DOCSLIB.ORG

The Connexion Magazine

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Connexion Magazine Issue 20 • Autumn 2020 HOPE Inspiring stories from the life of your Methodist Church Issue 20 • Autumn 2020 Published by the Methodist Church in Britain © Trustees for Methodist Church Purposes (TMCP) 2020. Registered charity no. 1132208 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying or otherwise, David Perry without the prior permission of the publisher, Editor except for articles and photographs downloaded for local church use that are fully acknowledged. All rights reserved. The Revd Dr Paul Nzacahayo May the God of hope fill you with all at the Queen’s joy and peace as you trust in him, Foundation so that you may overflow with hope What is the Connexion? by the power of the Holy Spirit. Methodists belong to local Romans 15:13 (NIV) Photo credits churches and also value All photographs copyright the contributors unless being part of a larger otherwise stated. Front cover © Mark Kensett; community. In calling the his edition of the connexion Pages 4-5 © Mark Kensett and Josh Davies; Methodist Church in Britain Page 6 © Robin Prime; Pages 8-9 © Mark Kensett; ‘the Connexion’, Methodism magazine explores contexts Pages 10-11 © Robin Prime; Page 12 © Robin Prime; reflects its historical and and issues that are difficult, Pages 14-15 © Mark Kensett; Pages 16-17 spiritual roots. © Robin Prime; Pages 18-19 © Kim Gouldson challenging, hurtful and vexed. What do we @senaraphotography; Pages 20-22 © Ian Ledgard; In the 18th century a do when life puts a ‘No Entry’ sign in our Page 23 © Getty Images and TMCP; Page 24 ‘connexion’ simply meant way? How should we respond when racism, © Getty Images; Page 26 © Getty Images those connected to a person or a group – for instance, the Covid-19 pandemic, civil war, the Unless otherwise stated, Scripture quotations are from the New Revised Standard Version Bible: a politician’s network of climate emergency, ill-health, deprivation Anglicised Edition, copyright © 1989, 1995 National supporters. So when people and church decline seem insurmountable Council of the Churches of Christ in the United States spoke of “Mr Wesley’s of America. Used by permission. All rights reserved. Connexion” they meant and overwhelming? Scripture quotations marked NIV taken from the Holy followers of the movement The photograph above shows a simple Bible, New International Version Anglicised Copyright led by John Wesley. heart of love placed against a familiar ‘No © 1979, 1984, 2011 Biblica. Used by permission of Hodder & Stoughton Ltd, an Hachette UK company. Wesley believed that Entry’ sign. The image depicts a radical act All rights reserved. ‘NIV’ is a registered trademark belonging and mutual which subverts the sign’s given meaning, of Biblica UK trademark number 1448790. responsibility were fundamental Christian that of an absolute prohibition in red qualities. The language and white intended to terminate, block, of connexion allowed frustrate, impede and obstruct the journey Methodist Church House him to express this 25 Marylebone Road interdependence, developing ahead. In this picture a simple heart of London NW1 5JR its spiritual and practical love offers an alternative reality, a different significance in the way of seeing and framing what happens Tel: 020 7486 5502 organisation and ethos of his Email: next. A simple heart of love questions [email protected] movement. Both language Web: www.methodist.org.uk and practice are important the assumptions and fears posed by the Facebook “f” Logo CMYK / .eps Facebook “f” Logo CMYK / .eps for Methodists today. seemingly absolute denial represented by Find us on Facebook Follow us on Twitter ‘No Entry’. Go to www.methodist. Watch us on YouTube or Vimeo org.uk/theconnexion Our simple hearts of love are capable See our pictures on Instagram and to order more copies of of astonishing acts of hope. I placed the Flickr the connexion, and for simple wooden heart, made of olive wood downloading the pdf to Information contained in this magazine was reuse articles in your crafted by Palestinian Christians, onto the correct at the time of going to press. Views own church magazine. expressed in the articles may not be the official sign to depict this truth. The stories in this position of the Methodist Church in Britain. Images are available at edition show what happens when we take www.flickr.com/ While coronavirus limits church activities, methodistmedia St Paul’s words to heart, and trust in the this mailing of the connexion is limited to God of hope. one copy to each address. For more copies, What do you think order directly from Methodist Publishing at www.methodistpublishing.org.uk while about this issue? Love and peace, stocks last, or download the pdf at Email theconnexioneditor@ www.methodist.org.uk/theconnexion methodistchurch.org.uk David 2 the connexion • Autumn 2020 www.methodist.org.uk • Facebook | Twitter | YouTube | Instagram | Flickr Highlights Coming together Where is hope in the Hope for God’s 6 in hope to fight racism 10 middle of a pandemic? 12 creation post-Covid-19 Apart but together: Bringing hope Boxes of hope new ways to worship and wonder 16 18 20 offer a path of hope Year of Prayer weekly online service for the whole Church he Conference has declared 2020/2021 a year the Holy Spirit’s help to be a growing, evangelistic, of prayer so that our Church’s commitments inclusive, justice-seeking Church. to evangelism, church growth, church at the The service is live on Zoom and Facebook each margins, and pioneering and church planting will flow from Tuesday at 12.45pm and then available on Facebook. a deep, contemplative orientation to God’s grace and Designed to fit into a busy working day, it is just 15 love. minutes and is led by a different person from As part of this movement of prayer, a weekly online across the Connexion each week. Sign up here: service offers the opportunity for all of us to ask for www.methodist.org.uk/yearofprayer/ Reset the Debt the Methodist Conference, said: #Godiswithus campaign calling for debt “During lockdown churches saw people he Methodist cancellation for people forced feed their families – but bills, even Church-wide 2020 into unavoidable debt during rent, went unpaid. They are now facing Christmas campaign a crisis – demanding a compassionate lockdown is launched by the Joint shares people’s stories about and just response.” Public Issues Team and ecumenical their walk with God in this Jubilee is an ancient Biblical concept charity Church Action on Poverty. extraordinary year. It encourages ensuring a just society where no one is It calls for the Government to create Methodists to reflect, tell their trapped in poverty because of debts: stories, and reach out to others a Jubilee Fund providing grants On a regular basis land was returned outside the Church, encouraging to pay off and cancel unavoidable debt to people, resources shared, slaves them to do the same. accrued by the poorest households. freed, land rested, and debts forgiven. Get involved at Around six million people have fallen Write to your MP www.findingourhope.co.uk behind on rent, council tax and other and support the This Christmas, take part in household bills because of coronavirus campaign online #Godiswithus and almost one in five have borrowed and in your church money to pay for everyday essentials. community: The Revd Richard Teal, President of www.resetthedebt.uk www.methodist.org.uk • Facebook | Twitter | YouTube | Instagram | Flickr the connexion • Autumn 2020 3 need a campaign to ensure ‘Black Lives Matter’. The concept of slavery has left an indelible mark on our psyche. The ideology that caused western nations to traverse the globe taking over lands and people has left both white and black people believing one group of people’s lives are less worthy. We pass on these beliefs and prejudices to our children who, unless something changes, will pass them on to their own children. I agree with Professor Reddie that our Church’s record in eradicating this disease is not encouraging. I am writing these words from a place of despair and anger. But I am also hopeful. My hope is not naïve optimism, but rather the kind of hope capable of standing in the middle of despair and imagining a different future. This hope enables me to resist racism in whatever form it takes. What gives me hope is that human beings have also proved that they can treat each other with godly love and care. Racism and reasons for hope Years ago I arrived in a new circuit to find a white colleague had taken over the manse designated for me. He believed that the manse my predecessor had vacated was too good for someone who had been living in an African hut and even had the audacity to say this to me. The circuit steward, a white woman, was enraged and asked my colleague to apologise. She stood her ground and refused to give up until I got The Revd Dr Paul Nzacahayo finds hope that apology. This circuit steward gives in Christians actively resisting racism me hope. As a black tutor, when a group of white students made my teaching experience the rofessor Anthony Reddie concluded worst they could make it, another white his contribution in the last issue of student, on seeing that I was being treated the connexion with the words: less respectfully than my white colleagues, To live “I have lost patience with a Church that has decided to confront her fellow students. hopefully, we treated black people with benign neglect for She called out their racism for what it far too long.” was.
Load more

Recommended publications
  • Tammy Wynette Without Walls Mp3, Flac, Wma
    Tammy Wynette Without Walls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Folk, World, & Country Album: Without Walls Country: UK & Europe Released: 1994 Style: Country MP3 version RAR size: 1807 mb FLAC version RAR size: 1724 mb WMA version RAR size: 1976 mb Rating: 4.3 Votes: 366 Other Formats: AAC AA MP1 MIDI AIFF MP2 MP3 Tracklist Hide Credits If It's The Last Thing I Do Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Owen –Tammy 1 HaleElectric Guitar – Brent Rowan, Dann HuffKeyboards – Barry Beckett, 3:57 Wynette Phil NaishRecorded By – Csaba PetoczRecorded By [Assisted] – Jim DeMainSteel Guitar – Paul FranklinWritten-By – Doug Gill, Phyllis Austin A Woman's Needs Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Eddie –Tammy BayersElectric Guitar – Dann HuffKeyboards – Elton John, Phil 2 Wynette Duet 5:16 NaishRecorded By – Csaba PetoczRecorded By [Assisted] – Jim With Elton John DeMainSteel Guitar – Paul FranklinWritten-By – Elton John & Bernie Taupin Every Breath You Take Acoustic Guitar – Don PotterBass – Michael Rhodes, StingDrums – Eddie –Tammy BayersEdited By [Special Computer] – Marty Williams Electric Guitar – 3 Wynette Duet 4:15 Brent Rowan, Dann HuffKeyboards – Barry Beckett, Phil NaishRecorded With Sting By [Assisted] – Jim DeMainRecorded By, Mixed By – Csaba PetoczWritten- By – Sting If You Were To Wake Up –Tammy Acoustic Guitar – Don PotterBass – Michael RhodesDrums – Eddie Wynette Duet 4 BayersEdited By [Special Computer] – Marty Williams Electric Guitar – 4:24 With Lyle Brent Rowan,
    [Show full text]
  • City of Angels
    ZANFAGNA CHRISTINA ZANFAGNA | HOLY HIP HOP IN THE CITY OF ANGELSHOLY IN THE CITY OF ANGELS The publisher gratefully acknowledges the generous support of the Lisa See Endowment Fund in Southern California History and Culture of the University of California Press Foundation. Luminos is the Open Access monograph publishing program from UC Press. Luminos provides a framework for preserving and reinvigorating monograph publishing for the future and increases the reach and visibility of important scholarly work. Titles published in the UC Press Luminos model are published with the same high standards for selection, peer review, production, and marketing as those in our traditional program. www.luminosoa.org Holy Hip Hop in the City of Angels MUSIC OF THE AFRICAN DIASPORA Shana Redmond, Editor Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D.
    [Show full text]
  • RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399
    RCA Discography Part 10 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor 12 Inch Popular Series LPM/LSP 2800-3399 LPM/LSP 2800 – Country Piano-City Strings – Floyd Cramer [1964] Heartless Heart/Bonaparte's Retreat/Streets Of Laredo/It Makes No Difference Now/Chattanoogie Shoe Shine Boy/You Don't Know Me/Making Believe/I Love You Because/Night Train To Memphis/I Can't Stop Loving You/Cotton Fields/Lonesome Whistle LPM/LSP 2801 – Irish Songs Country Style – Hank Locklin [1964] The Old Bog Road/Too-Ra-Loo-Ra- Loo-Ral (That's An Irish Lullaby)/Danny Dear/If We Only Had Ireland Over Here/I'll Take You Home Again Kathleen/My Wild Irish Rose/Danny Boy/When Irish Eyes Are Smiling/A Little Bit Of Heaven/Galway Bay/Kevin Barry/Forty Shades Of Green LPM 2802 LPM 2803 LPM/LSP 2804 - Encore – John Gary [1964] Tender Is The Night/Anywhere I Wander/Melodie D'amour (Melody Of Love)/And This Is My Beloved/Ol' Man River/Stella By Starlight/Take Me In Your Arms/Far Away Places/A Beautiful Thing/If/(It's Been) Grand Knowing You/Stranger In Paradise LPM/LSP 2805 – On the Country-Side – Norman Luboff Choir [1964] Detroit City/Jambalaya (On The Bayou)/I’m So Lonesome I Could Cry/Your Cheatin’ Heart/You’re The Only Star (In My Blue Heaven)/Tennessee Waltz/I Can’t Stop Loving You/It Makes No Difference Now/Words/Four Walls/Anytime/You Are My Sunshine LPM/LSP 2806 – Dick Schory on Tour – Dick Schory [1964] Baby Elephant Walk/William Told/The Wanderin’ Fifer/Charade/Sing, Sing, Sing/St.
    [Show full text]
  • Ladonna GATLIN of GATLIN BROTHERS FAME
    SUSAN GUZZETTA PROFESSIONAL SPEAKERS FOR ALL OCCASIONS LaDONNA GATLIN OF GATLIN BROTHERS FAME MEET LADONNA Why is LaDonna a perfect fit for your next conference, meeting, or special event? Because she’s a master at what she does. MAGIC ON THE STAGE LaDonna has been performing since the age of three, receiving her first paycheck at the ripe old age of five! The stage is her second home. She connects with her audience using BOTH words and music that will leave a lasting impact. WORLD CLASS SPEAKER LaDonna is one of only a handful of professional speakers awarded both the Certified Speaking Professional designation and the CPAE Hall of Fame Award, two of the most prestigious honors bestowed by the National Speakers Association. This lady knows how to deliver a powerful, effective message to your audience. SONGWRITER, ENTERTAINER, AND RECORDING ARTIST The baby sister (ONLY sister!) of the Gatlin Brothers, LaDonna has excelled in the world of country and gospel music. She’s not only toured with her brothers, but has performed with country greats like Johnny Cash, June Carter, Tammy Wynette, George Jones, and count- less others. She has written and recorded her own songs and performed on both Grammy- Award-winning and Dove Award-winning records. Yet, she is down to earth and completely focused on serving her clients. She is a talented entertainment professional without the challenge of ego or demands. AUTHOR AND EXPERT She is the author of The Song in You: Finding your Voice, Redefining Your Life. She is also a contributing writer to the bet-selling book series, Chicken Soup for the Soul.
    [Show full text]
  • “The Creative Producer”: John Hughes, Synergy and Late 1980S Hollywood
    A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details 1 MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF SUSSEX MAY 2014 2 I hereby declare that this thesis has not been and will not be, submitted in whole or in part to another university for the award of any other degree. Signature:……………………………………… 3 UNIVERSITY OF SUSSEX HOLLY CHARD SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY MAINSTREAM MAVERICK? JOHN HUGHES AND NEW HOLLYWOOD CINEMA SUMMARY My thesis explores debates on the commercial and textual priorities of New Hollywood cinema through examination of the career of John Hughes. I argue that scrutiny of Hughes’ career and the products associated with him expose the inadequacy of established approaches to cinematic authorship and New Hollywood cinema. By mounting a historically grounded investigation of Hughes’ career, his status within the cinema industry, and his work as a commercially successful and agenda-setting filmmaker, I aim to reevaluate existing perspectives on post-1970s mainstream popular U.S.
    [Show full text]
  • Hannah Whitaker
    HANNAH WHITAKER Press Pack 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM HANNAH WHITAKER BORN 1980, Washington D.C. Lives and works in Brooklyn, NY EDUCATION 2006 MFA, The International Center of Photography/Bard College, New York, NY 2002 B.A., Yale University, New Haven, CT SELECTED SOLO EXHIBITIONS 2014 Cold Wave, M+B, Los Angeles, CA 2013 The Fifth Hammer, Galerie Christophe Gaillard, Paris, France Limonene, Locust Projects, Miami, FL 2012 The Use of Noise, Thierry Goldberg Gallery, New York, NY 2010 Victory Over the Sun!, Kumukumu Gallery, New York, NY 2009 As We Came Together We Will Go Together, The Wild Project, New York, NY 2007 Our Eyes Would Burn, Y Gallery, Queens, NY 2006 Woman Made the Devil, ICP-Bard MFA Gallery, Queens, NY SELECTED GROUP EXHIBITIONS 2015 Altarations: Built, Blended, Processed, University Galleries, Florida Atlantic University 2014 Foam Talent 2014, East Wing Gallery, Dubai Me and Benjamin, Galerie Xippas, Paris, France Aggregate Exposure, George Lawson Gallery, San Francisco, CA One Step Beyond, Galerie Christophe Gaillard, Paris, France Foam Talent 2014, l’Atelier Néerlandais, Paris Foam Talent 2014, Unseen Photo Fair 2014 at Westergasfabriek, Amsterdam (forthcoming, September) Fixed Unknowns, curated by Ava Ansari and Molly Kleiman, Taymour Grahne Gallery, NY Foam Magazine Talent Issue, public-art exhibition at Mercatorplein, Amsterdam 612 NORTH ALMONT DRIVE, LOS ANGELES, CALIFORNIA 90069 TEL 310 550 0050 FAX 310 550 0605 WWW.MBART.COM Soft Target, organized by Phil Chang and Matthew Porter, M+B, Los Angeles, CA Big Pictures, Public-art exhibition organized by the Cincinnati Art Museum, OH Surface(s)/Prise(s), Galerie Christophe Gaillard, Paris, France 2013 Eve Plays Duchamp, Bancolini Grimaldi Gallery, London, UK 10x10 American Photobooks, Tokyo Institute of Photography, Toyko Japan 2012 La tradition du dégoût, Galerie Christophe Gaillard, Paris, France Render Visible, Present Company, Brooklyn, NY.
    [Show full text]
  • BOR Approves New Faculty Credit for Prior Learning Workshop
    rna July 8,1981 Vol. 10, No. 1 Published by Univers~tyRelations Sangamon State University Springfield, IL 62708 BOR approves new faculty The lllinois Board of Regents, Good has been named assistant meeting JuneI8 at Sangamon State, professor of communication and approved the appointment of five public affairs reporting. She has new faculty members for the Uni- held teaching positions at Florida versity. They are: David E. O'Gor- International University, Southern Credit for man, Gary L. Trammell, Sherrie lllinois University and Ball State prior learning Good, Jack Van Der Slik and Phyllis University and has worked with a Walden. number of campus newspapers as workshop set O'Gorman will join SSU as a pro- well as with the Miami Herald. She fessor of business administration. helped establish an internship pro- Since 1972 he has been associated gram in broadcast news and print Persons interested in receiving" with Husson College, Bangor, Me., journalism at the Hollywood (Flor- college credit for prior learning are an institution which focuses exclu- ida) Sun Tattler. invited to attend a workshop and sively on business administration Van Der Slik, who will be profes- reception at 4 p.m. on Wednesday, programs. At Husson he served as sor of political studies, is a former July 15, at Sangamon State. The assistant to the president, director consultant to SSU's Legislative Stu- workshop, sponsored by SSU's In- of admissions, coordinator of long- dies Center as well as to the public novative and Experimental Studies range planning, director of infor- information committee of the Illi- Cluster, will be held in Brookens mation systems development and nois Constitutional Convention.
    [Show full text]
  • Download File
    Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts & Sciences COLUMBIA UNIVERSITY 2018 ©2018 Kevin C. Holt All rights reserved ABSTRACT Get Crunk! The Performative Resistance of Atlanta Hip-Hop Party Music Kevin C. Holt This dissertation offers an aesthetic and historical overview of crunk, a hip- hop subgenre that took form in Atlanta, Georgia during the late 1990s. Get Crunk! is an ethnography that draws heavily on methodologies from African-American studies, musicological analysis, and performance studies in order to discuss crunk as a performed response to the policing of black youth in public space in the 1990s. Crunk is a subgenre of hip-hop that emanated from party circuits in the American southeast during the 1990s, characterized by the prevalence of repeating chanted phrases, harmonically sparse beats, and moderate tempi. The music is often accompanied by images that convey psychic pain, i.e. contortions of the body and face, and a moshing dance style in which participants thrash against one another in spontaneously formed epicenters while chanting along with the music. Crunk’s ascension to prominence coincided with a moment in Atlanta’s history during which inhabitants worked diligently to redefine Atlanta for various political purposes. Some hoped to recast the city as a cosmopolitan tourist destination for the approaching new millennium, while others sought to recreate the city as a beacon of Southern gentility, an articulation of the city’s mythologized pre-Civil War existence; both of these positions impacted Atlanta’s growing hip-hop community, which had the twins goals of drawing in black youth tourism and creating and marketing an easily identifiable Southern style of hip-hop for mainstream consumption; the result was crunk.
    [Show full text]
  • Illt-Widee Valuatiaon Saars W~Ilson Akears Con World Ecsonomics
    , -t f~~ in-LUME -91 NUMBER SI ) A NOVEMBE 30, 1971 ~ fCMRDE ASCUE-SFV ET Und~giad educatioM: | ~By Paul Scfdler T~he source noted that one Dlisconcerting information way to make elimination easier |has reached The Tech in recent wvould be to follow current plans |weeks which casts doubt on to creat~e a separate undergrad- MIT's intitutional dedication to uate division. "If the funds for udergraduate education. this facet of MIT's operations ' No onse can doubt the car- were sepazate and visible, the rent adiiato' dedication probable losses would be easier to undergaduate educationl," to point to,," he noted, in- saidl inlformed souces, "but the creasn pressure to drop the -Institutewide -trends axe in unprofitable enterprise- another direction: research and He concluded b0y no~ting that, graduateeducation,' "the Corporation very probably Exployees ill onle section of has final say in this kind of I the Dea for Student Affar matter, and their approach could office nloted that many there uell be conlsiderably more prag- feel a "essening cmmitment'" matic - and considerably less to udergra duates and uder- idealistic than that of the admn- gradluate education, made, clear istration." Olt -4vs,. W in the budget-ctting priorities. Kenneth Hloffman., former The seod fkwdonp entry to f em~k~m OWpwmpting an iret*Uon which I91 -oriuennted activty seems chaira of the Commlittee on Swent Ceter wer Wcked off fo'oe a week eseed dt all the damr had Worn excessively. tos be gettimg hit hardest,"" noted MIT Education, whose -report as iron wokr - intlldnw doo catche and Some 2-3 people pass through ffhese ;one staffer, "'just as we were suggsted the creation of an malcing some progress in humna- undergaduate im ovtdadw oing parLOn f te dos f doorsdaily, bwuding almost 1200 who use eithier king the envirnment." division to cover o¢ff reetl.
    [Show full text]
  • University of Derby Reimagining the Blues
    UNIVERSITY OF DERBY REIMAGINING THE BLUES: A NEW NARRATIVE FOR 21ST CENTURY BLUES MUSIC Nigel James Martin Doctor of Philosophy 2019 Table of Contents Table of Contents................................................................................................................. i List of Figures .................................................................................................................... iv Declaration.......................................................................................................................... v Abstract .............................................................................................................................. vi Acknowledgements..........................................................................................................viii Introduction......................................................................................................................... 1 Aims and Objectives ................................................................................................... 1 Contribution ................................................................................................................ 2 A Note about Terminology ......................................................................................... 4 Chapter Outline........................................................................................................... 7 Contextual & Historical Framework......................................................................... 11
    [Show full text]
  • Recording Studios Without Walls: Geographically Unrestricted Music Collaboration
    Recording Studios Without Walls: Geographically Unrestricted Music Collaboration by M. Nyssim Lefford B.M., (cum laude) Film Scoring and Music Production and Engineering (1995) Berklee College of Music Submitted to the Program in Media Arts and Sciences School of Architecture and Planning in partial fulfillment of the requirements for the degree of Masters of Media Arts and Sciences at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2000 @2000 Massachusetts Institute of Technology. All Rights Reserved. I A uthor...................................................................... .......... Program in Media Arts and 'Scien s August 28, 200 Certified by.......................................................... ... .. ... .... Barry Vercoe Professor of Media Arts and Sciences Program in Media Arts and Sciences I Thesis Superv' r Accepted by.......................................................--....... Stephen A. Benton Chair Departmental Committee on Graduate Students Program in Media Arts and Sciences MASSACHUSETTS INSTITUTE OF TECHNOLOGY OCT 2 0 2000 ARCHIVES LIBRARIES Recording Studios Without Walls: Geographically Unrestricted Music Collaboration by M. Nyssim Lefford Submitted to the Program in Media Arts and Sciences, School of Architecture and Planning on August 28h, 2000 in partial fulfillment of the requirements for the degree of Masters of Science in Media Arts and Sciences Abstract Music production fuses the technical requirements of the recording process with the aesthetic imperative of music creation and performance. The producer is an advocate for both technical and artistic excellence. It is the collaboration, or co-performance, of the recording engineer, producer and performer that generates music recordings and it is the role of the producer to intermediate between the worlds of technology and art. The psychological and social details of the interaction between these collaborators are numerous and complex and they are essential to the production process.
    [Show full text]
  • Ennsylvania Communication Nnual
    ISSN 2372-6350 ENNSYLVANIA COMMUNICATION NNUAL Pennsylvania Communication Association Special Online Issue on Undergraduate Research Letter from the Editor Cem Zeytinoglu…………….……………..………….………….8 Interruptions and Gender in TV Political Commentary Allison May DeGerlia …………………………………………11 “So Let Me Introduce to You:” A Cluster Analysis of the Sgt. Pepper Lonely Hearts Club Band Album Cover Matti Jo Tyskewicz ……………………………………………23 Understanding Displacement in a Restless World: The Phenomenology of Displacement that Intersects Ethnic, Socioeconomic and Cultural Boundaries Erika L Kauffman ……………………………………………..53 Even The Strongest Have Weaknesses Gretchen Frances Shepard……………………………………...70 Volume 74. 2 2018 1 2 Editor Cem Zeytinoglu, Ph.D. East Stroudsburg University of Pennsylvania The Pennsylvania Communication Annual as published is the property of the Pennsylvania Communication Association. The right of repro- duction of its contents is expressly reserved by the association. The as- sociation waives the requirement of permission in the case of fair use of brief quotations for scholarly purposes and criticism, requesting only that appropriate credit be given for each quotation. Persons and publish- ers wishing to reproduce articles should contact the editor for specific permission. Please follow the journal archive at Pennsylvania Communication As- sociation website @ http://pcasite.org/pca-journals/annual-archive/ The Pennsylvania Communication Annual is now also indexed by the EBSCO Host. The price per copy for non-members is $20.00. All
    [Show full text]