DOCSLIB.ORG

Kuppenheimer Mar-De- Trooped Moir, Katherlne Buck, Suzanne a Gay Group of Peasant Girls Gramme of Five Numbers

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kuppenheimer Mar-De- Trooped Moir, Katherlne Buck, Suzanne a Gay Group of Peasant Girls Gramme of Five Numbers THE MOKXIXG OREGONIAN, THURSDAY, MAT 4, 1922 it FEW OF MANY PARTICIPANTS IX "CINDERELLA," BIG DANCE PAGEANT AT HEILIG THEATER. f"lM"MMWBM"'MI!y AT KEIUG SUCCESS Pupils of Marie Gammie Are Praised for Efforts. LARGE AUDIENCE PRESENT Gleeful Spectators of All Ages Are Charmed by Pantomimes Depicting Fairy Tale. Nothing that has been revealed in the form of amateur entertainments during the past year seems to have come so near to reaching" the summit of artistic achievement as the excep- tional production of "Cinderella" which was put on by pupils of Miss Marie Gammie last night at the Hei-li- Miss Gammie's dramatization of the fascinating- fairy tale is truer to the original than most .and her ver- sion proved actable and plausible. The story of the little slavey of the cinders lends itself peculiarly for presentations of this kind, and Miss Gammie had evolved a whimsical. Imaginative and intimate interpre- tation. Audience Is Large. A large and gleeful audience, aged approximately from sisters and brothers of the performers to grandpas and. grandmas, viewed the beautiful pantomime with genuine enthusiasm, generously each number. Miss Gammie had arra nged her specialties so that one number danced in immediately on the heels or Its predecessor, and so there vere no encores or excessive waits. The entertainment was in three parts and each contained a lovely, col- orful and well-traine- d ballet. The frst scene took place in Cin- derella's kitchen, where an old clock ticked away the hours and a wonder- ful black cat frolicked around the sad little Cinderella. The festive cat was Bessie Davis, who stayed in the char- acter constantly, even while giving a delighcfully feline dance. The role of Cinderella was played by Gertrude Donery. whose dancing is more than mere picturesque posturing. Danee In ExpresaiTC. There is depth, charm and vigor of xpression, as well as a definite sense of the drama in the dancing of young Miss Donery, and she made Cinderella a vital, real person. The two step-siste- rs were played by Louise Hatfield and Alice Freeland, both of whom are excellent dancers, and notably good as comediennes. Their airs and graces and assumed awkwardness met heartily with the approval of the audience and they perfect worthy played as foils to each other. Because fine woolens are of Later at the ball when they fell down the stairs, and later still when they struggled to put on the golden slip- per, the comedy gifts and bits of pantomime exhibited by Miss Hat- woolen were most foremost Miss tailoring, field and Freeland fine the amusing. A fcjvely maid. Anitha Strawn. who sustains remarkably well the many and difficult poses and steps incident- to toe dancing, was the fairy god- al j:ouyjr jKrSyrSS. Sofa JfrKr.miJL Sift Europe give mother. mills in America and to Dream Babes Charming. A group of charming dream babies non Hawks Margaret Holman, Car- and ths four pieces by the orchestra Klamath Falls Indian reservation. who crept out of the fireplace to oline Miller, Peggy Nordby, Clara were Girl," "Tell Her Adolph Koch, Astoria soft drink pro- cheer the sleeping Cinderella proved Updegraf. at Twilight' "Lonesome Hours' and prietor, was fined $350 for possessing sleepy little Yoakum, Mildred a sensation with their Give "SmllinV moonshine. Pleas of not guilty to nods and yawns and stretches. The Butterflies Dance. This afternoon John Sylvester, ac- - violations of the Harrison narcotic them- A of butterflies, gay colored, j babies, hardly more than babies trio cordion player, will play the prologue act were entered by George Tak-mats- u, selves in years, included Beryll danced in the dawn, four water babies "Fagliacci," T. splashed in Imaginary dew. and from and also will direct K. Sakauchi, Milnota, E. Hampton. Eleanor Egan, Jean Mavis the the Oregon Grill orchestra in a pro- Kelly and J. C. Gadiana. Kuppenheimer Mar-de- trooped Moir, Katherlne Buck, Suzanne a gay group of peasant girls gramme of five numbers. A second Hazel Teller. Elizabeth Wilhelm, about in dance. The water babies were Hampton, feature of the concert will be vocal Marion Dawson. Thelma Robinson, Eleanor Egan, Beryll Jean solos by Monte Austin, accompanied Hal 31. White to Take Trip. Helen Taylor and Spies. Mavis Moir jane Spies. Jane Lila by the orchestra. Mr. Austin, who Is he may study of GOOD CLOTHES A group Louise Wagnon, That methods of six dashing white mice, Butterflies a well-know- n singer, formerly with long, waving tails, which dashed "Washburn, Betty Woerner. radio handling municipal auditoriums, Hal Terry: of California, will sing "While Miami M. White, manager of out of a cupboard, danced delight- Peasant girls Soloist. Tetty Me, Mam the Portland fully. The mice were Beryll Hamp- Helen Brown, Betty Couglan, Virginia Dreams" and "Don't Leave city auditorium, yesterday was au- Mary Lyons, my. The orchestra and solo music thorized by vote of the commissioners ton. Eleanor Egan. Katherine Buck. Klosterman. Elizabeth will be firpplemented by six new Vic- the choice exclusive rights Tli el ma Robinson, Helen Taylor and Eleanor Poorman. Bella Reed. Dolores to visit a number of western cities. first and two tor records. Mr. Jane Spies. Kunyan, Louise Wagnon and the The daily concerts given from The White wishes particularly to visit Abit of comedy was introduced in smart peacocks who strutted in dance 3:30 Denver in the hope that Portland may the presence of wee David Owen as a were 'Wilma Enke and Evelyn Sweet-lan- d. Oregonian tower are held between be linked up with that city in a series negro page, if,nd 4:30 o'clock, and persons desiring of who carried Cinderella's to hear them are directed to go to successful entertainments staged train. A group of pretty and grace- A nisbt wind was interpreted clev- in the Denver auditorium, under aus- to their newest and fabrics the office of the Shipowners' Radio finest ful ballet girls who brought Cinder- erly by Eleanor Poorman, an oriental mag- - pices of the city. He also will visit ella her lovely clothes and dressed dancer was Daisy Lucile Gerber, and Service. 310 Oak street, where a San Francisco, Oakland, Los Angeles oAn investment in good appearance her for the ball, were Caroline Miller, Gladys Bozle gave an interesting navox has been installed in connection and Salt Lake in quest of pointers on found tvith the cortcesrt- - Peggy Xordby, Helen Brown and Vir- waltz iantasy. When the Prince persons enjoyed auditorium management. An appro- McMullen. Cinderella, a manly cakebearer ar Many yesterday $2 50 ginia his afternoon's programme at the Ship- priation of available from the Act 2 was in the ballroom of the rived in the person of Gene Dickenson. 310 auditorium fund was authorized for palace. Here Haldane Harned. a tal- a ffroup of charming Driaesmaias, owners' Radio Service store at purpose. and Oak street where a high-pow- re- this ented boy dancer, held court as the June Enke. Phyllis Grossmayer, Anna magnavox I'rince Charming. Hord, Sue McKenzie, Jane Spies. Ber-tel- le ceiving set and has been joined in the final pic- installed for the benefit of the pub- Baptists Name Organist. Costumeti Are Ctigi McBain. lic. This set will be in operation Claire and May Xusbaum as turesque festivities. every William Mansell Wilder been sen acted afternoon during the hours has his friends and danced with the two-ste- p when The Oregonian programmes are appointed organist and choirmaster of sisters when they arrived. The being broadcast. The store will also the First Baptist church, Twelfth and Exclusive Kuppenheimer House in Portland court scene was most gorgeous, with BAGPIPE BAND ON RADIO be open to the public this coming Fri- Taylor streets, effective September 1. handsome costumes in evidence. day evening from 8 to 9 o'clock, when Mr. Wilder, who is one of the principal MORRISON AT FOURTH ST. The courtiers, in white satin doub- From Firat Page.) the George Olson orchestra will b organists and choir directors in the let and hose, included June Arnold. ice cream for the players at tne ena playing in. The Oregonian radio tower. Pacific northwest, held the position Buehla Belcher, Gladys Bozlee, Eliza- of the concert. to which he again has been appointed beth Shillock. Ceola Smith and Ber-nic- e The second hour of broadcasting CONCERTS SET FOR TOXIGHT in this church about 19 years ago, Stone, while the court ladies, in was used for a separate concert em- when he resigned to accept another handsome gowns, were Margit Bybest. bracing three artists, two of whom choir appointment. Katheryn Clarke. Gladys Kelly, Char- were new to radio. These were Alice Hawley Station to Broadcast In- lotte Reidel, Evelyn Ryer and Ruth Price Moore and P. W. Goodrich. Each Toncray. In the delightful series of of the artists gave four numbers, strumental and Vocal Music. events which took place at the ball which were applauded as fast as tele- were specialties of all sorts. At The principal concert for this even- phone calls could be answered. ing One of these was "Chinese Jade." one time 18 different telephone trunk will be broadcast from the radio an exquisite to station operated by Wllliard P. Haw- oriental conceit danced lines were in use with calls the ex- by Maxlne Shea in a d Chi- Oregonian. ley Jr. and promises to be of an radio department of The separate con- nese robe. Another was "Harlequin to be ceptional nature. Two 25 Saving Organ music still continues certs each of an hour's duration, will and Columbine," a clever pantomime one of the most popular kinds of en-- f danced by James Lyons and played be given, the first starting at 8 o'clock.
Load more

Recommended publications
  • Corporate Reputation and Competitiveness
    Corporate Reputation and Competitiveness Reputation is at the heart of a company’s success. This unique book, from four of the world leaders in reputation research, reveals the very latest thinking about how organ- izations can improve, whether they are in the public, commercial or not-for-profit sector. The philosophy is to match the external (customer) perception of the organization and what they value, to the internal (customer-facing employee) perception and their organ- izational values. Only when these are ‘harmonized’ can the firm be truly competitive. Corporate Reputation and Competitiveness takes the subject of Reputation Management further than any previous text. It covers some familiar ground: dealing with the media, crisis management, the use of logos and other aspects of corporate identity. But it also argues for Reputation Management to be seen as a way of managing the long-term strat- egy of an organization. It presents a new approach to measuring reputation, one that relies on surveying customers and employees on their view of the corporate character. It carries detailed results of studies showing the interaction of customer–employee per- spectives and how and why customer views influence commercial performance. The book introduces the Corporate Reputation Chain – the potential to link staff and customer satisfaction via the organization’s reputation, and to the Corporate Personality Scale – a way of measuring what customers and staff feel about the organization itself. Detailed case studies from a variety of different companies and sectors reveal the prac- tice of Reputation Management. Corporate Reputation and Competitiveness is intended to be useful to both managers and students on postgraduate courses.
    [Show full text]
  • Of ABBA 1 ABBA 1
    Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • Cagliostro and His Egyptian Rite of Freemasonry
    CAGLIOSTRO AND HIS EGYPTIAN RITE OF FREEMASONRY By HENRY RIDGELY EVANS, 'Litt.D., 33° Hon. Gra nd Tiler of the Supreme Council, A.'. A... S.·. R:. of Freemasonry for the Southern Jurisdiction of the United States. TOGETHEI! WITH A N EXPOSITION OF' THE FIRST DEGREE OF' THE EGYPTIAN RITE Translated from the French by HORACE PARKER McINT03R, 33° Hon. (Reprinted from the New Age Maga.zine.) WASHINGTON, D. C. 1919 COUNT CAGLIOSTRO CAGLIOSTRO AND HIS EGYPTIAN RITE OF FREEMASONRY~ INTRODUCTION "Unparalleled Cagliostro! Looking at thy so attractively decorated private theater, wherein thou aetedst and livedst, what hand but itches to draw aside thy curtain and, turning the whole inside out, find thee in the middle thereof ?"- CARLYU, : J\lJ isc ella.neo1ts Essays. N the Rue de Beaune, Paris, a few doors from the house where Voltaire died, is a shabby genteel little hostelry, dating back to pre-revolutionary I times; to the old regime of Louis XVI and Marie Antoinette. You ring the bell of the concierge's office, and the wrought-iron gates open with a clang. Mine host welcomes you at the portal and, with the airs and graces of an aristocrat of the eighteenth century, ushers you up to the state bedroom. Ah, that bedroom, so old and quaint, with its huge four-post bed, garnished with faded. red curtains and mounted upon a raised dais. The chimney-piece is carved and bears the half-obliterated escutcheon of the builder of the man­ ~ion-a noble of the old regime. Over the mantle hangs a large oval mirror set in a tarnished gilt frame.
    [Show full text]
  • 2020 International List of Protected Names
    INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 03/06/21 46 place Abel Gance, 92100 Boulogne-Billancourt, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) From 1996 to 2004, the winners of the nine following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Japan Cup, Melbourne Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes North America : Breeders’ Cup Classic, Breeders’ Cup Turf Since 2005, the winners of the eleven famous following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion North America : Breeders’ Cup Classic, Breeders’ Cup Turf The main stallions and broodmares, registered on request of the International Stud Book Committee (ISBC). Updates made on the IFHA website The horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 03/06/2021 In 2020, the list of Protected
    [Show full text]
  • Sigrid Rieuwerts*
    E.L.O., 7-8 (2001-2) THE NEARNESS OF THE REMOTE: "THE BROOM OF THE COWDENKNOWS" (CHILD 217) REVISITED Sigrid Rieuwerts* NEW WORDS TO AN OLD TUNE "The Broom of the Cowdenknows" has been put forward by Robert Chambers as "the best specimen that can be given of that native poetry on which Scotland prides herself so much."1 "The Brume o' the Cowdenknowes" Chambers had in mind, however, is not the traditional ballad, but —as he calls it— a "simple, delightful, and truly pastoral song"2 that was first published in Allan Ramsay's Tea-Table Miscellany in 1723 and was written by a man—or more likely a woman—with the initials S.R.: How blyth ilk morn was I to see The swain come o'er the hill! He skipt the burn and flew to me: I met him with good will. O the broom, the bonny bonny broom The broom of the Cowdenknows; I wish I were with my dear swain, With his pipe and my ewes. I neither wanted ewe nor lamb, While his flock near me lay: He gather'd in my sheep at night, And chear'd me a' the day. O the broom, &c. He tun'd his pipe and reed sae sweet, The burds stood list'ning by; E'en the dull cattle stood and gaz'd Charm'd with his melody. O the broom, &c. While thus we spent our time by turns, Betwixt our flocks and play; I envy'd not the fairest dame, Tho' ne'er so rich and gay.
    [Show full text]
  • 2008 International List of Protected Names
    LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities _________________________________________________________________________________ _ 46 place Abel Gance, 92100 Boulogne, France Avril / April 2008 Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : ) des gagnants des 33 courses suivantes depuis leur ) the winners of the 33 following races since their création jusqu’en 1995 first running to 1995 inclus : included : Preis der Diana, Deutsches Derby, Preis von Europa (Allemagne/Deutschland) Kentucky Derby, Preakness Stakes, Belmont Stakes, Jockey Club Gold Cup, Breeders’ Cup Turf, Breeders’ Cup Classic (Etats Unis d’Amérique/United States of America) Poule d’Essai des Poulains, Poule d’Essai des Pouliches, Prix du Jockey Club, Prix de Diane, Grand Prix de Paris, Prix Vermeille, Prix de l’Arc de Triomphe (France) 1000 Guineas, 2000 Guineas, Oaks, Derby, Ascot Gold Cup, King George VI and Queen Elizabeth, St Leger, Grand National (Grande Bretagne/Great Britain) Irish 1000 Guineas, 2000 Guineas, Derby, Oaks, Saint Leger (Irlande/Ireland) Premio Regina Elena, Premio Parioli, Derby Italiano, Oaks (Italie/Italia)
    [Show full text]
  • 2009 International List of Protected Names
    Liste Internationale des Noms Protégés LISTE INTERNATIONALE DES NOMS PROTÉGÉS (également disponible sur notre Site Internet : www.IFHAonline.org) INTERNATIONAL LIST OF PROTECTED NAMES (also available on our Web site : www.IFHAonline.org) Fédération Internationale des Autorités Hippiques de Courses au Galop International Federation of Horseracing Authorities __________________________________________________________________________ _ 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] 2 03/02/2009 International List of Protected Names Internet : www.IFHAonline.org 3 03/02/2009 Liste Internationale des Noms Protégés La liste des Noms Protégés comprend les noms : The list of Protected Names includes the names of : ) des gagnants des 33 courses suivantes depuis leur ) the winners of the 33 following races since their création jusqu’en 1995 first running to 1995 inclus : included : Preis der Diana, Deutsches Derby, Preis von Europa (Allemagne/Deutschland) Kentucky Derby, Preakness Stakes, Belmont Stakes, Jockey Club Gold Cup, Breeders’ Cup Turf, Breeders’ Cup Classic (Etats Unis d’Amérique/United States of America) Poule d’Essai des Poulains, Poule d’Essai des Pouliches, Prix du Jockey Club, Prix de Diane, Grand Prix de Paris, Prix Vermeille, Prix de l’Arc de Triomphe (France) 1000 Guineas, 2000 Guineas, Oaks, Derby, Ascot Gold Cup, King George VI and Queen Elizabeth, St Leger, Grand National (Grande Bretagne/Great Britain) Irish 1000 Guineas, 2000 Guineas,
    [Show full text]
  • What Goes Around Comes Around: the Circulation of Proverbs in Contemporary Life
    Utah State University DigitalCommons@USU All USU Press Publications USU Press 2004 What Goes Around Comes Around: The Circulation of Proverbs in Contemporary Life Kimberly J. Lau Peter Tokofsky Stephen D. Winick Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the American Popular Culture Commons, and the Folklore Commons Recommended Citation Lau, K. J., Tokofsky, P., Winick, S. D., & Mieder, W. (2004). What goes around comes around: The circulation of proverbs in contemporary life. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. WhatWhat GoesGoes AroundAround ComesComes AroundAround The Circulation of Proverbs in Contemporary Life EditedEdited byby KimberlyKimberly J.J. Lau,Lau, PeterPeter Tokofsky,Tokofsky, andand StephenStephen D.D. WinickWinick What Goes Around Comes Around What Goes Around Comes Around The Circulation of Proverbs in Contemporary Life Edited by Kimberly J. Lau Peter Tokofsky Stephen D. Winick Utah State University Press Logan, Utah Copyright © 2004 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Manufactured in the United States of America Printed on acid-free paper Library of Congress Cataloging-in-Publication Data What goes around comes around : the circulation of proverbs in contem- porary life / edited by Kimberly J. Lau, Peter Tokofsky, and Stephen D. Winick. p. cm. Essays in honor of Wolfgang Mieder. ISBN 0-87421-592-7 (pbk.
    [Show full text]
  • Classical by Composer
    Classical by Composer Adolphe Adam, Giselle (The Complete Ballet), Bolshoi Theater Orchestra, Algis Zuraitis,ˆ MHS 824750F Isaac Albeniz, Iberia (complete), Maurice Ravel, Rapsodie Espagnole, Jean Morel, Paris Conservatoire Orchestra, RCA Living Stereo LSC-6094 (audiophile reissue) 2 records Tomaso Albinoni, Adagio for Strings and Organ, Concerto a Cinque in C Major, Concerto a Cinque in C Major Op. 5, No. 12, Concerto a Cinque in E Minor Op. 5, No. 9, The Sinfonia Instrumental Ensemble, Jean Witold, Nonesuch H-71005 Alfonso X, El Sabio, Las Cantigas de Santa Maria, History of Spanish Music, Volume I MHS OR 302 Charles Valentin Alkan, Piano Pieces Bernard Ringeissen Piano Harmonia Mundi B 927 Gregorio Allegri, Miserere, and other Great Choral Works CD ASV CD OS 6036 DDD, ADD 1989 Gregorio Allegri, Miserere, and other Choral Masterpieces CD Naxos 8.550827 DDD 1993 Gregorio Allegri, Miserere, Giovanni Pierluigi, Stabat Mater, Hodie Beata Virgo, Senex puerum portabat, Magnificat, Litaniae de Beata Virgine Maria, Choir of King’s College, Cambridge, Sir David Willcocks, CD London 421 147-2 ADD 1964 William Alwyn, Symphony 1, London Philharmonic Orchestra, William Alwyn, HNH 4040 Music of Leroy Anderson, Vol. 2 Frederick Fennell, Eastman-Rochester “POPS” Orchestra, 19 cm/sec quarter-track tape Mercury Living Presence ST-90043 The Music of Leroy Anderson, Frederick Fennell, Eastman-Rochester Pops Orchestra, Mercury Living Presence SR-90009 (audiophile) The Music of Leroy Anderson, Sandpaper Ballet, Forgotten Dreams, Serendata, The Penny Whistle Song, Sleigh Ride, Bugler’s Holiday, Frederick Fennell, Eastman-Rochester POPS Orchestra, 19 cm/sec half-track tape Mercury Living Presence (Seeing Ear) MVS5-30 1956 George Antheil, Symphony No.
    [Show full text]
  • JAZZ a JUAN » from 12Th to 22Nd July 2018 PRESS FILE 20:30 - Pinède Gould Thursday 12/07 Charles PASI Lenny KRAVITZ
    THE TOURIST OFFICE AND EDEN Casino PRESENT The 58th INTERNATIONAL JAZZ FESTIVAL « JAZZ A JUAN » From 12th to 22nd July 2018 PRESS FILE 20:30 - Pinède Gould Thursday 12/07 Charles PASI Lenny KRAVITZ evening courtesy of Saturday 14/07 - the town of Antibes NILS INDJEIN QUARTET Eli DEGIBRI QUARTET - Red Sea Jazz Festival Eilat André MANOUKIAN 4TET Sunday 15/07 - BEST OF the OFF festival Concerts in the streets of Antibes from 6:30pm to 7:30pm and in Juan-les-Pins from 9pm to 10pm Monday 16/07 Nile RODGERS & CHIC EARTH, WIND & FIRE Tuesday 17/07 Tigran HAMASYAN Carla BRUNI Melody GARDOT Wednesday 18/07 The Chick COREA Akoustic Band with John PATITUCCI and Dave WECKL © Graphie 4 © Graphie David SANBORN Acoustic Band Thursday 19/07 Biréli LAGRÈNE & CHARLIER / SOURISSE MULTIQUARIUM BIG BAND "REMEMBER JACO PASTORIUS" MARCUS MILLER + Special Guest : SELAH SUE Friday 20/07 Youn Sun NAH QUEEN OF SHEBA - Ibrahim MAALOUF & Angélique KIDJO - Orchestre de Cannes Provence Alpes Côte d'Azur Saturday 21/07 Dhafer YOUSSEF Norah JONES Sunday 22/07 The COMO MAMAS 58TH INTERNATIONAL JAZZ FESTIVAL "JAZZ A JUAN" Since 1960 and the creation of "Jazz à Juan", jazz has changed, jazz has mutated. It is everywhere, all over the world, permeating, transfusing and instilling itself into all musical styles, redefining borders and boundaries, and must be recognised as the vast musical trajectory which has brought Afro-American culture to the threshold of the most contemporary and universal questions in music, while careful not to become lost in the prolixity of what we might conveniently call “World Music”, nor hardened into an academic discipline destined for maintaining heritage.
    [Show full text]
  • 2018 International List of Protected Names
    INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 19/04/19 46 place Abel Gance, 92100 Boulogne, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) from 1996 to 2004, the winners of the nine following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (South America) Japan Cup, Melbourne Cup (Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes (Europe) Breeders’ Cup Classic, Breeders’ Cup Turf (North America) since 2005, the winners of the eleven famous following international races : Gran Premio Carlos Pellegrini, Grande Premio Brazil (South America) Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup (Asia) Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion (Europe) Breeders’ Cup Classic, Breeders’ Cup Turf (North America) names of horses honoured in any ceremony related to the year-end rankings produced by the Longines World’s Best Racehorse Rankings Committee the main stallions and broodmares, registered on request of the International Stud Book Committee. Updates made on the IFHA website the horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 19/04/2019 In 2018, the list of Protected Names contains 3112 names.
    [Show full text]