Delaney & Bonnie & Friends on Tour Mp3, Flac

Total Page:16

File Type:pdf, Size:1020Kb

Delaney & Bonnie & Friends on Tour Mp3, Flac Delaney & Bonnie & Friends On Tour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: On Tour Country: Australia MP3 version RAR size: 1920 mb FLAC version RAR size: 1580 mb WMA version RAR size: 1278 mb Rating: 4.4 Votes: 954 Other Formats: ASF APE DTS WMA MP1 MIDI AA Tracklist Hide Credits Things Get Better A1 4:20 Written-By – Floyd*, Cropper*, Wayne* Poor Elijah - Tribute To Johnson (Medley) (5:00) Poor Elijah A2a Written-By – D. Bramlett*, J. Ford* Tribute A2b Written-By – D. Bramlett*, L. Russell* Only You Know And I Know A3 4:10 Written-By – D. Mason* I Don't Want To Discuss It A4 4:55 Written-By – Beatty*, Cooper*, Shelby* That's What My Man Is For B1 4:30 Written-By – Bessie Griffin Where There's A Will, There's A Way B2 4:57 Written-By – B. Whitlock*, B. Bramlett* Coming Home B3 5:30 Written-By – B. Bramlett*, E. Clapton* Little Richard Medley (5:45) Long Tall Sally B4a Written-By – R. Penniman*, R. A. Blackwell* Jenny Jenny B4b Written-By – R. Penniman* The Girl Can't Help It B4c Written-By – R. W. Trout* Tutti-Frutti B4d Written-By – R. Penniman* Companies, etc. Manufactured By – Atlantic Recording Corporation Mastered At – Longwear Plating Mastered At – Atlantic Studios Copyright (c) – Atlantic Recording Corporation Published By – East/Memphis Music Published By – Web IV Music Published By – Metric Music Published By – Irving Music, Inc. Published By – Nelchell Music Published By – Resco Published By – DelBon Music Published By – Cotillion Music Published By – Throat Music Published By – Venice Music Published By – 20th Century Music Credits Arranged By [Horn Arrangements By] – Delaney Bramlett, Jim Price Bass – Carl Radle Congas [Conga], Bongos [Bongo Drums] – Tex Johnson Design, Photography By – Barry Feinstein, Tom Wilkes Design, Photography By [For] – Camouflage Productions Drums – Jim Gordon Engineer [Mix Down Engineer] – Bill Halverson Engineer [Recording Engineers] – Andy Johns, Glyn Johns Guitar – Dave Mason Lead Guitar – Eric Clapton Mastered By – AB* Organ, Vocals – B. Whitlock* Other [Special Thanks To] – Ahmet Ertegun, Mysterioso Producer – Delaney Bramlett, Jimmy Miller Rhythm Guitar, Vocals – Delaney Bramlett Saxophone – Bobby Keys Trumpet, Trombone – Jim Price Vocals – Bonnie Bramlett, Rita Coolidge Notes Recorded live in England. © 1970 Atlantic Recording Corporation Printed in U.S.A. [Publisher] A1, East / Memphis, Web IV BMI A2, Metric BMI A3, Irving BMI A4, Nelchell BMI B1, Resco BMI B2, DelBon / Cotillion BMI B3, DelBon / Cotillion, Throat Music BMI B4a, Venice BMI B4b, Venice BMI B4c, 20th Century Music BMI B4d, Venice BMI Barcode and Other Identifiers Matrix / Runout (A Side Center Label): MX 162939 A Matrix / Runout (B Side Center Label): MX 162938 B Other versions Category Artist Title (Format) Label Category Country Year Delaney & Delaney & Bonnie & Bonnie & Friends With Eric ATCO SD 33-326 SD 33-326 US 1970 Friends With Clapton - On Tour (LP, Records Eric Clapton Album, MO) Delaney & Delaney & Bonnie & Bonnie & Friends With Eric ATCO WPCR-13612 WPCR-13612 Japan 2009 Friends With Clapton - On Tour (CD, Records Eric Clapton Album, RE, RM, SHM) Delaney & On Tour With Eric ATCO TP 33-326 Bonnie & TP 33-326 US 1970 Clapton (8-Trk, Album) Records Friends Delaney & Delaney & Bonnie & Bonnie & Friends With Eric ATCO 8122-79871-3 8122-79871-3 Europe 2009 Friends With Clapton - On Tour (LP, Records Eric Clapton Album, RE, 180) Delaney & Delaney & Bonnie & Bonnie & Friends With Eric ATCO 7567-90397-2 7567-90397-2 Germany 1990 Friends With Clapton - On Tour (CD, Records Eric Clapton Album) Related Music albums to On Tour by Delaney & Bonnie & Friends Jerry Lee Lewis - Drinking Wine Spo-Dee O'Dee / Rock & Roll Medley Little Richard - Little Richard's Greatest Hits Recorded Live Little Richard - Cast A Long Shadow Eric Clapton - Time Pieces (The Best Of Eric Clapton) Eric Clapton - The Cream Of Clapton Delaney & Bonnie & Friends - To Bonnie From Delaney Eric Clapton - History Of Eric Clapton King Curtis & Eric Clapton - Teasin' / Soulin' Eric Clapton - The Best Of Eric Clapton Delaney & Bonnie - You've Lost That Lovin' Feeling Little Richard - Here's Little Richard Eric Clapton - Eric Clapton.
Recommended publications
  • From the Album Eric Clapton Unplugged: Unplugged Guitar Signature Licks Pdf, Epub, Ebook
    ERIC CLAPTON: FROM THE ALBUM ERIC CLAPTON UNPLUGGED: UNPLUGGED GUITAR SIGNATURE LICKS PDF, EPUB, EBOOK Eric Clapton | 71 pages | 01 Mar 2000 | Hal Leonard Corporation | 9780793587926 | English | Milwaukee, United States Eric Clapton: from the Album Eric Clapton Unplugged: Unplugged Guitar Signature Licks PDF Book Really, though, this is the same laid-back blues-pop approach Clapton's been using for nearly twenty years, only with acoustic guitars. Duane Allman doesn't appear, since he was never a formal member of the band; it thins the sound considerably, but it also brings Clapton's guitar to the forefront, giving him an excuse to wail on the wah-wah pedal and otherwise grandstand. Crowder ] published on October, PDF. We take a look at the chord shapes and sequences which define his sound. Glickman, Simon " Clapton, Eric. JA Slowhand An artistic and commercial comeback record after a couple of flops, with veteran producer Glyn Johns showing up to steady Clapton's judgment. A popular myth has Clapton locking himself in his room with nothing but his guitar for a year, but actually he went and stayed with his friend from the Roosters, Ben Palmer, for a month. But the rest is just cleanly performed, professionalized, and frankly boring soft rock that if anything regresses from Clapton's 70s sound; the worst offender is the sleep-a-thon "Floating Bridge. Striving On Numbed with heartache, a secluded Clapton received an outpouring of love from fellow musicians. Gratuit 5. Karcher [published: October, ] En ligne. There's also a built-in bonus track, namely, a or studio version of the old blues number "Lawdy Mama" that has almost the same instrumental parts and vocal melody as "Strange Brew," but preserves the original lyrics.
    [Show full text]
  • Eric Clapton at His Best Mp3, Flac, Wma
    Eric Clapton At His Best mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: At His Best Country: UK Released: 1973 Style: Blues Rock, Electric Blues, Soft Rock MP3 version RAR size: 1425 mb FLAC version RAR size: 1107 mb WMA version RAR size: 1762 mb Rating: 4.1 Votes: 828 Other Formats: MPC TTA VQF MIDI RA MP2 TTA Tracklist Hide Credits Bottle Of Red Wine Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A1 WhitlockPiano – John Simon, Leon RussellSaxophone – Bobby KeysTrumpet – Jim PriceVocals – J. I. Allison*, Rita Coolidge, Sonny CurtisVocals, Guitar [Rhythm] – Delaney BramlettVocals, Written-By – Bonnie Bramlett, Eric Clapton Anyday A2 Drums, Percussion, Piano – Jim GordonGuitar – Duane AllmanWritten-By, Acoustic Guitar, Organ, Piano, Vocals – Bobby WhitlockWritten-By, Lead Vocals – Eric Clapton I Looked Away A3 Drums, Percussion, Piano – Jim GordonGuitar – Duane AllmanWritten-By, Acoustic Guitar, Organ, Piano, Vocals – Bobby WhitlockWritten-By, Lead Vocals – Eric Clapton Let It Rain Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A4 WhitlockPiano – John Simon, Leon RussellSaxophone – Bobby KeysTrumpet – Jim PriceVocals – J. I. Allison*, Rita Coolidge, Sonny CurtisVocals, Guitar [Rhythm] – Delaney BramlettVocals, Written-By – Bonnie Bramlett, Eric Clapton Lonesome And A Long Way From Home Bass – Carl RadleDrums – Jim GordonGuitar – Stephen StillsOrgan, Vocals – Bobby A5 WhitlockPiano – John SimonSaxophone – Bobby KeysTrumpet – Jim PriceVocals – Eric Clapton,
    [Show full text]
  • Herb Alpert and Jerry Moss
    NONPERFORMERS Herb Alpert and Jerry Moss By Barney Hoskyns he history o f American pop music is record of some repute: H e’d cowritten hits with Sam filled with great partnerships. Most Cooke (including the wonderful “Wonderful World”) of them, from Rodgers & Hart to and fellow native Angeleno Lou Adler. But the dark, Jam & Lewis, are songwriting teams handsome trumpeter had little idea of the success in working under pressure to create store once he teamed up with New York—born pro­ hits for the stars of the day. But motion man Jerry Moss. occasionally fate brings together two highlyThe talented pair’s first label, the short-lived Carnival, was Tmen who create and build a record company with the labnched simply to release two singles they had made same love and dedication that goes into the best songs. independently of each other. “Jerry and I never had A&M Records, the brainchild of Herb Alpert and this master plan o f starting a label,” Alpert has said. “It Jerry Moss, remains one o f the greatest labels launched just happened.” September 1962 saw the release of the in the 1960s, a decade when thousands of independ­ first A&M single, Alpert’s “The Lonely Bull.” The ents were born in America. Home to an eclectic array mariachi-flavored instrumental struck gold, hitting of outstanding artists from Alpert himself to Janet Number Six by early December of the same year. Jackson, A& M reflected the passion and savvy o f the “For the first couple of years, it was really just two men.
    [Show full text]
  • Here’S One in Every Crowd Erlasting Cultural Statement – Everything You Do from a Lot
    Hittin’ the Note: Bill, did you feel at all a need to vindicate this period of Clapton’s music? Once you’ve It’s OK; you’re safe with me! photo by Sid Smith been labeled “God” – as Clapton was in what began as graffi ti on a London subway wall and grew into an ev- Well, I actually happen to like There’s One in Every Crowd erlasting cultural statement – everything you do from a lot. I understand why it’s overlooked – there’s no big hit that moment is viewed under a microscope. It seems, on there, and the cover was probably not the most striking. I though, that this particular chapter of Eric’s story has think most people don’t realize the business of the business taken some critical heat over the years. – There’s One In Every Crowd and E.C. Was Here were cut out in 1976 because RSO Records left Atlantic and went to Bill Levenson: I think what I came up against right from Polydor. There was a housecleaning of product, and when the start wasn’t a vindication of the music or the artist − it those records got cut out, they didn’t come into print again was the vindication of the There’s One In Every Crowd and for a decade. People think that they were cut out because E.C. Was Here albums. When people talk about this era, they weren’t good or they weren’t selling, but they were cut they invariably talk about 461 Ocean Boulevard – it was out because distribution stopped on the Atlantic side.
    [Show full text]
  • Delaney & Bonnie & Friends with Eric Clapton
    Delaney & Bonnie & Friends On Tour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues / Folk, World, & Country Album: On Tour Country: Germany Released: 1970 MP3 version RAR size: 1647 mb FLAC version RAR size: 1604 mb WMA version RAR size: 1518 mb Rating: 4.5 Votes: 427 Other Formats: MP1 AUD DXD WAV WMA XM VQF Tracklist Hide Credits Things Get Better A1 4:20 Written-By – Floyd*, Cropper*, Wayne* A2 Poor Elijah - Tribute To Johnson (Medley) 5:00 Poor Elijah A2a Written-By – D. Bramlett*, J. Ford* Tribute A2b Written-By – D. Bramlett*, L. Russell* Only You Know And I Know A3 4:10 Written-By – D. Mason* I Don't Want To Discuss It A4 4:55 Written-By – Beatty*, Cooper*, Shelby* That's What My Man Is For B1 4:30 Written-By – Bessie Griffin Where There's A Will, There's A Way B2 4:57 Written-By – B. Whitlock*, B. Bramlett* Coming Home B3 5:30 Written-By – B. Bramlett*, E. Clapton* B4 Little Richard Medley 5:45 Long Tall Sally B4a Written-By – R. Penniman*, R. A. Blackwell* Jenny Jenny B4b Written-By – R. Penniman* The Girl Can't Help It B4c Written-By – R. W. Trout* Tutti-Frutti B4d Written-By – R. Penniman* Companies, etc. Record Company – Warner-Pioneer Corporation Licensed From – Atlantic Recording Corporation Credits Arranged By [Horn Arrangements By] – Delaney Bramlett, Jim Price Bass – Carl Radle Congas [Conga], Bongos [Bongo Drums] – Tex Johnson Design, Photography By – Barry Feinstein, Tom Wilkes Design, Photography By [For] – Camouflage Productions Drums – Jim Gordon Engineer [Mix Down Engineer] – Bill Halverson Engineer [Recording Engineers] – Andy Johns, Glyn Johns Guitar – Dave Mason Lead Guitar – Eric Clapton Mastered By – AB* Organ, Vocals – B.
    [Show full text]
  • The Black Crowes Warpaint Live Mp3, Flac, Wma
    The Black Crowes Warpaint Live mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: Warpaint Live Country: UK, Europe & US Released: 2016 Style: Southern Rock, Blues Rock, Hard Rock MP3 version RAR size: 1520 mb FLAC version RAR size: 1558 mb WMA version RAR size: 1486 mb Rating: 4.5 Votes: 602 Other Formats: TTA AU MOD DXD VOX AC3 MP3 Tracklist Hide Credits A1 Goodbye Daughters of the Revolution 5:03 A2 Walk Believer Walk 4:55 A3 Oh Josephine 7:59 B1 Evergreen 4:21 B2 Wee Who See The Deep 7:35 B3 Locust Street 4:14 C1 Movin' On Down the Line 7:58 C2 Wounded Bird 4:39 God's Got It D1 4:26 Written-By – Reverend Charlie Jackson D2 There's Gold in Them Hills 5:04 D3 Whoa Mule 6:53 Poor Elijah – Tribute To Johnson E1 5:52 Written-By – Delaney Bramlett, Jim Ford, Leon Russell E2 Darling of the Underground Press 4:25 E3 Bad Luck Blue Eyes Goodbye 7:56 Don't Know Why F1 5:17 Written-By – Bonnie Bramlett, Eric Clapton Torn And Frayed F2 5:16 Written-By – Jagger-Richards Hey Grandma F3 4:13 Written-By – Don Stevenson, Jerry Miller Companies, etc. Phonographic Copyright (p) – Silver Arrow Records, Inc. Copyright (c) – Eagle Rock Entertainment Ltd. Credits Backing Vocals – Mona Lisa Young Bass, Vocals – Charity White Design [LP Packaging] – Peter Tsakiris Design [Original Packaging] – Stuart Green Drums, Percussion – Steve Gorman Engineer [FOH] – Scott Scherban Engineer [Monitor] – Drew Consalvo Executive Producer – Geoff Kempin, Terry Shand Guitar – Luther Dickinson Guitar, Vocals – Rich Robinson Keyboards – Adam MacDougall Lighting Director – Chris Kuroda Management – Amy Finkle, Pete Angelus Producer [Supervising] – Mike Carden , Sean McEneely Technician [Drum/Keyboard] – Nick Forchione Technician [SL Guitar] – Elwood Francis Technician [SR Guitar/Bass] – Randy Stinson Tour Manager [Assistant] – Adam "Cutlets" Richards Vocals, Harmonica, Guitar – Chris Robinson Written-By – Chris Robinson (tracks: A1-A3, B1-B3, C1-C2, D2-D3, E2-E3), Rich Robinson (tracks: A1-A3, B1-B3, C1-C2, D2-D3, E2-E3) Notes Includes digital download.
    [Show full text]
  • 3Rd Annual Mojo Fest
    3RD ANNUAL MOJO FEST HOSTED BY: JAMIE AND MARY OLDAKER AND THE CHURCH STUDIO MUSIC FOUNDATION OUR MISSION: To celebrate the marriage of Jamie and Mary Oldaker through live musical performances, community engagement, and charitable stewardship. PURPOSE: Annual celebration benefitting The Church Studio Foundation and the Tulsa Day Center for the Homeless. The Church Studio Music Foundation is a non-profit organization with a mission to the Tulsa and surrounding community through music programs, artist development and education.The Tulsa Day Center for the Homeless is a non-profit center providing clients with the need to overcome homelessness, providing a health clinic, case management and the ability to re- enter the community and provide housing on a daily basis. DATE: October 5, 2019 LOCATION: Studio Row - home of the historic Church Studio and Shelter Records. Owned by Leon Russell, the studio is currently under extensive renovation to honor the past music and musicians that played in this historic location. JAMIE OLDAKER: For over forty years, Jamie Oldaker has built a career in the music industry as one of the world’s most respected drummers. Jamie began his career with Leon Russell at the Church Studio as a session musician. He joined Bob Seger and recorded the original Turn the Page track. Bassist Carl Radle introduced Jamie’s playing to Eric Clapton and was then asked to come to Miami and be a part of Eric’s band in 1974 and recorded 461 Ocean Boulevard, which was the beginning of a long career and friendship with Clapton. Jamie will be joining Eric again this summer at the Crossroads Guitar Festival 2019.
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • Delaney & Bonnie
    Delaney & Bonnie The Best Of Delaney & Bonnie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Blues Album: The Best Of Delaney & Bonnie Country: Australia Released: 1972 MP3 version RAR size: 1258 mb FLAC version RAR size: 1737 mb WMA version RAR size: 1751 mb Rating: 4.5 Votes: 182 Other Formats: AC3 AAC AU AHX DXD AA MP2 Tracklist A1 When The Battle Is Over 3:36 A2 Dirty Old Man 2:32 A3 Only You Know And I 4:10 A4 We've Got To Get Ourselves Together 2:33 A5 Where There's A Will, There's A Way 4:57 A6 Never Ending Song Of Love 3:20 B1 Coming Home 5:30 B2 The Love Of My Man 4:28 B3 Soul Shake 3:10 Medley: (4:10) B4 (a) Come On In My Kitchen B4 (b) Mama He Treats Your Daughter Mean B4 (c) Goin' Down The Road Feeling Bad B5 Free The People 2:47 Credits Design – Camouflage Productions Painting [Cover] – Vicki Hodgetts Producer – Delaney Bramlett, Jerry Wexler (tracks: B2 to B5), Jimmy Miller (tracks: A3, A5, B1), Tom Dowd (tracks: B2 to B5) Barcode and Other Identifiers Matrix / Runout (A Side): MX169001 SD7014-1 Matrix / Runout (B Side): MX169002-B SD7014-1 Other versions Category Artist Title (Format) Label Category Country Year K 40429, Delaney & The Best Of Delaney & Atlantic, K 40429, UK 1972 K40429 Bonnie Bonnie (LP, Comp) Atlantic K40429 Delaney & The Best Of Delaney & ATCO SD 7014 SD 7014 US 1972 Bonnie Bonnie (LP, Comp) Records Delaney & The Best Of Delaney & ATCO SD 7014 SD 7014 US 1972 Bonnie Bonnie (LP, Comp, Club) Records Delaney & The Best Of Delaney & ATCO 40429 40429 France 1972 Bonnie Bonnie (LP, Comp) Records Delaney
    [Show full text]
  • The Jazz Workshop RCA LPM-1161 1LP 180G 33Rpm 13.07.2017 Al Di
    Album Etichetta Formato Data di rilascio Airto: Free CTI 6020 1LP 180g 33rpm 29.08.2016 Al Cohn: The Jazz Workshop RCA LPM-1161 1LP 180g 33rpm 13.07.2017 Al Di Meola: Casino Columbia JC 35277 1LP 180g 33rpm 10.09.2018 Al Di Meola: Splendido Hotel Columbia C2X 36270 2LPs 180g 33rpm 15.02.2016 Al Green: Call Me Hi XSHL 32077 1LP 180g 33rpm 12.03.2012 Albert King: Born Under A Bad Sign Stax S 723 1LP 180g 33rpm 19.01.2018 An Evening with Belafonte / Makeba RCA LSP-3420 1LP 180g 33rpm 25.08.2004 Ann Peebles: Straight From The Heart Hi SHL 32065 1LP 180g 33rpm 27.08.2012 Antonio Carlos Jobim: Stone Flower CTI 6002 1LP 180g 33rpm 04.02.2015 Aretha Franklin With The Ray Bryant Combo Columbia CS 8412 1LP 180g 33rpm 19.06.2017 Aretha Franklin: Live At Fillmore West Atlantic SD 7205 1LP 180g 33rpm 19.01.2014 Aretha Franklin: Unforgettable Columbia CS 8963 1LP 180g 33rpm 06.05.2009 Baden Powell: Solitude On Guitar Columbia C 32441 1LP 180g 33rpm 19.04.2011 Bill Withers: Just As I Am Sussex SXBS 7006 1LP 180g 33rpm 16.10.2007 Blood, Sweat And Tears: Child Is Father To The Man Columbia CS 9619 1LP 180g 33rpm 01.08.2007 Bloomfield, Kooper, Stills: Super Session Columbia CS 9701 1LP 180g 33rpm 17.07.2008 Blue Öyster Cult: Secret Treaties Columbia KC 32858 1LP 180g 33rpm 18.07.2014 Blue Öyster Cult: Tyranny And Mutation Columbia KC 32017 1LP 180g 33rpm 29.08.2016 Brother Jack McDuff: Tobacco Road Atlantic SD 1472 1LP 180g 33rpm 18.01.2019 C.
    [Show full text]
  • January 1983
    VOL. 7 NO. 1 Cover Photo by William Coupon FEATURES PETER ERSKINE Over the past dozen years, Peter Erskine has continued to live up to the promise he showed back when he was the youngest person ever accepted at a Stan Kenton summer band camp. Here, Peter discusses how each phase in his career—including his recent departure from Weather Re- port to join Steps, and his first solo album—have brought him closer to being the kind of musician he wants to be. by Rick Mattingly 8 CHESTER THOMPSON Playing with Frank Zappa requires a special kind of drummer; playing with Weather Report takes a different type; playing for Genesis has yet another set of require- Photo by Joost Leijen ments. That Chester Thompson has been able to handle Photo by Paul Natkin/Photo Reserve all three situations says a lot about his versatility and abil- ity, which he comments on in this MD exclusive. by Stanley Hall 14 MD FORUM: Audio Engineers—on Miking & Recording Drums: Part II by Mark Z. Stevens 18 JIM GORDON One of the true legends of rock drumming, Jim Gor- don began his studio career playing extra percussion parts beside such master drummers as Hal Blaine and Earl Palmer, and he began his touring career with the Everly Brothers. Gordon talks about how he went on to play and record with some of the biggest names in rock, while giving insights into the professional and personal aspects of his life. by Scott Fish 22 INSIDE THE WORLD OF DRUM CORPS by Jay A.
    [Show full text]
  • Al Oh a D Re Am
    AAlloohhaa DDrreeaamm March 2007 Vol. 5. Issue 1. Contents 1. ‘Bali Hi’ By Reggie & Rebecca De Roos 2. Contents Page 3. Welcome. The Editor’s usual pleadings for articles, clothing / food etc. 4. Ron Whittaker’s Big Birthday 5. “ “““ 6. The Waikiki Hawaiians 7. ““ “ 8. ““ “ 9. Paul “Bud” Tutmarc Jr. 10. A Mystery solved by Fate :- Arthur Layfield 11. “ “ “ “ “ 12. We Will Remember You Don Ho 13. “ “ “ “ “ “ 14. “ “ “ “ “ “ 15. “ “ “ “ “ “ 16. My Adventures as a Musician :- Mike Broad 17. Santo & Johnny 18. “ “ 19. Basil’s Steelin’ Tricks of the Trade (The Bear Facts) 20. Sleep Walk Tab. 21. “ “ “ 22. Sleep Walk analysis continued ... 23. The Birthday one at Shustoke Sailing Club 24. “ “ “ “ “ “ “ 25. “Sneaky” Pete Kleinow 26. “ “ “ 27. Readers Letters 28. “ “ 29. “ “ 30. Hawaiian Guitarists’ Convention Brecon 2007 All ads and enquiries to :- Pat Henrick Editorial and design:- Subscriptions:- Morgan & Thorne Pat and Basil Henriques U.K. £16:00 per year 286. Lichfield Road Honorary members Europe €25:00 Overseas $35:00 Four Oaks John Marsden (U.K.) Sutton Coldfield (U.S. dollars or equivalent) Pat Jones (Wales.) All include P+P (S+H) Birmingham B74 2UG Keith Grant (Japan) West Midlands. Phone No:- 0182 770 4110. Payment by UK cheque, cash or E Mail:- [email protected] money order payable to:- web page www.waikiki-islanders.com “Pat Henrick” Published in the U.K. by Waikiki Islanders Aloha Dream Magazine Copyright 2007 2 AA LL OO HH AA TO YOU ALL Firstly I must apologise for being late with this issue, as some of you know we have moved house, and as those of you who have done it will know it certainly isn’t an easy thing to do.
    [Show full text]