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Maîtres Anciens & Du Xixe Siècle | 16.06.2020

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Maîtres Anciens & Du Xixe Siècle | 16.06.2020 RTCURIAL MAÎTRES ANCIENS & DU XIXe SIÈCLE Dessins Dessins MercrediMardi 16 25juin mars 2020 2020 - 17h- 17h 7 Rond-Point SIÈCLE SIÈCLE des Champs-Élysées e 75008 Paris MAÎTRES ANCIENS & DU XIX DU & ANCIENS MAÎTRES MAÎTRES ANCIENS & DU XIXe SIÈCLE Mercredi 25 mars 2020 - 17h artcurial.com Mercredi 25 mars 2020 - 17h 3979 RTCURIAL RTCURIAL lot n°47, François Boucher, La toilette de Vénus (détail) p.55 MAÎTRES ANCIENS e & DU XIX SIÈCLE Dessins Mardi 16 juin 2020 - 17h 7 Rond-Point des Champs-Élysées 75008 Paris lot n°5, Ottavio Leoni, Portrait de femme à la robe noire p.12 Assistez en direct aux ventes aux enchères d’Artcurial et enchérissez comme si vous y étiez, c’est ce que vous offre le service Artcurial Live Bid. Pour s’inscrire : www.artcurial.com Pour les lots en provenance Cette cession sera suivie hors CEE,il convient d’ajouter : de la partie consacrée aux 5,5 % du prix d’adjudication Maîtres anciens et du XIXe siècle, pour les lots précédés de tableaux et sculptures ce symbole. (lots 201 à 340) 16 juin 2020 17h. Paris RTCURIAL Maîtres anciens & du XIXe siècle 3 lot n°77, Anton Raphaël Mengs, Le Jugement de Pâris (détail) p.88 INDEX A G P AGRICOLA, Christoph Ludwig – 38 GANDOLFI, Ubaldo – 19, 20 PAJOU, Augustin – 81, 82, 83 ATELIER DES BRODERIES DU MONASTÈRE GÉRICAULT, Théodore – 86 PALMA le Jeune, Jacopo Antonio DE L'ESCORIAL – 9 à 13 GROS, Antoine-Jean - 99 NEGRETTI dit – 1, 17 GUERCINO, Giovanni Francesco PARROCEL, Charles – 51 BARBIERI dit – 14 PASSEROTTI, Bartolomeo – 7 GUYS, Constantin - 106 PERCIER, Charles - 90 B PIERRE, Jean-Baptiste-Marie - 69 BEHAM, Sebald – 36 PORTA, Giuseppe (attr. à) – 2 BESSA, Pancrace – 97, 98 PORTAIL, Jacques-André – 68, 76 BIGARI, Vittorio Maria – 24 H POUSSIN, Nicolas – 41 BOISSIEU, Jean-Jacques de - 96 HARDENBERGH, Cornelis van – 39 PRÊTRE, Jean-Gabriel – 93, 94 BOUCHER, François – 44, 45, 47, 54, HELLEU, Paul César - 111 56, 57, 58, 61 HENNEQUIN, Philippe-Auguste – 88 BOUCHER, François (et atelier) – 50 HUGO, Victor - 101 BOUGUEREAU, William - 103 R BREENBERGH, Bartolomeus - 37 RIJN, Rembrandt Harmensz. van – 35 ROBERT, Hubert – 75 I RÖTIG, Georges Frédéric - 109 INGRES, Jean-Auguste-Dominique – 100 ROWLANDSON, Thomas - 105 C ITALIE DU NORD, XVIe S. - 15 CALIARI, Carlo – 8 CANAL, Giambattista - 30 CARAVAGGIO, Polidoro da – 6 S CASSAS, Louis-François - 91 L SABATTIER, Louis – 108 CASTILLO, José del - 25 LA CROIX, comte Chrestien de – 52 SEVIN, Pierre-Paul – 43 CAVEDONE, Giacomo – 23 LALLEMAND, Jean-Baptiste – 46, 70 COCHIN le Jeune, Charles-Nicolas – LANCRET, Nicolas – 67, 71, 72 42, 74 LEONI, Ottavio – 5 CRETI, Donato – 26 T TESTA, Pietro – 21 TIEPOLO, Giovanni Battista – 31, 85 D M TIEPOLO, Giovanni Domenico – 32, 84 MENGS, Anton Raphaël – 77, 80 TIEPOLO, Lorenzo - 33 DAEL, Jan Frans van – 64 MEULEN, Sieuwert van der – 40 TINTORETTO, Domenico - 4 DECAMPS, Alexandre-Gabriel – 95 MONTI, Francesco – 27, 28, 29 DEGAS, Edgar – 107, 109 DELACROIX, Eugène – 102, 104 DELL’ERA, Giovanni Battista - 79 V DESFRICHES, Aignan-Thomas – 53 VERNET, Joseph – 59, 60 DUGOURC, Jean-Démosthène – 48 N DUGOURC, Jean-Démosthène (attr. à) NICOLLE, Victor-Jean – 62, 63 - 87 W O WATTEAU, Jean-Antoine - 65 E OUDRY, Jean-Baptiste - 66 ÉCOLE ALLEMANDE DU DÉBUT DU XVIe S. – 34 ÉCOLE DE FONTAINEBLEAU – 3 Z ÉCOLE FLORENTINE DU XVIe S. – 16 ZÖTL, Aloys - 92 ÉCOLE FRANÇAISE VERS 1742 – 49 ÉCOLE FRANÇAISE DU XVIIIe S. - 73 ÉCOLE ITALIENNE DU XVIIe S. – 22 ÉCOLE NÉOCLASSIQUE – 78, 89 16 juin 2020 17h. Paris RTCURIAL Maîtres anciens & du XIXe siècle 5 lot n°34, École allemande du début du XVIe siècle , Recto : Cinq figures à mi-corps, dont un personnage ecclésiastique au premier plan ; Verso : Deux fragments de drapés et deux études de mains tenant des baguettes de bois (détail) p.42 Lots 1 à 111 Dessins Lots 112 à 200 : pas de lots Lots 201 à 340 Tableaux & sculptures Cette partie fait l'objet d'un catalogue spécifique. 1 Jacopo Antonio NEGRETTI, dit PALMA le Jeune Venise, 1544-1628 Recto : trois putti ; Verso : plusieurs études de figures Plume et encre brune, lavis brun 12,30 × 14 cm Dans un cadre en bois sculpté et doré à motif de feuilles d'acanthe, travail italien du XVIIe siècle Provenance : Collection Zaccaria Sagredo, Venise, sa marque écrite 'G. P. n° 134' (L.2103a) au verso ; Collection Lucien Wolff, Paris ; Puis par descendance Collection particulière, Paris Recto Three cupids, pen and brown ink, brown wash, inscribed, by Palma il Giovane 4.84 × 5.51 in. 1 000 - 1 500 € Verso 2 Attribué à Giuseppe PORTA Castelnuovo di Garfagnana, 1520 – Venise, 1575 La Charité Plume et encre brune, lavis brun et rehauts de gouache blanche 17,70 × 13,50 cm Dans un cadre à cassetta en bois sculpté et doré, Italie centrale vers 1600 Provenance : Collection Lucien Wolff, Paris ; Puis par descendance Collection particulière, Paris Allegory of Charity, pen and brown ink, brown wash and white highlights, attr. to G. Porta 6.97 × 5.31 in. 1 500 - 2 000 € 8 Maîtres anciens & du XIXe siècle RTCURIAL 16 juin 2020 17h. Paris 3 École de Fontainebleau Iphis, fille de Thélétuse, est amenée devant l'autel d'Isis pour être changée en garçon Plume et encre brune, lavis brun et rehauts de gouache blanche Une inscription ancienne à la plume 'La mutation de iphis la pucelle en / Iouvenceau et du sacrifice qui fict / a la deesse isis livre IX de la / mettamorfose de ovide' dans le haut du dessin Annoté indistinctement anciennement 'garen… conois / GM' à la plume au verso Cette histoire tirée des Xianthe lui fut promise en et postérieurement 'collaborateur Métamorphoses d'Ovide semble mariage. Iphis était aussi amou- de Jean Duvet' se rapprocher avec ingénuité de reuse de Xianthe que Xianthe Une attribution moderne à Michel Rochetel sur le montage certaines tendances modernes éprise d'Iphis, aussi n'eut elle 20,50 × 31 cm transformistes. Elle remonte selon comme dernier recours que celui (Petit manque en bas à gauche toute vraisemblance aux mythes de supplier Isis de permuter son dans le coin) égyptiens, voire plus précisément au sexe. Thélétuse attendit le dernier Sans cadre règne de la reine Hatchepsout, qui moment, la veille du mariage, pour se faisait représenter en homme. aller implorer avec Iphis la déesse Iphis, daughter of Theletusa, brought to Isis' altar to be changed Théléthuse avait imploré Isis de transformer sa fille en into a young man, pen and brown ink, lorsqu'elle était enceinte la déesse garçon. Elle obtint aussitôt gain de brown wash and white highlights, Isis de lui donner une fille. Iphis cause et les mariés furent heureux. School of Fontainebleau fut élevée en garçon sans qu'aucun Dans l'Antiquité, la magie avait 8.07 × 12.20 in. soupçon ne soit éveillé, mais il autant de succès que la chirurgie 5 000 - 7 000 € vint un moment où une certaine de nos jours. 16 juin 2020 17h. Paris RTCURIAL Maîtres anciens & du XIXe siècle 9 4 Domenico TINTORETTO Venise, 1560-1635 La Guerre Huile et gouache sur papier bleu Trace d'annotation en bas à gauche et à la plume et encre brune sur le montage au verso 19,50 × 24,40 cm Provenance : Collection Robert von Hirsch, Bâle, n° 311, une étiquette au verso ; Sa vente, Londres, Sotheby Parke Bernet & Co., 20 juin 1978, n° 31 ; Galerie Jan Krugier, Genève, une étiquette au verso ; Collection particulière, Espagne Bibliographie : Hans Tietze, Erika Tietze-Conrat, The Drawings of the Venetian painters in the 15th and 16th Centuries, New York, 1944 et 1970, t. I, p. 260, n° 1477, repr. t. II, pl. CXVII A war scene, oil and gouache on blue paper, inscribed, by D. Tintoretto 7.68 × 9.61 in. 20 000 - 30 000 € Nous connaissons trois autres dessins de même sujet, conservés dans l’album de Domenico Tintoretto du British Museum (inv. 1907-7-17-79 à 81). Ils sont de dimensions sensiblement similaires et l’un est en sens inverse. Tous ces dessins pourraient être en relation avec la Prise de Constantinople du Palazzo Ducale. Notre dessin est typique des esquisses sur papier de Domenico, très énergiques et tourmentées, dont l’album du British Museum constitue le plus grand ensemble. 10 Maîtres anciens & du XIXe siècle RTCURIAL 16 juin 2020 17h. Paris 5 Ottavio LEONI Rome, 1578-1630 Portrait de femme à la robe noire Trois crayons Numéroté et daté '184 / febraro' en bas à gauche 21 × 14,50 cm Provenance : Galerie Claude Aubry, Paris, en 1971, n° 64 ; Collection Lucien Wolff, Paris ; Puis par descendance Collection particulière, Paris Bibliographie : Yuri Primarosa, Ottavio Leoni (1578- 1630): eccellente miniator di ritratti : catalogo ragionato dei disegni e dei dipinti, Rome, 2017, p. 527, n° 448 (comme daté de 1621) Portrait of a lady, black, white and red chalk, inscribed, by O. Leoni 8.27 × 5.71 in. 15 000 - 20 000 € Très apprécié à Rome comme peintre, Ottavio Leoni est surtout un formidable dessinateur, qui plus est lorsqu'il sort ses couleurs pour parer ses figures de la haute société, des cardinaux aux dames de qualité. Ami du Caravage et protégé comme lui par le cardinal Del Monte avant de devenir en 1614 prince de l'Accademia di San Luca, Leoni nous surprend par l'acuité psychologique qu'il offre à ses modèles. Ce séduisant portrait de femme est incontestablement l'un des plus beaux dessins de l'artiste. Nous nous plaisons à ima- giner que son cadre est d'origine ; quelle richesse alors serait celle de cette dame pourtant sobrement vêtue de noir ! 12 Maîtres anciens & du XIXe siècle RTCURIAL 16 juin 2020 17h. Paris 6 Polidoro CALDARA, Œuvres en rapport : Atelier de Raphael, Joseph vendu par ses dit Polidoro da CARAVAGGIO frères, Vatican, Loges de Léon x (fig.1) Caravaggio, 1495 - Messine, 1543
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