Random Thoughts 3 Section 1 Hey Yo I'm Back but Nobody Was Asking
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Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Ft"3Bliriiat $T;0O
ft"3bliriiaT $T;0O On a political level, LIBERA deals with the STAFF FOR THIS ISSUE: Ned Asta, contemporary woman as she joins with others in an Susan Stern, Dianna (loodwin, Lynda effort to effect a change upon her condition. Koolish, Marion Sircfman, Cathy Drey fuss, Emotionally, it explores the root level of our feelings, Janet Phe la n, Jo Ann Wash) burn, Jana Harris, those beyond the ambitions and purposes women have traditionally been conditioned to embrace. One AnfTMize and Suzanne l.oomis of our objectives is to provide a medium for the new Published by LIBERA with the sponsorship of the woman to present herself without inhibition or Associated Students of the University of California affectation. By illuminating not only women's (Berkeley) and the Berkeley Women's Collective. Sub- political and intellectual achievements, but also her scription rates: $3 for 3 issues. $1.25 per copy for fantasies, dreams, art, the dark side of her face, we issue number 1. $1 per copy for following issues. come to know more her depths, and redefine ourselves. This publication on file at the International Women's\ History Archive, 2325 Oak St., Berkeley CA. 94708. V WOMEN: We need your contributions of articles, poetry, prose, humor, drawings and photographs (black and white). If you'd like your work returned, please send a stamped, self-addressed envelope. We also welcome any interested women to join the LIBERA collective. \: 516 Eshleman Hall U. of California Berkeley, California no. 3 winter 1973 94720 (415) 642-6673 TABLE OF CONTENTS ARTICLES Jeff Desmond's Letter 3 Vietnam: A Feminist Analysis Lesbian Feminists 14 Unequal Opportunity and the Chicana Linda Peralta Aquilar 32 - Femal Heterosexuality: Its Causes and Cures Joan Hand 38 POETRY a letter to sisters in the women's movement Lynda Koolish 3 POEM FOR MY FATHER Janet Phelan 4 to my mother Susan Stern 11 LITTLE POEMS FOR SLEEPING WITH YOU Sharon Barba 13 Ben Lomond, Ca. -
Defining and Transgressing Norms of Black Female Sexuality
Wesleyan University The Honors College (Re)Defining and Transgressing Norms of Black Female Sexuality by Indee S. Mitchell Class of 2010 A thesis (or essay) submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors in Dance Middletown, Connecticut April 13, 2010 1 I have come to believe over and over again that what is most important to me must be spoken, made verbal and shared, even at the risk of having it bruised or misunderstood -Audre Lorde 2 Acknowledgements I would like to extend my most sincere and heart filled appreciation to the faculty and staff of both the Dance and Feminist, Gender, and Sexuality Studies Departments, especially my academic and thesis advisor, Katja, who has supported and guided me in ways I never could expect. Thank you Katja for believing in me, my art, and the power embedded within. Both the Dance and FGSS departments have contributed to me finding and securing my artistic and academic voice as a Queer GenderFucking Womyn of Color; a voice that I will continue to use for the sake of art, liberation and equality. I would also like to thank the coordinators of the Mellon Mays Undergraduate Fellowship, Krishna and Rene, for providing me with tools and support throughout this process of creation, as well as my fellow Mellon fellows for their most sincere encouragement (We did it Guys!). I cannot thank my dancers and artistic collaborators (Maya, Simone, Randyll, Jessica, Temnete, Amani, Adeneiki, Nicole and Genevive) enough for their contributions and openness to this project. -
Spire Light Spire Light
Spire Light Spire Light Spire Light A Journal of Creative Expression Andrew College 2021 2021 2 0 2 1 Spire Light: A Journal of Creative Expression Spire Light: A Journal of Creative Expression Andrew College 2021 Copyright © 2021 by Andrew College All rights reserved. This book or any portion may not be reproduced or used in any manner whatsoever without the express written permission of the publisher except for the use of brief quotations in a book review or scholarly journal. ISBN: 978-1-6780-6324-5 Andrew College 501 College Street Cuthbert, GA 39840 www.andrewcollege.edu/spire-light Cover Art: "Small Things," Chris Johnson Cover Design by Heather Bradley Editorial Staff Editor-in-Chief Penny Dearmin Art Editor Noah Varsalona Fiction Editors Kenyaly Quevedo Jermaine Glover Poetry Editor Hasani “Vibez” Comer Creative Nonfiction Editor Penny Dearmin Assistant Layout Editor Cameron Cabarrus www.andrewcollege.edu/spire-light Editor's Notes Penny Dearmin Editor-in-Chief To produce or curate art in this time is an act of service—to ourselves and the world who all need to believe again. We decided to say yes when there is a no at every corner. Yes, we will have our very first contest for the Illumination Prose Prize. Yes, we will accept an ekphrasis prose poem collaboration. Rather than place limits with a themed call for submissions, we did our best to remain open. These pieces should carry you to the hypothetical, a place where there are possibilities to unsee what you think you know. Isn’t that what we have done this year? Escaped? You can be grounded, too. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving the Dissertation We Hereby Approve the Dissertation of Lara Chatm
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of Lara Chatman Candidate for the Degree: Doctor of Philosophy ____________________________________ Dr. Denise Taliaferro-Baszile, Dissertation Director ____________________________________ Dr. Lisa Weems, Reader ____________________________________ Dr. Sally Lloyd, Reader ____________________________________ Dr. Gwendolyn Etter-Lewis, Graduate School Representative ABSTRACT KEEPING MY SISTAS THROUGH THE STORM: COUNTERSTORIES OF AFRICAN AMERICAN WOMEN GRADUATE STUDENTS SEEKING GOOD MENTORSHIP IN TROUBLING SPACES AND PLACES by Lara Chatman The existing research on African American women graduate students on predominantly White college campuses often results in quantitative data that suggests that African American women are more successful at completing graduate degrees than their male counterparts. This suggestion often leads to a dominant narrative of success that fails to recognize the challenges African American women graduate students face as well as the sacrifices they make in order to graduate. Thus, the purpose of this study was to identify the challenges that African American women graduate students face in their pursuit of advanced degrees on predominantly White college campuses and to also identify what kinds of mentorship African American women graduate students seek, and find helpful or unhelpful as they navigate through stated challenges. Black Feminist Epistemology (Collins, 2000) and Critical Race Feminism (Wing, 2003) with a specific focus on intersectionality were used to structure the study. The experiences of 8 African American women who attended predominantly White universities for advanced degrees were recorded in interviews and personal journals. The data reflected 4 dominate themes, which included facing various forms of discouragement, lack of mentorship, painful perseverance, and racegender awareness. -
Mitch Maclay Sings Just for You
MITCH MACLAY SINGS JUST FOR YOU A Play in One Act by Craig Bailey Craig Bailey 350 Woodbine Rd Shelburne VT 05482-6777 (802) 655-1197 ©2019 Craig Bailey [email protected] All rights reserved www.mitchmaclay.com CHARACTERS CHRISTOPHER WOOD Early-30s. Program Director and morning board operator for radio station TRU-92. HE capitalizes on the invisibility of his medium by dressing in casual clothing including baggy khakis, sneakers with no socks, and a comfortable T-shirt sporting the logo of an alternative band. His cynical attitude and occasionally snide veneer reflect the mind-set of an up-and- coming industry man who somehow made a wrong turn only to find himself, inexplicably, in rural Iowa. LORALIE KENT Early- to mid-20s. Evening board operator for TRU-92. SHE is dressed in simple slacks, blouse and stocking feet at rise -- with a fresh, natural, cheerful face that's wasted on the radio. Her eccentricity and inclination for seemingly pointless chatter disguise her high level of intelligence -- an asset that's thwarted only by her rose-colored naivete. SETTING Front office of radio station TRU-92 in a small Iowa town TIME A Saturday in the late-1980s 1. ACT I Scene 1 (The second story front office of radio station TRU-92 in a small Iowa town, late-1980s. The furnishings and decor are about 30 years behind the times. The overall atmosphere is drab, bordering on depressed. A doorway UC leads to a hallway. Entranceways DR and DL lead to the air studio and sales offices, respectively. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Finding Aid to the Historymakers ® Video Oral History with James Poyser
Finding Aid to The HistoryMakers ® Video Oral History with James Poyser Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Poyser, James, 1967- Title: The HistoryMakers® Video Oral History Interview with James Poyser, Dates: May 6, 2014 Bulk Dates: 2014 Physical 7 uncompressed MOV digital video files (3:06:29). Description: Abstract: Songwriter, producer, and musician James Poyser (1967 - ) was co-founder of the Axis Music Group and founding member of the musical collective Soulquarians. He was a Grammy award- winning songwriter, musician and multi-platinum producer. Poyser was also a regular member of The Roots, and joined them as the houseband for NBC's The Tonight Show Starring Jimmy Fallon. Poyser was interviewed by The HistoryMakers® on May 6, 2014, in New York, New York. This collection is comprised of the original video footage of the interview. Identification: A2014_143 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Songwriter, producer and musician James Jason Poyser was born in Sheffield, England in 1967 to Jamaican parents Reverend Felix and Lilith Poyser. Poyser’s family moved to West Philadelphia, Pennsylvania when he was nine years old and he discovered his musical talents in the church. Poyser attended Philadelphia Public Schools and graduated from Temple University with his B.S. degree in finance. Upon graduation, Poyser apprenticed with the songwriting/producing duo Kenny Gamble and Leon Huff. Poyser then established the Axis Music Group with his partners, Vikter Duplaix and Chauncey Childs. He became a founding member of the musical collective Soulquarians and went on to write and produce songs for various legendary and award-winning artists including Erykah Badu, Mariah Carey, John Legend, Lauryn Hill, Common, Anthony Hamilton, D'Angelo, The Roots, and Keyshia Cole. -
Songs by Title
Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C. -
Worship Service Notes for 7/6/97__Fifth Sunday of Pentecost
From the Pulpit The First Congregational Church, United Church of Christ 444 East Broad Street, Columbus, OH 43215 Phone: 614.228.1741 • Fax: 614.461.1741 Email: [email protected] Website: http://www.first-church.org “Touch My Wounds” John 20:19-31 April 27, 2014 “Put your finger here.’” (John 20:27) April 20, 2014 The Rev. Sarah Reed Page 1 of 5 “Touch My Wounds” John 20:19-31 April 27, 2014 “Put your finger here.’” (John 20:27) On this first Sunday after Easter, our scripture tells of the appearance of the resurrected Jesus to his disciples. The focus of this passage is often on Thomas and having the faith to believe. My focus is on Jesus telling them to come close, “put your finger here and see my wounds.” He didn’t say, “Look from over there.” He said get close; touch my wounds, be in relationship. In history, it was only a week and a half ago at their Passover supper that Jesus commanded his disciples to “love one another.” I know from personal experience that love from afar is very challenging. Being close, in relationship, and touching are all essential to loving one another. This morning I’ve taken on the difficult task of applying Jesus’ message to come close and touch his wounds to a message about the needs of those who struggle with mental illnesses. In two weeks, BREAD (Building Responsibility Equality and Dignity) members from across the city will rally for supportive action for mental healthcare. I begin with a story about sitting with the friends and classmates of a young man who had taken his own life just hours before. -
New from Hillsong! New Release!
pg0144v2_Layout 1 3/30/2018 3:44 PM Page 45 40th Anniversary Spring/Summer 2018 New Release! NEW CD by Smitty on back cover and backlist on pages 2 & 3 $ Deal!5 page 2 New from Hillsong! page 6 More than 15,000 albums and 215,000 downloads available at Christianbook.com! page 7 1–800–CHRISTIAN (1-800-247-4784) pg0203_Layout 1 3/30/2018 3:40 PM Page 2 Price good Deal! through 5/31/18, then $9.99! Paul Baloche: Ultimate Collection For three decades, Baloche has helped believers world- wide praise the “King of Heav- en.” Worship along with “Open the Eyes of My Heart,” “Glori- ous,” “Offering,” “Above All,” “My Hope,” and more. UECD71072 Retail $13.99 . .CBD $7.99 NEW! NEW! Country Faith Love Songs Celebrate love with some of the biggest names in country music! Enjoy “Thank You” (Keith Ur- ban); “Don’t Take the Girl” (Tim McGraw); “When I’m Gone” (Joey & Rory); and more. UECD83315 Retail $13.98 . .CBD $11.99 Michael W. Smith Surrounded A brand-new soul-stirring offering to the worldwide church! This Table of Contents powerful live recording includes “Your House”; “Light to You”; “Reckless Accompaniment Tracks . .24–27 Love”; “Do It Again”; “Great Are You, Lord”; the title track; and more. Bargains . .3 UECD25509 Retail $13.99 . .CBD $9.79 Black Gospel . .35 Have you heard . Contemporary & Pop . .36–41 UECD16827 Decades of Worship . 11.99 9.99 UECD11535 Worship . 9.99 8.49 Favorite Artists . .42, 43 UECD9658 Worship Again . 9.99 8.99 Hymns .