Uncommon GROUND Exhibitions and Programs Exploring Self-Sufficiency, Community and Visions of Utopia SUMMER 2011
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Making Peace with the Sixties: Reevaluating the Legacy of a Cultural Revolution
CHRISTIAN RESEARCH INSTITUTE P.O. Box 8500, Charlotte, NC 28271 Feature Article: JAS060 MAKING PEACE WITH THE SIXTIES: REEVALUATING THE LEGACY OF A CULTURAL REVOLUTION by Steve Rabey This article first appeared in the Christian Research Journal, volume 27, number 4 (2004). For further information or to subscribe to the Christian Research Journal go to: http://www.equip.org SYNOPSIS The 1960s may be long gone, but they certainly are not forgotten, and many of the core ideas and values of this turbulent period remain alive and well in present-day America. Some Christians dismiss the sixties as a period of silliness. Other Christians, however, blame the decade for many of the ills that trouble contemporary America, even though the seeds of many of the sixties upheavals were sown during the seemingly placid fifties. Throughout the sixties, spiritually hungry seekers influenced both alternative and institutional streams of spirituality. Sixties spiritual values such as individualism, the valuing of experience over doctrine, the preference for anything new over anything old, the sacralization of the secular, and the use of drugs as a spiritual tool continue to have a profound influence on modern life and contemporary religion. The Jesus movement was one major Christian response to the revolutionary changes of the sixties. This movement’s contemporary music and more relaxed approach toward church are its major contributions to today’s ecclesiology. Though it was a turbulent and troubling time, the sixties forced many Americans to confront long-simmering issues such as race, gender, sexuality, war, authority, and patriotism. Anyone emerging today from a decades-long, Rip Van Winkle–like slumber (or even a Timothy Leary– like trip to the far side of the space-time continuum) might be forgiven for thinking he or she was still living in the 1960s. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
It's Hip to Unzip Open Land Communes and Their Neighbours
“It’s Hip to Unzip”: Open Land Communes and Their Neighbours in Northern California, 1966-1979 by John Stuart Miller B.A., The University of British Columbia, 2013 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (History) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2016 © John Stuart Miller, 2016 Abstract This essay considers the histories of two countercultural, back-to-the-land communes located in northern California: Siskiyou County’s Black Bear Ranch and Sonoma County’s Morning Star Ranch. Both of these communes were highly influenced by the concept of Open Land, according to which anyone may freely live in a given space, particularly those individuals rejected or alienated by urban modernity. I examine the ways in which these communes related to and were shaped by their rural neighbours, as well as the local state, asserting the importance of the surrounding community in effecting events at each commune. I argue that positive relations with neighbours determined the continued viability of these communes, and that these positive relations in turn required a compromise of original founding principles including Open Land. I further uncover the changing perceptions rural people held of hippie communards, and contextualize the back-to-the-land ideal within broader American traditions of frontier settlement and reinvention. !ii Preface This thesis is entirely the original, unpublished, and independent work of the author, John -
Interview J. Berman Commune (PDF)
Interview with Jonathan Berman, Director of COMMUNE How did you get the idea for the film and was there something specific that inspired you? I grew up on Long Island in the 1960’s around that environment. You know just being a kid growing up around the 60’s and 70’s; this environment of the counterculture was always in the air, even in suburbia – maybe especially in suburbia. As I became a teenager I started to get into the music of Jimmy Hendrix and all that, playing keyboards and in rock bands. So I always had that warm feeling towards that whole world as an alternative to us and the bland world of suburban Long Island life. I was always intrigued by that and then was a Deadhead and into various counterculture ideas. The politics attracted me, and so when I was searching for my next project, I met this eccentric producer and was telling him about my film I was planning about barbequing in the Carolinas and he, being a New York no-nonsense eccentric: “I just don’t like that idea” and I said, “Well, what do you like?” because when you find, a co- producer, it is a good thing, and he said, “Well I like things that are off the grid” which literally means off the electric grid, that is alternative culture on the fringe. So that idea of things very much resonated with me, the idea of things being “off the grid.” How did you come into contact with the people of Black Bear Ranch? Well after that night, I did some reading and came across a book on the 60’s communes literally called “The Sixties Communes” by Tim Miller, a professor and read a few pages on Black Bear Ranch and said to myself, “this is it.” I saw Black Bear as the epicenter of all the benevolent anarchy and theatricality and counter culture ideas that speak to me. -
Drop City and the Utopian Communes
University of Pennsylvania Carey Law School Penn Law: Legal Scholarship Repository Faculty Scholarship at Penn Law 2015 Punishment: Drop City and the Utopian Communes Paul H. Robinson University of Pennsylvania Carey Law School Sarah M. Robinson Independent Follow this and additional works at: https://scholarship.law.upenn.edu/faculty_scholarship Part of the Criminal Law Commons, Criminology Commons, Criminology and Criminal Justice Commons, Law Enforcement and Corrections Commons, Peace and Conflict Studies Commons, Public Law and Legal Theory Commons, Public Policy Commons, Social Control, Law, Crime, and Deviance Commons, and the Social Policy Commons Repository Citation Robinson, Paul H. and Robinson, Sarah M., "Punishment: Drop City and the Utopian Communes" (2015). Faculty Scholarship at Penn Law. 1148. https://scholarship.law.upenn.edu/faculty_scholarship/1148 This Article is brought to you for free and open access by Penn Law: Legal Scholarship Repository. It has been accepted for inclusion in Faculty Scholarship at Penn Law by an authorized administrator of Penn Law: Legal Scholarship Repository. For more information, please contact [email protected]. PIRATES, PRISONERS, AND LEPERS LESSONS FROM LIFE OUTSIDE THE LAW Paul H. Robinson and Sarah M. Robinson Potomac Books An imprint of the University of Nebraska Press CONTENTS List of Illustrations ix Acknowledgments x~ PART 1. HUMAN RULES 1. What Is Our Nature? What Does Government Do for Us and to Us? 3 2. Cooperation: Lepers and Pirates 11 3· Punishment: Drop City and the Utopian Communes 32 4· Justice: 1850s San Francisco and the California Gold Rush 51 5· Injustice: The Batavia Shipwreck and the Attica Uprising 81 6. -
Newsletter 15/07 DIGITAL EDITION Nr
ISSN 1610-2606 ISSN 1610-2606 newsletter 15/07 DIGITAL EDITION Nr. 212 - September 2007 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 3 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 15/07 (Nr. 212) September 2007 editorial Hallo Laserdisc- und DVD-Fans, schen und japanischen DVDs Aus- Nach den in diesem Jahr bereits liebe Filmfreunde! schau halten, dann dürfen Sie sich absolvierten Filmfestivals Es gibt Tage, da wünscht man sich, schon auf die Ausgaben 213 und ”Widescreen Weekend” (Bradford), mit mindestens fünf Armen und 214 freuen. Diese werden wir so ”Bollywood and Beyond” (Stutt- mehr als nur zwei Hirnhälften ge- bald wie möglich publizieren. Lei- gart) und ”Fantasy Filmfest” (Stutt- boren zu sein. Denn das würde die der erfordert das Einpflegen neuer gart) steht am ersten Oktober- tägliche Arbeit sicherlich wesent- Titel in unsere Datenbank gerade wochenende das vierte Highlight lich einfacher machen. Als enthu- bei deutschen DVDs sehr viel mehr am Festivalhimmel an. Nunmehr siastischer Filmfanatiker vermutet Zeit als bei Übersee-Releases. Und bereits zum dritten Mal lädt die man natürlich schon lange, dass Sie können sich kaum vorstellen, Schauburg in Karlsruhe zum irgendwo auf der Welt in einem was sich seit Beginn unserer Som- ”Todd-AO Filmfestival” in die ba- kleinen, total unauffälligen Labor merpause alles angesammelt hat! dische Hauptstadt ein. Das diesjäh- inmitten einer Wüstenlandschaft Man merkt deutlich, dass wir uns rige Programm wurde gerade eben bereits mit genmanipulierten Men- bereits auf das Herbst- und Winter- offiziell verkündet und das wollen schen experimentiert wird, die ge- geschäft zubewegen. -
Hippieland: Bohemian Space and Countercultural Place in San Francisco’S Haight-Ashbury Neighborhood
HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. It was within this space that a wellspring of drop-out culture evolved from a combination of psychedelic drugs, experimental lifestyles, and anarchistic thought. The contention of countercultural place was fully realized in the lead up to and during the “Summer of Love” in 1967. This pinnacle moment was also its demise as the massive influx of young people into the area stressed the area and the idea of a local hippie movement to a breaking point. The final part of this thesis looks at how this experience changed the area, and how the countercultural moved on to become a national movement, while its key practitioners moved their countercultural place making to smaller rural communes, where the lessons of the Haight-Ashbury could be applied. -
Oral History Interview with Clark Richert, 2013 August 20-21
Oral history interview with Clark Richert, 2013 August 20-21 Funding for this interview was provided by the Stoddard-Fleischman Fund for the History of Rocky Mountain Area Artists. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Clark Richert on August 20-21, 2013. The interview took place in Denver, Colo., and was conducted by Elissa Auther for the Archives of American Art, Smithsonian Institution. This interview is part of the Stoddard-Fleischman History of Rocky Mountain Area Artists project. [Narrator] and the [Interviewer] have reviewed the transcript. Their corrections and emendations appear below in brackets appended by initials. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ELISSA AUTHER: This is Elissa Auther interviewing Clark Richert at the Museum of Contemporary Art, Denver, on August 20th, for the Smithsonian Institution, Archives of American Art, card one. Clark, when did you decide to become an artist and what led up to that decision? CLARK RICHERT: I think I know almost the exact moment when I decided to become an artist. I was living in Wichita, Kansas, going to high school, Wichita East High, and was at a local bookstore perusing the books and I saw this book on the shelf that really puzzled me. The name of it was the Dictionary of Abstract Art. And I opened up the book and flipped through the pages, and I came to this painting by Rothko which really puzzled me. -
Salmon River Community Wildfire Protection Plan October 30, 2007 Final
SALMON RIVER COMMUNITY WILDFIRE PROTECTION PLAN OCTOBER 30, 2007 FINAL PREFACE “The most important aspect of hazardous fuels reduction is reducing the threat to local communities. When it comes to reducing threat, we need to protect communities and help the communities to help themselves through changing the landscape from high risk to low risk. We'll accomplish that by working closely with communities on major projects.” USDA Forest Service Chief, Dale Bosworth From his “Statement on the 2000 National Fire Plan” The Salmon River Community Wildfire Protection Plan (CWPP) has developed a prioritized list of projects to focus and guide implementing landowners, organizations and funders. A key product of this Plan is the development of wildfire safety zones to reduce citizen and firefighter risks from future large wildfires. This project list consists of structure protection needs, prevention measures, pre-treatment and shaded fuelbreak construction to protect life and property in towns, residential areas, emergency access areas, and private/public interface areas. Other activities, such as adequate accessible water systems, plantation thinning, underburning, and natural fire management will be recommended. This Plan will also make recommendations that homeowners and communities can take to reduce the ignitability of structures throughout the Salmon River Watershed. The Plan will contain a Suppression Response plan and updating of the Residential Risk Assessment for Structures, Improvements and Wildfire readiness. The Salmon River Fire Safe Council (FSC) is sponsoring the development of this project. Cooperators on the FSC include community members, the U.S. Forest Service, California Department of Forestry, other managing agencies, the Karuk Tribe, the Salmon River Volunteer Fire and Rescue (SRFR), the Orleans/Somes Bar Fire Safe Council, and the Salmon River Restoration Council (SRRC). -
Klamath River Restoration and Community Protection CFLRP Proposal (The Klamath Proposal) Is Located in the Klamath River Basin
Klamath River Restoration and Community Protection. Page 1 Executive Summary: Klamath River Restoration and Community Protection Dominant forest type(s): Mixed Conifer, some True Fir Total acreage of the landscape: 202,000 acres Total acreage to receive treatment: 115,294 acres Total number of NEPA ready acres: 97,290 acres Total number of acres in NEPA process: 19,996 acres Description of the most significant restoration needs and actions on the landscape: Strategic ecosystem restoration to increase resiliency and adapt to changing climate: Reduce fuels, protect property and water quality for people, restore and protect habitat for ESA listed species such as northern spotted owls and salmon, and control invasive species. Description of the highest priority desired outcomes of the project at the end of the 10 year period: The acres of high-intensity stand replacing fire will be reduced. Private lands and high priority natural and social resources are protected. Fire suppression, risk to fire fighters, and prescribed fire costs will be reduced. The rate of noxious weed spread will be reduced. Description of the most significant utilization opportunities linked to this project: Both sawlog and biomass products will support local industry infrastructure, and retain and create jobs that will allow future vegetation management projects to proceed. Name of the National Forest, collaborative groups, and other major partner categories involved in project development: Project development occurred through NEPA and the Healthy Forest Restoration Act involving the Klamath NF, Fire Safe and Watershed Councils from the Salmon River, Happy Camp, and Mid-Klamath River area, Siskiyou County, and the Karuk Tribe. -
The 6Os Communes Messianic Communities) Bus at Bellows Falls) Vermont
The 6os Communes Messianic Communities) bus at Bellows Falls) Vermont. Photograph by Timothy Miller. TIMOTHY MILLER The 60s Communes Hippies and Beyond Syracuse UniversityPress Copyright © 1999 by Syracuse UniversityPress, Syracuse, New York 13244-5160 AllRights Reserved First Edition 1999 02 03 04 05 06 6 5 4 3 2 The paper used in this publication meets the minimum requirements of American National Standard forInformation Sciences-Permanence of Paper for Printed Library Materials, ANS I z39.48-1984.@ LIBRARY OF CONGRESS CATALOG ING -IN-PUBLICATI ON DATA Miller, Timothy, 1944- The 6os communes : hippies and beyond/ Timothy Miller. p. cm. Includes bibliographical references and index. ISBN 0-8156-2811-0 (cloth: alk. paper) ISBN 0-8156-0601-x (pbk.: alk. paper) I. Communal living-United States. 2. United States-Social conditions- 1960-1980. I. Title. II. Title: Sixties communes. III. Title: Hippies and beyond. HQ97I.M55 1999 307.77'4'0973-dc21 99-37768 Manufactured in the United States of America For Michael) Gretchen) andJeffre y TIMOTHY MILLER is professor of religious studies at the University of Kansas. Among his previous publica tions is The Quest forUt opia in Twentieth-CenturyAm erica: 1900-1960) the first of three volumes on communal life to be published by Syracuse UniversityPress. Contents Acknowledgments IX Introduction xm I. Set and Setting: The Roots of the 196os-Era Communes I 2. The New Communes Emerge: 1960-1965 17 3. Communes Begin to Spread: 1965-1967 41 4. Out of the Haight and Back to the Land: Countercultural Communes after the Summer of Love 67 5. Searching for a Common Center: Religious and Spiritual Communes 92 6. -
Planning for the Coop's Future
06-11/09 p 01-06 11/9/06 8:01 PM Page 1 OFFICIAL NEWSLETTER OF THE PARK SLOPE FOOD COOP Established 1973 Volume AA, Number 23 November 9, 2006 A Discussion: Planning Gloves Are Off for the Coop’s Future at Fourth Annual General Coordinator Joe Holtz shares his thoughts Peace Fair By Ann Pappert By Hayley Gorenberg azette: As you’re no We need to get as an you sing until was criticized for being terror- doubt aware, with the many members as “ peace becomes the istic. Beneath her soft purple Gopening of Fairway possible to embrace C noise of the planet?” cap and graying dreadlocks, and the expected opening of the idea that the challenged Sonia Sanchez, she punctuated her recitation Whole Foods in the next year Coop is about mak- who lectured, bellowed, and with choruses of “Where are or two, there has been a lot of ing the best food as sang to kick off the keynote discussion among our mem- affordable as possi- ceremonies of Brooklyn Par- bers about the long-term ble to those who ents for Peace’s Fourth Annu- future of the Coop. Who has can least afford it— al Peace Fair by performing the responsibility for long- even if they them- her work, “A Poem for Peace.” term planning at the Coop? selves don’t need to Author, poet and Granny Joe: The seven General worry about price. Peace Brigade activist Coordinators usually have Do they know that Sanchez joined Medea Ben- three meetings a week and their participation jamin, co-founder of Code long-term planning is part of helps make this a Pink and Global Exchange, to these meetings.