Illt-Widee Valuatiaon Saars W~Ilson Akears Con World Ecsonomics

Total Page:16

File Type:pdf, Size:1020Kb

Illt-Widee Valuatiaon Saars W~Ilson Akears Con World Ecsonomics , -t f~~ in-LUME -91 NUMBER SI ) A NOVEMBE 30, 1971 ~ fCMRDE ASCUE-SFV ET Und~giad educatioM: | ~By Paul Scfdler T~he source noted that one Dlisconcerting information way to make elimination easier |has reached The Tech in recent wvould be to follow current plans |weeks which casts doubt on to creat~e a separate undergrad- MIT's intitutional dedication to uate division. "If the funds for udergraduate education. this facet of MIT's operations ' No onse can doubt the car- were sepazate and visible, the rent adiiato' dedication probable losses would be easier to undergaduate educationl," to point to,," he noted, in- saidl inlformed souces, "but the creasn pressure to drop the -Institutewide -trends axe in unprofitable enterprise- another direction: research and He concluded b0y no~ting that, graduateeducation,' "the Corporation very probably Exployees ill onle section of has final say in this kind of I the Dea for Student Affar matter, and their approach could office nloted that many there uell be conlsiderably more prag- feel a "essening cmmitment'" matic - and considerably less to udergra duates and uder- idealistic than that of the admn- gradluate education, made, clear istration." Olt -4vs,. W in the budget-ctting priorities. Kenneth Hloffman., former The seod fkwdonp entry to f em~k~m OWpwmpting an iret*Uon which I91 -oriuennted activty seems chaira of the Commlittee on Swent Ceter wer Wcked off fo'oe a week eseed dt all the damr had Worn excessively. tos be gettimg hit hardest,"" noted MIT Education, whose -report as iron wokr - intlldnw doo catche and Some 2-3 people pass through ffhese ;one staffer, "'just as we were suggsted the creation of an malcing some progress in humna- undergaduate im ovtdadw oing parLOn f te dos f doorsdaily, bwuding almost 1200 who use eithier king the envirnment." division to cover o¢ff reetl. rwaly mpsng tw Sfixient Cente 11I olr 20 Chy es. jPiotp lby shemon Lo wenu the freshmanx and sophomore _ L __ L __ _ _ _ _ C rThe major rationale for cut- years, called such allegations, I 'ting out students -seems to be 'unt=."9 He added that "We moneq. A highy placed Sloan school official noted that: "In were trying to point out new I IllT-widEe valuatiaon saars spite of the mnuddled state of the, direcuoos for undergraduate educationl, to which most of us FAcatioal. rPfcy,, thle SD9Msc poect is one.) Baker explained budget, it's clear tht unlder- here are firmly commlitted," He The fbr nI~tiute-e Sub- submite the pr^et to tbrE that the rspnors then consid- graduate education loses a great seemed to think that some tur- itct e~d a~k p r~t Will &e't CEP for its xdm. exed approaching individual fac- deal of money.' moil over the proper balance of wdeiay- toda and ioomw, The EP9 in ilts rely en- uity members to request assis- The o~ffcial went on to note undergaduate education, be- gith atpproximatl ;t0,0 tance, bult deemig this too time that, "Undergraduates are Anot as- tweenl sciences and humanities, psiniple. andco n endthe consmie, thy have chosen to useful inI research as graduate tdUf lvne gsg = 6 for example, was visible. Others pxcect, bUt sed 'that it felt cmduct the evauations through students are; thus graduate stu- havre speculated that this tunnoil The somy imiel* sifudt that any survey designd to Se lig group distribution (there dents are more valuablLe, relt- might be mistaken for indecision wth o acut or adm th "cOaSwme lresaCWL tukt wIalso be a booth in Bldg. lO tivrely less expenie to educate-" triio partcpato except in sho~d propeDy be entiely stu todaay aM tomorrow to distribS He noted that a year age, there about all of undergraduate edu- tkeal uplaif bges iss1 dn rn. (Te CEP ddC' ute questionnars to non- .wvas "'noticeably" more senti- cation. bem jointl sponsore by Xh operate td a certain extet by eident students). ment agais underpdadte eda- On numerous occasions, both 'CMof`72 -td.TCA Accoiding apeCeing tO md a lette to the Baiker also noted that after cation than there is now. "plwt Chancellor Gray and President (o f~reY Baker 72,,O o "72 NUT instructin tf which thke questionnies have been ning for the eimntion of Wiesner have re-affirmed their Feddet, the.qustionaiies;wi wol comed eforft to i- compild, they wiiH be sent to undergraduates doesn't seem to personal commitmenlt to under- be compied durn December prveStdet-eae feedback, te instructors involved some- be going on any more, at this graduate education, in both the ad Jaua2y-' an th eis of -which the laa of 72-TCA time after grades are out. point."" long and short haul at MIT. be made avlble to anMU stuents beoe th einto & spring =nesftr. The evg hato projet wf W~ilson akears con world ecsonomics focus on- 1=slitute addepa -- Mental egurdetsX-n 13ke By Fet Feka After sprinlng a few quota- GATT's [General Agreement on sible or im perm issible de ro ga- " pointe ot that Vor stafi%- Speaking at Tufts Unvesity tions in French ino his lecture, Trades and Tarriffsj twin, the tions from GATT, whose fun- tim remns subjcs Wihfewe an Sunday evening the Right Wilon remarked "I've got to Bretton Woods monetary agree- damentals, if not unchallenged, tha 20 suents woul not be .Honorable Harald Wilson, for- keep on quoting F~rench because ment, is now being called in no one country seems to want to included in bm evabafin ~mer Britis Pie Mnste amd President Pompido~u said we question ona aft sides, GATT tae the initiative in Tiepealing. The q- efovmk welcoss now thie leade of Her ~ajestess must. I've got to show tbhat some suvves. The monetary xons Import surcharges, such as Bri- of trepars Tr Coure ever~oyal otpposition,, dismme of us stl can.' quences of.-August 15th could tain introduced in 1964, and 'B Tthe " an - QCm on thie history of postwar ecom W~it comaments such as these, well blo>w sky-higf much that President. Nixon -followed by Ments.7> peed~ed by a brief omi deveopmnents frm th the MP ingratiated himself with has reaied 'unchanged sice the new Danish government -in expaatio3 4i the Progrmn ide, vtaepoinft of an insider- tfie audience or approximately Bretton Woods:. equaLly far- 197 l, are defended as a tempor- in the SpnsO n s~ting Wfsnws topic, 'World Trade 600 who stuggled to follow hims reaching proposals o3n trade stil ary bending of the GAn5 tbeir PhD to "Pnont StmDig 'adPaymet: The End of th thoug a economic discussion tend to be discussed. as permis (Plezase turn to pqage 2) and wrea points in MT's C Keynes-Clayton Era,', was which wras difficult for te unini- oferigs." Under "Te Course" appropitl chse sic th. tiated. Wilson 'credited Clayton WMR be quefone (askn fr speech was the first oxf thee wit ben the originator of the revse on a On WQ fiv c pxesentations in th 971 Wfi Marhl Pha anld claimed that it Ptobig the orgniato and hiam L. Clayton DMemoriAl Lee -was Clayton's memorandulm of general rale of -,he subet; tures- Claytoat a United-States May 27, 1947, which sparked "'The 'feacher quere i em- dilpomat actke in negfati~on the Marsha Plan speech of Julne Phasiz^e teachig techniue. which establishied the strctur 5,, 1947- The former PM went an Whie the --Comiaentse^ wseinn of world trade mli the ps-a to quote John J. McCloy';s ap- ,welme "anthig you wol worN, ended his d prisl -of Clayton: "4If he were bl~e to s,- it aLSO pmmpts careras Undewrtx Of stte alv todayf[this was 19681 he pemnal r ws. in& are=s in charg of Econlomic A~fairsn woul be deeply pa-ed by the pace, intexest, text and lectues 1947. At the tender age of 31,, efforts of thlose who woulld de-- homeworkc, andL qui= Te Wilson was Brita s; Miiter of plere the concept of Atlantic questionnieas asks the stu-' Trade ad hence Claytons cu- unity ad co-operation as some-- dent to identif hi year and terpart in avery citia post-wr thing alen to the fredom, peace major as" *re as thie subject -period.-Wilo stated tihat"I anad prosperity of Europe. The nUm~ber and his instructrs the Unxited States repombilty thougt that Europe's interests ]Baker, duteg the deveop- for ovesea eoDF- mic1 ffis adthose of the-Un ited States ment of the prorm sai 7tha adhered in --the State Depar-_ are fnamentally antagonistic, te idea fo the evaluation Grg men, wit WE Clayon ita as soe woud have us -believre, -iLs n3ated wit h cla of -72,o in unique chrg -te Sertr tbfi! negation of all that Will eels lat but Jay stant of Stat semdwligt dek- -Clayton stood for and it is 'a until thfis fam Coneuntly, gate thes matters fly to hir,, concept whichca not endure if t ependently bea ds and there appeae in thaw days we are to achieve the free and lassing suibjt aualtionoii not to be the kin of multi- peaceful world which he sought RAlY intendn to siplyt capabiity par-mxlisient.1 para- to prosper te remits -overto instmaom omriotent, Whieiou secree In readto President Nxon's Mfer a senue of meeins wit trit of the kid we hav coae. demarche in econ~omic policy Dens Roert Holden adDaie to kow and loveow t^h;S pa 3nounced on August 15, 197 1, t*hart Proas Walter Rosn- decade' ThAe auldieneoad 'Wilson posted that: "While the bfith and t- Committe o withi laughter ~ -fund amental - concept, of Photo by Dave Tennembzum PAGE 2 TUESDAY, NOVEMBER 0, 1971 TH T 1- - -- A.
Recommended publications
  • Tammy Wynette Without Walls Mp3, Flac, Wma
    Tammy Wynette Without Walls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Folk, World, & Country Album: Without Walls Country: UK & Europe Released: 1994 Style: Country MP3 version RAR size: 1807 mb FLAC version RAR size: 1724 mb WMA version RAR size: 1976 mb Rating: 4.3 Votes: 366 Other Formats: AAC AA MP1 MIDI AIFF MP2 MP3 Tracklist Hide Credits If It's The Last Thing I Do Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Owen –Tammy 1 HaleElectric Guitar – Brent Rowan, Dann HuffKeyboards – Barry Beckett, 3:57 Wynette Phil NaishRecorded By – Csaba PetoczRecorded By [Assisted] – Jim DeMainSteel Guitar – Paul FranklinWritten-By – Doug Gill, Phyllis Austin A Woman's Needs Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Eddie –Tammy BayersElectric Guitar – Dann HuffKeyboards – Elton John, Phil 2 Wynette Duet 5:16 NaishRecorded By – Csaba PetoczRecorded By [Assisted] – Jim With Elton John DeMainSteel Guitar – Paul FranklinWritten-By – Elton John & Bernie Taupin Every Breath You Take Acoustic Guitar – Don PotterBass – Michael Rhodes, StingDrums – Eddie –Tammy BayersEdited By [Special Computer] – Marty Williams Electric Guitar – 3 Wynette Duet 4:15 Brent Rowan, Dann HuffKeyboards – Barry Beckett, Phil NaishRecorded With Sting By [Assisted] – Jim DeMainRecorded By, Mixed By – Csaba PetoczWritten- By – Sting If You Were To Wake Up –Tammy Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Eddie Wynette Duet 4 BayersEdited By [Special Computer] – Marty Williams Electric Guitar – 4:24 With Lyle Brent Rowan,
    [Show full text]
  • City of Angels
    ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399
    RCA Discography Part 10 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399 LPM/LSP 2800 – Country Piano-City Strings – Floyd Cramer [1964] Heartless Heart/Bonaparte's Retreat/Streets Of Laredo/It Makes No Difference Now/Chattanoogie Shoe Shine Boy/You Don't Know Me/Making Believe/I Love You Because/Night Train To Memphis/I Can't Stop Loving You/Cotton Fields/Lonesome Whistle LPM/LSP 2801 – Irish Songs Country Style – Hank Locklin [1964] The Old Bog Road/Too-Ra-Loo-Ra- Loo-Ral (That's An Irish Lullaby)/Danny Dear/If We Only Had Ireland Over Here/I'll Take You Home Again Kathleen/My Wild Irish Rose/Danny Boy/When Irish Eyes Are Smiling/A Little Bit Of Heaven/Galway Bay/Kevin Barry/Forty Shades Of Green LPM 2802 LPM 2803 LPM/LSP 2804 - Encore – John Gary [1964] Tender Is The Night/Anywhere I Wander/Melodie D'amour (Melody Of Love)/And This Is My Beloved/Ol' Man River/Stella By Starlight/Take Me In Your Arms/Far Away Places/A Beautiful Thing/If/(It's Been) Grand Knowing You/Stranger In Paradise LPM/LSP 2805 – On the Country-Side – Norman Luboff Choir [1964] Detroit City/Jambalaya (On The Bayou)/I’m So Lonesome I Could Cry/Your Cheatin’ Heart/You’re The Only Star (In My Blue Heaven)/Tennessee Waltz/I Can’t Stop Loving You/It Makes No Difference Now/Words/Four Walls/Anytime/You Are My Sunshine LPM/LSP 2806 – Dick Schory on Tour – Dick Schory [1964] Baby Elephant Walk/William Told/The Wanderin’ Fifer/Charade/Sing, Sing, Sing/St.
    [Show full text]
  • Ladonna GATLIN of GATLIN BROTHERS FAME
    SUSAN GUZZETTA PROFESSIONAL SPEAKERS FOR ALL OCCASIONS LaDONNA GATLIN OF GATLIN BROTHERS FAME MEET LADONNA Why is LaDonna a perfect fit for your next conference, meeting, or special event? Because she’s a master at what she does. MAGIC ON THE STAGE LaDonna has been performing since the age of three, receiving her first paycheck at the ripe old age of five! The stage is her second home. She connects with her audience using BOTH words and music that will leave a lasting impact. WORLD CLASS SPEAKER LaDonna is one of only a handful of professional speakers awarded both the Certified Speaking Professional designation and the CPAE Hall of Fame Award, two of the most prestigious honors bestowed by the National Speakers Association. This lady knows how to deliver a powerful, effective message to your audience. SONGWRITER, ENTERTAINER, AND RECORDING ARTIST The baby sister (ONLY sister!) of the Gatlin Brothers, LaDonna has excelled in the world of country and gospel music. She’s not only toured with her brothers, but has performed with country greats like Johnny Cash, June Carter, Tammy Wynette, George Jones, and count- less others. She has written and recorded her own songs and performed on both Grammy- Award-winning and Dove Award-winning records. Yet, she is down to earth and completely focused on serving her clients. She is a talented entertainment professional without the challenge of ego or demands. AUTHOR AND EXPERT She is the author of The Song in You: Finding your Voice, Redefining Your Life. She is also a contributing writer to the bet-selling book series, Chicken Soup for the Soul.
    [Show full text]
  • “The Creative Producer”: John Hughes, Synergy and Late 1980S Hollywood
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX MAY 2014 2 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 3 UNIVERSITY OF SUSSEX HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA SUMMARY My thesis explores debates on the commercial and textual priorities of New Hollywood cinema through examination of the career of John Hughes. I argue that scrutiny of Hughes’ career and the products associated with him expose the inadequacy of established approaches to cinematic authorship and New Hollywood cinema. By mounting a historically grounded investigation of Hughes’ career, his status within the cinema industry, and his work as a commercially successful and agenda-setting filmmaker, I aim to reevaluate existing perspectives on post-1970s mainstream popular U.S.
    [Show full text]
  • Hannah Whitaker
    HANNAH WHITAKER Press Pack 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM HANNAH WHITAKER BORN 1980, Washington D.C. Lives and works in Brooklyn, NY EDUCATION 2006 MFA, The International Center of Photography/Bard College, New York, NY 2002 B.A., Yale University, New Haven, CT SELECTED SOLO EXHIBITIONS 2014 Cold Wave, M+B, Los Angeles, CA 2013 The Fifth Hammer, Galerie Christophe Gaillard, Paris, France Limonene, Locust Projects, Miami, FL 2012 The Use of Noise, Thierry Goldberg Gallery, New York, NY 2010 Victory Over the Sun!, Kumukumu Gallery, New York, NY 2009 As We Came Together We Will Go Together, The Wild Project, New York, NY 2007 Our Eyes Would Burn, Y Gallery, Queens, NY 2006 Woman Made the Devil, ICP-Bard MFA Gallery, Queens, NY SELECTED GROUP EXHIBITIONS 2015 Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University 2014 Foam Talent 2014, East Wing Gallery, Dubai Me and Benjamin, Galerie Xippas, Paris, France Aggregate Exposure, George Lawson Gallery, San Francisco, CA One Step Beyond, Galerie Christophe Gaillard, Paris, France Foam Talent 2014, l’Atelier Néerlandais, Paris Foam Talent 2014, Unseen Photo Fair 2014 at Westergasfabriek, Amsterdam (forthcoming, September) Fixed Unknowns, curated by Ava Ansari and Molly Kleiman, Taymour Grahne Gallery, NY Foam Magazine Talent Issue, public-art exhibition at Mercatorplein, Amsterdam 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM Soft Target, organized by Phil Chang and Matthew Porter, M+B, Los Angeles, CA Big Pictures, Public-art exhibition organized by the Cincinnati Art Museum, OH Surface(s)/Prise(s), Galerie Christophe Gaillard, Paris, France 2013 Eve Plays Duchamp, Bancolini Grimaldi Gallery, London, UK 10x10 American Photobooks, Tokyo Institute of Photography, Toyko Japan 2012 La tradition du dégoût, Galerie Christophe Gaillard, Paris, France Render Visible, Present Company, Brooklyn, NY.
    [Show full text]
  • BOR Approves New Faculty Credit for Prior Learning Workshop
    rna July 8,1981 Vol. 10, No. 1 Published by Univers~tyRelations Sangamon State University Springfield, IL 62708 BOR approves new faculty The lllinois Board of Regents, Good has been named assistant meeting JuneI8 at Sangamon State, professor of communication and approved the appointment of five public affairs reporting. She has new faculty members for the Uni- held teaching positions at Florida versity. They are: David E. O'Gor- International University, Southern Credit for man, Gary L. Trammell, Sherrie lllinois University and Ball State prior learning Good, Jack Van Der Slik and Phyllis University and has worked with a Walden. number of campus newspapers as workshop set O'Gorman will join SSU as a pro- well as with the Miami Herald. She fessor of business administration. helped establish an internship pro- Since 1972 he has been associated gram in broadcast news and print Persons interested in receiving" with Husson College, Bangor, Me., journalism at the Hollywood (Flor- college credit for prior learning are an institution which focuses exclu- ida) Sun Tattler. invited to attend a workshop and sively on business administration Van Der Slik, who will be profes- reception at 4 p.m. on Wednesday, programs. At Husson he served as sor of political studies, is a former July 15, at Sangamon State. The assistant to the president, director consultant to SSU's Legislative Stu- workshop, sponsored by SSU's In- of admissions, coordinator of long- dies Center as well as to the public novative and Experimental Studies range planning, director of infor- information committee of the Illi- Cluster, will be held in Brookens mation systems development and nois Constitutional Convention.
    [Show full text]
  • The Connexion Magazine
    Issue 20 • Autumn 2020 HOPE Inspiring stories from the life of your Methodist Church Issue 20 • Autumn 2020 Published by the Methodist Church in Britain © Trustees for Methodist Church Purposes (TMCP) 2020. Registered charity no. 1132208 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, David Perry without the prior permission of the publisher, Editor except for articles and photographs downloaded for local church use that are fully acknowledged. All rights reserved. The Revd Dr Paul Nzacahayo May the God of hope fill you with all at the Queen’s joy and peace as you trust in him, Foundation so that you may overflow with hope What is the Connexion? by the power of the Holy Spirit. Methodists belong to local Romans 15:13 (NIV) Photo credits churches and also value All photographs copyright the contributors unless being part of a larger otherwise stated. Front cover © Mark Kensett; community. In calling the his edition of the connexion Pages 4-5 © Mark Kensett and Josh Davies; Methodist Church in Britain Page 6 © Robin Prime; Pages 8-9 © Mark Kensett; ‘the Connexion’, Methodism magazine explores contexts Pages 10-11 © Robin Prime; Page 12 © Robin Prime; reflects its historical and and issues that are difficult, Pages 14-15 © Mark Kensett; Pages 16-17 spiritual roots. © Robin Prime; Pages 18-19 © Kim Gouldson challenging, hurtful and vexed. What do we @senaraphotography; Pages 20-22 © Ian Ledgard; In the 18th century a do when life puts a ‘No Entry’ sign in our Page 23 © Getty Images and TMCP; Page 24 ‘connexion’ simply meant way? How should we respond when racism, © Getty Images; Page 26 © Getty Images those connected to a person or a group – for instance, the Covid-19 pandemic, civil war, the Unless otherwise stated, Scripture quotations are from the New Revised Standard Version Bible: a politician’s network of climate emergency, ill-health, deprivation Anglicised Edition, copyright © 1989, 1995 National supporters.
    [Show full text]
  • Download File
    Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts & Sciences COLUMBIA UNIVERSITY 2018 ©2018 Kevin C. Holt All rights reserved ABSTRACT Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt This dissertation offers an aesthetic and historical overview of crunk, a hip- hop subgenre that took form in Atlanta, Georgia during the late 1990s. Get Crunk! is an ethnography that draws heavily on methodologies from African-American studies, musicological analysis, and performance studies in order to discuss crunk as a performed response to the policing of black youth in public space in the 1990s. Crunk is a subgenre of hip-hop that emanated from party circuits in the American southeast during the 1990s, characterized by the prevalence of repeating chanted phrases, harmonically sparse beats, and moderate tempi. The music is often accompanied by images that convey psychic pain, i.e. contortions of the body and face, and a moshing dance style in which participants thrash against one another in spontaneously formed epicenters while chanting along with the music. Crunk’s ascension to prominence coincided with a moment in Atlanta’s history during which inhabitants worked diligently to redefine Atlanta for various political purposes. Some hoped to recast the city as a cosmopolitan tourist destination for the approaching new millennium, while others sought to recreate the city as a beacon of Southern gentility, an articulation of the city’s mythologized pre-Civil War existence; both of these positions impacted Atlanta’s growing hip-hop community, which had the twins goals of drawing in black youth tourism and creating and marketing an easily identifiable Southern style of hip-hop for mainstream consumption; the result was crunk.
    [Show full text]
  • University of Derby Reimagining the Blues
    UNIVERSITY OF DERBY REIMAGINING THE BLUES: A NEW NARRATIVE FOR 21ST CENTURY BLUES MUSIC Nigel James Martin Doctor of Philosophy 2019 Table of Contents Table of Contents................................................................................................................. i List of Figures .................................................................................................................... iv Declaration.......................................................................................................................... v Abstract .............................................................................................................................. vi Acknowledgements..........................................................................................................viii Introduction......................................................................................................................... 1 Aims and Objectives ................................................................................................... 1 Contribution ................................................................................................................ 2 A Note about Terminology ......................................................................................... 4 Chapter Outline........................................................................................................... 7 Contextual & Historical Framework......................................................................... 11
    [Show full text]
  • Recording Studios Without Walls: Geographically Unrestricted Music Collaboration
    Recording Studios Without Walls: Geographically Unrestricted Music Collaboration by M. Nyssim Lefford B.M., (cum laude) Film Scoring and Music Production and Engineering (1995) Berklee College of Music Submitted to the Program in Media Arts and Sciences School of Architecture and Planning in partial fulfillment of the requirements for the degree of Masters of Media Arts and Sciences at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2000 @2000 Massachusetts Institute of Technology. All Rights Reserved. I A uthor...................................................................... .......... Program in Media Arts and 'Scien s August 28, 200 Certified by.......................................................... ... .. ... .... Barry Vercoe Professor of Media Arts and Sciences Program in Media Arts and Sciences I Thesis Superv' r Accepted by.......................................................--....... Stephen A. Benton Chair Departmental Committee on Graduate Students Program in Media Arts and Sciences MASSACHUSETTS INSTITUTE OF TECHNOLOGY OCT 2 0 2000 ARCHIVES LIBRARIES Recording Studios Without Walls: Geographically Unrestricted Music Collaboration by M. Nyssim Lefford Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning on August 28h, 2000 in partial fulfillment of the requirements for the degree of Masters of Science in Media Arts and Sciences Abstract Music production fuses the technical requirements of the recording process with the aesthetic imperative of music creation and performance. The producer is an advocate for both technical and artistic excellence. It is the collaboration, or co-performance, of the recording engineer, producer and performer that generates music recordings and it is the role of the producer to intermediate between the worlds of technology and art. The psychological and social details of the interaction between these collaborators are numerous and complex and they are essential to the production process.
    [Show full text]
  • Ennsylvania Communication Nnual
    ISSN 2372-6350 ENNSYLVANIA COMMUNICATION NNUAL Pennsylvania Communication Association Special Online Issue on Undergraduate Research Letter from the Editor Cem Zeytinoglu…………….……………..………….………….8 Interruptions and Gender in TV Political Commentary Allison May DeGerlia …………………………………………11 “So Let Me Introduce to You:” A Cluster Analysis of the Sgt. Pepper Lonely Hearts Club Band Album Cover Matti Jo Tyskewicz ……………………………………………23 Understanding Displacement in a Restless World: The Phenomenology of Displacement that Intersects Ethnic, Socioeconomic and Cultural Boundaries Erika L Kauffman ……………………………………………..53 Even The Strongest Have Weaknesses Gretchen Frances Shepard……………………………………...70 Volume 74. 2 2018 1 2 Editor Cem Zeytinoglu, Ph.D. East Stroudsburg University of Pennsylvania The Pennsylvania Communication Annual as published is the property of the Pennsylvania Communication Association. The right of repro- duction of its contents is expressly reserved by the association. The as- sociation waives the requirement of permission in the case of fair use of brief quotations for scholarly purposes and criticism, requesting only that appropriate credit be given for each quotation. Persons and publish- ers wishing to reproduce articles should contact the editor for specific permission. Please follow the journal archive at Pennsylvania Communication As- sociation website @ http://pcasite.org/pca-journals/annual-archive/ The Pennsylvania Communication Annual is now also indexed by the EBSCO Host. The price per copy for non-members is $20.00. All
    [Show full text]