JOSEF FRANK (Austrian, 1885–1967) Armchair, Svenskt Tenn, Sweden, Ca

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! ! JOSEF FRANK (Austrian, 1885–1967) Armchair, Svenskt Tenn, Sweden, ca. Walnut, upholstery 33" H x 24.5" W x 18.5" D ! ! Josef Frank Austrian,1885-1967 Josef Frank was the leading innovator of Modern Swedish design in the 20th century. Frank was born in Vienna and it was there that he pursued an education in architecture at the University of Technology. In 1933 Frank emigrated to Sweden. Shortly thereafter, he began working at the prestigious Stockholm design ﬁrm, Svenskt Tenn (Swedish Pewter), where he produced much of the oeuvre for which he is so admired. There are over 2,000 furniture sketches and 160 textile designs that Frank produced for Svenskt Tenn alone. Contrary to the precepts of Le Corbusier's modernism, Frank developed his pieces with a warmth, beauty and practicality that aligned more with the traditional ideals and comforts of the Swedish home. Many of Frank's designs incorporated organic and open frameworks, and he favored cheerful and vivid patterned textiles and hues, all of which emulated the freedom of the natural world indoors. Frank's works were popularized in the great World Expositions in Paris in 1937 and in New York in 1939. His works were prized and collected by Prince Eugen of Sweden and are presently featured throughout many prominent public art collections as an integral part of their design programs. MUSEUMS The Museum of Modern Art, New York The Metropolitan Museum of Art, New York The Cooper Hewitt Museum, New York The Art Institute of Chicago The Victoria and Albert Museum, London The Röhsska Museum, Gothenburg The Nationalmuseum, Stockholm The Museum of Applied Arts, Vienna AWARDS 1965 Grand Austrian State Prize for Architecture 5 1 E 1 0 t h S T • N E W YO R K , N Y 1 0 0 0 3 p h o n e 2 1 2 3 4 3 0 4 7 1 • f a x 2 1 2 3 4 3 0 4 7 2 i n fo @ h o s t l e r b u rr o w s . c o m • h o s t l e r b u rr o w s . c o m ! .

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Svenskt Tenn Introduces Five Vases by Josef Frank
Oct 01, 2015 16:00 GMT Svenskt Tenn introduces five vases by Josef Frank Five new clear glass vases designed by Josef Frank are now available at Svenskt Tenn. The vases are shown in the exhibition “100 vases with flowers”, which opens October 1 at Svenskt Tenn in Stockholm. The exhibition is a tribute to Svenskt Tenn’s founder Estrid Ericson’s autumn exhibition from 1940. Svenskt Tenn’s founder Estrid Ericson had an urge to bring inside elements of nature for use in furnishings and table settings. Every week she brought flowers and twigs from her summer house garden on Tyresö outside Stockholm to decorate the store at Strandvägen 5. “Estrid Ericson was often referred to as the Queen of Table Settings because of herability to mix simple things with the lavishly festive,” says Thommy Bindefeld, Marketing Director at Svenskt Tenn. “She combined various styles and brought together different materials, colors and shapes. We want this exhibition to inspire visitors to create beautiful flower compositions and table settings in the spirit of Estrid Ericson.” In the exhibition, five new clear glass vases from the archive are shown. The vases, designed by Josef Frank in 1957, are now for the first time being produced at Skrufs glassworksin Småland, Sweden. Svenskt Tenn also introduces a collection of lights, exclusively sold in Sweden through Svenskt Tenn, designed by the Italian-British duo Giopato & Coombes and by Kalmar Werkstätten of Austria. “Giopato & Coombes is a prominent design duo working with traditional Italian artisans and high quality materials,” says Thommy Bindefeld. “Kalmar Werkstätten is a classic lightingmanufacturer, suppliers to Josef Frank’s own company Haus & Garten during the 1930s.
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Town Walk Through Hjo D
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Download a Booklet to Read More About the Exhibition
DIVERSITY AND HARMONY I N OU R GLOBAL HOME text by Anders Wall MY RELATIONSHIP WITH Svenskt Tenn of my engagement and responsibility for it came about that in 1975, Estrid Ericson dates back to the beginning of the 1950s, her life’s work, Svenskt Tenn. sold her life’s work, Svenskt Tenn, to the when I was a student at the Stock- Our friendship deepened over time. Kjell and Märta Beijer Foundation, of holm School of Economics. On the During one of our lunches in her apart- which I was chairman. way to my rented room on Grevgatan, ment on Strandvägen, she confided I am among those who consider it I often passed the Svenskt Tenn shop on in me that she was thinking of selling a great privilege for individuals and Strandvägen with its attractive window Svenskt Tenn and that she had no short- organisations with financial resour- displays. I occasionally popped into the age of prospective buyers. However, she ces to be able to contribute to societal shop to admire the beautiful products was frightened at the thought of her crea- development. My old mentor Kjell Beijer and their detail. tion being bought by someone who would was of the same opinion and through On one such occasion, Estrid Ericson not take care of it and of her interior his donations he laid the cornerstone for came up to me and said that they had design concept becoming just one of a foundation supporting research within noticed that I often visited the shop but many in a large department store.
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