The Project Gutenberg Ebook of Winding Paths, by Gertrude Page
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Vol 27 No.5 October November 2005 Agriculture Ministers' Summit. See
October November Vol 27 2005 No.5 Agriculture ministers’ summit. See page 7. London Drinker is published by Mike Editorial Hammersley on behalf of the London Branches of CAMRA, the Campaign WHAT HAVE WE THE RIGHT TO EXPECT? for Real Ale Limited, and edited by Geoff Strawbridge. hilst not ignoring the terrible events that occurred later that week, the Material for publication should Wtakeover of Ridleys by Greene King left me thinking and these preferably be sent by e-mail to thoughts have been reinforced by GK’s subsequent take-over of Belhaven [email protected]. Brewery. Press releases and letters by post should be sent to Tony Hedger, We place great importance on tradition in connection with cask conditioned 7 The Square, Peabody Estate, Fulham ale. We need to get it in context however. I think that most of us would Palace Road, London W6 9PX not object to ‘technical’ improvements such as the replacement of copper Changes to pubs or beers should be brewing vessels, however nice they look, with stainless steel, it being that reported to Capital Pubcheck, much easier to keep clean and thus maintain quality. Where tradition is 2 Sandtoft Road, London SE7 7LR important is in beer styles and recipes. For ‘traditional’ here you could or by e-mail to [email protected]. substitute ‘local’. With all due respect to the many excellent small breweries For publication in December 2005, that have sprung up in the last twenty years or so, it is the long-established please send electronic documents to the regional breweries, often family-owned, who are the custodians of our Editor no later than Wednesday 16th British beer tradition. -
LDWA London Summer Evening Walks 2010
LDWA London Summer Evening Walks 2010 Thu 2 Sept 2010 Summer Evening Walk - London's Parks 7ml. Start Holland Park Tube stn 6.00 pm for a walk through Holland Park, Kensington Gardens, Hyde Park, Green Park, St James Park to finish in Trafalgar Square. Pub Dry Shades, Whitehall. Ldr Rob Myers Summary: This additional summer evening walk was hastily arranged at the last moment in response to requests to extend the season. The email circulated just before the walk seemed to encourage some members to try a summer evening walk for the first time. On a perfect late summer night 22 walkers gathered at Holland Park. We did a circuit through this attractive park before proceeding to Kensington Gardens. Here we looked at the annual floral tributes left on the main gate of Kensington Palace on the anniversary of Princess Diana's death. The route through Kensington Gardens went passed the Diana Adventure Playground, the Flower Gardens and Speke's Monument before reaching the top of the Serpentine. Walking down the side of the Serpentine we crossed into Hyde Park and from there to Green Park and St James's Park. Leaving the parks we symbolically finished the last summer evening walk in Trafalgar Square. Due to the early sunset and early park closures it was decided to start the walk at 6 and finish at 8.15. This left plenty of time for socialising at the Old Shades pub which served excellent beer and probably the best sausage and mash that I have ever tasted. Rob Wed 25 Aug 2010 Summer Evening Walk - Regent's Park area 7ml. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Corporate Reputation and Competitiveness
Corporate Reputation and Competitiveness Reputation is at the heart of a company’s success. This unique book, from four of the world leaders in reputation research, reveals the very latest thinking about how organ- izations can improve, whether they are in the public, commercial or not-for-profit sector. The philosophy is to match the external (customer) perception of the organization and what they value, to the internal (customer-facing employee) perception and their organ- izational values. Only when these are ‘harmonized’ can the firm be truly competitive. Corporate Reputation and Competitiveness takes the subject of Reputation Management further than any previous text. It covers some familiar ground: dealing with the media, crisis management, the use of logos and other aspects of corporate identity. But it also argues for Reputation Management to be seen as a way of managing the long-term strat- egy of an organization. It presents a new approach to measuring reputation, one that relies on surveying customers and employees on their view of the corporate character. It carries detailed results of studies showing the interaction of customer–employee per- spectives and how and why customer views influence commercial performance. The book introduces the Corporate Reputation Chain – the potential to link staff and customer satisfaction via the organization’s reputation, and to the Corporate Personality Scale – a way of measuring what customers and staff feel about the organization itself. Detailed case studies from a variety of different companies and sectors reveal the prac- tice of Reputation Management. Corporate Reputation and Competitiveness is intended to be useful to both managers and students on postgraduate courses. -
Conservation Area Statement Hampstead 2
Conservation area statement Hampstead 2 Conservation & Urban Design Team London Borough of Camden Environment Department Town Hall Extension Argyle Street London WC1H 8ND Telephone: 020 7974 1944 Produced by Camden Design & Print END200/01 4279 Tel: 020 7974 1985 page 3 Location page 8 History page 12 Character page 46 Audit page 57 Current Issues page 59 Guidelines page 68 Road Index HAMPSTEAD Conservation Area Statement The aim of this Statement is to provide a clear indication of the Council’s approach to the preservation and enhancement of the Hampstead Conservation Area. The statement is for the use of local residents, community groups, businesses, property owners, architects and developers as an aid to the formulation and design of development proposals and change in the area. The statement will be used by the Council in the assessment of all development proposals. Camden has a duty under the Planning (Listed Buildings and Conservation Areas) Act 1990 to designate as conservation areas any “areas of special architectural or historic interest, the character or appearance of which it is desirable to preserve or enhance.” Designation provides the basis for policies designed to preserve or enhance the special interest of such an area. Designation also introduces a general control over the demolition of unlisted buildings. The Council’s policies and guidance for Conservation Areas are contained in the Unitary Development Plan (UDP) and Supplementary Planning Guidance (SPG). This Statement is part of SPG and gives additional detailed guidance in support of UDP policies. The Statement describes the character of the area, provides an outline of the key issues and identifies development pressures which are currently a cause of concern. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Vanguard Label Discography Was Compiled Using Our Record Collections, Schwann Catalogs from 1953 to 1982, a Phono-Log from 1963, and Various Other Sources
Discography Of The Vanguard Label Vanguard Records was established in New York City in 1947. It was owned by Maynard and Seymour Solomon. The label released classical, folk, international, jazz, pop, spoken word, rhythm and blues and blues. Vanguard had a subsidiary called Bach Guild that released classical music. The Solomon brothers started the company with a loan of $10,000 from their family and rented a small office on 80 East 11th Street. The label was started just as the 33 1/3 RPM LP was just gaining popularity and Vanguard concentrated on LP’s. Vanguard commissioned recordings of five Bach Cantatas and those were the first releases on the label. As the long play market expanded Vanguard moved into other fields of music besides classical. The famed producer John Hammond (Discoverer of Robert Johnson, Bruce Springsteen Billie Holiday, Bob Dylan and Aretha Franklin) came in to supervise a jazz series called Jazz Showcase. The Solomon brothers’ politics was left leaning and many of the artists on Vanguard were black-listed by the House Un-American Activities Committive. Vanguard ignored the black-list of performers and had success with Cisco Houston, Paul Robeson and the Weavers. The Weavers were so successful that Vanguard moved more and more into the popular field. Folk music became the main focus of the label and the home of Joan Baez, Ian and Sylvia, Rooftop Singers, Ramblin’ Jack Elliott, Doc Watson, Country Joe and the Fish and many others. During the 1950’s and early 1960’s, a folk festival was held each year in Newport Rhode Island and Vanguard recorded and issued albums from the those events. -
Mark Jaster As Thaddeus Hatcher Vesta Victoria & Henry Croft, The
The Washington Revels Presents Of Sentiment & Melodrama A Victorian Carols & Comedy, EntertainmentIn Celebration Of The 2002 Winter Solstice Featuring The incomparable Mark Jaster As Thaddeus Hatcher With His Perambulating Penny Farthing The celebrated Vesta Victoria & Henry Croft, The Pearly King The talented Covent Garden Costers, Carolers & Bells The beloved Piccadilly Patterers & Pipsqueaks The renowned Mellifluous Music Hall Minstrels The remarkable Foggy Bottom Morris Men & The amazing Pickwick Mummers Troupe Under the astounding & unsurpassed direction of Roberta Gasbarre, artistic director • Clif Hardin, music director Monica Mohindra, production manager • Cindy Speas, executive director & producer At Lisner Auditorium of The George Washington University 21st & H Streets NW, Washington DC December 6 - 8 and 13 - 15, 2002 The Washington Revels Celebrating Twenty years! ore than thirty years ago local teacher and noted concert baritone John Langstaff gathered M students at the Potomac School to create seasonal celebrations from early and medieval English traditions. Little did anyone know what would spring forth, creating a momentum so strong that it has reverberated around the country. In those days were sown the seeds of what has become a treasured Washington cultural institution, nurtured for two decades by founder Mary Swope and a large community of Revels supporters. The Washington Revels today has become a year-round organization dedicated, through performance, community outreach and education, to reviving, nourishing and -
Cagliostro and His Egyptian Rite of Freemasonry
CAGLIOSTRO AND HIS EGYPTIAN RITE OF FREEMASONRY By HENRY RIDGELY EVANS, 'Litt.D., 33° Hon. Gra nd Tiler of the Supreme Council, A.'. A... S.·. R:. of Freemasonry for the Southern Jurisdiction of the United States. TOGETHEI! WITH A N EXPOSITION OF' THE FIRST DEGREE OF' THE EGYPTIAN RITE Translated from the French by HORACE PARKER McINT03R, 33° Hon. (Reprinted from the New Age Maga.zine.) WASHINGTON, D. C. 1919 COUNT CAGLIOSTRO CAGLIOSTRO AND HIS EGYPTIAN RITE OF FREEMASONRY~ INTRODUCTION "Unparalleled Cagliostro! Looking at thy so attractively decorated private theater, wherein thou aetedst and livedst, what hand but itches to draw aside thy curtain and, turning the whole inside out, find thee in the middle thereof ?"- CARLYU, : J\lJ isc ella.neo1ts Essays. N the Rue de Beaune, Paris, a few doors from the house where Voltaire died, is a shabby genteel little hostelry, dating back to pre-revolutionary I times; to the old regime of Louis XVI and Marie Antoinette. You ring the bell of the concierge's office, and the wrought-iron gates open with a clang. Mine host welcomes you at the portal and, with the airs and graces of an aristocrat of the eighteenth century, ushers you up to the state bedroom. Ah, that bedroom, so old and quaint, with its huge four-post bed, garnished with faded. red curtains and mounted upon a raised dais. The chimney-piece is carved and bears the half-obliterated escutcheon of the builder of the man ~ion-a noble of the old regime. Over the mantle hangs a large oval mirror set in a tarnished gilt frame. -
2020 International List of Protected Names
INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 03/06/21 46 place Abel Gance, 92100 Boulogne-Billancourt, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) From 1996 to 2004, the winners of the nine following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Japan Cup, Melbourne Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes North America : Breeders’ Cup Classic, Breeders’ Cup Turf Since 2005, the winners of the eleven famous following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion North America : Breeders’ Cup Classic, Breeders’ Cup Turf The main stallions and broodmares, registered on request of the International Stud Book Committee (ISBC). Updates made on the IFHA website The horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 03/06/2021 In 2020, the list of Protected -
Sigrid Rieuwerts*
E.L.O., 7-8 (2001-2) THE NEARNESS OF THE REMOTE: "THE BROOM OF THE COWDENKNOWS" (CHILD 217) REVISITED Sigrid Rieuwerts* NEW WORDS TO AN OLD TUNE "The Broom of the Cowdenknows" has been put forward by Robert Chambers as "the best specimen that can be given of that native poetry on which Scotland prides herself so much."1 "The Brume o' the Cowdenknowes" Chambers had in mind, however, is not the traditional ballad, but —as he calls it— a "simple, delightful, and truly pastoral song"2 that was first published in Allan Ramsay's Tea-Table Miscellany in 1723 and was written by a man—or more likely a woman—with the initials S.R.: How blyth ilk morn was I to see The swain come o'er the hill! He skipt the burn and flew to me: I met him with good will. O the broom, the bonny bonny broom The broom of the Cowdenknows; I wish I were with my dear swain, With his pipe and my ewes. I neither wanted ewe nor lamb, While his flock near me lay: He gather'd in my sheep at night, And chear'd me a' the day. O the broom, &c. He tun'd his pipe and reed sae sweet, The burds stood list'ning by; E'en the dull cattle stood and gaz'd Charm'd with his melody. O the broom, &c. While thus we spent our time by turns, Betwixt our flocks and play; I envy'd not the fairest dame, Tho' ne'er so rich and gay.