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Andrea Reed's Thesis
MUHAMMAD AS REPRESENTATIVE FORM: A VISUAL RHETORICAL ANALYSIS OF THE DANISH CARTOON CONTROVERSY By ANDREA REED A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Communication May 2009 Winston-Salem, North Carolina Approved By: Alessandra Beasley Von Burg, Ph.D., Advisor _________________________________ Examinating Committee: Margaret D. Zulick, Ph.D. ___________________________________ Peter Furia, Ph.D. ___________________________________ ii ACKNOWLEDGEMENTS I would like to thank my advisor, Dr. Alessandra Beasley Von Burg for her indispensible guidance with this project. This thesis would not have been possible without her expertise in the area of rhetoric and on topics related to European affairs, not to mention her patience. I sincerely thank Dr. Margaret Zulick and Dr. Peter Furia for graciously agreeing to sit on my panel and reflect upon my thesis. I also must thank Dr. Allan Louden and Dr. Ananda Mitra who both served as Director of the graduate program during my time at Wake Forest. I would also like to thank my other professors who have been great teachers and inspirational thinkers, Dr. Michael Hyde, Dr. Steve Giles, and Dr. Peter Brunette and the rest of the Department of Communication. iii TABLE OF CONTENTS Page LIST OF FIGURES ……………..…………………………………………………... iv ABSTRACT …………………………………………………………………………. v INTRODUCTION ………………………………………………………………….... 1 CHAPTER 1 ………………………………………………………………………..... 4 Review of the Literature ……………………………………………………... 5 Visual Rhetoric as Ideographs: the Representative Form ………………….. 15 Rhetoric and Social Controversy ………………………………………….... 19 Methodology ………………………………………………………………... 23 CHAPTER 2 ………………………………………………………………………... 27 The Muhammad Cartoons as Visual Ideographs ………………………….... 29 The Re-Appropriation of the Prophet Muhammad………………………….. 42 CHAPTER 3 ……………………………………………………………………….. -
When Caricature Meets Resistance
Chapter 9 When Caricature Meets Resistance Eva Beate Strømsted Self-censorship? Yes. There wasn’t much of it before, but today it [the satire] is drenched in self-censorship. I feel it affects almost everything I draw now. Earlier I just made a drawing with my opinion, and it got published. But now I think: ‘Okay, if I make it this way, it will not get published.’ Eventually I make a drawing that will be accepted (Cartoonist 3). According to Freedberg (1991), humans have always worshiped and feared images, giving pictures powerful and magical influence, ruining and censoring them. With regards to the art of cartoons, its aesthetics have been seen as a strong political weapon. It is especially within the last decade’s dramatic developments that the thoughts of the Norwegian cartoonist in the above quote must be located. In Paris 7 January 2015, two Islamists, Saïd and Chérif Kouachi, connected to Al-Qaida’s branch in Yemen, forced their way into the office of the French satirical magazine Charlie Hebdo. Armed with assault rifles and other weapons, they killed 12 people and injured 11 others, all because of Charlie Hebdo’s drawings of Muhammad (Samuelsen 2015). However, the magazine has always published cartoons insulting whomever, often in a completely disrespectful manner, and the assassinations at Charlie Hebdo must be seen as an extension of the cartoon controversy that started ten years earlier. In 2005, Flemming Rose, the culture editor of the Danish newspaper, Jyllands- Posten, wanted to contribute to the debate about criticism of Islam and self-censorship among European artists. -
AHA 2010 Freedom of Expression and the Rights of Women
www.theAHAfoundation.org FREEDOM OF EXPRESSION AND THE RIGHTS OF WOMEN Political Islam’s threat to freedom of expression is bad for everyone, but hurts women the most December 2, 2010 Published by the AHA Foundation The AHA Foundation 130 7th Avenue, Suite 236, New York, NY 10011 [email protected] Table of Contents Executive Summary & Recommendations 3 Introduction: The Price of Freedom of Expression 6 Section 1: The Importance of Freedom of Expression for the Rights of 7 Muslim Women in Western Countries Section 2: Political Islam and Multiple Levels of Pressure against Freedom 10 of Expression 1) Global Political Pressure 12 2) Lawsuits and Legal Tactics Pressuring Individuals—the Fight in the 25 Courts 3) Pressure through Physical Threats to Individuals 31 4) Internal Pressures: U.S. Institutions, Fear, and Self-Censorship 39 Section 3: The Effects of a Climate of Domination 48 Conclusion: A More Effective Response in the United States and Other 52 Western Countries References 55 2 Executive Summary Supporters of political Islam have launched a multifaceted assault on the principles of freedom in the West. Political Islam includes the establishment of Sharia (the body of Islamic religious law), which contains harsh restrictions on freedom of expression, as well as harsh punishments for apostasy and blasphemy and standards at odds with modern Western norms of gender equality. Political Islamists are actively attempting to extend the reach of Sharia over Western cultures and legal systems. This report addresses how, through means of actual physical violence, threats and intimidation, legal action, and political pressure, the emancipation of Muslim women is stunted if not ground to a halt. -
The Aftermath of Charlie Hebdo
THE READER A publication of the McCandlish Phillips Journalism Institute The Aftermath of Paul Marshall Charlie Hebdo: Blasphemy, Free Speech and Freedom of Religion A talk by Paul Marshall at The King’s College in 2015 My thanks to The King’s College for having But one of the first points I want to make is me here and to the audience for coming to these particular instances are markedly atypical this presentation. The massacre of cartoonists of accusations of blasphemy or insulting Islam at Charlie Hebdo was exactly four weeks ago worldwide. In a book which Professor Glader Paul Marshall is the Wilson Distinguished today. We may add to that that last Saturday mentioned, Silenced, we surveyed accusations Professor of Religious Freedom and research in Denmark there was the attempted murder — sometimes by the government but more Professor in Political Science at Baylor of Lars Vilks, a Swedish cartoonist who did often by private parties — of insulting Islam University, Senior Fellow at the Hudson the famous Mohammad as a roundabout dog or blasphemy in some 26 Muslim majority Institute’s Center for Religious Freedom, cartoon in 2008. These things are happening countries and in about 14 western countries. Senior Fellow at the Leimena Institute, more and more. We cover thousands of cases involving millions Jakarta, and Visiting Professor at the What I want to do is put these things in a of people. This is a worldwide phenomena. The Christian University of Indonesia. He is the author and editor of more than 20 books on larger context, a global context. -
Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner
Northwestern Journal of Law & Social Policy Volume 12 | Issue 1 Article 1 Winter 2016 The eT rrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner Recommended Citation Daniel Ortner, The Terrorist's Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad, 12 Nw. J. L. & Soc. Pol'y. 1 (2016). http://scholarlycommons.law.northwestern.edu/njlsp/vol12/iss1/1 This Article is brought to you for free and open access by Northwestern University School of Law Scholarly Commons. It has been accepted for inclusion in Northwestern Journal of Law & Social Policy by an authorized editor of Northwestern University School of Law Scholarly Commons. Copyright 2016 by Northwestern University Pritzker School of Law Vol. 12, Issue 1 (2016) Northwestern Journal of Law and Social Policy The Terrorist’s Veto: Why the First Amendment Must Protect Provocative Portrayals of the Prophet Muhammad Daniel Ortner1 I. INTRODUCTION On Wednesday, January 7, 2015, armed gunmen entered the offices of French satirical magazine Charlie Hebdo and killed employees and editors of the magazine in probable retaliation for the publication of satirical cartoons depicting the Prophet Muhammad.2 The attack on Charlie Hebdo has contributed to the debate over whether publication of speech that is likely to provoke violent reactions from religious extremists should be permissible.3 Some have argued that such speech should be prohibited in order to prevent responsive violence and terrorism.4 Recently, a school of journalism dean argued in USA Today that the publication of cartoons that insult the Prophet Muhammad 1 Daniel Ortner, J.D. -
The Offensive Depictions of Prophet Muhammad (SAW) in Western
Volume 4, Issue I Journal of Islamic Thought and Civilization Spring 2014 The Offensive Depictions of Prophet Muhammad ( SAW ) in Western Media and its Consequences Aijaz Ahmad Khan PhD Scholar Mewar University, Rajasthan, India Abstract The controversies and provocations generated by the West and its media over depictions of Prophet Muhammad (SAW) are not only related to recent caricatures or cartoons but are also about the display of historical artwork. Recently, many Western organisations, newspapers, magazines, social networks and even websites organised seminars and events like the cartoon "Everybody Draw Mohammed Day!" to hurt and provoke the Muslim world. Muslims believe that visual depictions of all the Prophets should be prohibited and are particularly averse to visual representations of Prophet Muhammad (SAW). The key concern is that the use of images can encourage idolatry. Islam does not allow the depictions of Prophet Muhammad (SAW); to do so goes against the faith of the Muslims and hurts their emotions. This article will focus on providing an analysis of the distorted images, fabricated views, and overgeneralizations which typically characterize Western representation of the Prophet (SAW) of Islam with reference to some particular incidents, chiefly the Charlie Hebdo controversy, Danish newspaper, controversial movie Innocence of Muslims, animated films and social networks. This analysis comprises of works by both Western and Muslim thinkers; it also includes biased and moderate/ fair views depicted in the Western media. Keywords: Portraits of Prophets ( AS ), Drawings, Calligraphy, Media, Image Building Introduction The negative representation of Muslims and Prophet Mohammed ( SAW ) in Western media is not a recent fabrication. -
The Danish Cartoons and Modern Iconoclasm in the Cosmopolitan Muslim Diaspora Jytte Klausen
Harvard Middle Eastern and Islamic Review 8 (2009), 86–118 The Danish Cartoons and Modern Iconoclasm in the Cosmopolitan Muslim Diaspora Jytte Klausen Twelve caricatures or cartoons of the Prophet Muhammad were pub- lished in Jyllands-Posten, a Danish newspaper, on September 30, 2005. Two weeks later, the Danish prime minister, Anders Fogh Rasmussen, was presented with two letters. One was a letter of complaint from a group of ambassadors representing eleven Islamic countries in Den- mark. A nearly identical letter arrived from the Organization of the Is- lamic Conference (OIC), an intergovernmental organization of ªfty- seven Muslim countries, which coordinated the diplomatic protests against the cartoons. Coinciding with the arrival of the letters, three thousand Danish Muslims demonstrated in Copenhagen, demanding an apology from the newspaper for insulting Muslims by printing images of the Prophet. Four months later, violent demonstrations were held from Nepal to Nigeria. The cartoons commanded global attention. Nearly 80 percent of the individuals included in a thirteen-country public-opinion survey con- ducted by the Pew Global Attitudes Project in 2006 had heard about the cartoons, a number that rose to 90 percent in Jordan and Egypt and in the four European countries surveyed. The survey also showed an over- whelming inclination to attribute fault to the other side. Muslims thought that Western arrogance was at fault; non-Muslim Westerners thought that Muslims were at fault.1 The cartoons are still available on many Internet sites.2 During the conºict, writers in the Western press often argued that Muslims are pious iconoclasts who have their own religious and politi- cal reasons for wanting to restrict non-Muslims’ use of images. -
Information Censorship: a Comparative Analysis of Newspaper Coverage of The
INFORMATION CENSORSHIP: A COMPARATIVE ANALYSIS OF NEWSPAPER COVERAGE OF THE JYLLANDS-POSTEN EDITORIAL CARICATURES IN CROSS-CULTURAL SETTINGS Julie George Thomas, B.A., M.S. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2010 APPROVED: Brian C. O’Connor, Major Professor F. Mitchell Land, Co-Major Professor Jacqueline Lambiase, Minor Professor Linda Schamber, Program Coordinator, Interdisciplinary Information Science PhD Program Herman L. Totten, Dean of the College of Information James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Thomas, Julie George. Information censorship: A comparative analysis of newspaper coverage of the Jyllands-Posten editorial caricatures in cross-cultural settings. Doctor of Philosophy (Information Science), August 2010, 122 pp., 1 table, 2 illustrations, references, 98 titles. The identification and examination of cultural information strategies and censorship patterns used to propagate the controversial issue of the caricatures in two separate cultural contexts was the aim of this dissertation. It explored discourse used for the coverage of this topic by one newspaper in a restrictive information context and two newspapers in a liberal information context. Message propagation in a restrictive information environment was analyzed using the English daily Kuwait Times from the Middle East; the liberal information environment of the US was analyzed using two major dailies, the New York Times and the Philadelphia Inquirer. The study also concurrently identifies and elaborates on the themes and frames through which discourse was presented exposing the cultural ideologies and premises they represent. The topic was approached with an interdisciplinary position with the support and applicability testing of Chatman’s insider-outsider theory within information science and Noelle-Neumann’s spiral of silence theory and Herman and Chomsky’s propaganda model based in the area of mass communication. -
Discourse Through Cartoons: Visualizing 'The Other'
Discourse Through Cartoons: Visualizing ‘The Other’ 0 Nowadays, freedom of speech and freedom of expression are intertwined with Western societies; everyone ought to have the freedom to express what he or she truly thinks. It might sound good: powerful people with bad ideas can be criticized and existing knowledge structures can be contradicted and enlightened. However, you might question how far you could go. Could you really say anything you like? In this practical assignment we will focus on how cartoonists portray ‘the other’- in this case Muslims, how cartoonists portray the response of Muslims on cartoons such as the ones above, and how as a result stereotypes are created which increase the ‘us-versus-them’ feelings. We do this by displaying two series of cartoons, accompanied with explanation, and a self-drawn cartoon that we feel cuts deep into the heart of the juxtaposition cartoonists can create. In September 2005 started what has now been called the ‘Muhammad Cartoon Crisis’. The Danish newspaper Jyllands-Posten asked cartoonists to draw the prophet Muhammad ‘as you see him’. The newspaper published a dozen cartoons under the headline ‘The Face of Muhammad’, of which the left picture on the previous page is the most controversial one. It depicts a bearded man with a bomb in his turban and is drawn by cartoonist Kurt Westergaard. The drawing caused Muslim protests not only in Denmark, but also in the Middle East. Westergaard lives now under constant protection since multiple death threats and murder attempts have been directed to him.1 About a year and a half after the publication of Westergaard’s drawing, Lars Vilks drew the right cartoon on this page, showing Muhammad as a roundabout dog, reminding us of Steve Bell’s use of animals as “active agents capable of mocking humans”.2 Vilks sent three drawings of Muhammad having a dog’s body to an art exhibition on the theme "The Dog in Art" in the town of Tällerud in Värmland, Sweden. -
Charlie Hebdo Attack in Paris
UNDERSTANDING THE PRINCIPLES OF TERRORISM RISK MODELING FROM THE CHARLIE HEBDO ATTACK IN PARIS Dr. Gordon Woo, catastrophist and terrorism risk expert, RMS January 26, 2015 INTRODUCTION The principles of natural hazard modeling are based on the laws of physics, and may be learned through academic studies or professional training. However, there are no academic programs or professional seminars where the principles of terrorism risk modeling may be learned. Academic discourse on terrorism is centred on humanities departments, where political risk briefings are prepared but there is no quantitative risk analysis. It is hardly surprising that, with the U.S. Terrorism Risk Insurance Act renewed until 2020, there remains a widespread view that terrorism risk cannot be modeled. Indeed, testimony was given to Congress in September 2013 that terrorism risk cannot be modeled. Many in the insurance community assume, particularly those unfamiliar with terrorism risk, that the best that can be done is to ask the subjective opinions of a panel of terrorism experts. Excessive reliance on subjective opinion, however formally elicited using the Delphi method or any other, would never be acceptable for insurance risk modeling of meteorological or geological hazards. Robust and resilient risk modeling requires underlying conceptual structure, and this must come not from opinion, but from principles that have a mathematical representation. For example, for seismic risk modeling in California, these principles involve seismotectonics, power-law scaling of earthquake magnitudes, etc. To avoid abstraction, one of the best ways of learning the principles of any subject is through an exposition using illustrative real examples. Outside the classroom, the basic principles of hurricane, earthquake, and flood risk analysis can be learned and comprehended from the study of any notable event. -
Liquid Racism and the Danish Prophet Muhammad Cartoons
This is the author's accepted manuscript of an article published in Current Sociology, 58(5), 675-692, 2010, which has been published in final form at http://csi.sagepub.com/content/58/5/675. Liquid Racism and the Danish Prophet Muhammad Cartoons Simon Weaver Loughborough University abstract: This article examines reactions to the October 2005 publication of the Prophet Muhammad cartoons in the Danish newspaper Jyllands-Posten. It does so by using the concept of ‘liquid racism’. While the controversy arose because it is considered blasphemous by many Muslims to create images of the Prophet Muhammad, the article argues that the meaning of the cartoons is multidimensional, that their analysis is significantly more complex than most commentators acknowledge, and that this complexity can best be addressed via the concept of liquid racism. The article examines the liquidity of the cartoons in relation to four readings. These see the cartoons as: (1) a criticism of Islamic fundamentalism; (2) blasphemous images; (3) Islamophobic and racist; and (4) satire and a defence of freedom of speech. Finally, the relationship between postmodernity and the rise of fundamentalism is discussed because the cartoons, reactions to them, and Islamic fundamentalism, all contain an important postmodern dimension. keywords: fundamentalism * Islamophobia * liquid racism * postmodernity * Prophet Muhammad cartoons Twelve cartoons depicting the Islamic Prophet Muhammad were originally published in the conservative Danish newspaper Jyllands-Posten on 30 September 2005. The events that followed have been widely documented. This article examines what has not been unpacked, the specific detail of the incongruous and rhetorical structure of the cartoons and the effect this had on the debates and reactions that followed. -
University of Birmingham Parallels with the Hate Speech Debate
University of Birmingham Parallels with the hate speech debate: Floyd, Rita DOI: https://doi.org/10.1017/S0260210517000328 License: Other (please specify with Rights Statement) Document Version Peer reviewed version Citation for published version (Harvard): Floyd, R 2017, 'Parallels with the hate speech debate: the pros and cons of criminalising harmful securitising requests', Review of International Studies. https://doi.org/10.1017/S0260210517000328 Link to publication on Research at Birmingham portal Publisher Rights Statement: This article has been published in a revised form in Review of International Studies [http://doi.org/10.1017/S0260210517000328]. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. © British International Studies Association 2017. General rights Unless a licence is specified above, all rights (including copyright and moral rights) in this document are retained by the authors and/or the copyright holders. The express permission of the copyright holder must be obtained for any use of this material other than for purposes permitted by law. •Users may freely distribute the URL that is used to identify this publication. •Users may download and/or print one copy of the publication from the University of Birmingham research portal for the purpose of private study or non-commercial research. •User may use extracts from the document in line with the concept of ‘fair dealing’ under the Copyright, Designs and Patents Act 1988 (?) •Users may not further distribute the material nor use it for the purposes of commercial gain. Where a licence is displayed above, please note the terms and conditions of the licence govern your use of this document.