JOSEF FRANK (Austrian, 1885–1967) Vanity Table, Svenskt Tenn, Sweden, Ca

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! ! JOSEF FRANK (Austrian, 1885–1967) Vanity Table, Svenskt Tenn, Sweden, ca. 1940 Mahogany, Brass 44.5" W x 15.75" D x 27.75" H ! ! ! ! Josef Frank Austrian,1885-1967 Josef Frank was the leading innovator of Modern Swedish design in the 20th century. Frank was born in Vienna and it was there that he pursued an education in architecture at the University of Technology. In 1933 Frank emigrated to Sweden. Shortly thereafter, he began working at the prestigious Stockholm design ﬁrm, Svenskt Tenn (Swedish Pewter), where he produced much of the oeuvre for which he is so admired. There are over 2,000 furniture sketches and 160 textile designs that Frank produced for Svenskt Tenn alone. Contrary to the precepts of Le Corbusier's modernism, Frank developed his pieces with a warmth, beauty and practicality that aligned more with the traditional ideals and comforts of the Swedish home. Many of Frank's designs incorporated organic and open frameworks, and he favored cheerful and vivid patterned textiles and hues, all of which emulated the freedom of the natural world indoors. Frank's works were popularized in the great World Expositions in Paris in 1937 and in New York in 1939. His works were prized and collected by Prince Eugen of Sweden and are presently featured throughout many prominent public art collections as an integral part of their design programs. MUSEUMS The Museum of Modern Art, New York The Metropolitan Museum of Art, New York The Cooper Hewitt Museum, New York The Art Institute of Chicago The Victoria and Albert Museum, London The Röhsska Museum, Gothenburg The Nationalmuseum, Stockholm The Museum of Applied Arts, Vienna AWARDS 1965 Grand Austrian State Prize for Architecture 5 1 E 1 0 t h S T • N E W YO R K , N Y 1 0 0 0 3 p h o n e 2 1 2 3 4 3 0 4 7 1 • f a x 2 1 2 3 4 3 0 4 7 2 i n fo @ h o s t l e r b u rr o w s . c o m • h o s t l e r b u rr o w s . c o m ! .

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Svenskt Tenn Introduces Five Vases by Josef Frank
Oct 01, 2015 16:00 GMT Svenskt Tenn introduces five vases by Josef Frank Five new clear glass vases designed by Josef Frank are now available at Svenskt Tenn. The vases are shown in the exhibition “100 vases with flowers”, which opens October 1 at Svenskt Tenn in Stockholm. The exhibition is a tribute to Svenskt Tenn’s founder Estrid Ericson’s autumn exhibition from 1940. Svenskt Tenn’s founder Estrid Ericson had an urge to bring inside elements of nature for use in furnishings and table settings. Every week she brought flowers and twigs from her summer house garden on Tyresö outside Stockholm to decorate the store at Strandvägen 5. “Estrid Ericson was often referred to as the Queen of Table Settings because of herability to mix simple things with the lavishly festive,” says Thommy Bindefeld, Marketing Director at Svenskt Tenn. “She combined various styles and brought together different materials, colors and shapes. We want this exhibition to inspire visitors to create beautiful flower compositions and table settings in the spirit of Estrid Ericson.” In the exhibition, five new clear glass vases from the archive are shown. The vases, designed by Josef Frank in 1957, are now for the first time being produced at Skrufs glassworksin Småland, Sweden. Svenskt Tenn also introduces a collection of lights, exclusively sold in Sweden through Svenskt Tenn, designed by the Italian-British duo Giopato & Coombes and by Kalmar Werkstätten of Austria. “Giopato & Coombes is a prominent design duo working with traditional Italian artisans and high quality materials,” says Thommy Bindefeld. “Kalmar Werkstätten is a classic lightingmanufacturer, suppliers to Josef Frank’s own company Haus & Garten during the 1930s.
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To Mexico in Estrid Ericson's Footsteps – New Exhibition at Svenskt Tenn
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Estrid Ericson (1884-1981) was a Swedish artist, designer and accomplished entrepreneur responsible for both the establishment and longevity of Svenskt Tenn (Swedish Pewter), a Swedish interior design company for which she served as managing director for 56 years. Together with Nils Fougstedt, Ericson developed Svenskt Tenn into a most influential enterprise involved in manufacturing and design, imports, exports, retail sales and consulting services. Ericson was born in 1894 and raised in Hjo in Vastergotland. In the early 1920s, she trained as a drawing teacher at the Technical School in Stockholm. Thereafter she worked for several years as an art teacher, a pewter artist and interior design consultant at Svenskt Hemslöjd and Willman and Wiklund. In 1924, together with fellow pewter artist Nils Fougstedt, Ericson opened a small pewter workshop, and later in the same year they founded Svenskt Tenn in Stockholm. Initially, Svengst Tenn produced and sold creative modern designs in pewter, which were recognized for their wonderful quality of craftsmanship. In the 1930s, the focus of Svenskt Tenn shifted away from pewter and onto interior design and architect-designed furniture. In 1934, Ericson offered the Austrian architect Josef Frank a position within the firm, which proved to be an important driving collaboration for Svenskt Tenn. Ericson and Frank developed an iconic style that while adopting some of the tenets of functionalism, maintained a warmth, 51 E 10th ST • NEW YORK, NY 10003 phone 212 343 0471 • fax 212 343 0472 51 E 10th ST • NEW YORK, NY 10003 [email protected] • hostlerburrows.com phone 212 343 0471 • fax 212 343 0472 [email protected] • hostlerburrows.com sophistication and elegance particular to the Svenskt Tenn brand.
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Town Walk Through Hjo D
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Due to the prevailing situation in our world the exhibition, Japanese Magnolia, will be extended until August 12. Mar 25, 2020 10:51 GMT Svenskt Tenn launches Japanese Magnolia from GP & J Baker Svenskt Tenn has collaborated with fabric company GP & J Baker since the 1930s. Now Svenskt Tenn has an opportunity to revive William Turner’s Japanese Magnolia print from GP & J Baker’s archives. The print was designed in 1917 and has likely not been in production since then. Svenskt Tenn’s founder Estrid Ericson began collaborating with the British fabric company GP & J Baker back in the 1930s. Since then, Svenskt Tenn has had the exclusive rights to sell selected historical GP & J Baker prints. After searching through GP & J Baker’s historical archives, Svenskt Tenn has been granted the exclusive rights to launch the Japanese Magnolia print from 1917. “It was Josef Frank who first introduced Estrid Ericson to the magical world of GP & J Baker. As with Fornasetti, Svenskt Tenn has shared a unique collaboration with GP & J Baker since the 1930s where we still have the exclusive rights to certain colour combinations and prints. When we had the opportunity to explore their archives we found an incredibly beautiful fabric by William Turner – Japanese Magnolia, which we are launching in connection with our spring exhibition,” says Thommy Bindefeld, marketing and creative director at Svenskt Tenn. The exhibition has been named after Turner’s Japanese Magnolia print, which is also the theme of the exhibition. The entire collection is presented in an environment inspired by a patio.
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Download a Booklet to Read More About the Exhibition
DIVERSITY AND HARMONY I N OU R GLOBAL HOME text by Anders Wall MY RELATIONSHIP WITH Svenskt Tenn of my engagement and responsibility for it came about that in 1975, Estrid Ericson dates back to the beginning of the 1950s, her life’s work, Svenskt Tenn. sold her life’s work, Svenskt Tenn, to the when I was a student at the Stock- Our friendship deepened over time. Kjell and Märta Beijer Foundation, of holm School of Economics. On the During one of our lunches in her apart- which I was chairman. way to my rented room on Grevgatan, ment on Strandvägen, she confided I am among those who consider it I often passed the Svenskt Tenn shop on in me that she was thinking of selling a great privilege for individuals and Strandvägen with its attractive window Svenskt Tenn and that she had no short- organisations with financial resour- displays. I occasionally popped into the age of prospective buyers. However, she ces to be able to contribute to societal shop to admire the beautiful products was frightened at the thought of her crea- development. My old mentor Kjell Beijer and their detail. tion being bought by someone who would was of the same opinion and through On one such occasion, Estrid Ericson not take care of it and of her interior his donations he laid the cornerstone for came up to me and said that they had design concept becoming just one of a foundation supporting research within noticed that I often visited the shop but many in a large department store.
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