Basic Dress Standard
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History and Drafting of Hose By: Adelheid Holtzhauer
History and Drafting of Hose By: Adelheid Holtzhauer Introduction Leg coverings of some sort have been worn throughout history by both men and women. For the purposes of this class, the hose we will be looking at are fitted, closed footed and made of woven fabric. There are many garments called Hose and Hosen worn throughout history. Extant examples have been found dating back to the 2nd century such as the footed hose found a Martres-de- Veyre. Image 1: Womens woollen twill hose excavated at Martres-de-Veyre Although there are many different garments that could be referred to as hose, in this class we will be focusing on "Single Hose" and "Attached Hose". Single hose cover one leg and can vary in length/height. Attached hose are essentially tight fitted trews. Over the course of time, single hose went from knee length and gartered with trim, to full fitted "pants" to thigh high and attached with to a belt at the waist, to detached and gartered under the knee to the full legging style common in the late 161h century. Image 2 shows a pair of attached hose which are carbon dated to 1355 AD and were found in the Damendorf Bog. Image 2: Susan Moller- Image 4: After a photo in Wlering: War and worship, p Nockert: 114 Bockstenmannen och Image 3: Margareta hans drakt Nockert: Bockstenmannen och hans drakt. pg 61 The knee high hose in image 3 were found on the Bocksten Bog Man generally dated to the th 14 century but were carbon dated between 1290 and 1430. -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
Magical Clothing Fo R Discerning Adventurers
Magical Clothing fo r Discerning Adventurers Anja Svare Sample file Introduction Table of Contents I really like making magic items. General Clothing 3 Now, there’s nothing wrong with how 5e presents the majority of magic items. But the tend to get a little stale. Potions are all essentially the same, scrolls don’t really have much interest Outerwear 6 other than what spell they contain, you’ve got a few interesting things that aren’t weapons or armor, but that’s about it. Most of those will either break a game because of their power, or Headwear 12 they should require a massive quest of campaign-level, world- spanning heroics to obtain. There just aren’t a lot of items that everyday adventurers want, Footwear 14 that won’t break the bank so to speak, and are things that are actually useful. Everybody wears clothes (I don’t want to think about nude D&D), and everybody loves magic items for their Accessories 16 character.. Combining the two seemed like a good idea, but I didn’t want Special Orders 20 to go with just pants, shirts, etc. I scoured the internet for medieval period clothing, and narrowed down a list of items that were common across a wide range of times and places throughout Europe during the Middle Ages. Now, I did come Glossary 22 across some interesting clothing items that fell outside that range or geography, and a few are included here. None of the items presented here are gender specific. I intentionally left any mention of that out of each item. -
Custimization Copy
Tighty Whities history customization functions customization contact Customize Yours history customization functions contact Tighty Whities Tighty Whities history customization functions history contact Starting from the Medieval period the suit, more commonly known as long johns, most similar item of undergarment would acted as a second skin. They were generally be the braies. These were pants of knitted as one piced, had a drop flap in varying length and shape worn under a back, and were worn by both men and long tunic. They tended to have laces or women. In 1910 they were split into top and strings tied around the waist to hold them bottom parts. up, and could be argued to be pants as much as undies. The Jock strap came along in 1874, and was originally intended as a device to comfort By the Georgian period braies had given men riding bicycles over the cobblestone way to drawers, which could come in streets of Boston. short, or “small clothes” which were a little longer, or long forms, depending on The 1930s brought about the invention of what was to be worn over the top. what we would consider modern underwear. The jockey, the boxer, and a plethora of About the time the industrial revolution designs long since discarded came about got off the ground, the union suit became then. The greatest innovation? Elastic a common form of underwear. The union < > Tighty Whities history customization your briefs functions contact solid premade style left panel right panel middle stitching piping waist band band stitch add to cart view cart Tighty Whities history customization functions functions contact Flag Flags for any and every country! Fly your tighty whities with pride high in the air. -
Tournament Gallery - Word Search
HERALDRY Heraldry involves using patterns pictures and colours to represent a knight. Below is an example. Q: Why do you think heraldry was important to a knight? TOURNAMENT Design and GALLERY sketch your own coat of arms KEY STAGE 3 Self-Guided Visit Student Activity Handbook w w w w w w . r r o o Name: y y a a l l a a r r School: m m o o u u r r i i Class: e e s s . o o r r g g Date: © Royal Armouries The Tournament Gallery can be found on Floors 2 and 3 of the Museum. TUDOR TOURNAMENT ARMOUR DECORATION Q: In the Tudor period the tournament was highly popular. Name and describe Find the section in the gallery that describes different ways to the different games associated with the tournament? decorate armour. Q: Name the methods used to decorate these armours A B C D E Q: Why do you think knights and nobles decorated their armour? Q: Find a piece of decorated armour in the gallery sketch it in the box below and describe why you chose it. Armours were made to protect a knight in battle or in the tournament. Q: What are the main differences between armour made to wear in battle and tournament armour? 1 © Royal Armouries © Royal Armouries 2 FIELD OF CLOTH OF GOLD KING HENRY VIII Find the painting depicting the Field of Cloth of Gold tournament. Henry VIII had some of the most impressive armours of his time. To the right of the painting of the Field of Cloth of Gold is a case displaying an armour made for Henry VIII; it was considered to be one of Q: In which year did the Field of Cloth of Gold tournament take place? the greatest armours ever made, why do you think this was? Q: On the other side of the painting is an usual armour. -
Medieval Clothes
Clothes Clothes Men’s linen braies Men’s linen braies — (or Breeches) were the innermost layer of clothing for men, long loose underpants made from linen. They were worn under and filled in the gap between single leg hose in the 13th and 14th centuries. As hose became fuller, braies got shorter and smaller. How do we know about linen braies? There are no surviving examples of braies as linen rots away too quickly. These replicas are “best guesses” worked out from C13th illuminated manuscript evidence. There are many illustrations of men wearing braies in medieval manuscripts, including the Luttrell Psalter. Peasants working in the fields seem to have worn braies without leg hose. Clothes Men’s linen lined woollen single leg hose Men’s linen lined woollen single leg hose — hose began as simple foot coverings and extended upwards covering more of the leg. During 13th and much of the 14th century hose were single-legged garments, and men sometimes wore different colours on each leg. Hose fasten directly to the waistband (breech girdle) of the braies. How do we know about woollen single leg hose? There are many illustrations of men wearing leg hose in medieval manuscripts, including the Luttrell Psalter. Clothes Women’s woollen leg hose Women’s woollen leg hose — women’s hose were knee-length socks cut from woven woollen cloth. They were cut on the bias to give as much movement as possible, were often quite loose and held up by garters tied just below the knee. Rich women may have had garters made from expensive cloth, possibly embroidered, with buckles, and poor women would have used plain twill cloth or braid. -
The Details of English Fashions of the Sixteenth Century: Men's Clothing
The Details of English Fashions of the Sixteenth Century: Men’s Clothing Examined by Decade by Margaret Roe Also published online at http://www.margaretroedesigns.com/fashions.html © 2010 1 Overview 1500s Shirts, cuffs and collars The shirt of the 1500s was full in the body, gathered into the neckline, sometimes with a narrow collar and sometimes into a scoop-neckline. The sleeves are unseen, but are probably either gathered into a small cuff or simply hemmed. Blackwork is not yet seen at the edges of men's shirts. Breeches Breeches of this decade continued to be the joined hose and codpiece of the fifteenth century. Doublets and jerkins Both doublets and jerkins are worn at this time. The doublet usually had a narrow standing collar, no more than 1" high, whereas the jerkin had a low, round neckline. Both had long skirts, extending to the knees, and both were simplify trimmed. Sleeves Sleeves are often difficult to see under the overgown, but appear to be of two common styles: either narrow but loose sleeves, or narrow to just above the elbow and full to the shoulder, possibly stuffed or padded to maintain a full shape. Sleeves usually matched the doublet or jerkin and were probably sewn into it. Over garments Finally, overgowns are seen in most portraits. These gowns fall either to mid-calf or to the ankles. They most often have very full, long sleeves, but occasionally, the sleeves are only elbow-length or are turned back over the elbows. The collar is turned back around the neck to reveal a different colored lining, which was sometimes fur. -
British Term for Underwear
British Term For Underwear hottestConsecutive while Dietergemel neverJulian stretchevanishes so scripturally that Callisto. or buttles any polarities geopolitically. Long-drawn-out Nichole decarbonate past. Avraham still cadging English words used with rows and rows and whatnot in other sources of course it as trust someone who thought hikes and british term Other terms used instead of ginch include gotch, gonch, and gitch. There when men continued to underwear for british term is underwear are stored on this term can name or boxers as a suit pants for shoes, or a newscast. Steak and kidney pies are often served with chips and jacket on the menu of most British fish and chip shops. Note business this squad not disable the building of vest worn with a formal suit, during any query of vest. And for quiet long game these breeches continued to be a gates of male fashion, that is excuse they were called. It also played an indispensable role in emphasizing sex difference and defining gender roles. The text Vocabulary cloud shows the related words and phrases you can find only the Cambridge Dictionary will make up where topic. Play affect your words! We and for british underwear and underwear? Just like cut, those competing in sports could rot from wearing confining garments that compete with modern sports bras, dance belts, or jock straps. The word drawers was invented because consent for sure was drawn on. Thieves will steal clothing if change can make money off of change through resale or visit they can where it themselves. Short underpants for women bare children. -
Exploring Lago Di Braies Guide
Exploring Lago di Braies Guide COPYRIGHT © 2019. ALL RIGHTS RESERVED. Step-by-Step Trekking around the Lago di Braies loop trail takes roughly 1.5 to 2 hours. The lake is always visible from the trail so your time may be longer if you're a nature photography enthusiast. NOTE: The loop trail is easy to hike with minimal ascent. The first leg is smooth enough for a stroller, but you cannot complete the entire loop with one. COPYRIGHT © 2018. ALL RIGHTS RESERVED. If arriving by car, you can park practically by the entrance to the lake. The P1 parking lot is near the front of Hotel Lake Braies on the northern shore of the lake. The cost is €5 to park. NOTE: If you do not want to pay for parking, you can park for free in the hamlet of St. Vito / San Vito, which is situated less than 2 miles ( 3 km) from Lago di Braies. The walk from the village center will take you approximately 45 minutes. Most of this walk is uphill. COPYRIGHT © 2018. ALL RIGHTS RESERVED. A map located outside the hotel is worth reviewing to get a better sense for the hike around Lago di Braies. We recommend beginning your hiking adventure by venturing to the right once you're on the northern bank. Follow the Seeweg / Giro del Lago signposts. Photo opp: Several points on the trail along the western side of the lake allow you to wander to the shore. Find a boulder to sit on and watch any boats rowing about. -
Is a Set of Guidelines on the Historical Costume of Duke Siemovit’S Mazowiecka Banner
The following "Red Booklet" is a set of guidelines on the historical costume of Duke Siemovit’s Mazowiecka Banner. All of the information contained therein relate to what is required internally in our camp, and they are the choice of iconography and sources from the vast information about costumes from the period of our interest – i.e. 1390-1410. All kinds of questions and uncertainties related to the discrepancies between the guidelines of the Siemovit Banner and other Grunwald banners – should be cleared up within own camp, with persons involved in the control of the historical costume and with their costumography choices. Commander of the Siemovit’s Banner Małgorzta Rekosz-Piekarska, Red Booklet II Introduction to the reconstruction of the costume Reconstructing dresses of the bygone era we must rely on historical sources. The most reliable, are of course clothes preserved to our days, which we can, which we can freely examine and take to pieces. Unfortunately, the fabric does not stand up well to the passage of time, therefore from the late Middle Ages a little survived to our times. We therefore need to supplement our knowledge both with iconography as well as written sources. In the art of the turn of the 14th and 15th century there are plenty of depictions, which may become useful in reconstruction of the mediaeval clothing. Unfortunately there also is a lot of confusion and traps. Firstly, all depictions mainly show the higher society (founders and their entourage). Secondly the artists of this period often simplified the look of the clothing; there also was a custom of borrowing whole compositions or types of presentations from other artists (famous medieval patterns). -
Slide 1 C H a P T E R S I X ______THE LATE MIDDLE AGES C
Slide 1 C H A P T E R S I X ___________________________________ THE LATE MIDDLE AGES c. 1300 - 1500 ___________________________________ ___________________________________ Check for updates on the web now! ___________________________________ Click anywhere in the slide to view the next item on the slide or to advance to the next slide. Use the buttons below to navigate to another page, close the presentation or to open the help page. ___________________________________ ___________________________________ ___________________________________ Slide 2 14th Century: Styles for men continue to be loosely fitted, much like ___________________________________ those of the late 1200’s. ___________________________________ ___________________________________ ___________________________________ Medieval European man and woman, late 13th Century Man and woman, 1st half 14th Century C H A P T E R S I X 2 THE LATE MIDDLE AGES c. 1300 - 1500 © 2006 Fairchild Publications, Inc. ___________________________________ ___________________________________ ___________________________________ Slide 3 Undergarments For Men: 14th Century ___________________________________ Click image to apply chemise ___________________________________ ___________________________________ Short braies with hose Chemise ___________________________________ C H A P T E R S I X 3 THE LATE MIDDLE AGES c. 1300 - 1500 © 2006 Fairchild Publications, Inc. ___________________________________ ___________________________________ ___________________________________ Slide 4 Leg Coverings Worn -
The Classic Suit of Armor
Project Number: JLS 0048 The Classic Suit of Armor An Interactive Qualifying Project Report Submitted to the Faculty of the WORCESTER POLYTECHNIC INSTITUTE in partial fulfillment of the requirements for the Degree of Bachelor of Science by _________________ Justin Mattern _________________ Gregory Labonte _________________ Christopher Parker _________________ William Aust _________________ Katrina Van de Berg Date: March 3, 2005 Approved By: ______________________ Jeffery L. Forgeng, Advisor 1 Table of Contents ABSTRACT .................................................................................................................................................. 5 INTRODUCTION ........................................................................................................................................ 6 RESEARCH ON ARMOR: ......................................................................................................................... 9 ARMOR MANUFACTURING ......................................................................................................................... 9 Armor and the Context of Production ................................................................................................... 9 Metallurgy ........................................................................................................................................... 12 Shaping Techniques ............................................................................................................................ 15 Armor Decoration