Learning Resource Autumn 2017
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Mythological Intertextuality in Nineteenth Century Ballet Repertory
Skidmore College Creative Matter MALS Final Projects, 1995-2019 MALS 5-20-2006 Mythological Intertextuality in Nineteenth Century Ballet Repertory Liane Fisher Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Dance Commons, and the History of Art, Architecture, and Archaeology Commons Recommended Citation Fisher, Liane, "Mythological Intertextuality in Nineteenth Century Ballet Repertory" (2006). MALS Final Projects, 1995-2019. 41. https://creativematter.skidmore.edu/mals_stu_schol/41 This Thesis is brought to you for free and open access by the MALS at Creative Matter. It has been accepted for inclusion in MALS Final Projects, 1995-2019 by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Mythological Intertextuality in Nineteenth Century Ballet Repertory Master of Arts in Liberal Studies Thesis Skidmore College Liane Fisher March 2006 Advisor: Isabel Brown Reader: Marc Andre Wiesmann Table of Contents Abstract .............................. ... .... .......................................... .......... ............................ ...................... 1 Chapter 1 : Introduction .. .................................................... ........... ..... ............ ..... ......... ............. 2 My thologyand Ballet ... ....... ... ........... ................... ....... ................... ....... ...... .................. 7 The Labyrinth My thologies .. ......................... .... ................. .......................................... -
Transformations and Consequences in Society Due to Covid-19 Pandemic
Virtual International Academic Conference TRANSFORMATIONS AND CONSEQUENCES IN SOCIETY DUE TO COVID-19 PANDEMIC BOOK OF ABSTRACTS https://aab-edu.net/en/conference/transformations -and-consequences-in-society-due-to-covid-19-pandemia/ September 5, 2020 Pristina, Republic of Kosovo Organized by: In collaboration with: AAB College Virtual International Academic Conference TRANSFORMATIONS AND CONSEQUENCES IN SOCIETY DUE TO COVID-19 PANDEMIC September 5, 2020 @AAB College Pristina, Republic of Kosovo BOOK OF ABSTRACTS https://aab-edu.net/en/conference/transformations-and-consequences-in- society-due-to-covid-19-pandemia/ Organized by: AAB College, Prishtina, Kosovo In collaboration with: Pedagogical University of Kracow, Poland Faculty of Pedagogy - St. Clement Ohridski University-Bitola, North Macedonia Faculty of Criminalistics, Criminology and Security Studies, University of Sarajevo Communication Institute of Greece, Athens Department of Journalism and Communication, University of Tirana University of Structural Engineering & Architecture 'Lyuben Karavelov', Sofia TRANSFORMATIONS AND CONSEQUENCES IN SOCIETY DUE TO COVID-19 PANDEMIC The Covid-19 pandemic changed almost every aspect of life and society. Some sectors of society were paralyzed and some were transformed. People faced the challenge of survival due to the dangerous virus. A number of services and some manufacturing sectors were blocked, others were transformed to adapt to the new way of managing in pandemic time. Traditional education was transformed and introduced online. Communication in society through technology was considered more useful than ever before. Even the fear of economic and social difficulties increased. Many jobs were cut, production was halted in many services, and several of them were suspended for a period of time. -
Centre for Advanced Training in Dance
TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE TRINITY LABAN CONSERVATOIRE OF MUSIC & DANCE CENTRE FOR ADVANCED TRAININ CENTRE FOR ADVANCED G IN DANCE CENTRE FOR ADVANCED TRAINING IN DANCE Magazine no 3 | Summer 2015 3 CelebratinG EXCELLENCE WHAT MAKES THE TRINITY LABAN DANCE CAT UNIQUE? CREATIVE MISSION DEVELOPING CHOREOGRAPHIC POTENTIAL Centre for Advanced Training in Dance Trinity Laban Conservatoire of Music and Dance Faculty of Dance, Creekside, London SE8 3DZ THE BIGGER PICTURE 020 8305 9400 | [email protected] trinitylaban.ac.uk/cat CASE Circle of Excellence Bronze Winner 2014 ENGAGING WITH THE WIDER WORLD OF DANCE Supported by Printed by Newton Print, accredited to ISO:14001 (Environmental Management) using vegetable-based inks and low-chemistry plate technology. 1 CAT_mag_190x255_2015_covers.indd 1 24/06/2015 16:27 ADVERTISEMENT The world’s largest contemporary dance centre is an inspiring modern location for hire. Featuring a state-of-art 300 capacity theatre, large and versatile studios and a dramatic foyer. Available for all types of events: Conferences Performances Meetings Seminars Workshops Rehearsals Dinner receptions …and more Call us today on 020 8305 9452 or email [email protected] trinitylaban.ac.uk/hire 2 CAT_mag_190x255_2015.indd 2 24/06/2015 16:19 THE COOLEST PIECE OF ARCHITECTURE IN THE CAPITAL Evening Standard Trinity Laban is committed to equality of opportunity. Registered Charity 309998. Supported by Arts Council England with National Lottery funds. Photo: Tim Crocker TRINITYLABAN.AC.UK/CAT 3 CAT_mag_190x255_2015.indd 3 24/06/2015 16:19 WELCOME elcome to the 2015 issue of the Trinty Laban Centre best possible platform for our remarkable students to prepare for Advanced Training in Dance Magazine, which for their future careers. -
Programa De Mà What’S the Story?
Programa de mà What’s the Story? SECCIÓ OFICIAL INTERNACIONAL EN COMPETICIÓ *Visionats limitats El videodiari personal de Shannon Hoon, cantant de Blind Melon que va gravar els últims anys de la seva vida, se- All I Can Say gada sobtadament per una sobredosi. Una càpsula del temps dels 90 i l’era del ‘rock alternatiu’. Danny Clinch, Taryn Gould, Colleen Hennessy, Shannon Hoon, 2019, Estats Units, 102 min. Abans dels mòbils amb càmera integrada i de VOSE / VOSC l’exhibicionisme online massiu, hi havia els “videoaficio- nats”. Shannon Hoon ho era i va gravar el seu dia a dia en- tre 1990 i 1995. Aquest film busseja en aquelles cintes i, en ordre cronològic, arma una impressio-nant crònica en pri- mera persona de la vida d’aquell xaval d’Indiana que havia d’assolir la fama amb Blind Melon. Retalls de la seva vida familiar i sentimental, la mudança a L.A., la companyonia amb Guns n’ Roses, l’èxit sobtat, les gires extenuants, la seva paternitat, les drogues dures… El confessionari d’un jove inquiet i impulsiu en un món en transició: la indústria discogràfica vivia els seus últims dies de glòria, la MTV en- cara manava, Woodstock ressuscitava, L.A. cremava con- tra la brutalitat policial, Bill Clinton arribava a la presidència MARCA’T QUAN EL VEURÀS i Kurt Cobain vivia com un suplici el seu paper d’icona ge- DX DJ DV DS DI DL DM DX DJ DV DS DI neracional. 28 29 30 31 01 02 03 04 05 06 07 08 Suma’t a la conversa a les xarxes! Utilitza el Hashtag: !#InEdit2020 What’s the Story? SECCIÓ OFICIAL INTERNACIONAL EN COMPETICIÓ Exuberant carta d’amor, en forma de remix musical i co- reogràfic, de TT The Artist a la ciutat de Baltimore, la seva Dark City Beneath the Beat música de club, la seva escena de dansa i els joves que s’expressen al carrer i planten cara a la desigualtat social. -
Commercial the Future of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents
Commercial The Future Of Textile Flooring Bolon Artisan Ivory, Botanic Osier and Botanic Picea Contents 03 Company Overview 06 Product Overview 08 Performance Benefits 11 Commercial Portfolio 13 Work Spaces 17 Meeting Rooms 21 Corridors 25 Reception and Waiting Areas 29 Break-out Spaces 33 Dining Spaces 37 Stairs 39 Bolon Green 41 Care and Maintenance 03 The Story of Bolon The Company The History Bolon (est. 1949) - A third-generation family- Over 60 years ago in Sweden, an idea was owned Swedish design company and the creator born to turn textile waste into rag rugs and the of woven vinyl flooring. Bolon products are Bolon story began. Bolon’s initial product was trend-setting with distinct focus on innovation, revolutionary at the time, and it characterised a quality and sustainability. The designs deliver desire to lead rather than to follow. The man who the beauty of a woven textile with the benefits lit the spark was Nils-Erik Eklund, the founder of resilient flooring – long life cycles and ease of Bolon. Today, his granddaughters, Annica of installation and maintenance. The Bolon and Marie, continue to carry the torch. Since portfolio encompasses an infinite range of they took over the company from their parents design possibilities, suitable for all commercial in 2003, they have been on a mission to make applications, including indoor and controlled Bolon a design-led innovator and fuse the once outdoor flooring, wall-coverings and area rugs. conservative flooring company with the limitless Head-quartered and manufactured in creativity found in fashion, art, architecture and Ulricehamn, a town in the heart of Sweden’s interior design. -
Sew Any Fabric Provides Practical, Clear Information for Novices and Inspiration for More Experienced Sewers Who Are Looking for New Ideas and Techniques
SAFBCOV.qxd 10/23/03 3:34 PM Page 1 S Fabric Basics at Your Fingertips EW A ave you ever wished you could call an expert and ask for a five-minute explanation on the particulars of a fabric you are sewing? Claire Shaeffer provides this key information for 88 of today’s most NY SEW ANY popular fabrics. In this handy, easy-to-follow reference, she guides you through all the basics while providing hints, tips, and suggestions based on her 20-plus years as a college instructor, pattern F designer, and author. ABRIC H In each concise chapter, Claire shares fabric facts, design ideas, workroom secrets, and her sewing checklist, as well as her sewability classification to advise you on the difficulty of sewing each ABRIC fabric. Color photographs offer further ideas. The succeeding sections offer sewing techniques and ForewordForeword byby advice on needles, threads, stabilizers, and interfacings. Claire’s unique fabric/fiber dictionary cross- NancyNancy ZiemanZieman references over 600 additional fabrics. An invaluable reference for anyone who F sews, Sew Any Fabric provides practical, clear information for novices and inspiration for more experienced sewers who are looking for new ideas and techniques. About the Author Shaeffer Claire Shaeffer is a well-known and well- respected designer, teacher, and author of 15 books, including Claire Shaeffer’s Fabric Sewing Guide. She has traveled the world over sharing her sewing secrets with novice, experienced, and professional sewers alike. Claire was recently awarded the prestigious Lifetime Achievement Award by the Professional Association of Custom Clothiers (PACC). Claire and her husband reside in Palm Springs, California. -
A Level Dance Transitions Materials
Sir Henry Floyd Grammar School Year 12 A Level Dance Transition Work To prepare yourself for the A Level Dance course we suggest that you complete some of the following tasks prior to the start of your course. You are not required to complete all tasks. If you don’t understand something, don’t worry, we will revise all of this material briefly at the start of the course. If you have not studied GCSE Dance you should refer to the GCSE Dance revision guide to ensure you are secure in key terminology. Component 1: Solo Practitioner Performance Task Research a few of the following practitioners and find out the key features of their work: Prescribed set works: - Christopher Bruce - Martha Graham - Gene Kelly - Sidi Larbi Cherkaoui Named practitioners: - Glen Tetley - Robert North - Richard Alston - Siobhan Davies - Ashley Page - Filippo Taglioni - August Bournonville - Arthur Saint-Leon - Agnes de Mille - Jack Cole - Jerome Robbins - Bob Fosse - Loie Fuller - Isadora Duncan - Ruth St. Denis - Doris Humphrey - Shobana Jeyasingh - Matthew Bourne - Jasmin Vardimon - Akram Khan - Hofesh Shechter Consider whether any of these practitioners would suit your own strengths and weaknesses in terms of performance. Component 1: Choreography Task Watch examples of dance works from some of the following companies and choreographers to broaden your knowledge of different styles of dance: ● Matthew Bourne’s New Adventures ● Ballet Boyz ● Rambert Dance Company ● Boy Blue Entertainment ● Akram Khan Dance Company ● Shobana Jeyasingh Dance ● Motionhouse Dance Company ● StopGap Dance Company ● DV8 Physical Theatre ● Phoenix Dance Theatre ● James Cousins Company ● The Royal Ballet (Wayne McGregor) ● Jasmin Vardimon ● Hofesh Schecter Note how they manipulate dancers and movement material and recognise key choreographic devices that the choreographers have used. -
JEWELS of the EDWARDIANS by Elise B
JEWELS OF THE EDWARDIANS By Elise B. Misiorowski and Nancy K. Hays Although the reign of King Edward VII of ver the last decade, interest in antique and period jew- Great Britain was relatively short (1902- elry has grown dramatically. Not only have auction 1910), the age that bears his name produced 0 houses seen a tremendous surge in both volume of goods distinctive jewelry and ushered in several sold and prices paid, but antique dealers and jewelry retail- new designs and manufacturing techniques. ers alikereportthat sales inthis area of the industry are During this period, women from the upper- excellent and should continue to be strong (Harlaess et al., most echelons of society wore a profusion of 1992). As a result, it has become even more important for extravagant jewelry as a way of demon- strating their wealth and rank. The almost- jewelers and independent appraisers to understand-and exclusive use of platinum, the greater use of know how to differentiate between-the many styles of pearls, and the sleady supply of South period jewelry on the market. African diamonds created a combination Although a number of excellent books have been writ- that will forever characterize Edwardian ten recently on various aspects of period jewelry, there are jewels. The Edwardian age, truly the last so many that the search for information is daunting. The era of the ruling classes, ended dramatically purpose of this article is to provide an overview of one type with the onset of World War I. of period jewelry, that of the Edwardian era, an age of pros- perity for the power elite at the turn of the 19th century. -
Textile Design: a Suggested Program Guide
DOCUMENT RESUME CI 003 141 ED 102 409 95 Program Guide.Fashion TITLE Textile Design: A Suggested Industry Series No. 3. Fashion Inst. of Tech.,New York, N.T. INSTITUTION Education SPONS AGENCY Bureau of Adult,Vocational, and Technictl (DREW /OE), Washington,D.C. PUB DATE 73 in Fashion Industry NOTE 121p.; For other documents Series, see CB 003139-142 and CB 003 621 Printing AVAILABLE FROM Superintendent of Documents,U.S. Government Office, Washington, D.C.20402 EDRS PRICE NP -$0.76 HC-$5.70 PLUS POSTAGE Behavioral Objectives; DESCRIPTORS Adult, Vocational Education; Career Ladders; *CurriculumGuides; *Design; Design Crafts; EducationalEquipment; Employment Opportunities; InstructionalMaterials; *Job Training; Needle Trades;*Occupational Rome Economics; OccupationalInformation; Program Development; ResourceGuides; Resource Units; Secondary Education;Skill Development;*Textiles Instruction IDENTIFIERS *Fashion Industry ABSTRACT The textile designguide is the third of aseries of resource guidesencompassing the various five interrelated program guide is disensions of the fashionindustry. The job-preparatory conceived to provide youthand adults withintensive preparation for and also with careeradvancement initial entry esploysent jobs within the textile opportunities withinspecific categories of provides an overviewof the textiledesign field, industry. The guide required of workers. It occupational opportunities,and cospetencies contains outlines of areasof instruction whichinclude objectives to suggestions for learning be achieved,teaching -
Foreign Intelligence – French
Foreign Intelligence – French Dossier of 8-letter bingos from FOREIGN LANGUAGES–unusual letter / sound patterns = tricky alphagrams to anagram compiled by Jacob Cohen, Asheville Scrabble Club A 8s - French ABATTOIR AABIORTT slaughterhouse [n -S] ABOIDEAU AABDEIOU type of dike [n -S or -X] ABOITEAU AABEIOTU aboideau (type of dike) [n -S or -X] ACCOLADE AACCDELO to praise (to express approval or admiration of) [v -D, -DING, -S] ACCOUTRE ACCEORTU to accouter (to equip) [v D, -RING, -S] AEROBIUM ABEIMORU aerobe (organism that requires oxygen to live) [n -IA] ALIZARIN AAIILNRZ red dye [n -S] AMANDINE AADEIMNN prepared with almonds [adj] APERITIF AEFIIPRT alcoholic drink taken before meal [n -S] ARMAGNAC AAACGMNR French brandy [n -S] ARMATURE AAEMRRTU to furnish with armor [v -D, -RING, -S] ASSIGNAT AAGINSST one of notes issued as currency by French revolutionary government [n -S] AUSPICES ACEIPSSU AUSPEX, soothsayer of ancient Rome [n] B 8s - French BABOUCHE ABBCEHOU heelless slipper [n -S] BACALHAU AAABCHLU baccala (codfish (marine food fish) [n -S] BACCARAT AAABCCRT card game [n -S] BADINAGE AABDEGIN to banter (to exchange mildly teasing remarks) [v -D, -GING, -S] BARLEDUC ABCDELRU fruit [n -S] BARRIQUE ABEIQRRU wine barrel [n -S] BARTISAN AABINRST small turret [n -S] BARTIZAN AABINRTZ small turret [n -S] BASTILLE ABEILLST prison [n -S] BATTERIE ABEEIRTT ballet movement [n -S] BAUDEKIN ABDEIKNU brocaded fabric [n -S] BAYADEER AABDEERY bayadere (dancing girl) [n -S] BAYADERE AABDEERY dancing girl [n -S] BEAUCOUP ABCEOPUU abundance [n -S] -
Pentacle-40Th-Ann.-Gala-Program.Pdf
40 Table of Contents Welcome What is the landscape for emerging artists? Thoughts from the Founding Director Past & Current Pentacle Artists Tribute to Past Pentacle Staff Board of Directors- Celebration Committee- Staff Body Wisdom: Pentacle Celebrates Forty Years Tonight’s Program & Performers Event Sponsors & Donors Greetings Welcome Thank you for joining us tonight and celebrating this 40th Anniversary! In 1976 we opened our doors with a staff of four, providing what we called “cluster management” to four companies. Our mission was then and remains today to help artists do what they do best….create works of art. We have steadfastlyprovided day-to-day administration services as well as local and national innovative projects to individual artists, companies and the broader arts community. But we did not and could not do it alone. We have had the support of literally hundreds of arts administrators, presenters, publicists, funders, and individual supporters. So tonight is a celebration of Pentacle, yes, and also a celebration of our enormously eclectic community. We want to thank all of the artists who have donated their time and energies to present their work tonight, the Rubin Museum for providing such a beautiful space, and all of you for joining us and supporting Pentacle. Welcome and enjoy the festivities! Mara Greenberg Patty Bryan Director Board Chair Thoughts from the Founding Director What is the landscape for emerging dance artists? A question addressed forty years later. There are many kinds of dance companies—repertory troupes that celebrate the dances of a country or re- gion, exquisitely trained ensembles that spotlight a particular idiom or form—classical ballet or Flamenco or Bharatanatyam, among other classicisms, and avocational troupes of a hundred sorts that proudly share the dances, often traditional, of a hundred different cultures. -
A Dictionary of Men's Wear Works by Mr Baker
LIBRARY v A Dictionary of Men's Wear Works by Mr Baker A Dictionary of Men's Wear (This present book) Cloth $2.50, Half Morocco $3.50 A Dictionary of Engraving A handy manual for those who buy or print pictures and printing plates made by the modern processes. Small, handy volume, uncut, illustrated, decorated boards, 75c A Dictionary of Advertising In preparation A Dictionary of Men's Wear Embracing all the terms (so far as could be gathered) used in the men's wear trades expressiv of raw and =; finisht products and of various stages and items of production; selling terms; trade and popular slang and cant terms; and many other things curious, pertinent and impertinent; with an appendix con- taining sundry useful tables; the uniforms of "ancient and honorable" independent military companies of the U. S.; charts of correct dress, livery, and so forth. By William Henry Baker Author of "A Dictionary of Engraving" "A good dictionary is truly very interesting reading in spite of the man who declared that such an one changed the subject too often." —S William Beck CLEVELAND WILLIAM HENRY BAKER 1908 Copyright 1908 By William Henry Baker Cleveland O LIBRARY of CONGRESS Two Copies NOV 24 I SOB Copyright tntry _ OL^SS^tfU XXc, No. Press of The Britton Printing Co Cleveland tf- ?^ Dedication Conforming to custom this unconventional book is Dedicated to those most likely to be benefitted, i. e., to The 15000 or so Retail Clothiers The 15000 or so Custom Tailors The 1200 or so Clothing Manufacturers The 5000 or so Woolen and Cotton Mills The 22000