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Adam4adam Asianfriend Dearly Beloved Bitch Behind Bars The
#1035 nightspots February 2, 2011 Adam4Adam AsianFriend Dearly Beloved Bitch Behind Bars 2 The Tongue Upright Citizen Chica Grande Jeepers Piepers 5sum Bent Boriqua Mr. Perfect Stranglers 5 1 Minerva Wrecks Circuit Daddy The Continental Shameless Boi-lesque ASS Da Gay Mayor Adam5Adam 1 Happy The richness Valentines, of Amanda Nightspots-style. Lepore. page 13 page 11 That Guy by Kirk Williamson In lieu of my column this week... [email protected] JOSEPH J. MAGGIO Joseph J. Maggio, age 58, passed away suddenly at his home on January 17. Best Friend and life partner of Jimmy Keup, Joe was the love of his life. Devoted son to the late Tina Riotto and the late Bartolo Maggio; brother of Maria (David) Guzik; and uncle to Mathew. Joe was a graduate of St. Partrick High School, received his Bachelor’s degree from Loyola University and his Master’s degree from Northeastern University. He began his long career as a teacher at Notre Dame High School for Girls in 1977. For the last 20 years, Joe taught math at St. Ignatius College Prep, and was honored to serve as coach of their Math Team. Among his other passions in life were real estate development, The Jackhammer Bar and The Ashland Arms Guest House. A Celebration of Life will take place Sat., February 12, 2011, from 2-4 p.m. at Unity in Chicago, 1925 W. Thome Avenue, Chicago, IL 60660. The celebration will then move to Jackhammer, 6406 N. Clark St. Donations to Alzheimer’s Association would be appreciated. PUBLISHER Tracy Baim ASSISTANT PUBLISHER Terri Klinsky nightspots MANAGING EDITOR -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Que a Melhor Mulher Vença: Problemas De Identidade De Gênero E Questões Drag Em “Rupaul’S Drag Race”
QUE A MELHOR MULHER VENÇA: PROBLEMAS DE IDENTIDADE DE GÊNERO E QUESTÕES DRAG EM “RUPAUL’S DRAG RACE” João Vinícius Nascimento de Jesus (João Bertonie)1 Resumo: Este trabalho tem como objetivo analisar os problemas de gênero, em sua abordagem relativa à identidade de gênero, e suas relações com questões drag, queer e LGBT encontrados no reality show estadosunidense “RuPaul’s Drag Race”, que envolve uma competição entre diferentes graus de articidade e habilidades performáticas de drag queens. Articulando autores como Butler (2003, 2006), Zumthor (2001) e Scheschner (2003, 2006), percebemos o quanto o programa televisivo explora questões relativas à legitimação e autenticidade em relação à arte drag e à cultura queer e LGBT e como ele atua de modo a regular produções de articidade e, principalmente, de identidades contemporâneas. Palavras-chave: drag queens, performatividade, performance, gênero, RuPaul. Introdução Ao meio de todo episódio do reality show americano “RuPaul’s Drag Race” (LOGO; VH1, 2009-2016, 2017-), RuPaul desfila no main stage ao som da sua música “Cover Girl (Put The Bass In Your Walk)”, enquanto luzes de holofote são apontadas freneticamente para ela. Em seu programa, drag queens americanas competem, ao longo de diversas provas que testam seus talentos performáticos, ao título de Próxima Drag Superstar dos EUA. Seu visual assinatura é um cabelo volumoso loiro, expressivos olhos esfumados e um vestido longo que lhe confere uma cintura de ampulheta. Após saudar os jurados fixos e os convidados e explicar o desafio da semana, ela repete o bordão, de forma pomposa e entusiasmada: “Senhores, apertem os cintos, e que a melhor mulher vença!”. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
A King Named Nicki: Strategic Queerness and the Black Femmecee
Women & Performance: a journal of feminist theory ISSN: 0740-770X (Print) 1748-5819 (Online) Journal homepage: http://www.tandfonline.com/loi/rwap20 A king named Nicki: strategic queerness and the black femmecee Savannah Shange To cite this article: Savannah Shange (2014) A king named Nicki: strategic queerness and the black femmecee, Women & Performance: a journal of feminist theory, 24:1, 29-45, DOI: 10.1080/0740770X.2014.901602 To link to this article: https://doi.org/10.1080/0740770X.2014.901602 Published online: 14 May 2014. Submit your article to this journal Article views: 2181 View Crossmark data Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rwap20 Women & Performance: a journal of feminist theory, 2014 Vol. 24, No. 1, 29–45, http://dx.doi.org/10.1080/0740770X.2014.901602 A king named Nicki: strategic queerness and the black femmecee Savannah Shange* Department of Africana Studies and the Graduate School of Education, University of Pennsylvania, Philadelphia, PA, United States This article explores the deployment of race, queer sexuality, and femme gender performance in the work of rapper and pop musical artist Nicki Minaj. The author argues that Minaj’s complex assemblage of public personae functions as a sort of “bait and switch” on the laws of normativity, where she appears to perform as “straight” or “queer,” while upon closer examination, she refuses to be legible as either. Rather than perpetuate notions of Minaj as yet another pop diva, the author proposes that Minaj signals the emergence of the femmecee, or a rapper whose critical, strategic performance of queer femininity is inextricably linked to the production and reception of their rhymes. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
Drag Artist Interviews, 2019
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Southern Illinois University Edwardsville Southern Illinois University Edwardsville SPARK SIUE Faculty Research, Scholarship, and Creative Activity 2020 Drag Artist Interviews, 2019 Ezra Temko [email protected] Adam Loesch SIUE, [email protected] Follow this and additional works at: https://spark.siue.edu/siue_fac Part of the Gender and Sexuality Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, Other Theatre and Performance Studies Commons, and the Sociology of Culture Commons Recommended Citation Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). This Article is brought to you for free and open access by SPARK. It has been accepted for inclusion in SIUE Faculty Research, Scholarship, and Creative Activity by an authorized administrator of SPARK. For more information, please contact [email protected]. Drag Artist Interviews, 2019 To cite this dataset as a whole, the following reference is recommended: Temko, Ezra, Adam Loesch, et al. 2020. “Drag Artist Interviews, 2019.” Sociology of Drag, Southern Illinois University Edwardsville. Spring. Available URL (http://www.ezratemko.com/drag/interviewtranscripts/). To cite individual interviews, see the recommended reference(s) at the top of the particular transcript(s). Interview -
THE TUFTS DAILY Tufts Dining Workers and Students Are Pictured Marching in the ‘Picket for a Fair Dining Contract’ on March 5
WOMEN’S LACROSSE Work-study students discuss pressures, commitments see FEATURES / PAGE 4 Jumbos put on offensive clinic in win over Continentals A call for trustee transparency SEE SPORTS/BACK PAGE see OPINION/ PAGE 10 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 HE UFTS AILY VOLUME LXXVII, ISSUE 30T T D MEDFORD/SOMERVILLE, MASS. WEDNESDAY, MARCH 6, 2019 tuftsdaily.com More than 800 people attend picket for dining workers, strike vote set for March 14 KYLE LUI / THE TUFTS DAILY Tufts Dining workers and students are pictured marching in the ‘Picket for a Fair Dining Contract’ on March 5. by Alexander Thompson “Tufts University can afford for one job He said the university hopes to resolve the situ- Trisha O’Brien, a dining services atten- Assistant News Editor to be enough for all workers. It was never ation as soon as possible. dant at Kindlevan Café who held the banner a question of affordability, it’s a question of The dining workers first began their negoti- at the head of the procession as it moved to In a dramatic development in their sev- respect for human dignity,” Lang told the ations with Tufts in August 2018. Dewick-MacPhie Dining Center, said that she en-month campaign for a contract with crowd through a megaphone. “This admin- In an email to the Daily after the latest would vote for the the strike because she the university, Tufts Dining workers will istration is getting increasingly isolated on round of negotiations on Feb. 27, Mike Kramer, thinks negotiations are not going well, and a vote on whether to go on strike on March this campus and in the communities around the lead negotiator for UNITE HERE Local 26, strike is necessary in order for the workers to 14, according to UNITE HERE Local 26 this campus.” wrote that the sticking points were key eco- secure a fair contract. -
Social Report 2003! 3 Alfa Bank Social Report 2003! 3
Our Reputation Throughout the history of Alfa Bank, we have considered our reputation to be our most valuable asset. Over the years, we have experienced all the obstacles and challenges that faced Russia as a whole. We have triumphed against all odds, becoming Russia’s largest private bank, a leader of the financial industry. Alfa Bank is one of the very first Russian companies to acknowledge its social responsibilities. For years now, the name of Alfa Bank has been nancial support to numerous non-profit programs closely linked with such cultural and social initia- in Russia’s regions, as well as offering assistance to tives as the annual Golden Mask Theater Festival in young talent, and helping those in need. But that’s Moscow and the Alfa Chance Program, supporting not all, either. We take an active role in society in talented young people in Russia’s regions. every place where we develop our business, from Alfa Bank has blazed a trail to Russia for some of holding conferences aimed at attracting investment the world’s leading contemporary performers, in- into the regions, to financing ecological programs cluding Elton John, Sting, Tina Turner and Paul and aiding educational institutions. McCartney, as well as organizing foreign tours We offer aid at all levels of society. We see our role for leading Russian opera and ballet companies. as encouraging the harmonious advancement of This year we also helped to organize and finance all of our communities. a competition to design a statue in memory of No- We are convinced that the future of our business bel Laureate Joseph Brodsky in St. -
Jeremias Lucas Tavares
UNIVERSIDADE FEDERAL DE CAMPINA GRANDE CENTRO DE HUMANIDADES UNIDADE ACADÊMICA DE LETRAS CURSO DE LICENCIATURA EM LETRAS: LÍNGUA INGLESA JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA. Monografia apresentada ao Curso de Licenciatura em Letras - Língua Inglesa do Centro de Humanidades da Universidade Federal de Campina Grande, como requisito parcial para obtenção do título de Licenciado em Letras – Língua Inglesa. Orientadora: Professora Dra. Sinara de Oliveira Branco. CAMPINA GRANDE - PB 2019 JEREMIAS LUCAS TAVARES PERFORMANCE E LINGUAGEM DRAG EM RUPAUL’S DRAG RACE: UM ESTUDO SOBRE REPRESENTAÇÃO ATRAVÉS DE LEGENDAS E TRADUÇÃO INTERSEMIÓTICA Monografia de conclusão de curso apresentada ao curso de Letras – Língua Inglesa da Universidade Federal de Campina Grande, como requisito parcial à conclusão do curso. Aprovada em 11 de Julho de 2019 Banca Examinadora: _______________________________________________________________ Orientadora: Profa. Dra. Sinara de Oliveira Branco – UFCG _______________________________________________________________ Profa. Dra. Danielle Dayse Marques de Lima – UFCG _______________________________________________________________ Prof. Dr. Suênio Stevenson Tomaz da Silva – UFCG Campina Grande - PB 2019 AGRADECIMENTOS Primeiramente, gostaria de agradecer a essa força – ainda tão pouco explicada – que foi batizada com diversos nomes no decorrer da história da humanidade e que eu gosto de me referir como natureza. Toda minha vida fui guiado por essa força – nunca estive só. Quero agradecer à minha família – minhas duas mães, Finha e Dona Donzica, meu irmão, Jonas e minha cunhada, Day – que sempre me amaram e torceram por mim.