence 120 oint tracing oint ont RTO ROO eter oer Artist ame ont Art Meia ill Sans egular 0 oint ont omuter esine aaer

esrition ont ill Sans Light 0 oint ont hrough the use o outer ssiste esign rogras eter ogler creates these illusions with sile linear eleents ter surveying the sace ogler will ae a esign seciic to the roo he is woring with his eans esigning aroun illars light ixtures an benches

he curvature o the lines creates the illusion that both loors an walls have unnatural unulations an bus

46 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Graphic Color Palette 16 March 2017

hese object labels will be lace irectly onto the wall via vinyl cut out sticers he colors that will be use throughout the useu were ulle ro the eyecatching Orange Sy hey will be lace 6 away ro each o the ieces to be lace on the walls colors oun in the classis concert osters an have been seciically chosen as a twist on 0 M 0 the three riary colors eal was chosen instea o blue vibrant in instea o re an 2 1 0 all sticers have been chosen or the object label as they are unobtrusive an orange instea o yellow 1E wont istract ro the iece itsel

eal last 6 M0 0 6 1 16 ite font 1 ranlin othic onence 120 oint tracing oint ont RTO ROO

Exotic e eter oer 21 M 11 Artist ame ont Art Meia 10 ill Sans egular 0 oint ont 27 omuter esine aaer

rystal lue esrition ont 1 M1 7 0 216 26 2 ill Sans Light 0 oint ont hrough the use o outer ssiste esign rogras eter EE ogler creates these illusions with sile linear eleents ter surveying the sace ogler will ae a esign seciic to the elray ray 2 M2 1 0 roo he is woring with his eans esigning aroun illars light 1 1 162 2 ixtures an benches Orange Sy eal last an Exotic e will be use both as aint colors an on erchanise

istant ray M1 2 0 he curvature o the lines creates the illusion that both loors 2 2 26 an walls have unnatural unulations an bus 6

47 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics 16 March 2017

11.07.17- 02.10.18

11.07.17- 02.10.18

11.07.17- 02.10.18

11.07.1711.07.17-- 02.10.18 02.10.18

48 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics: Bus Kiosk Poster 16 March 2017

hese two bus ios oster esigns will be islaye in avis Sacraento an other surrouning towns Here the logotye has been orientate ierently in orer to accooate ore inoration without taing away ro the oil rojection iages he exhibition subtitle has also been ae to the esign to give viewers an iea o what the exhibition is about

he two bus ios oster variations only ier in the oil rojection iage use Oil rojection iages are eature or their vibrant an eyecatching colors as well as the abstract yet organic ors create in each rojection hese iages are reiniscent o the sycheelic era an reresent the overall eel o the exhibition hey wor well both at a istance an u close

49 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics: Street Banners 16 March 2017

he exterior street banners will avertise the exhibition thereore they inclue the nae o the exhibition the useu an the running ates o the exhibit hey will aear throughout the avis an neighboring towns

11.07.17- 02.10.18 11.07.17- 02.10.18

11.07.17- 02.10.18

11.07.17- 02.10.18

11.07.17- 02.10.18

11.07.1711.07.17-- 02.10.18 02.10.18

11.07.17- 02.10.18 11.07.17- 02.10.18

50 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics: Museum Banners 16 March 2017

he exterior banners or the useus entry courtyar will eature the logotyewhite bacgroun with the oil rojection iage showing through he larger banners will consist o an enlarge iage o one o our variations o oil rojections

he ar Out stace tye aears as i it has 60 been cut out o the white bacgroun to reveal the colorul oil rojection unerneath

he larger banner eatures an enlarge version o the sae iage that aears in the logotye banner above it

6

Other banner variations

51 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics: Entry Wall 16 March 2017

eore entering the exhibition sace the exhibition title will aear on the entry wall to the right o the ain gallery oors icture to the right he niche in the wall will be wallaere with an enlarge iage o an oil rojection one that aears in other asects o our ientity as well he title will be cut out o a sheet o sheet o white gatorboar so that the oil rojection iage can be viewe behin it he layere asects in this sace create eth an interest beore entering the ain exhibition sace

Here the exhibition subtitle aears again below the ain title in threeiensional lettering in 220t ill Sans regular ont

52 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Promotional Graphics: Title Wall 16 March 2017

he title wall eature will be resente as visitors exit the ntrouction hallway ter being exose to the i blac an white sace ille with the reasons to escae they will be et with a highly contrasting title he O title wall will be a wall with the letters o the title cut out ehin the wall will be a large circular rotating lava la

he bright an exressive colors will be the erect secon introuction into the exhibit

he rotating lava las ee the contents constantly lowing without the nee o high teeratures aing the title wall a constantly changing eature in the exhibition

53 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Merchandise: Ringer Tees 16 March 2017

inger tees were irst introuce to the nite States in the 10s an gaine oularity in the 160s an 170s riarily aong the usic loving an young eole e will oer three ierent esigns in three ierent colors or visitors to buy

he irst esign eatures the ro ity geoesic oe a eorable eature o our exhibit he geoesic oe is the irst an liely last iece visitors will see when visiting the exhibit

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he lava la is a oular novelty ite introuce in the 60s an uicly becae a hysical icon o the tie nsie the exhibition lava las are eature on the title wall his esign allues to sai title wall he inal esign sily eatures the logotye cut out he bac sie o the tshirts eaturing the geoesic oe as well as the iortance o the lava la in o one o the any the oil rojections eature in an the lava la will also inclue the exhibitions logotye oular culture uring that tie the exhibition

54 FAR OUT Manetti Shrem Museum of Art

Exhibition Identity Shannen Hulley & Melissa Lager Merchandise: Vinyl Pressing 16 March 2017

liite vinyl ressing eaturing oular sycheelic usic resent in our exhibit will be available or urchase his recor will eature both usic ro the 60s an 70s as well as current ties

LS ie cut sleeve with logotye oo ibrations he each oys Sugar Magnolia he rateul ea Soeboy to Love eerson irlane urle Hae ii Henrix Shine on ou ray iaon in loy ay in the Lie he eatles Light My ire he oors hite abbit eerson irlane

eels Lie e Only o acwars ae ala Halway to owhere helou Source ever the host Shelter Song eles he laing Lis

he recor will be resse on arble orange an in vinyl utiliing the sot colors eature throughout the exhibit

he inner sleeve will eature oil rojections that will show through the ie cut outer sleeve

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