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THE YEAR 2013 JAMA KO l BASSEKOU KOUYATE & NGONI BA MALI (OUTHERE RECORDS) ZOOM l RACHID TAHA FRANCE/ALGERIA (NAIVE) AYO l THE GARIFUNA COLLECTIVE BELIZE (CUMBANCHA /STONETREE) CHATMA l TAMIKREST MALI (GLITTERBEAT RECORDS) MEZÖ - FIELD l LAJKO FELIX HUNGARY (FONO) YA NASS l YASMINE HAMDAN LEBANON (CRAMMED DISCS) NOMAD l BOMBINO NIGER (NONESUCH) JUMBIE IN THE JUKEBOX l KOBO TOWN TRINIDAD/CANADA (CUMBANCHA/STONETREE) HOTEL UNIVERS l JUPITER & OKWESS INTERNATIONAL DR CONGO (OUTHERE) BEYOND THE RAGASPHERE l DEBASHISH BHATTACHARYA & FRIENDS INDIA/USA/UK (RIVERBOAT) 3 The WORLD MUSIC CHARTS EUROPE Panel: Austria: Albert Hosp (ORF), Johann Kneihs (ORF); Belgium: Didier Melon (RTBF), 1 0 Zjakki Willems (vrt); Czech Republic: Petr Doruzka (VLTAVA); Estonia: Tonu Timm (Vikkerraadio); Finland:, Hendrik Svahn (YLE 2 c Radio Vega), Marten Holm (YLE,Radio Vega), Harri Tuominen (YLE); France: Laurence Aloir (RFI), Daniel Brown (RFI), Hervé i s Riesen (Le Mouv/Radio France), Bintou Simpore (Radio Nova); Germany: Klaus Frederking (NDR), Francis Gay (WDR-Funkhaus u m Europa), Gülbahar Kültür (Radio Bremen), Jay Rutledge (Bayerischer Rundfunk), Johannes Theurer (Rundfunk Berlin-Brandenburg); t f i Greece: Giorgos Markakis (Kosmos), Manos Tzanakakis (Mylos); Hungary: Balázs Weyer (MR3-Bartok), László Marton (MR2); g Ireland: Gerry Godley ( RTE); Italy: Marcello Lorrai (Popolare Milano), Paolo Ferrari (Popolare Firenze); Latvia: Gita Lancere (Radio © Latvia); Ilmars Slapins (Radio NABA, Rigas Slaiks); Netherlands: Bas Springer (NTR); Norway: Arne Berg (nrk), Sigbjörn Nedland (nrk); Poland: Wojciech Ossowski (Polski Radio 3), Kleszcz Wlodzimierz (Polski Radio RCKL); Portugal: Nuno Sardina (RDP Africa); Romania: Irina Hasnas (RBA); Russia: Artemy Troitsky (FM Dostoyewsky); Serbia: Bojan Djordjevic (Radio B92), Ivana Komadina (Radio Belgrade 2); Slovakia: Vladimìr Potancok(Radio_FM); Slovenia: Drago Vovk (SRAKA); Spain: Jose-Miguel Lopez (RNE 3), Lara Lopez (RNE), Albert Reguant (iCat FM); Sweden: N.N. (SR); Switzerland:Jean Marc Baehler (RSR Couleur 3), Marianne Berna (DRS3); United Kingdom: Lucy Duran (BBC3), Lopa Kothari (BBC 3), Max Reinhardt (BBC 3), DJ Ritu (BBC). .

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Federal President Frank Walter Steinmeier at an Honorary Degree Ceremony at the Lebanese University on 30 January 2018 in Beirut, Lebanon
The speech online: www.bundespraesident.de page 1 to 7 Federal President Frank Walter Steinmeier at an honorary degree ceremony at the Lebanese University on 30 January 2018 in Beirut, Lebanon I would first like to thank you most sincerely for the great honour that it is to be awarded an honorary doctorate. And I am delighted to be able to address you on this occasion today. As some of you may know, this is not my first visit to your beautiful country. If I am not mistaken, then this is the seventh time that I have visited your city in a range of different capacities. However, I have been told that no German head of state has been to Lebanon for 120 years. And therefore I am especially pleased that this visit, which is my first as Federal President, constitutes another premiere. I associate Beirut with another “first”, a moment that is deeply etched in my memory. Back then – I had only been Foreign Minister for a short period of time – I learned that diplomacy and the quest for peace are not only a question of patient, often tough negotiations, but can also be about success. Tangible and visible success. I have clear memories of that moment during the war in 2006. On 7 September here in Beirut, I was standing with the then Prime Minister on the balcony of his residence. A little dot appeared on the horizon that came closer and closer. This dot increasingly took on the shape of an aircraft, which finally came in to land.
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MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
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Document generated on 09/25/2021 12:27 a.m. Séquences La revue de cinéma Le temps qu’il reste Fragments identitaires Le temps qu’il reste — Grande-Bretagne / Italie / Belgique / France 2009, 109 minutes Janine Halbreich-Euvrard Number 263, November–December 2009 URI: https://id.erudit.org/iderudit/63356ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Halbreich-Euvrard, J. (2009). Review of [Le temps qu’il reste : fragments identitaires / Le temps qu’il reste — Grande-Bretagne / Italie / Belgique / France 2009, 109 minutes]. Séquences, (263), 33–33. Tous droits réservés © La revue Séquences Inc., 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ HORS CHAMP | ARRÊT SUR IMAGE 33 Le temps qu’il reste Fragments identitaires Didier Stiers s’exclame : « Elia Suleiman parle volontiers de bénediction, il en est une lui aussi, ce dandy qui fait de la poésie avec l’absurde et le tragique... » Né à Nazareth (Galilée) en 1960, de parents arabes devenus citoyens israéliens après la création de l’État d’Israël, Suleiman est ce qu’on appelle un « Arabe israélien » ou Palestinien d’Israël, c’est-à-dire qu’il n’est ni réellement israélien, ni totalement palestinien….
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Yasmine Hamdan
YASMINE HAMDAN © Nadim Asfar CONTACT PRESSE Amélie Rouyer [email protected] Charlotte Trogan [email protected] 22, rue de Montreuil 75011 Paris Tél. +33 1 53 27 90 10 www.seeside.fr YASMINE HAMDAN EN BREF... Auteur, compositeur et interprète, Yasmine Hamdan est née à Beyrouth. Elle passe une partie de sa vie entre les pays du Golf et la Grèce. De retour dans la capitale libanaise en 1990, elle y termine sa scolarité, entame des études de psychologie et obtient la licence en 1998. La même année, elle fonde avec Zeid Hamdan le duo Soapkills. Entre 1998 et 2005, Soapkills sort quatre albums dont un live. Yasmine arrive à Paris en 2002. Elle suit une maîtrise en Art du spectacle à la Sorbonne et entame des collabo- rations dans le cinéma avec les réalisateurs Elia Suleiman, Ghassan Salhab, Khalil Jreij et Joanna Hadjitouma, Danièle Arbid. Sa rencontre en 2005 avec Mirwaïs Ahmadzaï, producteur de musique électronique et notamment composi- teur de l’album Music de Madonna, donne naissance à Y.A.S. L’album Arabology sort en 2009 chez Universal Music. À PROPOS D’ELLE... « Il y a trois hivers de cela, Yasmine Hamdan était Y.A.S., duo ou plutôt point de rencontre entre sa culture à elle (dix ans à dominer depuis Beyrouth la scène underground arabe dont elle fût l’icône en tant que chanteuse au sein de Soapkills) et l’électropop de Mirwais. Plus qu’un projet, Y.A.S. était un symbole (musical, géopolitique, religieux, les perspectives ici ramassaient larges) : celui d’un possible pont entre deux mondes que les radios, les médias, les dancefloors, les oreilles, les mentalités celles des uns aussi bien que celles des autres, n’avaient jamais imaginé voir se rencontrer.
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Ramzi Salti, Ph
الدكتور رمزي سل ط .Ramzi Salti, Ph.D Stanford University [email protected] [email protected] Lecturer of Arabic, Stanford University Stanford Profile Page Host of Arabology Program, KZSU 90.1FM Linkedin.com/in/ramzisalti Published Author, Blogger, Public Speaker My Arabology Blog Phone: 650-862-6031 Arabology Podcasts Arabology on YouTube Channel EDUCATION: Ph.D. March 1997 Major: Comparative Literature (Area of specialization is Arabic Literature; secondary emphasis on Francophone literature, Post-Colonial theory) University of California, Riverside Riverside, California M.A. 1991 Major: Comparative Literature (Arabic, French, and English) University of California, Riverside Riverside, California B.A. 1988 Double Major: English & French Santa Clara University Santa Clara, California LANGUAGES: Arabic: Native speaker of classical Arabic and several colloquial dialects. English: Native speaker French: Native speaker (rated Superior by ACTFL) ACADEMIC EXPERIENCE & SERVICE: Full Time Lecturer, Arabic Program (1999-present): SLC, Division of Literatures, Cultures and Languages, Stanford University, Stanford, California 1. Taught a variety of courses in all levels of Arabic including Arabic Conversation, Colloquial Arabic at the Stanford Language Center for the past 21 years (2000-present). 2. Taught night classes in Arabic Language + Culture via Stanford’s Continuing Studies Program (2010-present). 3. Taught summer classes + workshops about “The History of Arabic Music” at Sijal Institute in Amman, Jordan (2019-present). 4. Taught 3-day workshops about Arabic Language, Culture and Music at Nueva School in San Mateo as part of their Intersession Annual Event (2018-2020) 2 SALTI 5. Organized/ Hosted/Moderated dozens of academic events at Stanford University. See separate section below. 6. Fully (Re)Certified ACTFL Oral + Written Proficiency Tester of Arabic (valid until 2021; 2023).
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2009 ——— Festival 22 PROGRAMME Itinérances Inédits... Bienvenue au 27e Festival de Cinéma d’Alès - Itinérances Let’s Make Money Une famille brésilienne Avant-première, Avant-première, sortie prévue le 15 avril 2009 sortie prévue le 18 mars 2009 Vingt-sept ans déjà que nous vous à la route, ce qui nous donne l’occasion Documentaire d’Erwin Wagenhofer De Walter Salles Autriche Brésil/États-Unis donnons rendez-vous pour découvrir de saluer un grand cinéaste américain, Une fascinante plongée au cœur du sys- Le nouveau film du réalisateur de tème financier mondial prévoyant une Carnets de Voyages. Fraternel et puis- ensemble des films, des auteurs et des Monte Hellman, et à travers lui un crise aujourd'hui bien réelle. sant. ER acteurs des quatre coins du monde… moment de l’Histoire du cinéma. DIMANCHE 1 MARS, 15H, LE SITE DU PONT-DU-GARD SOIRÉE D’OUVERTURE VENDREDI 13 MARS, 19H, CRATÈRE SAMEDI 21 MARS, 14H, ARCADES BIS 1 Et par les temps qui courent croisons Un autre moment fort sera le concert les doigts pour que l’aventure continue. de musique « électro orientale » : Y.A.S. Le mieux c’est que vous soyez toujours Et bien sûr une programmation jeune Still Walking Les Deux Moustiques Avant-première, Avant-Première plus nombreux dans les salles pour public pour rendre nos enfants plus sortie prévue le 22 avril De Jannik Hastrup et de Hirokazu Kore-Eda Flemming Quist Møller augmenter nos recettes propres afin curieux. Une petite couche de Strip- Japon Danemark Par une belle journée d’été, une magis- La nouvelle merveille du créateur de que nous puissions vous proposer le tease, deux nuits pour tous ceux qui trale chronique familiale signée du digne L’Enfant qui voulait être un ours.
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Middle East Resources
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Rewriting Arabic Songs | Norient.Com 4 Oct 2021 21:52:50
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Press information 14.5.2014 Stadt Nürnberg „War and Peace“: 39th Bardentreffen Festival in Nürnberg Kulturreferat / Projektbüro On 1st August 1914, Germany declared war on Russia and on the 3rd August on France. The 39th Bardentreffen Festival in Nürnberg will be held on the days of these declarations 100 years on. For this reason, our well-known festival has chosen the theme of „War and Peace“ for this year. The festival deals with musical reflections in todays crisis- and war zones throughout the World (from Mali to Syria) and how, for instance, German speaking songwriters deal with conflicts of social, religious and military sources. Leitung Projektbüro im Kulturreferat: Herr Andreas Radlmaier Hauptmarkt 18 / V. Stock Billed for the start of the festival is a famous singer from the Middle East: 90403 Nürnberg Achinoam Nini, internationally known as Noa. In 2009, the Jewish born Tel.: 09 11 / 2 31-23 38 singer from Yemen, sang „There must be another way“ for her homeland andreas.radlmaier@ Israel together with the Palestinian Christian Mira Awad at the Eurovision stadt.nuernberg.de Song Contest. Noa often uses the stage to speak out for peace in the Projektleitung Bardentreffen Middle East. Herr Karl-Heinz Fischer Tel.: 09 11 / 2 31-33 27 The distinguished Bremer Band Die Grenzgänger searched through the Fax: 09 11 / 2 31-20 01 karl-heinz.fischer@ Folksong Archive in Freiburg for lost songs from 1914 to 1918 for their stadt.nuernberg.de program „Maikäfer flieg” (fly Ladybird) with almost every ‘musical’ trick in www.nuernberg-spielt-wagner.de the book, the four musicians present what they have found at the festival.
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Neoliberal Gothic
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Wajdi Mouawad
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