Audio Titles Spring 2021
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REFERENCE DOCUMENT Containing the Annual Financial Report Fiscal Year 2016 PROFILE
REFERENCE DOCUMENT containing the Annual Financial Report Fiscal Year 2016 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy qualifi ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is appointed Matra (Mécanique Aviation Managing Partner of TRAction), a company focused 10 February 1988: Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Offi cer of Matra, which Spanish assets. television channel La Cinq, has diversifi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, 2007: the Group reorganises and Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
The 2021 Guide to Manuscript Publishers
Publish Authors Emily Harstone Authors Publish The 2021 Guide to Manuscript Publishers 230 Traditional Publishers No Agent Required Emily Harstone This book is copyright 2021 Authors Publish Magazine. Do not distribute. Corrections, complaints, compliments, criticisms? Contact [email protected] More Books from Emily Harstone The Authors Publish Guide to Manuscript Submission Submit, Publish, Repeat: How to Publish Your Creative Writing in Literary Journals The Authors Publish Guide to Memoir Writing and Publishing The Authors Publish Guide to Children’s and Young Adult Publishing Courses & Workshops from Authors Publish Workshop: Manuscript Publishing for Novelists Workshop: Submit, Publish, Repeat The Novel Writing Workshop With Emily Harstone The Flash Fiction Workshop With Ella Peary Free Lectures from The Writers Workshop at Authors Publish The First Twenty Pages: How to Win Over Agents, Editors, and Readers in 20 Pages Taming the Wild Beast: Making Inspiration Work For You Writing from Dreams: Finding the Flashpoint for Compelling Poems and Stories Table of Contents Table of Contents .......................................................................................................... 5 Introduction ................................................................................................................. 13 Nonfiction Publishers.................................................................................................. 19 Arcade Publishing .................................................................................................. -
Frankfurt October
Translation Rights List Frankfurt October 1 1 Contents • About Bookouture p. 3 • Rights Department p. 4 • Historical p. 5 • Crime Thriller p. 21 • Women’s Fiction p. 78 • p. 104 • Schedule 2021 p. 106 • Rights Representatives p. 111 2 Digital publisher of brilliant fiction Bookouture is a fast-growing UK-based digital imprint specialising in a broad range of fiction and building authors globally. At just 8 years old, and with a team of 38 people, Bookouture has already scored 353 Amazon UK top 100 hits, and sold over 40 million copies. • From only 634 books and 154 authors, we sold 9.2 million copies in 2019 • We have had over 52 top-five Kindle bestsellers and over 78 top-ten Kindle bestsellers. 51% of all our titles have hit the Amazon UK Top 100. • We publish super-smart writing that keeps our readers up late into the night o Women’s fiction o Crime o Historical o Psychological suspense o Police procedurals o Chick lit o Paranormal romance o Young adult o Seasonal fiction o Sagas o Romance o Psychological thrillers o Thrillers o Holiday reads ‘Britain's Hottest Digital Publisher ’ 3 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director Worldwide Spanish and Catalan, Portugal, Far East, the Netherlands, Flemish Belgium, the Indian Subcontinent and all of Eastern Europe excluding Poland [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager The USA, France, Greece, Hebrew -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
PDF (V.87:17, February 14, 1986)
The Ultimate THE CALIFORNIA TECH Tech [Volume LXXXVII, Number 17 Pasadena, California Friday, February 14, 1986 Sunney Chan Wins Travel Award [CNB] - Sunney I. Chan, pro made on Monday, February 3, by from John Navas, founder and fessor of chemical physics and Dr. Rochus Vogt, Caltech vice president ofFittings That Fit, Inc., biophysical chemistry at Caltech, president and provost. The award in Alhambra. He has created a has received the 1986 John Navas consists of $4,000 in unrestricted similar award at his alma mater, Foreign Travel Award, which an travel funds, which Dr. Chan will MIT, and at Culver Military nually honors a Caltech faculty use to visit Scandinavia this sum Academy in Culver, Indiana. member for outstanding dedication mer with his family. This year's Navas Award to the welfare and education of The Navas Award was recognizes Dr. Chan for his com students. The presentation was established in 1982 through a gift mitment to enhancing the quality of personal and academic life for Caltech students. Dr. Chan served as master of student houses at the The Future of Institute from 1980 to 1983 and is currently chairman of an ad hoc faculty committee to review academic requirements for Art History undergraduates. A South Pasadena resident, Dr. by Doug Gray Gallery. He has taught courses on Chan was appointed professor of chemical physics in 1968, five Dr. John Schwarz, a professor of theoretical physics pioneered the ap- Rumor has it that art history at British art since 1961. The elimination of Ward's and years after he joined the Caltech plication of superstrings to unified field theory. -
The Oldest Independent Publisher in the English Speaking World
the Oldest Independent Publisher in the English Speaking World The oldest publishers in the English speaking world are: Witherbys 1740 London Witherbys is the oldest independent publisher in the English speaking world still operating under the name of its founder. Witherbys started as a stationer in the City of London, 6 years after Lloyd’s List, the oldest daily newspaper in the world, was first published in 1734. From the outset, Witherbys published and sold marine insurance clauses for the carriage of cargo by ship, which have been issued at approximately 4 yearly intervals since that time. The 77th Edition is to be published in 2013. Since 2008, Witherbys has been based in Edinburgh. John Murray 1768 London In 2002, John Murray was sold to Hodder Headline, part of the W H Smith group, and in 2004 Hodder Headline was bought by Hachette Livre. Schroedel 1792 20th Century Now part of the Westermann printing and publishing group Constable & Co. 1795 Edinburgh Became ‘Constable & Robinson Ltd.’ in 1999, now based in London. John Wiley & Sons 1807 New York Butterworths 1818 London Butterworths was acquired by Reed Elsevier Plc in 1970 Chambers 1819 Edinburgh Chambers was purchased by Harrap’s in the early 1990s and is now part of The Hachette Book Group. Pickering (& Chatto) 1820 London Became ‘Pickering & Chatto’ in 1878 Hachette Livre 1826 France Hachette Book Group was created when Hachette Livre, a global publishing company based in France, acquired Time Warner Book Group from Time Warner in 2006. In 1902 Houghton Mifflin 1832 USA In 2007 Houghton Mifflin Company acquired Harcourt Education, which was founded in 1919. -
Livre 1.Indb
European Aeronautic Defence and Space Company EADS N.V. Registration Document 2010 European Aeronautic Defence and Space Company EADS N.V. (the “Company” or “EADS” and together with its subsidiaries, the “Group”) is a Dutch company, which is listed in France, Germany and Spain. The applicable regulations with respect to public information and protection of investors, as well as the commitments made by the Company to securities and market authorities, are described in this registration document (the “Registration Document”). In addition to historical information, this Registration Document includes forward-looking statements. The forward-looking statements are generally identified by the use of forward-looking words, such as “anticipate”, “believe”, “estimate”, “expect”, “intend”, “plan”, “project”, “predict”, “will”, “should”, “may” or other variations of such terms, or by discussion of strategy. These statements relate to EADS’ future prospects, developments and business strategies and are based on analyses or forecasts of future results and estimates of amounts not yet determinable. These forward-looking statements represent the view of EADS only as of the dates they are made, and EADS disclaims any obligation to update forward-looking statements, except as may be otherwise required by law. The forward-looking statements in this Registration Document involve known and unknown risks, uncertainties and other factors that could cause EADS’ actual future results, performance and achievements to differ materially from those forecasted or suggested herein. These include changes in general economic and business conditions, as well as the factors described in “Risk Factors” below. This Registration Document was prepared in accordance with Annex 1 of EC Regulation 809/2004, filed in English with, and approved by, the Autoriteit Financiële Markten (the “AFM”) on 19 April 2011 in its capacity as competent authority under the Wet op het financieel toezicht (as amended) pursuant to Directive 2003/71/EC. -
Louisa Pritchard Associates Frankfurt Book Fair 2018
LOUISA PRITCHARD ASSOCIATES FRANKFURT BOOK FAIR 2018 Louisa Pritchard Associates, Flat 5, 81 Battersea Church Road, London SW11 3LY Tel: + 44 20 7193 7145 Email: [email protected] The complete list LPA is proud to represent: Geraldine Cooke Literary Agency (translation rights) Elliott & Thompson (ANZ, translation) Annette Green Authors’ Agency (US and translation rights) Influx Press (ANZ, US and translation rights) Andrew Mann Ltd (translation, excluding Germany) MBA Literary Agents (translation rights) Moth Publishing (ANZ, US and translation rights) Myriad Editions (ANZ, US and translation rights) Emily Sweet Associates (translation rights) The Science Factory (translation rights, excluding Japan and Korea) Robert Smith Literary Agency (translation rights) The Zeno Agency (Brazil, France, Greece, Netherlands, Portugal, Spain, Nordic countries) For all enquiries, please contact: Louisa Pritchard LPA Flat 5 81 Battersea Church Road London SW11 3LY Email: [email protected] Tel: + 44 20 7193 7145 Mobile: + 44 7714 721 787 We’ll be based at table 8N in the agents’ centre at the Frankfurt Book Fair. 1 CONTENTS FICTION Crime and thrillers 3 General fiction 12 YA and children’s 39 Science fiction and fantasy 40 Gift books and graphic novels 45 NON-FICTION Health and well-being 52 Philosophy 57 Popular science 61 Economics 93 Current affairs, feminism 94 and politics History, biography and memoir 98 2 LPA 2018 Crime and thrillers THE KENNEDY MOMENT Peter Adamson ‘It reads like an Elmore Leonard novel, only with more emotion and more depth. I was spellbound, in genuine suspense, the writing is so damned good.’ Adam Fifield Compelling and convincing political thriller about five professionals at the top of their careers who hatch an ‘unthinkable’ plot to blackmail the government of the United States. -
Reference Document Including the Annual Financial Report
REFERENCE DOCUMENT INCLUDING THE ANNUAL FINANCIAL REPORT 2012 PROFILE LAGARDÈRE, A WORLD-CLASS PURE-PLAY MEDIA GROUP LED BY ARNAUD LAGARDÈRE, OPERATES IN AROUND 30 COUNTRIES AND IS STRUCTURED AROUND FOUR DISTINCT, COMPLEMENTARY DIVISIONS: • Lagardère Publishing: Book and e-Publishing; • Lagardère Active: Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage; • Lagardère Services: Travel Retail and Distribution; • Lagardère Unlimited: Sport Industry and Entertainment. EXE LOGO L'Identité / Le Logo Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins Echelle: d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. Agence d'architecture intérieure LAGARDERE - Concept C5 - O’CLOCK Optimisation Les entrepreneurs devront s’engager à executer les travaux selon les règles de l’art et dans le respect des règlementations en vigueur. Ce 15, rue Colbert 78000 Versailles Date : 13 01 2010 dessin est la propriété de : VERSIONS - 15, rue Colbert - 78000 Versailles. Ne peut être reproduit sans autorisation. tél : 01 30 97 03 03 fax : 01 30 97 03 00 e.mail : [email protected] PANTONE 382C PANTONE PANTONE 382C PANTONE Informer, Rassurer, Partager PROCESS BLACK C PROCESS BLACK C Les cotes indiquées sont données à titre indicatif et devront être vérifiées par les entrepreneurs. Ceux-ci devront soumettre leurs dessins d’éxécution pour approbation avant réalisation. L’étude technique des travaux concernant les éléments porteurs concourant la stabilité ou la Echelle: Agence d'architecture intérieure solidité du bâtiment et tous autres éléments qui leur sont intégrés ou forment corps avec eux, devra être vérifié par un bureau d’étude qualifié. -
Rereading the American Short Story
The Explorative Value of Computational Methods: Rereading the American Short Story Stephanie Siewert and Nils Reiter ABSTRACT This article explores the use of computational methods to study stylistic and content shifts of the nineteenth-century short story. It is generally assumed that the modern American short story somehow represents the democratic discourse of the United States. This paper argues that an explorative computational approach can help us to reconsider the connections between the textual patterns of the short story and U.S.-American modernity. We offer a critical, digital perspective on the distribution of certain indicative linguistic features across 123 short stories from 1840 to 1916. We used methods from computational linguistics to automatically anno- tate the texts with various linguistic properties (named entities and direct speech, for instance). The quantitative results of automated text processing are presented against the backdrop of the major social, economic, and cultural developments of the time. Our findings provide further insights on the tensions between processes of individualization and economic dependencies dur- ing the nineteenth century, especially with respect to the publishing industry. In addition, we propose that the more experimental nature of a macro-analytical perspective can direct our attention to texts or groups of texts that remain underestimated as to their literary value or exemplary nature for a certain topical, structural, or linguistic pattern. In this vein, the article offers a close reading of Thomas Bailey Aldrich’s short story “Mademoiselle Olympe Zabriski,” which features an above-average number of proper names within the corpus. When re-read in the light of quantitative results, we see the text comment humorously on 1870s class issues in New England. -
Notions of Self and Nation in French Author
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 6-27-2016 Notions of Self and Nation in French Author- Aviators of World War II: From Myth to Ambivalence Christopher Kean University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Kean, Christopher, "Notions of Self and Nation in French Author-Aviators of World War II: From Myth to Ambivalence" (2016). Doctoral Dissertations. 1161. https://opencommons.uconn.edu/dissertations/1161 Notions of Self and Nation in French Author-Aviators of World War II: From Myth to Ambivalence Christopher Steven Kean, PhD University of Connecticut, 2016 The traditional image of wartime aviators in French culture is an idealized, mythical notion that is inextricably linked with an equally idealized and mythical notion of nationhood. The literary works of three French author-aviators from World War II – Antoine de Saint- Exupéry, Jules Roy, and Romain Gary – reveal an image of the aviator and the writer that operates in a zone between reality and imagination. The purpose of this study is to delineate the elements that make up what I propose is a more complex and even ambivalent image of both individual and nation. Through these three works – Pilote de guerre (Flight to Arras), La Vallée heureuse (The Happy Valley), and La Promesse de l’aube (Promise at Dawn) – this dissertation proposes to uncover not only the figures of individual narratives, but also the figures of “a certain idea of France” during a critical period of that country’s history. -
Lagardère Travel Retail
INVESTOR PRESENTATION September 2019 DISCLAIMER Certain statements contained in this document are forward-looking statements (including objectives and trends), which address our vision of the financial condition, results of operations, strategy, expected future business and financial performance of Lagardère SCA. These data do not represent forecasts regarding Lagardère SCA’s results or any other performance indicator, but rather trends or targets, as the case may be. When used in this document, words such as “anticipate”, “believe”, “estimate”, “expect”, “may”, “intend”, “predict”, “hope”, “can”, “will”, “should”, “is designed to”, “with the intent”, “potential”, “plan” and other words of similar import are intended to identify forward-looking statements. Such statements include, without limitation, projections for improvements in process and operations, revenues and operating margin growth, cash flow, performance, new products and services, current and future markets for products and services and other trend projections as well as new business opportunities. Although Lagardère SCA believes that the expectation reflected in such forward-looking statements are reasonable, such statements are not guarantees of future performance. Actual results may differ materially from the forward-looking statements as a result of a number of risks and uncertainties, many of which are outside our control, including without limitations: • general economic conditions; • legal, regulatory, financial and governmental risks related to the businesses; • certain risks related to the media industry (including, without limitation, technological risks); • the cyclical nature of some of the businesses. Please refer to the most recent Reference Document (Document de référence) filed by Lagardère SCA with the French Autorité des marchés financiers for additional information in relation to such factors, risks and uncertainties.