Ramzi Salti's CV (2020)
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Federal President Frank Walter Steinmeier at an Honorary Degree Ceremony at the Lebanese University on 30 January 2018 in Beirut, Lebanon
The speech online: www.bundespraesident.de page 1 to 7 Federal President Frank Walter Steinmeier at an honorary degree ceremony at the Lebanese University on 30 January 2018 in Beirut, Lebanon I would first like to thank you most sincerely for the great honour that it is to be awarded an honorary doctorate. And I am delighted to be able to address you on this occasion today. As some of you may know, this is not my first visit to your beautiful country. If I am not mistaken, then this is the seventh time that I have visited your city in a range of different capacities. However, I have been told that no German head of state has been to Lebanon for 120 years. And therefore I am especially pleased that this visit, which is my first as Federal President, constitutes another premiere. I associate Beirut with another “first”, a moment that is deeply etched in my memory. Back then – I had only been Foreign Minister for a short period of time – I learned that diplomacy and the quest for peace are not only a question of patient, often tough negotiations, but can also be about success. Tangible and visible success. I have clear memories of that moment during the war in 2006. On 7 September here in Beirut, I was standing with the then Prime Minister on the balcony of his residence. A little dot appeared on the horizon that came closer and closer. This dot increasingly took on the shape of an aircraft, which finally came in to land. -
1 GEORGE MASON UNIVERSITY VISITING FILM SERIES April 29
GEORGE MASON UNIVERSITY VISITING FILM SERIES April 29, 2020 I am pleased to be here to talk about my role as Deputy Director of the Washington, DC International Film Festival, more popularly known as Filmfest DC, and as Director of the Arabian Sights Film Festival. I would like to start with a couple of statistics: We all know that Hollywood films dominate the world’s movie theaters, but there are thousands of other movies made around the globe that most of us are totally unaware of or marginally familiar with. India is the largest film producing nation in the world, whose films we label “Bollywood”. India produces around 1,500 to 2,000 films every year in more than 20 languages. Their primary audience is the poor who want to escape into this imaginary world of pretty people, music and dancing. Amitabh Bachchan is widely regarded as the most famous actor in the world, and one of the greatest and most influential actors in world cinema as well as Indian cinema. He has starred in at least 190 movies. He is a producer, television host, and former politician. He is also the host of India’s Who Wants to Be a Millionaire. Nigeria is the next largest film producing country and is also known as “Nollywood”, producing almost 1000 films per year. That’s almost 20 films per week. The average Nollywood movie is produced in a span of 7-10 days on a budget of less than $20,000. Next comes Hollywood. Last year, 786 films were released in U.S. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Delegates Guide
Delegates Guide 9–14 March, 2018 Cultural Partners Supported by Friends of Qumra Media Partner QUMRA DELEGATES GUIDE Qumra Programming Team 5 Qumra Masters 7 Master Class Moderators 14 Qumra Project Delegates 17 Industry Delegates 57 QUMRA PROGRAMMING TEAM Fatma Al Remaihi CEO, Doha Film Institute Director, Qumra Jaser Alagha Aya Al-Blouchi Quay Chu Anthea Devotta Qumra Industry Qumra Master Classes Development Qumra Industry Senior Coordinator Senior Coordinator Executive Coordinator Youth Programmes Senior Film Workshops & Labs Coordinator Senior Coordinator Elia Suleiman Artistic Advisor, Doha Film Institute Mayar Hamdan Yassmine Hammoudi Karem Kamel Maryam Essa Al Khulaifi Qumra Shorts Coordinator Qumra Production Qumra Talks Senior Qumra Pass Senior Development Assistant Coordinator Coordinator Coordinator Film Programming Senior QFF Programme Manager Hanaa Issa Coordinator Animation Producer Director of Strategy and Development Deputy Director, Qumra Meriem Mesraoua Vanessa Paradis Nina Rodriguez Alanoud Al Saiari Grants Senior Coordinator Grants Coordinator Qumra Industry Senior Qumra Pass Coordinator Coordinator Film Workshops & Labs Coordinator Wesam Said Eliza Subotowicz Rawda Al-Thani Jana Wehbe Grants Assistant Grants Senior Coordinator Film Programming Qumra Industry Senior Assistant Coordinator Khalil Benkirane Ali Khechen Jovan Marjanović Chadi Zeneddine Head of Grants Qumra Industry Industry Advisor Film Programmer Ania Wojtowicz Manager Qumra Shorts Coordinator Film Training Senior Film Workshops & Labs Senior Coordinator -
Middle East Studies & Middle Eastern Diaspora
2009 MIDDLE EAST STUDIES & MIDDLE EASTERN DIASPORA New Releases 3 Middle Eastern Diaspora 6 Middle East Studies 10 The Work of Jayce Salloum 14 N EW R ELEASES Our mission is to foster the creation, appreciation and dissemination of social issue media made by or about people of color. Today, TWN carries on the progressive vision of NEW daughter. Hadja, a political asylum T H E W AY N O RTH : seeker from Algeria, is sans papiers its founders, and remains the oldest media arts organization M A G H R E B I W O M E N (without papers). The documentary shows these women's struggles to in the United States devoted to filmakers of color and I N M ARSEILLE Shara K. Lange, 2008, 60 min cultivate alternative economic and their global constituencies. "I thought that in France life would social supports for themselves in a be easier—it’s the land of liberty. society that has historically ignored But it wasn’t like that at all." --Fatima or misunderstood them. HO W T O O R D E R Rhazi “These women's lives in the context of a France that seemed From Marseille come the stories on the brink of exploding, provide Online: www.twn.org We accept institutional purchase of North African women making the opportunity for an “inside orders, credit cards and PayPal new lives for themselves in tense, view” of part of one of the most Email: [email protected] complex, contemporary France. consequential mass migrations accounts. Remember to add $20 in the world today as the Islamic for shipping and handling. -
Visit Barrie Pribyl (Emeritus) Helen D
WOMEN 2009 MAKE NEW RELEASES MOVIES WMM www.wmm.com Women Make Movies Staff Liza Brice Online Marketing & Outreach Coordinator ABOUT Jessica Drammeh IT/Facilities Coordinator WOMEN Teri Duerr Publicity & Publications Manager Kristen Fitzpatrick MAKE Distribution Manager Tracie Holder Production Assistance MOVIES Program Consultant Stephanie Houghton From cutting-edge documentaries that give depth to today’s headlines to Educational Sales & Marketing Coordinator smart, stunning films that push artistic and intellectual boundaries in all genres, Gayathri Iyer Women Make Movies (WMM) is the world’s leading distributor of independent Office Manager Maya Jakubowicz films by and about women. WMM’s commitment to groundbreaking films Finance & Administrative Manager continues in 2009 with 17 new, astonishing and inspiring works that tackle, with Bernadette Ludwig Finance Coordinator passion and intelligence, everything from human rights abuses in Nepal in Cristela Melendez Administrative Aide Julie Bridgham’s Human Rights Watch Nestor Almendros Prize Winner Merrill Sterritt THE SARI SOLDIERS, to Korean reunification with Canadian-Korean director Production Assistance Program Coordinator Min Sook Lee’s powerful TIGER SPIRIT, to change from post-apartheid South Julie Whang Sales & Marketing Manager Africa in internationally acclaimed director Kim Longinotto’s ROUGH AUNTIES, Debra Zimmerman and native identity in Mohawk filmmaker Tracey Deer’s second WMM film, Executive Director CLUB NATIVE. The WMM collection is used by thousands of educational, Board of Directors cultural, and community organizations across North America. In the last Claire Aguilar Vanessa Arteaga five years dozens of WMM films have been broadcast on PBS, HBO, Taina Bien-Aime and the Sundance Channel among others, and have garnered top awards from Tina DeFeliciantonio Sundance to Cannes, as well as Academy Awards®, Emmy Awards®, and Phoebe Eng Leslie Fields-Cruz Peabody Awards. -
Full Text (PDF)
Document generated on 09/25/2021 12:27 a.m. Séquences La revue de cinéma Le temps qu’il reste Fragments identitaires Le temps qu’il reste — Grande-Bretagne / Italie / Belgique / France 2009, 109 minutes Janine Halbreich-Euvrard Number 263, November–December 2009 URI: https://id.erudit.org/iderudit/63356ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Halbreich-Euvrard, J. (2009). Review of [Le temps qu’il reste : fragments identitaires / Le temps qu’il reste — Grande-Bretagne / Italie / Belgique / France 2009, 109 minutes]. Séquences, (263), 33–33. Tous droits réservés © La revue Séquences Inc., 2009 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ HORS CHAMP | ARRÊT SUR IMAGE 33 Le temps qu’il reste Fragments identitaires Didier Stiers s’exclame : « Elia Suleiman parle volontiers de bénediction, il en est une lui aussi, ce dandy qui fait de la poésie avec l’absurde et le tragique... » Né à Nazareth (Galilée) en 1960, de parents arabes devenus citoyens israéliens après la création de l’État d’Israël, Suleiman est ce qu’on appelle un « Arabe israélien » ou Palestinien d’Israël, c’est-à-dire qu’il n’est ni réellement israélien, ni totalement palestinien…. -
MMF-2017 Katalog.Pdf
2 Welcome to MAFF Market Forum MAFF Market Forum 2 3 4 e city of Malmö Welcome to Malmö 5 7 Meet the experts Forum 40 41 Schedule Market Screenings 54 64 Critics Without Borders Nordic countries – Egypt 2017 Case Study / Beauty And e Dogs 70 CONTENT 1 General Manager Mouhamad Keblawi Photographer: Yazan Saad I WANT TO WISH YOU all a warm welcome to MAFF Market Forum 2017. We are both excited and proud to present our third edition of this unique and propitious industry platform. MAFF Market Forum was launched with the ambition to bring the two worlds together, intertwining them with a tailored program created to build partnerships in an intimate environment. We bring together producers, funders, distributors and lm professionals in order to foster a cultural exchange and expand the production landscape. MAFF Market Forum was sprung out of the same ambition as the festival itself; to promote the Arab lm industry, create a gender and cultural diversity in the lm industry, and of course - to ensure all stories get a chance to be heard and seen. Even before the implementation of the rst edition of MAFF Market Forum, we realized that the initiative would have a major impact. Said and done - today, after only two years, several Nordic-Arabic lm collaborations have been implemented and initiated through our platform. And when we say our platform, we include an incredibly important part of the success; the participants. We are beyond thrilled to every year welcome lm professionals from all over the world. is year is no exception, and some of the most signicant and inuential institutes and organizations from both the Nordic countries and the Arab world are attending. -
SAN FRANCISCO EMBRACES ARAB HERITAGE MONTH Arab Cultural Festival, Arab Film Festival, Roads of Arabia Exhibition Celebrate Arab Heritage Month in October
PRESS CONTACTS: For Arab Film Festival For Asian Art Museum Brianna Nelson Annie Tsang 515.528.0088 415.581.3560 [email protected] [email protected] SAN FRANCISCO EMBRACES ARAB HERITAGE MONTH Arab Cultural Festival, Arab Film Festival, Roads of Arabia exhibition celebrate Arab Heritage Month in October SAN FRANCISCO, Oct. 2, 2014—San Francisco celebrates Arab Heritage Month with three major events in October. The 20th Annual Arab Cultural Festival kicks off the festivities on Saturday, Oct. 4 in Union Square. This day-long event transforms Union Square into an Arab bazaar for one Saturday every year, offering food, games and entertainment to the whole family. On Oct. 10, the Arab Film Festival launches its 18th edition at the Castro Theatre with screenings throughout the Bay Area, serving as the largest independent annual showcase of Arab films and filmmakers in the country. Rounding out the month is the new exhibition Roads of Arabia: Archaeology and History of the Kingdom of Saudi Arabia at the Asian Art Museum. Roads of Arabia features recent archaeological discoveries that have radically transformed our understanding of Saudi Arabia. The exhibition includes more than 200 objects, revealing the Arabian Peninsula’s role as a cultural crossroads through trade and pilgrimage over thousands of years. Event details follow. 20th Annual Arab Cultural Festival Union Square, 333 Post Street Sat., Oct. 4, 11 AM–6PM Free The Arab Cultural Festival is the largest celebration of Arab arts and culture in Northern California. Since 1995, this day-long event has showcased the arts, entertainment, cuisine, traditions and spirit of Arab Americans and the Arab world. -
Academy Announces 2020 Grant Recipients
MEDIA CONTACT [email protected] May 12, 2020 FOR IMMEDIATE RELEASE ACADEMY ANNOUNCES 2020 GRANT RECIPIENTS LOS ANGELES, CA – The Academy Foundation of the Academy of Motion Picture Arts and Sciences announced today the 96 recipients of its 2020 FilmCraft and FilmWatch grants, including recipients of the emergency grant funds announced last month in response to the COVID-19 pandemic. All of the grants, which total a combined $2.5 million in funds, are awarded based on current need to organizations that support filmmakers and reach audiences from underserved communities. “The Academy’s first priority remains to help those in our film community most impacted by the current global crisis. Our contribution of $2 million in emergency funds to the Academy Foundation, along with the grants we bestow on an annual basis, will surely benefit struggling organizations so they may continue to encourage diverse storytelling and enrich cinema and its artists,” said Academy governor and Education Committee chair Nancy Utley. “The Academy’s Grants committee is honored to continue to provide much-needed support to these 96 worthy organizations – their impact on the world of film is truly immeasurable,” said Marcus Hu, chair of the Grants committee. Grants range from $5,000-$200,000. Recipient institutions and programs are as follows: African Diaspora Film Festival, Inc. (New York, NY) African Film Festival (New York, NY) American Museum of Natural History/Margaret Mead Film Festival (New York, NY) American Film Institute (Los Angeles, CA) Arabian Sights -
Yasmine Hamdan
YASMINE HAMDAN © Nadim Asfar CONTACT PRESSE Amélie Rouyer [email protected] Charlotte Trogan [email protected] 22, rue de Montreuil 75011 Paris Tél. +33 1 53 27 90 10 www.seeside.fr YASMINE HAMDAN EN BREF... Auteur, compositeur et interprète, Yasmine Hamdan est née à Beyrouth. Elle passe une partie de sa vie entre les pays du Golf et la Grèce. De retour dans la capitale libanaise en 1990, elle y termine sa scolarité, entame des études de psychologie et obtient la licence en 1998. La même année, elle fonde avec Zeid Hamdan le duo Soapkills. Entre 1998 et 2005, Soapkills sort quatre albums dont un live. Yasmine arrive à Paris en 2002. Elle suit une maîtrise en Art du spectacle à la Sorbonne et entame des collabo- rations dans le cinéma avec les réalisateurs Elia Suleiman, Ghassan Salhab, Khalil Jreij et Joanna Hadjitouma, Danièle Arbid. Sa rencontre en 2005 avec Mirwaïs Ahmadzaï, producteur de musique électronique et notamment composi- teur de l’album Music de Madonna, donne naissance à Y.A.S. L’album Arabology sort en 2009 chez Universal Music. À PROPOS D’ELLE... « Il y a trois hivers de cela, Yasmine Hamdan était Y.A.S., duo ou plutôt point de rencontre entre sa culture à elle (dix ans à dominer depuis Beyrouth la scène underground arabe dont elle fût l’icône en tant que chanteuse au sein de Soapkills) et l’électropop de Mirwais. Plus qu’un projet, Y.A.S. était un symbole (musical, géopolitique, religieux, les perspectives ici ramassaient larges) : celui d’un possible pont entre deux mondes que les radios, les médias, les dancefloors, les oreilles, les mentalités celles des uns aussi bien que celles des autres, n’avaient jamais imaginé voir se rencontrer. -
Ramzi Salti, Ph
الدكتور رمزي سل ط .Ramzi Salti, Ph.D Stanford University [email protected] [email protected] Lecturer of Arabic, Stanford University Stanford Profile Page Host of Arabology Program, KZSU 90.1FM Linkedin.com/in/ramzisalti Published Author, Blogger, Public Speaker My Arabology Blog Phone: 650-862-6031 Arabology Podcasts Arabology on YouTube Channel EDUCATION: Ph.D. March 1997 Major: Comparative Literature (Area of specialization is Arabic Literature; secondary emphasis on Francophone literature, Post-Colonial theory) University of California, Riverside Riverside, California M.A. 1991 Major: Comparative Literature (Arabic, French, and English) University of California, Riverside Riverside, California B.A. 1988 Double Major: English & French Santa Clara University Santa Clara, California LANGUAGES: Arabic: Native speaker of classical Arabic and several colloquial dialects. English: Native speaker French: Native speaker (rated Superior by ACTFL) ACADEMIC EXPERIENCE & SERVICE: Full Time Lecturer, Arabic Program (1999-present): SLC, Division of Literatures, Cultures and Languages, Stanford University, Stanford, California 1. Taught a variety of courses in all levels of Arabic including Arabic Conversation, Colloquial Arabic at the Stanford Language Center for the past 21 years (2000-present). 2. Taught night classes in Arabic Language + Culture via Stanford’s Continuing Studies Program (2010-present). 3. Taught summer classes + workshops about “The History of Arabic Music” at Sijal Institute in Amman, Jordan (2019-present). 4. Taught 3-day workshops about Arabic Language, Culture and Music at Nueva School in San Mateo as part of their Intersession Annual Event (2018-2020) 2 SALTI 5. Organized/ Hosted/Moderated dozens of academic events at Stanford University. See separate section below. 6. Fully (Re)Certified ACTFL Oral + Written Proficiency Tester of Arabic (valid until 2021; 2023).