Media Literacy Syllabus 2021-2022
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Filmliste Liste de filme DVD Münchhaldenstrasse 10, Postfach 919, 8034 Zürich Tel: 044/ 422 38 33, Fax: 044/ 422 37 93 www.praesens.com, [email protected] Filmnr Original Titel Regie 20001 A TIME TO KILL Joel Schumacher 20002 JUMANJI 20003 LEGENDS OF THE FALL Edward Zwick 20004 MARS ATTACKS! Tim Burton 20005 MAVERICK Richard Donner 20006 OUTBREAK Wolfgang Petersen 20007 BATMAN & ROBIN Joel Schumacher 20008 CONTACT Robert Zemeckis 20009 BODYGUARD Mick Jackson 20010 COP LAND James Mangold 20011 PELICAN BRIEF,THE Alan J.Pakula 20012 KLIENT, DER Joel Schumacher 20013 ADDICTED TO LOVE Griffin Dunne 20014 ARMAGEDDON Michael Bay 20015 SPACE JAM Joe Pytka 20016 CONAIR Simon West 20017 HORSE WHISPERER,THE Robert Redford 20018 LETHAL WEAPON 4 Richard Donner 20019 LION KING 2 20020 ROCKY HORROR PICTURE SHOW Jim Sharman 20021 X‐FILES 20022 GATTACA Andrew Niccol 20023 STARSHIP TROOPERS Paul Verhoeven 20024 YOU'VE GOT MAIL Nora Ephron 20025 NET,THE Irwin Winkler 20026 RED CORNER Jon Avnet 20027 WILD WILD WEST Barry Sonnenfeld 20028 EYES WIDE SHUT Stanley Kubrick 20029 ENEMY OF THE STATE Tony Scott 20030 LIAR,LIAR/Der Dummschwätzer Tom Shadyac 20031 MATRIX Wachowski Brothers 20032 AUF DER FLUCHT Andrew Davis 20033 TRUMAN SHOW, THE Peter Weir 20034 IRON GIANT,THE 20035 OUT OF SIGHT Steven Soderbergh 20036 SOMETHING ABOUT MARY Bobby &Peter Farrelly 20037 TITANIC James Cameron 20038 RUNAWAY BRIDE Garry Marshall 20039 NOTTING HILL Roger Michell 20040 TWISTER Jan DeBont 20041 PATCH ADAMS Tom Shadyac 20042 PLEASANTVILLE Gary Ross 20043 FIGHT CLUB, THE David -
Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
S TU D IES a Incidencia De Reescrituras Fílmicas Na Relación De Nomeados E Premiados Dos Principais Galardóns
BOLETÍN GALEGO DE LITERATURA, nº 56 / 1º SEMESTRE (2020): pp. 23-40 / ISSN 2174-4025 ESTUDOS A incidencia de reescrituras fílmicas / na relación de nomeados e premiados STUDIES dos principais galardóns internacionais a longametraxes animadas Rocío G-Pedreira CIEC-IE-Universidade do Minho/ ICE-Universidade de Santiago de Compostela https://orcid.org/0000-0002-5102-5078 [Recibido, 23 abril 2020; aceptado, 4 xuño 2020] [G-Pedreira, R. (2020). A incidencia de reescrituras fílmicas na relación de nomeados e premiados dos principais galardóns internacionais a longametraxes animadas. Boletín Galego de Literatura, 56, “Estudos”, 23-40] DOI http://dx.doi.org/10.15304/bgl.56.6776 RESUMO O presente artigo pretende dar conta da presenza de reescrituras fílmicas de obras 23 literarias realizadas mediante técnicas de animación cuxa calidade as fixo merece- doras de ser nomeadas e/ou premiadas con algúns dos galardóns cinematográficos a nivel mundial máis importantes que contan cunha categoría específica para estas producións, en concreto os Óscar, Annie, Globos de Ouro e BAFTA. Ademais, tamén se analizará brevemente a influencia que ten a creación do hipertexto fílmico para a difusión do correspondente hipotexto. PALABRAS CHAVE Premios cinematográficos; cine de animación; reescrituras fílmicas; adaptación. ABSTRACT This article aims to report about the presence of film rewritings of literary works through animation techniques whose quality making them deserving of being nominees and/ or designed to award some of the most important film awards around the world with a specific category for animated films, in particular, the Oscars, Annie Awards, Golden Globes and BAFTA. Furthermore, it will be analysed briefly the influence of the creation of the film hypertext for hypotext diffusion. -
Famed Soprano Renee Fleming Performs Original Single 'Still Dream'
PRESS RELEASE Oct. 15, 2012, 1:55 p.m. EDT Famed Soprano Renee Fleming Performs Original Single 'Still Dream' With Music By Alexandre Desplat And Lyrics By David Lindsay-Abaire For DreamWorks Animation's "Rise of the Guardians" New Single Headlines Soundtrack Album Featuring Score by Four-Time Academy Award® Nominated Composer Alexandre Desplat GLENDALE, Calif., Oct. 15, 2012 /PRNewswire via COMTEX/ ‐‐ DreamWorks Animation SKG, Inc. DWA ‐0.05% today announced that acclaimed soprano Renee Fleming has performed the original song "Still Dream" on the soundtrack for the upcoming Rise of the Guardians, which also features a score by Four‐Time Academy Award® nominated and Grammy® Award winning composer Alexandre Desplat. Varese Sarabande will release the soundtrack on November 13, preceding the film's nationwide release on November 21. The original, end‐credit song "Still Dream" was written and produced by Desplat, with lyrics by Rise of the Guardians screenwriter, Grammy® Award nominee and Pulitzer Prize winning author, David Lindsay‐Abaire. The complete score, recorded at the historic Abbey Road in London and Air Studios, was performed by the London Symphony Orchestra and features choral work by London Voices. To create the music and lyrics for the original song, Desplat and Lindsay‐Abaire drew upon the film's heroic and sweeping story as inspiration. "There is much more music in Rise of the Guardians than is found in the average live‐action film," says Desplat, who conducted the London Symphony Orchestra in the recording of his original compositions. "The goal with the score was to emphasize every moment of joy, sadness and soul so that audiences would be able to dive with the characters into their worlds. -
La Digitalización De La Media: La Evolución Del CGI Hacia La Renderización No-Fotorrealista En Spider-Man: Un Nuevo Universo.”
UNIVERSIDAD POLITECNICA DE VALENCIA ESCUELA POLITE CNICA SUPERIOR DE GANDIA Máster en Postproducción Digital “La digitalización de la media: La evolución del CGI hacia la renderización no-fotorrealista en Spider-Man: Un nuevo universo.” TRABAJO FINAL DE MASTER Autor/a: Paz Gómez de la Muñoza Tutor/a: Javier Pastor Castillo GANDIA, 2020 Resumen La aparición de las imágenes generadas por ordenador ha supuesto un antes y un después a la hora de consumir y realizar contenido audiovisual. En este proyecto se exploran cuáles fueron los antecesores a los PC, sus usos, cómo han evolucionado y qué clase de manifestaciones artísticas se han realizado a lo largo de su historia, hasta el punto de alcanzar unos resultados casi perfectos al conseguir generar tanto imágenes realistas como imágenes más artísticas, centrándonos en concreto en cómo nos confunde a la hora de observar algo que aparenta haber sido realizado en dos dimensiones —lo que conoceremos como renderizado no fotorrealista—. Para ello, hablaremos en profundidad sobre la película ganadora del Óscar a la mejor película de animación en 2019, Spider-Man: Un nuevo universo (Peter Ramsay, Bob Persichetti y Rodney Rothman, 2018), donde exploraremos sus recursos técnicos, artísticos y sus influencias. Para finalizar el proyecto, se encuentra la memoria de la parte práctica, realizada con los conocimientos obtenidos en la investigación, una pequeña pieza a modo de demostración sobre cuáles son los resultados que se pueden alcanzar mediante el uso de software accesible para el usuario medio. Palabras clave: 2D, 3D, Animación, Analógico, Anime, Arte, Arte urbano, Cine, Cómic, Concept-art, Digital, Estilización, Motion-graphics, Motion-capture, No-fotorrealista, Pop-Art, Realismo, Renderizado. -
EL CULTURAL SAN MARTIN Programa De Cine En Vacaciones
EL CULTURAL SAN MARTIN Programa de cine en vacaciones de Invierno 2018 Entrada general: $70 / Estudiantes y jubilados: $50 En boleterías o por www.tuentrada.com El Cultural San Martín Sarmiento 1551 www.elculturalsanmartin.org Lego Batman: La película, de Chris McKay (2017) Hay grandes cambios que amenazan a Gotham, pero si Batman busca salvar a la ciudad de la incursión hostil del Guasón, deberá considerar en dejar su lucha solitaria y tratar de trabajar con otros para aligerar la batalla. Género: Animación Dirección: Chris McKay Origen: Estados Unidos Año: 2017 Duración: 104 minutos Funciones: Sábado 14 y Domingo 15 > 15 hs El Gigante de Hierro, de Brad Bird (1999) En 1957, en la pequeña localidad de Rockwell, alguien ha visto cómo un enorme hombre metálico caía al mar. Un imaginativo niño descubre que se trata de un robot gigante, cuyo apetito de metal es insaciable. Entre ambos nace una fuerte amistad, pero el gobierno envía a un agente para investigar los hechos. Género: Animación Dirección: Brad Bird Origen: Estados Unidos Año: 1999 Duración: 86 minutos Funciones: Martes 17 > 15 hs Como Entrenar a tu Dragón, de Dean DeBlois y Chris Sanders (2010) Ambientada en el mítico mundo de los rudos vikingos y los dragones salvajes, narra la historia de Hipo, un vikingo adolescente que no encaja exactamente en la antiquísima reputación de su tribu como cazadores de dragones. El mundo de Hipo se trastoca al encontrar a un dragón que le desafía a él y a sus compañeros vikingos, a ver el mundo desde un punto de vista totalmente diferente. -
Free-Digital-Preview.Pdf
THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ $7.95 U.S. 01> 0 74470 82258 5 www.animationmagazine.net THE BUSINESS, TECHNOLOGY & ART OF ANIMATION AND VFX January 2013 ™ The Return of The Snowman and The Littlest Pet Shop + From Up on The Visual Wonders Poppy Hill: of Life of Pi Goro Miyazaki’s $7.95 U.S. 01> Valentine to a Gone-by Era 0 74470 82258 5 www.animationmagazine.net 4 www.animationmagazine.net january 13 Volume 27, Issue 1, Number 226, January 2013 Content 12 22 44 Frame-by-Frame Oscars ‘13 Games 8 January Planner...Books We Love 26 10 Things We Loved About 2012! 46 Oswald and Mickey Together Again! 27 The Winning Scores Game designer Warren Spector spills the beans on the new The composers of some of the best animated soundtracks Epic Mickey 2 release and tells us how much he loved Features of the year discuss their craft and inspirations. [by Ramin playing with older Disney characters and long-forgotten 12 A Valentine to a Vanished Era Zahed] park attractions. Goro Miyazaki’s delicate, coming-of-age movie From Up on Poppy Hill offers a welcome respite from the loud, CG world of most American movies. [by Charles Solomon] Television Visual FX 48 Building a Beguiling Bengal Tiger 30 The Next Little Big Thing? VFX supervisor Bill Westenhofer discusses some of the The Hub launches its latest franchise revamp with fashion- mind-blowing visual effects of Ang Lee’s Life of Pi. [by Events forward The Littlest Pet Shop. -
NYICFF 2021 Awards Release
SEVEN FILMS FROM EIGHT COUNTRIES TAKE HOME AUDIENCE AWARDS AT NEW YORK INTERNATIONAL CHILDREN’S FILM FESTIVAL 2021 THE FESTIVAL ANNOUNCED ITS AUDIENCE, GRAND PRIZE, AND JURY AWARD-WINNING FILMS ON MONDAY "I really enjoyed watching these films with my daughter. There was a lot of creativity and heart, they were inspiring to see," said Sofia Coppola, Festival juror. ----- FOR IMMEDIATE RELEASE: NEW YORK, NY (March 22, 2021): New York International Children’s Film Festival closed its 2021 edition with a presentation of the Best of the Fest short films and the announcement of the 2021 Festival award-winners. For the first time in the Festival’s 24-year history, audiences expanded from the New York metro area to across the country, drawing viewers from 47 out of 50 states to the virtual Festival. The Festival received thousands of submissions from around the world to select and curate a collection of inventive, diverse, and artistically ambitious films for its annual event, held virtually from March 5-14, 2021. Audience and Grand Prize Awards are presented to the films and filmmakers with the highest-ranking votes from Festival audience members, while Jury Awards are selected by an esteemed jury of filmmakers, actors, and industry leaders. The Best of the Fest, a collection of the highest-ranking short films from throughout the Festival, was released on Friday, March 19. In lieu of a traditional live awards ceremony, winners were announced on the Festival’s website and social media channels on Monday, March 22. “In addition to spotlighting the most innovative films for young audiences, the Jury and Audience Awards recognized the strength of women behind the camera, supported nonbinary storytelling, and acknowledged European co-productions that bolstered underrepresented filmmaker voices and stories from the Carribean,” said Programming Director Maria-Christina Villaseňor. -
Masculinity in Children's Film
Masculinity in Children’s Film The Academy Award Winners Author: Natalie Kauklija Supervisor: Mariah Larsson Examiner: Tommy Gustafsson Spring 2018 Film Studies Bachelor Thesis Course Code 2FV30E Abstract This study analyzes the evolution of how the male gender is portrayed in five Academy Award winning animated films, starting in the year 2002 when the category was created. Because there have been seventeen award winning films in the animated film category, and there is a limitation regarding the scope for this paper, the winner from every fourth year have been analyzed; resulting in five films. These films are: Shrek (2001), Wallace and Gromit (2005), Up (2009), Frozen (2013) and Coco (2017). The films selected by the Academy of Motion Picture Arts and Sciences in the Animated Feature film category tend to be both critically and financially successful, and watched by children, young adults, and adults worldwide. How male heroes are portrayed are generally believed to affect not only young boys who are forming their identities (especially ages 6-14), but also views on gender behavioral expectations in girls. Key words Children’s Film, Masculinity Portrayals, Hegemonic Masculinity, Masculinity, Film Analysis, Gender, Men, Boys, Animated Film, Kids Film, Kids Movies, Cinema, Movies, Films, Oscars, Ceremony, Film Award, Awards. Table of Contents Introduction __________________________________________________________ 1 Problem Statements ____________________________________________________ 2 Method and Material ____________________________________________________ -
To Infinity and Back Again: Hand-Drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation
To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation Haswell, H. (2015). To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar's Pioneering Animation. Alphaville: Journal of Film and Screen Media, 8, [2]. http://www.alphavillejournal.com/Issue8/HTML/ArticleHaswell.html Published in: Alphaville: Journal of Film and Screen Media Document Version: Publisher's PDF, also known as Version of record Queen's University Belfast - Research Portal: Link to publication record in Queen's University Belfast Research Portal Publisher rights © 2015 The Authors. This is an open access article published under a Creative Commons Attribution-NonCommercial-NoDerivs License (https://creativecommons.org/licenses/by-nc-nd/4.0/), which permits distribution and reproduction for non-commercial purposes, provided the author and source are cited. General rights Copyright for the publications made accessible via the Queen's University Belfast Research Portal is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The Research Portal is Queen's institutional repository that provides access to Queen's research output. Every effort has been made to ensure that content in the Research Portal does not infringe any person's rights, or applicable UK laws. If you discover content in the Research Portal that you believe breaches copyright or violates any law, please contact [email protected]. Download date:28. Sep. 2021 1 To Infinity and Back Again: Hand-drawn Aesthetic and Affection for the Past in Pixar’s Pioneering Animation Helen Haswell, Queen’s University Belfast Abstract: In 2011, Pixar Animation Studios released a short film that challenged the contemporary characteristics of digital animation. -
Wallace and Gromit: Anoraknophobia Pdf, Epub, Ebook
WALLACE AND GROMIT: ANORAKNOPHOBIA PDF, EPUB, EBOOK Tristan Davies | none | 01 Sep 2000 | Hodder & Stoughton General Division | 9781840323016 | English | London, United Kingdom Wallace and Gromit: Anoraknophobia PDF Book The name derives from the Dutch phrase "aard man" meaning Nature Man, when joined together, "aardman" becomes "Earthman" more commonly translated to: "goblin"[citation needed]. A series of 5-minute films showcasing Wallace's latest wacky inventions. Nice tight copy, no names or marks inside. Published by Boxtree More information about this seller Contact this seller 4. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Gromit becomes increasingly suspicious of Preston, who is the sheep rustler, along with Gwendolene. Log in or register to write something here or to contact authors. This listing has ended. Retrieved on 2 November So begins the first compelling story. Home Groups Talk More Zeitgeist. Park also developed the clay modelled shorts featuring the adventures of Wallace and Gromit , a comical pair of friends: Wallace being a naive English inventor with a love of cheese, and Gromit his best friend, the intelligent but silent dog. A good rule of thumb is that series have a conventional name and are intentional creations , on the part of the author or publisher. Avoid series that cross authors, unless the authors were or became aware of the series identification eg. Wallace is the human of the pair and mostly the leader. Joy Bechtold added it Mar 15, Universal Conquest Wiki. Comic book art illustrator. This wiki All wikis. -
Children's Reception of Dubbed Animated Films in Spain
The Journal of Specialised Translation Issue 33 – January 2020 Straight from the horse’s mouth: children’s reception of dubbed animated films in Spain Julio de los Reyes Lozano, Universitat Jaume I, Castellón ABSTRACT Reception studies in the field of audiovisual translation (AVT) have increased considerably in the last two decades, including the target viewer in the picture. This paper presents the results of a study exploring young children’s reactions to some of the translation strategies regularly adopted in dubbed animated films. A total of 163 participants were shown nine animated film clips dubbed from English into Spanish, which included cultural references, colloquial language, educational content and songs. Data were then collected through a questionnaire adapted to the participants’ level of cognitive development and the analysis was based on two independent variables: the participants’ year in school and the number of previous viewings of the films. The results show that children do not seem to have much trouble understanding cultural, educational and musical content that is specific to the source culture and is kept in the target text. Interestingly, having previously watched the films does not appear to be a determining factor in children’s ability to identify these elements. KEYWORDS Reception, dubbing, audiovisual translation, children’s films, dual audience, experimental study. 1. Introduction After a hesitant start at the turn of the last century, scholars’ interest in the reception of translated audiovisual texts is now at its peak. The application of experimental methods specific to social sciences, such as questionnaires, surveys and interviews, accompanied by technological tools like eye trackers, has given researchers new tools to explore the way in which audiences receive translated audiovisual texts.