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. --<· �� _;, -· _...,. .,... ·-' [.. '\. ..:i ;, � Richard Lowell MacDonald Thesis Title: Film Appreciation and the Postwar Film Society Movement Goldsmiths, University of London PhD in Media and Communications _ 1 GOLDSMITHS IIIIII I I II I Ill llllllll II II 111111111111111 8703241519 ACKNOWLEDGEMENTS When I began this research I did not know that it would lead me towards the film societies. In fact I'm not sure that I had much sense of their existence. My interest was in exploring the internationalist sentiments of art cinema audiences. Flicking through an old copy of Films and Filming, I read about a film society in Ruislip which showed Bufiuel and Kurosawa films on l6mm projectors in my old primary school, and this captured my imagination. I owe thanks to many people for generously sharing their memories and experiences of being involved in film societies from the 1940s to the present, for passing on programmes and magazines from their personal collections and for extending me their hospitality. These conversations deepened my understanding of this movement immeasurably. Thank you to Sylvia and Peter Bradford, Sid Brooks, Gwen Bryanston, Anne Burrows, Percy Childs, James Clark, Brian Clay, Michael Essex-Lopresti, Denis Forman, Leslie Hardcastle, Alan Howden, David Meeker, John and Doris Minchinton, Gwen Molloy, Victor Perkins, Rommi Przibram, John Salisbury, Mansel Stimpson, Mike Taylor, John Turner, Jean Young and Dave Watterson. I am also grateful to Melanie Selfe who generously shared her ideas and writing on film societies. It is also true to say that I did not know much about teaching, and teaching film in particular, when I started this project.
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