Oct-Nov 2020
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Old Time Banjo
|--Compilations | |--Banjer Days | | |--01 Rippling Waters | | |--02 Johnny Don't Get Drunk | | |--03 Hand Me down My Old Suitcase | | |--04 Moonshiner | | |--05 Pass Around the Bottle | | |--06 Florida Blues | | |--07 Cuckoo | | |--08 Dixie Darling | | |--09 I Need a Prayer of Those I Love | | |--10 Waiting for the Robert E Lee | | |--11 Dead March | | |--12 Shady Grove | | |--13 Stay Out of Town | | |--14 I've Been Here a Long Long Time | | |--15 Rolling in My Sweet Baby's Arms | | |--16 Walking in the Parlour | | |--17 Rye Whiskey | | |--18 Little Stream of Whiskey (the dying Hobo) | | |--19 Old Joe Clark | | |--20 Sourwood Mountain | | |--21 Bonnie Blue Eyes | | |--22 Bonnie Prince Charlie | | |--23 Snake Chapman's Tune | | |--24 Rock Andy | | |--25 I'll go Home to My Honey | | `--banjer days | |--Banjo Babes | | |--Banjo Babes 1 | | | |--01 Little Orchid | | | |--02 When I Go To West Virginia | | | |--03 Precious Days | | | |--04 Georgia Buck | | | |--05 Boatman | | | |--06 Rappin Shady Grove | | | |--07 See That My Grave Is Kept Clean | | | |--08 Willie Moore | | | |--09 Greasy Coat | | | |--10 I Love My Honey | | | |--11 High On A Mountain | | | |--12 Maggie May | | | `--13 Banjo Jokes Over Pickin Chicken | | |--Banjo Babes 2 | | | |--01 Hammer Down Girlfriend | | | |--02 Goin' 'Round This World | | | |--03 Down to the Door:Lost Girl | | | |--04 Time to Swim | | | |--05 Chilly Winds | | | |--06 My Drug | | | |--07 Ill Get It Myself | | | |--08 Birdie on the Wire | | | |--09 Trouble on My Mind | | | |--10 Memories of Rain | | | |--12 -
AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [Fsjiti, 111 N 4) Ro Is Filar 4'1
AMERICAN SQUARE DANCE Annual S9 MAY 1983 Single Copy Si \ O [fsJiti, 111 N 4) Ro Is filar 4'1 '1111'1.11(w .4( Pftid stiv k 'a.' 'jilt, ea) It --ps" mai 1101•1111B011••••••••• THE P-400 "BOSS" UNCHALLENGED AUTHORITY Sound any hall with clear distinct voice and music. Whether you are bringing dan- cing enjoyment to one or 100 squares, the P-400 system is all you will ever need. Write or call today! Say you saw it in ASD (Grad.' Burdick) CLINTON INSTRUMENT COMPANY, PO BOX 505, CLINTON CT 06413 Tel: 302-669-7548 •••••••••••••••••••1111 1141001141411101110 1 I 2 AMERICAN co SCILIRRE ORNCE VOLUME 38, No. 5 MAY 1983 THE NATIONAL MAGAZINE WITH THE SWINGING LINES ASD FEATURES FOR ALL LEADERSHIP TIPS 4 Co-editorial S/D and Grapefruit Pie 5 By-Line 7 Meanderings ROUNDS 13 January Jubilee 19 The Quickstep 15 Best Little Cloggers in Texas 67 Facing the L.O.D. 17 Aaa-choo 69 Flip Side/Rounds 25 Rhyme Time 78 R/D Pulse Poll 27 Encore 29 Hemline 31 Best Club Trick SQUARE DANCE SCENE 38 Dancing Tips 21 Coming Up Roses 59 Dandy Idea 35 Callerlab Convention 60 Knoxville Hall Opens 37 32nd National Convention 62 People 50 Challenge Chatter 68 Steal A Peek 64 International News 73 Puzzle Page 66 LEGACY 83 Plumb Line 77 Date-Line 87 Linear Cycle Round The Globe 89 Book Nook FOR CALLERS 90 Finish Line 35 Callerlab Convention 92 Laugh Line 39 Calling Tips 40 Easy Level 52 Creative Choreography OUR READERS SPEAK 56 PS/MS 6 Grand Zip 70 Flip Side/Squares 32 Straight Talk 79 S/D Pulse Poll 33 Feedback 80 Underlining The Note Services Workshop Editors Publishers and Editors Ed Fraidenburg Bob Howell Stan & Cathie Burdick Howie Shirley Feature Writers Member of NASRDS Harold & Lill Bausch Dave Fleck National Association of S&R/D Suppliers Mary Jenkins Russ & Nancy Nichols Gene & Thelma Trimmer Bev Warner AMERICAN SQUAREDANCE Magazine Editorial Assistants (ISSN 0091-3383) is published by Burdick Virginia Bridgman Enterprises. -
The Lubbock Texas Quartet and Odis 'Pop' Echols
24 TheThe LubbockLubbock TexasTexas QuartetQuartet andand OdisOdis “Pop”“Pop” Echols:Echols: Promoting Southern Gospel Music on the High Plains of Texas Curtis L. Peoples The Original Stamps Quartet: Palmer Wheeler, Roy Wheeler, Dwight Brock, Odis Echols, and Frank Stamps. Courtesy of Crossroads of Music Archive, Southwest Collection/Special Collections Library, Texas Tech University, Lubbock, Texas, Echols Family Collection, A Diverse forms of religious music have always been important to the cultural fabric of the Lone Star State. In both black and white communities, gospel music has been an influential genre in which many musicians received some of their earliest musical training. Likewise, many Texans have played a significant role in shaping the national and international gospel music scenes. Despite the importance of gospel music in Texas, little scholarly attention has been devoted to this popular genre. Through the years, gospel has seen stylistic changes and the 25 development of subgenres. This article focuses on the subgenre of Southern gospel music, also commonly known as quartet music. While it is primarily an Anglo style of music, Southern gospel influences are multicultural. Southern gospel is performed over a wide geographic area, especially in the American South and Southwest, although this study looks specifically at developments in Northwest Texas during the early twentieth century. Organized efforts to promote Southern gospel began in 1910 when James D. Vaughn established a traveling quartet to help sell his songbooks.1 The songbooks were written with shape-notes, part of a religious singing method based on symbols rather than traditional musical notation. In addition to performing, gospel quartets often taught music in peripatetic singing schools using the shape-note method. -
2017 Delfest Program
WELCOME! Hi Folks. Welcome to DelFest. It seems impossible that this is the 10th annual event. I’m grateful and humbled that you continue to support what we do, and hope you appreciate the effort and time that goes into an event like this. Leading up to this year’s festival, we’ve been focusing heavily on the theme of “Family Reunion” and to us that’s what DelFest is. We see many familiar faces each year, some that have been coming to shows for 20+ years, along with some of our newer family - folks from local government, fans, friends, and supporters (especially the ones we call Del’s Army). We feel very fortunate that choosing the town of Cumberland brought you into our lives. We are glad to know each and everyone of you, and want to say a tremendous thank you for all of your support. While community is a big part of it, the music is where it starts. We are glad to have some of your favorites from the first nine DelFests back this year including Trey Anastasio Band, Railroad Earth, Steep Canyon Rangers, and our ever-present emcee, Joe Craven. We are also excited to bring our good friend Marty Stuart and his wonderful band to DelFest for the first time. We also have a few special surprises in store for you that we hope will make number 10 unforgettable. So, let me close by saying, remember we are all Family. We are joined by the love of music and community. I ask that you please keep that in mind as you go through the weekend and treat everyone like family.. -
Progressions
PROGRESSIONS Play along slowly CIRCLE OF FIFTHS • G-E7-A7-D7-G MORE CIRCLE OF FIFTHS • D-B7-E7-A7-D • C-A7-D7-G7-C • A-F#7-B7-E7-A • F-D7-G7-C7-F • Bd-G7-C7-F-Bd • Ed-C7-F-Bd-Ed • E-C#-F#7-B7-E 1-6 minor-4-5-1 • G-EM-C-D-G • C-AM-F-G-C • D-BM-G-A-D • E-C#M-A-B-E • F-DM-Bd-C-F 4-2M-6M-3M-5-1-6M-1 • C-AM-EM-BM-D-G-EM-G • F-DM-AM-EM-G-C-AM-C • G-EM-BM-F#M-A-D-BM-D • A-F#M-C#M-G#M-B-E-C#M-E • Bd-GM-DM-AM-C-F-DM-F • D-BM-F#M-C#M-E-A-F#M-A ROCKY TOP • G-C-G-EM-D-G (Repeat) EM-D-F-C-G- F-G-F-G • C-F-C-AM-G-C (Repeat) AM-G-Bd-F-C- Bd-C-Bd-C • D-G-D-BM-A-D (Repeat) BM-A-C-G-D- C-D-C-D • E-A-E-C#M-B-E (Repeat) C#M-B-D-A- E-D-E-D-E 1-4-5-1-4-1-5-1 • G-C-D-G-C-G-D-G • C-F-G-C-F-C-G-C • D-G-A-D-G-D-A-D • E-A-B-E-A-E-B-E • F-Bd-C-F-Bd-F-C-F • A-D-E-A-D-A-E-A • B-E-F#-B-E-B-F#-B THE BASICS AND WHY THEY’RE IMPORTANT I think it’s very important to start with the basics no matter what your level. -
Ctba Newsletter 1605
Volume 38, No. 5 © Central Texas Bluegrass Association May, 2016 Memorial Day Fest, Grapeland: May 26-29 he 19th annual Memorial Day festival at Salmon Lake Park in Grapeland kicks off at the T end of this month. I’ve written about this place before in these pages. See the August, 2015 issue (Vol. 37, no. 8) for maps, photos, and more extensive description of the park. You can find that issue in our online archive, here: http://www.centraltexasbluegrass.org/Adobe_Newsletters/Aug15.pdf The Memorial Day festival is advertised as a “bluegrass/gospel music festival,” but judging from the lineup, it will probably lean more toward the latter than the former. Several of the bands will already be familiar to CTBA members, especially if you’re a regular at Grapeland; The Marksmen, Robertson County Line (a CTBA member band), the Baker Family from Mis- souri, Pearl and the Polka Dots, and Catahoula Drive. Catahoula Drive, a superb four-piece You want shade? This festival has shade! The stage area at Salmon Lake Park straddles the creek, behind the covered footbridge, and the audience sits in the shaded area to the left. Photo by K. Brown. May birthdays: Benny Cain, Maybelle Carter, Rodney Dillard, Jerry Douglas, Nick Forster, Bill Grant, Tom T. Hall, Jan Harvey, Rob Ickes, Lance LeRoy, Mike Lilly, Benny Martin, Gail Rudisill, Scott Vestal, Paul Warren, Mac Wiseman. The Central Texas Bluegrass Bulletin is published by the Central Texas Bluegrass Association, a 501(c)(3) tax- exempt Texas nonprofit corporation. Contributions are deductible as charitable and educational donations. -
Grey Fox Festival Schedule • Thursday July 19, 2018 OPEN MIC
Grey Fox Festival Schedule • Thursday July 19, 2018 High Meadow Creekside Catskill Grass Roots Slow Jam Collings / Deering / Eastman D’Addario / Shubb Capos Sierra Nevada Brewing Co ArtistWorks / Ear Trumpet Labs Thirsty Lizards 11:00 Event Co / Northfield 11:30 Welcome to GREY FOX Grey Fox 2018 The Bluegrass University at Grey Fox Hosted by Dry Branch Fire Squad Emerging Artist Showcase Wed Night FREE Hands-On Classes for Beginners 12:00 Sponsored by OPEN MIC Grass Roots and Slow Jam Tents IN THE SHADE OF THE Delaware Valley BG Festival 11am-5pm and Freshgrass for early campers 12:30 HIGH MEADOW TENT details below GRASS ROOTS TENT SLOW JAM TENT 12:00 1:00 1:00 ˙ 11am-1pm 11 am – 1 pm 2-hr Berklee College of Music Guitar Songwriting Workshop w/ Dry Branch Fire Squad Showcase with student Tony Watt Mike Burns, Lindsay Lou, 1:30 Welcome! bands, info about the college, plus special guest Jesse Iaquinto, Rob Clark 2:00 2:00 TONY TRISCHKA! 2:00–4:00 1-3pm 1 pm – 3 pm Beg, Steal or Borrow Welcome Dance 2:30 2:00 Banjo Fiddle Quickstep featuring Ira Gitlin Patrick M'Gonicle Cane Mill Road John Kirk and 3:00 3:00 Trish Miller Fireside Collective 3:00 3-5pm 3 pm – 5 pm 3:30 Dirty Grass Players Bluegrass Jamming Mandolin Tony Watt Tara Linhardt 4:00 4:00 4:00 Lindsay Lou Interview w/Panama Red 4:15 The Bluegrass University classes at Grey Fox are 4:30 (Peter Rowan) Beg, Steal or Borrow designed for beginners, or those looking for a review John Rossbach of the fundamentals. -
2017 High Sierra Music Festival Program
WELCOME! Festivarians, music lovers, friends old and new... WELCOME to the 27th version of our annual get-together! This year, we can’t help but look back 50 years to the Summer of Love, the summer of 1967, a year that brought us the Monterey Pop Festival (with such performers as Jimi Hendrix, The Who, Otis Redding, Janis Joplin and The Grateful Dead) which became an inspiration and template for future music festivals like the one you find yourself at right now. But the hippies of that era would likely refer to what’s going on in the political climate of these United States now as a “bad trip” with the old adage “the more things change, the more they stay the same” coming back into play. Here we are in 2017 with so many of the rights and freedoms that were fought long and hard for over the past 50 years being challenged, reinterpreted or revoked seemingly at warp speed. It’s high time to embrace the two basic tenets of the counterculture movement. First is PEACE. PEACE for your fellow human, PEACE within and PEACE for our planet. The second tenet brings a song to mind - and while the Beatles Sgt. Pepper’s Lonely Hearts Club Band gets all the attention on its 50th anniversary, it’s the final track on their Magical Mystery Tour album (which came out later the same year) that contains the most apropos song for these times. ALL YOU NEED IS LOVE. LOVE more, fear less. LOVE is always our answer. Come back to LOVE. -
A Senatorial Statement Honoring the Life and Accomplishments of John Ray "Curly" Seckler and the Yodeling Rangers/Trail Riders
A SENATORIAL STATEMENT HONORING THE LIFE AND ACCOMPLISHMENTS OF JOHN RAY "CURLY" SECKLER AND THE YODELING RANGERS/TRAIL RIDERS WHEREAS, John Ray "Curly" Sechler (later changed to Seckler) was born on December 25, 1919, in China Grove, North Carolina to Calvin Sechler and Carrie Sechler; and WHEREAS, Curly Seckler developed a love for music from his parents, who played a number of instruments; and WHEREAS, Curly Seckler began working at a local cotton mill at a very young age to help support his family and during this time acquired a used five-string banjo from local musician, Happy Trexler, and soon after began performing with his brother, Marvin, and Happy; and WHEREAS, Curly Seckler and his brothers later formed the group, Yodeling Rangers, which consisted of Curly on tenor banjo and vocals, Marvin on guitar and lead vocals, George on fiddle, and Duard on guitar and vocals, and played at schools and social events; and WHEREAS, in 1935, the Yodeling Rangers received greater exposure when they began performing on a daily show for WSTP radio in Salisbury, North Carolina, which broadcasted the show on several other radio stations across the State and, in 1937, the Yodeling Rangers became known as the Trail Riders and performed throughout the Carolinas, Virginia, and West Virginia; and WHEREAS, in 1939, Curly Seckler was lured to sing tenor with a new group known as the Kentucky Pardners formed by Charlie Monroe, formerly of the Monroe Brothers, leaving the group in 1940 to resume playing with his brothers until the band split up a few years -
Daniel Greeson – 15 Fiddle Tunes
Daniel Greeson – 15 Fiddle Tunes John Lawless | February 2, 2015 | No Comments The latest release from Patuxent Records’ astounding youth movement is a self- titled fiddle album from Jamestown, NC bowman Daniel Greeson. For a musician not yet 18 years old, Mr. Greeson displays a remarkable command of bluegrass fiddle, and of the classic tunes and sterling players who have defined it. In fact, one remarkable thing about this record is the degree to which it resembles the sort of fiddle albums that were popular in 1970s, long before Daniel was born. There are no fancy arrangements, tricky endings, or showy vocals. Just grab a handful of D (or A or G), wind ‘er up, and let ‘er go. You can’t get far in bluegrass fiddle without Bill Monroe, and Daniel includes six of his tunes. Double fiddle from Casey Driscoll, another young virtuoso from the Washington State school of fiddle, helps out on The Old Brown County Barn, Roanoke and Panhandle Country, all performed with precision and panache. They even add a third fiddle to Panhandle Country, replicating Monroe’s original cut. Daniel does an admirable, all-fiddle version of Jerusalem Ridge and one of Monroe’s more complicated tunes, Wheel Hoss. No shrinking violet, this young Greeson. Clearly Greeson has studied the great Kenny Baker, who many feel recorded the definitive versions of Monroe’s music. The album closes with Dry and Dusty, one closely associated with Kenny which was used as the title cut of one of his albums in 1973. You hear Kenny clearly again here on Big Sandy River which he wrote with Monroe. -
The Process of Musical Acquisition for Traditional String Musicians in The
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 5-2015 The rP ocess of Musical Acquisition for Traditional String Musicians in the Homeschool Environment Keith R. Williams East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Appalachian Studies Commons, Educational Methods Commons, Educational Sociology Commons, Music Education Commons, Other Education Commons, and the Other Music Commons Recommended Citation Williams, Keith R., "The rP ocess of Musical Acquisition for Traditional String Musicians in the Homeschool Environment" (2015). Electronic Theses and Dissertations. Paper 2491. https://dc.etsu.edu/etd/2491 This Dissertation - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Process of Musical Acquisition for Traditional String Musicians in the Homeschool Environment _____________________ A dissertation presented to the faculty of the Department of Educational Leadership and Policy Analysis East Tennessee State University In partial fulfillment of the requirements for the degree Doctor of Education in Educational Leadership _____________________ by Keith Rogers Williams May 2015 _____________________ Dr. William Flora, Chair Dr. Bethany Flora Dr. Virginia Foley Dr. Richard Osborn Keywords: Acquisition Contexts, Anxiety, Homeschool, Integrativeness, Motivation, Musical Acquisition, Musical Learning Environments, Social Milieu, Traditional String Music ABSTRACT The Process of Musical Acquisition for Traditional String Musicians in the Homeschool Environment by Keith Rogers Williams This qualitative study examined how three accomplished traditional string musicians learned music in their homeschool environments. -
The Doyen of Dixie: a Survey of the Banjo Stylings of Uncle Dave Macon
East Tennessee State University Digital Commons @ East Tennessee State University Electronic Theses and Dissertations Student Works 8-2018 The oD yen of Dixie: A Survey of the Banjo Stylings of Uncle Dave Macon Corbin F. Hayslett East Tennessee State University Follow this and additional works at: https://dc.etsu.edu/etd Part of the Appalachian Studies Commons, Ethnomusicology Commons, Folklore Commons, and the Other American Studies Commons Recommended Citation Hayslett, Corbin F., "The oD yen of Dixie: A Survey of the Banjo Stylings of Uncle Dave Macon" (2018). Electronic Theses and Dissertations. Paper 3438. https://dc.etsu.edu/etd/3438 This Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. The Doyen of Dixie: A Survey of the Banjo Stylings of Uncle Dave Macon _____________________ A thesis presented to the faculty of the Department of Appalachian Studies East Tennessee State University In partial fulfillment of the requirements for the degree Master of Arts in Appalachian Studies _____________________ by Corbin Foster Scott Hayslett August 2018 _____________________ Dr. Lee Bidgood, Chair Mr. Roy Andrade Dr. Ted Olson Keywords: Uncle Dave Macon, Banjo, Country Music, Appalachia, Tennessee ABSTRACT The Doyen of Dixie: A Survey of the Banjo Stylings of Uncle Dave Macon by Corbin Hayslett David Harrison Macon (1870-1952) is often memorialized for his showmanship rather than his banjo playing.