From the Album Eric Clapton Unplugged: Unplugged Guitar Signature Licks Pdf, Epub, Ebook
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Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Eric Clapton at His Best Mp3, Flac, Wma
Eric Clapton At His Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: At His Best Country: UK Released: 1973 Style: Blues Rock, Electric Blues, Soft Rock MP3 version RAR size: 1425 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1762 mb Rating: 4.1 Votes: 828 Other Formats: MPC TTA VQF MIDI RA MP2 TTA Tracklist Hide Credits Bottle Of Red Wine Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A1 WhitlockPiano – John Simon, Leon RussellSaxophone – Bobby KeysTrumpet – Jim PriceVocals – J. I. Allison*, Rita Coolidge, Sonny CurtisVocals, Guitar [Rhythm] – Delaney BramlettVocals, Written-By – Bonnie Bramlett, Eric Clapton Anyday A2 Drums, Percussion, Piano – Jim GordonGuitar – Duane AllmanWritten-By, Acoustic Guitar, Organ, Piano, Vocals – Bobby WhitlockWritten-By, Lead Vocals – Eric Clapton I Looked Away A3 Drums, Percussion, Piano – Jim GordonGuitar – Duane AllmanWritten-By, Acoustic Guitar, Organ, Piano, Vocals – Bobby WhitlockWritten-By, Lead Vocals – Eric Clapton Let It Rain Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A4 WhitlockPiano – John Simon, Leon RussellSaxophone – Bobby KeysTrumpet – Jim PriceVocals – J. I. Allison*, Rita Coolidge, Sonny CurtisVocals, Guitar [Rhythm] – Delaney BramlettVocals, Written-By – Bonnie Bramlett, Eric Clapton Lonesome And A Long Way From Home Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A5 WhitlockPiano – John SimonSaxophone – Bobby KeysTrumpet – Jim PriceVocals – Eric Clapton, -
Pastry Cream Extra Thick Double Cream a Rich, Thick
Pastry Cream Extra thick double cream A rich, thick cream that is made with milk from Guernsey and Jersey cows, it can be used straight from the tub. It has a fat content of 48%. Uses : Spoon over puddings or fruit or add to sauces for a rich, creamy taste. Also ideal for using to fill sponge cakes or gateaux. To store : Keep in the fridge for up to 5 days, once opened use within 3 days and consume by the use by date. Chantilly Cream Is another name for vanilla-flavored whipped cream. Note: In Italy, crema chantilly is made by folding whipped cream into crema pasticcera (pastry cream) to make a wonderfully decadent concoction. Crème fraiche (French) This is fresh cream which is treated with a bacteria culture that thickens it and gives it a slightly sour taste. It is suitable for spooning, is widely used in French cookery and is becoming increasingly popular in Britain. It has a fat content of 39% and cannot be whipped. For a healthier alternative choose the half fat version. Uses : Crème fraîche is ideal for serving with fruit and puddings, it can also be used for making salad dressings and dips. It can be used in cooking to add a creamy taste to curries, sauces and casseroles. Crème Fraiche is valued by chefs as it is stable when heated and has a more refined flavour. To store: Keep in the fridge for up to 5 days, once opened use within 3 days and consume by the use by date. It cannot be frozen. -
Cream Cream Mp3, Flac, Wma
Cream Cream mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Cream Country: Europe Released: 2014 Style: Blues Rock, Psychedelic Rock, Hard Rock MP3 version RAR size: 1263 mb FLAC version RAR size: 1766 mb WMA version RAR size: 1937 mb Rating: 4.5 Votes: 189 Other Formats: TTA AHX MOD APE VOC MP3 MIDI Tracklist Hide Credits Fresh Cream N.S.U. A1 Written-By – Bruce* Sleepy Time Time A2 Written-By – Bruce*, Godfrey* Dreaming A3 Written-By – Bruce* Sweet Wine A4 Written-By – Baker*, Godfrey* Spoonful A5 Written-By – Willie Dixon Cat's Squirrel B1 Arranged By – S. SplurgeWritten-By – Trad.* Four Until Late B2 Written-By – Robert Johnson Rollin' And Tumblin' B3 Written-By – Muddy Waters I'm So Glad B4 Written-By – Skip James Toad B5 Written-By – Baker* Disraeli Gears Strange Brew C1 Written-By – Clapton*, Pappalardi*, Collins* Sunshine Of Your Love C2 Written-By – Clapton*, Bruce*, Brown* World Of Pain C3 Written-By – Pappalardi*, Collins* Dance The Night Away C4 Written-By – Bruce*, Brown* Blue Condition C5 Written-By – Baker* Tales Of Brave Ulysses D1 Written-By – Clapton*, Sharp* Swlabr D2 Written-By – Bruce*, Brown* We're Going Wrong D3 Written-By – Bruce* Outside Woman Blues D4 Written-By – Clapton* Take It Back D5 Written-By – Bruce*, Brown* Mother's Lament D6 Arranged By – Clapton*, Baker*, Bruce*Written-By – Trad.* Wheels Of Fire Disc 1 In The Studio White Room E1 Timpani [Tympani] – Ginger BakerViola – Felix PappalardiWritten-By – Jack 4:56 Bruce, Pete Brown Sitting On Top Of The World E2 4:56 Written-By – Chester Burnett -
Eric Clapton Life in 12 Bars Album Torrent Download 'Eric Clapton: Life in 12 Bars' Soundtrack Album Announced
eric clapton life in 12 bars album torrent download 'Eric Clapton: Life in 12 Bars' Soundtrack Album Announced. A soundtrack album for the Showtime documentary, Eric Clapton: Life in 12 Bars has been announced. The 2-CD, 4-LP set features 32 tracks from across Clapton's long career. Eric Clapton: Life in 12 Bars features recordings with Cream, Blind Faith, Derek and the Dominos, The Beatles, The Yardbirds, Aretha Franklin, George Harrison and Muddy Waters, along with a number of selections from Clapton's solo career. Five of the album's 32 tracks are previously unreleased, including the full-length version of Clapton's hit cover of Bob Marley's "I Shot the Sheriff." Eric Clapton: Life in 12 Bars is set for a June 8 release via Universal. You can preorder it right here, and watch the trailer for the documentary below. Eric Clapton: Life in 12 Bars [Original Motion Picture Soundtrack] Life in 12 Bars is the name of Lili Fini Zanuck's feature-length 2018 documentary about Eric Clapton, so it fits that its accompanying soundtrack also attempts to tell his story, only through song. To that end, the double-disc soundtrack doesn't limit itself strictly to music Clapton recorded himself, either on his own, as a sideman, or with the many bands he's played in over the years. It kicks off with three vintage blues sides -- "Backwater Blues" by Big Bill Broonzy, then two cuts from Muddy Waters -- and it later finds space for Aretha Franklin's "Good to Me as I Am to You" and George Harrison's "My Sweet Lord" (although, oddly, nothing from the Band's Music from Big Pink, which changed the course of Clapton's career as thoroughly as hearing blues for the first time). -
Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side. -
Delaney & Bonnie & Friends with Eric Clapton
Delaney & Bonnie & Friends On Tour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: On Tour Country: Germany Released: 1970 MP3 version RAR size: 1647 mb FLAC version RAR size: 1604 mb WMA version RAR size: 1518 mb Rating: 4.5 Votes: 427 Other Formats: MP1 AUD DXD WAV WMA XM VQF Tracklist Hide Credits Things Get Better A1 4:20 Written-By – Floyd*, Cropper*, Wayne* A2 Poor Elijah - Tribute To Johnson (Medley) 5:00 Poor Elijah A2a Written-By – D. Bramlett*, J. Ford* Tribute A2b Written-By – D. Bramlett*, L. Russell* Only You Know And I Know A3 4:10 Written-By – D. Mason* I Don't Want To Discuss It A4 4:55 Written-By – Beatty*, Cooper*, Shelby* That's What My Man Is For B1 4:30 Written-By – Bessie Griffin Where There's A Will, There's A Way B2 4:57 Written-By – B. Whitlock*, B. Bramlett* Coming Home B3 5:30 Written-By – B. Bramlett*, E. Clapton* B4 Little Richard Medley 5:45 Long Tall Sally B4a Written-By – R. Penniman*, R. A. Blackwell* Jenny Jenny B4b Written-By – R. Penniman* The Girl Can't Help It B4c Written-By – R. W. Trout* Tutti-Frutti B4d Written-By – R. Penniman* Companies, etc. Record Company – Warner-Pioneer Corporation Licensed From – Atlantic Recording Corporation Credits Arranged By [Horn Arrangements By] – Delaney Bramlett, Jim Price Bass – Carl Radle Congas [Conga], Bongos [Bongo Drums] – Tex Johnson Design, Photography By – Barry Feinstein, Tom Wilkes Design, Photography By [For] – Camouflage Productions Drums – Jim Gordon Engineer [Mix Down Engineer] – Bill Halverson Engineer [Recording Engineers] – Andy Johns, Glyn Johns Guitar – Dave Mason Lead Guitar – Eric Clapton Mastered By – AB* Organ, Vocals – B. -
3Rd Annual Mojo Fest
3RD ANNUAL MOJO FEST HOSTED BY: JAMIE AND MARY OLDAKER AND THE CHURCH STUDIO MUSIC FOUNDATION OUR MISSION: To celebrate the marriage of Jamie and Mary Oldaker through live musical performances, community engagement, and charitable stewardship. PURPOSE: Annual celebration benefitting The Church Studio Foundation and the Tulsa Day Center for the Homeless. The Church Studio Music Foundation is a non-profit organization with a mission to the Tulsa and surrounding community through music programs, artist development and education.The Tulsa Day Center for the Homeless is a non-profit center providing clients with the need to overcome homelessness, providing a health clinic, case management and the ability to re- enter the community and provide housing on a daily basis. DATE: October 5, 2019 LOCATION: Studio Row - home of the historic Church Studio and Shelter Records. Owned by Leon Russell, the studio is currently under extensive renovation to honor the past music and musicians that played in this historic location. JAMIE OLDAKER: For over forty years, Jamie Oldaker has built a career in the music industry as one of the world’s most respected drummers. Jamie began his career with Leon Russell at the Church Studio as a session musician. He joined Bob Seger and recorded the original Turn the Page track. Bassist Carl Radle introduced Jamie’s playing to Eric Clapton and was then asked to come to Miami and be a part of Eric’s band in 1974 and recorded 461 Ocean Boulevard, which was the beginning of a long career and friendship with Clapton. Jamie will be joining Eric again this summer at the Crossroads Guitar Festival 2019. -
January 1983
VOL. 7 NO. 1 Cover Photo by William Coupon FEATURES PETER ERSKINE Over the past dozen years, Peter Erskine has continued to live up to the promise he showed back when he was the youngest person ever accepted at a Stan Kenton summer band camp. Here, Peter discusses how each phase in his career—including his recent departure from Weather Re- port to join Steps, and his first solo album—have brought him closer to being the kind of musician he wants to be. by Rick Mattingly 8 CHESTER THOMPSON Playing with Frank Zappa requires a special kind of drummer; playing with Weather Report takes a different type; playing for Genesis has yet another set of require- Photo by Joost Leijen ments. That Chester Thompson has been able to handle Photo by Paul Natkin/Photo Reserve all three situations says a lot about his versatility and abil- ity, which he comments on in this MD exclusive. by Stanley Hall 14 MD FORUM: Audio Engineers—on Miking & Recording Drums: Part II by Mark Z. Stevens 18 JIM GORDON One of the true legends of rock drumming, Jim Gor- don began his studio career playing extra percussion parts beside such master drummers as Hal Blaine and Earl Palmer, and he began his touring career with the Everly Brothers. Gordon talks about how he went on to play and record with some of the biggest names in rock, while giving insights into the professional and personal aspects of his life. by Scott Fish 22 INSIDE THE WORLD OF DRUM CORPS by Jay A. -
Creamarmay2005.Pdf (139.2Kb)
March27 May 2001 2005 Getting the Band Back Together Appeared in - The Adelaide Review Cream Royal Albert Hall, London 5 May When it was first announced in the English press that the 1960s cult group Cream was reforming for four nights at the Royal Albert Hall there was an outpouring, you might say, of dairy metaphors. Would they be as fresh as they were thirty seven years ago? Would the old enmities between mem- bers sour the occasion? Would they blend, or remain somehow colloidal? Would they prove to be long life, or go to powder? Word of the reunion first came from the guitarist, Eric Clapton, when he blurted the news on Radio 2 back in December last year, and, when tickets went on sale in March, all four concerts sold out in a matter of hours. Since then, rumours have been rife of tickets on e-Bay going for upwards of two thousand quid. On the night I attended there were dozens of scalpers briskly pacing the circumference of the Albert Hall looking to buy, sell and trade the hottest ticket in London. There are many reasons why a Cream reunion should be such an event. Hailed as the first supergroup - meaning, the players came from already successful bands - Cream, modestly named by Clapton to indicate their calibre, were, in 1966, something completely different. Their first album, Fresh Cream, with a cover depicting the band in aviator leathers while the title graphics formed a white psychedelic droplet in the right hand corner, suggested a new hybrid - musicians with peerless blues credentials (Alexis Korner, John Mayall, Graham Bond’s Organisation) were also pick- ing up signals from the acid rock scene in the American West. -
Bryan Adams ‘Run to You’
Bryan Adams ‘Run To You’ Bryan Adams SONG TITLE: RUN TO YOU ALBUM: RECKLESS RELEASED: 1984 LABEL: A&M GENRE: CLASSIC ROCK PERSONNEL: BRYAN ADAMS (GTR+VOX) KEITH SCOTT (GTR) DAVE TAYLOR (BASS) TOMMY MANDEL (KEYS) MICKEY CURRY (DRUMS) UK CHART PEAK: 11 US CHART PEAK: 6 BACKGROUND INFO NOTES ‘Run To You’ was the first single from 1984’s The main guitar parts are treated with a chorus Reckless. It’s built around a repeated riff that gets its effect (probably added post-production). This effect distinctive sound from the open fourth string that’s was used widely on guitar parts, particularly picked repeated in every chord. The original song is played chordal parts, through the mid-to-late 80s. Def with a capo at the second fret, but sounds just as Leppard’s Hysteria album is probably the most famous effective without a capo, as can be seen in the exam example of this tone, particularly the single ‘Love version. The chorus uses simple open chords which Bites’. As with all genres there are a whole host of are the perfect contrast to the rolling arpeggios found ‘also rans’ who imitated this sound. As popular as it in the verse and pre-chorus. The bridge section was, the chorused guitar tone dated quickly and was changes the dynamic further with a breakdown that largely discarded by the simplistic production values features a simple repeated motif before the song picks that were associated with the grunge movement of up again with a reprise of the chorus. the early 90s. -
Delaney & Bonnie: Rock&Soul&Blues Amb Amics
It's only rock & roll | Pep Saña | Actualitzat el 02/03/2016 a les 00:01 Delaney & Bonnie: Rock&Soul&Blues amb amics D'esquerra a dreta: George Harrison, Bonnie, Eric Clapton i Delaney Delaney & Bonnie Bramlett han passat a la història de la música per haver estat el refugi d'Eric Clapton en una època molt difícil pel guitarrista britànic i haver deixat un gran llegat musical que, a més va influir notablement en la producció musical d'altres artistes de l'època. Delaney Bramlett va néixer al 1939 a Potomac (Mississippi), i va morir a L.A. el 2008 a l'edat de 69 anys. A principis dels 60 es va traslladar a L.A, on va iniciar una solida carrera al costat de compositors de renom i aviat es va establir com a músic de sessió. Es va fer un lloc com a membre de la banda del programa de TV Shindig i va editar diversos singles (sense pena ni glòria) al costat dels seus companys (avui mítics) Leon Russell i J.J. Cale (el seu primer guitarrista). Delaney amb seu enorme magnetisme es va convertir en el ?professor emèrit? del llegat del blues/rock/soul dels EUA d'il·lustres com Eric Clapton o George Harrison, i va captivar als Beatles i a Dave Mason, qui va abandonar Traffic per traslladar-se a USA per aprendre d'ell. Com va fer George Harrison, qui li va demanar que li ensenyés a tocar la ?slide guitar?, i de pas va conèixer les essències del gospel. My Sweet Lord i All Things Must Pass van ser el reflex https://www.naciodigital.cat/bergueda/noticia/5012/delaney-bonnie-rock-soul-blues-amb-amics Pagina 1 de 10 d'aquesta amistat i aquests ensenyaments.