276 Newsletter
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Nickel Creek a Dotted Line Mp3, Flac, Wma
Nickel Creek A Dotted Line mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: A Dotted Line Country: Europe Released: 2014 Style: Bluegrass MP3 version RAR size: 1513 mb FLAC version RAR size: 1105 mb WMA version RAR size: 1926 mb Rating: 4.1 Votes: 282 Other Formats: DTS XM DMF FLAC TTA MP3 AUD Tracklist Hide Credits Rest Of My Life A1 3:40 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Destination A2 3:51 Lyrics By – Sara WatkinsMusic By – Chris Thile, Sara Watkins, Sean Watkins Elsie A3 2:33 Written-By – Chris Thile Christmas Eve A4 4:23 Lyrics By – Sara WatkinsMusic By – Chris Thile, Sara Watkins, Sean Watkins Hayloft A5 3:18 Written-By – Ryan Guldemond 21st Of May B1 2:47 Written-By – Sean Watkins Love Of Mine B2 4:42 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Elephant In The Corn B3 5:10 Written-By – Chris Thile, Sara Watkins, Sean Watkins You Don't Know What's Going On B4 2:50 Lyrics By – Chris ThileMusic By – Chris Thile, Sara Watkins, Sean Watkins Where Is Love Now B5 4:44 Written-By – Sam Phillips Credits Bass – Mark Schatz Bass [Bowed] – Edgar Meyer Design – Evan Gaffney Design Engineer – Cian Riordan, Eric Valentine Engineer [Assisted By] – Justin Long Fiddle – Sara Watkins Guitar – Sean Watkins Management – Q Prime South, Red Light Management Mandolin, Bouzouki – Chris Thile Mastered By – Eric Valentine Mixed By – Eric Valentine Percussion – Eric Valentine, Matt Chamberlain Photography [Cover] – Underwood Photography Archives Photography -
2018 Winter Seminar
2018 WINTER SEMINAR MARCH 22-24, 2018 SHERATON GRAND NASHVILLE www.cfsaa.org “Nashville may be best known as ‘Music ABOUT NASHVILLE City’, but its food and drink scene is Nashville is the capital of Tennessee and home to Vanderbilt Uni- starting to have just as much soul and versity. Legendary country music venues include the Grand Ole rock’n’roll swagger.” Opry House, home of the famous “Grand Ole Opry” stage and radio show. The Country Music Hall of Fame and Museum and historic Ryman Auditorium are Downtown, as is the District, fea- - The Guardian turing honky-tonks with live music, the bars of Broadway Street, and the Johnny Cash Museum, celebrating the singer's life. “Nashville, Tennessee moves beyond its The 2018 Winter Seminar will be based in the Sheraton Grand country roots and embraces a new, mul- Nashville Downtown, located just steps from the historic Arts District and the center of Music City nightlife. The recently reno- tifaceted role as one of our country’s vated hotel features spacious rooms, an indoor pool & spa, and leading arts-and-entertainment cities.” the trendy Library Bar & Lounge. The hotel also offers a variety of event spaces, including an impressive rooftop dining room. The glass-walled rooftop dining room offers a 360-degree view of the - American Way city, and will be the location for two Winter Seminar events. ARRIVAL AND DEPARTURE The Sheraton Grand is conveniently located in the center of Nashville with easy access from the highway and the airport. From the airport: Grayline Airport Express runs a shuttle ser- vice from the airport to the hotel. -
Rocky Mountain Old-Time Music Festival July 10-13, 2014
Rocky Mountain Old-time Music Festival July 10-13, 2014 Final Schedule Thursday, July 10th Gate Open: 12:00pm – 9:00pm Contest Registration: 12:00pm – 9:00pm (Gate) Festival Kick-off (Event Center Lawn) 5:30pm Potluck Dinner 6:30pm Pie Contest Concert (Stage) 7:00pm– 8:00pm Soda Rock Ramblers (Larry Edelman, David Cahn, Linda Askew and Scott Mathis) Square Dance (Event Center Dance Hall) 8:30pm–11:00pm Band: Ozark Flyer (Liz Amos, Amber Gaddy, David Cavins) Caller: Chris Kermiet Friday, July 11th Gate Open: 9:00am – 9:00pm Contest Registration: 12:00pm – 3:15pm (Gate) Workshops 9:30am – 11:00am *Beginning Clawhammer Banjo – Smith Koester (Event Center Dance Hall) *Guitar Backup: Missouri “Rules” and more – Andy Gribble (Gathering Place) *Fiddle Music of Tommy Jarrell – Brad Leftwich (Event Center Tent) 11:15am – 12:45pm *Beginning Fiddle – Genevieve Koester (Gathering Place) *Round Peak Banjo and Beyond – Tom Sauber (Event Center Tent *Square Dance Caller’s Workshop – Larry Edelman (Event Center Dance Hall) 1:00pm – 2:30pm *Old-time Vocals: Devil in the Details – Alice Gerrard (Event Center Dance Hall) *Banjo: Intermediate Tunes and Techniques – Dave Landreth (Gathering Place) *Ozarks Dance Music of Bob Holt – Ozark Flyer (Event Center Tent) 2:45pm – 4:15pm *Tunes of the Southwest – Soda Rock Ramblers (Event Center Dance Hall) Contest Prelims (Stage) 3:30pm – 6:30pm Concert (Stage) 7:00 – 8:00pm White Mule (Genevieve Koester, Smith Koester, Andy Gribble) Square Dance (Event Center Dance Hall) 8:30 – 11:00pm Band: Tom, Brad, and Alice -
Billy Bob Thornton Interview
A Conversation with Billy Bob Thornton by Frank Goodman Puremusic 1/2002 I had known that Billy Bob was slated to star in the new Travis Tritt video, “Modern Day Bonnie and Clyde.” Brother JB is our publisher, and he and my brother-in-law Gary Falcon manage Travis, so I’d been privy to the video developments. Everybody was up about it, it was obviously not going to be your average Country video. It doesn’t take much to get me to pack a suitcase and go almost anywhere, my gypsy ways never changed. So when it occurred to JB that flying me out to L.A. might land us a Puremusic interview with Billy Bob Thornton about his new record, I was basically in the air. I didn’t mind waiting for JB to turn up at LAX a couple of hours after me, I was engrossed in Ann Patchett’s The Magician’s Assistant, and having a big time. We got out to the high desert location, outside Palmdale. There’s an old abandoned little motel out there called The Four Aces, it’s used exclusively for videos and movies today. The desert’s funny like that. Something goes out of business, they just leave it there and walk away, let the elements have at it. I took some pictures of this old Spanish-style mortuary, I liked the sign that said “Open.” I really enjoyed the record, Private Radio. I know, we don’t usually cotton to records by actors. Visions of William Shatner singing “Lucy in the Sky with Diamonds” or the shocking crooning of Jim Nabors comes to mind. -
Flatpicking Guitar Magazine Index of Reviews
Flatpicking Guitar Magazine Index of Reviews All reviews of flatpicking CDs, DVDs, Videos, Books, Guitar Gear and Accessories, Guitars, and books that have appeared in Flatpicking Guitar Magazine are shown in this index. CDs (Listed Alphabetically by artists last name - except for European Gypsy Jazz CD reviews, which can all be found in Volume 6, Number 3, starting on page 72): Brandon Adams, Hardest Kind of Memories, Volume 12, Number 3, page 68 Dale Adkins (with Tacoma), Out of the Blue, Volume 1, Number 2, page 59 Dale Adkins (with Front Line), Mansions of Kings, Volume 7, Number 2, page 80 Steve Alexander, Acoustic Flatpick Guitar, Volume 12, Number 4, page 69 Travis Alltop, Two Different Worlds, Volume 3, Number 2, page 61 Matthew Arcara, Matthew Arcara, Volume 7, Number 2, page 74 Jef Autry, Bluegrass ‘98, Volume 2, Number 6, page 63 Jeff Autry, Foothills, Volume 3, Number 4, page 65 Butch Baldassari, New Classics for Bluegrass Mandolin, Volume 3, Number 3, page 67 William Bay: Acoustic Guitar Portraits, Volume 15, Number 6, page 65 Richard Bennett, Walking Down the Line, Volume 2, Number 2, page 58 Richard Bennett, A Long Lonesome Time, Volume 3, Number 2, page 64 Richard Bennett (with Auldridge and Gaudreau), This Old Town, Volume 4, Number 4, page 70 Richard Bennett (with Auldridge and Gaudreau), Blue Lonesome Wind, Volume 5, Number 6, page 75 Gonzalo Bergara, Portena Soledad, Volume 13, Number 2, page 67 Greg Blake with Jeff Scroggins & Colorado, Volume 17, Number 2, page 58 Norman Blake (with Tut Taylor), Flatpickin’ in the -
National Historic Landmark Nomination Ryman Auditorium
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 1 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 1. NAME OF PROPERTY Historic Name: Ryman Auditorium Other Name/Site Number: Union Gospel Tabernacle 2. LOCATION Street & Number: 116 Fifth Avenue North Not for publication:__ City/Town: Nashville Vicinity:__ State: TN County: Davidson Code: 037 Zip Code: 37219 3. CLASSIFICATION Ownership of Property Category of Property Private: X Building(s): X Public-Local: _ District: __ Public-State: _ Site: __ Public-Federal: Structure: __ Object: __ Number of Resources within Property Contributing Noncontributing 1 ___ buildings ___ sites ___ structures ___ objects 1 Total Number of Contributing Resources Previously Listed in the National Register: 1 Name of related multiple property listing: NPS Form 10-9 USDI/NPS NRHP Registration Form (Rev. 8-S OMBNo. 1024-0018 RYMAN AUDITORIUM Page 2 United States Department of the Interior, National Park Service National Register of Historic Places Registration Form 4. STATE/FEDERAL AGENCY CERTIFICATION As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this ___ nomination ___ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property ___ meets ___ does not meet the National Register Criteria. Signature of Certifying Official Date State or Federal Agency and Bureau In my opinion, the property ___ meets ___ does not meet the National Register criteria. -
Bryan Sutton Reveals New Depth with Fourth Sugar Hill Release, Into My Own
BRYAN SUTTON REVEALS NEW DEPTH WITH FOURTH SUGAR HILL RELEASE, INTO MY OWN Solo Record From Bluegrass Guitar Master Due April 29th Nashville, Tenn. (January 27, 2014) –Bryan Sutton returns to Sugar Hill Records with his fourth solo release, Into My Own, available April 29, 2014. “The goal,” Bryan Sutton says, “was to try to make a record that only I could make.” Indeed, even a cursory listen is enough to establish that Into My Own, his fourth album for Sugar Hill Records, fulfills that goal—and does so in a way that reflects not only the instrumental virtuosity that his admirers have come to expect, but also the spirit and sensibilities of a musician intent on challenging himself to continuously grow in every way. For those who think of him as just one of the best acoustic guitarists around, Into My Own will come as an unexpected revelation, while for those who’ve been following his evolution at least since 2009’s Almost Live, it deserves welcome as the culmination of a remarkable musical growth spurt—rich, varied, and, just as he says, a record that only he could make. For what Into My Own does for the first time is present Bryan Sutton, not so much on his own (though there’s a bit of that too), but as an artist who’s worked his way into a musical place that’s all his own, and not just as a phenomenal guitarist, but as a singer and songwriter. Featured alongside Bryan Sutton are some of the best pickers in the genre, also true friends and collaborators; Bill Frisell joins in for “Frissell’s Rag” while Noam Pikelny, Sam Bush, Ronnie McCoury, Stuart Duncan and more stop in to play a few. -
Off the Beaten Track
Off the Beaten Track To have your recording considered for review in Sing Out!, please submit two copies (one for one of our reviewers and one for in- house editorial work, song selection for the magazine and eventual inclusion in the Sing Out! Resource Center). All recordings received are included in “Publication Noted” (which follows “Off the Beaten Track”). Send two copies of your recording, and the appropriate background material, to Sing Out!, P.O. Box 5460 (for shipping: 512 E. Fourth St.), Bethlehem, PA 18015, Attention “Off The Beaten Track.” Sincere thanks to this issue’s panel of musical experts: Richard Dorsett, Tom Druckenmiller, Mark Greenberg, Victor K. Heyman, Stephanie P. Ledgin, John Lupton, Angela Page, Mike Regenstreif, Seth Rogovoy, Ken Roseman, Peter Spencer, Michael Tearson, Theodoros Toskos, Rich Warren, Matt Watroba, Rob Weir and Sule Greg Wilson. that led to a career traveling across coun- the two keyboard instruments. How I try as “The Singing Troubadour.” He per- would have loved to hear some of the more formed in a variety of settings with a rep- unusual groupings of instruments as pic- ertoire that ranged from opera to traditional tured in the notes. The sound of saxo- songs. He also began an investigation of phones, trumpets, violins and cellos must the music of various utopian societies in have been glorious! The singing is strong America. and sincere with nary a hint of sophistica- With his investigation of the music of tion, as of course it should be, as the Shak- VARIOUS the Shakers he found a sect which both ers were hardly ostentatious. -
Mio Chris Thile Playlist
MIO CHRIS THILE PLAYLIST Cazadero Chris Thile CD: How to Grow a Woman From the Ground Improvisation Chris Thile Live -- New Orleans Carolina Drama Jack White A Prairie Home Companion Gone for Good The Shins A Prairie Home Companion Youtube Older and Taller Regina Spektor A Prairie Home Companion Youtube Kashmir Chris Thile and the Prairie Home Companion Band Youtube My Oh My Chris Thile Live -- New Orleans Monologue Chris Thile A Prairie Home Companion Eureka! Chris Thile CD: Not All Who Wander Are Lost Girl From Ipanema Joao & Astrud Gilberto and Stan Getz Single Don’t Try This At Home Bluegrass, Etc. CD: Bluegrass Etc. Tarnation Edgar Meyer & Chris Thile CD: Bass & Mandolin Quarter Chicken Dark Stuart Duncan, Chris Thile, Edgar Meyer, Yo-Yo Ma CD: The Goat Rodeo Sessions Kid A Punch Brothers CD: Who’s Feeling Young Now? Reckoner Chris Thile LIVE -- New Orleans Reckoner Radiohead CD: In Rainbows Rite of Spring Part I The Adoration of the Earth: I. Introduction Igor Stravinsky and the Columbia Symphony Orchestra CD: Igor Stravinsky Conducts Le Sacre Du Printemps (The Rite of Spring) For Free (Interlude) Kendrick Lamar CD: To Pimp A Butterfly Toxic Brittany Spears CD: In the Zone Gut Bucket Blues Don Vappie and the Creole Serenaders CD: Blues Routes: Heroes and Tricksters — Blues and Jazz Work Songs and Street Music I Made This For You Chris Thile Live -- New Orleans Joy Ride in a Toy Car/Hey Ho Mike Marshall & Chris Thile CD: Live Duets . -
American Old-Time Musics, Heritage, Place A
THE UNIVERSITY OF CHICAGO SOUNDS OF THE MODERN BACKWOODS: AMERICAN OLD-TIME MUSICS, HERITAGE, PLACE A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY LAURA C.O. SHEARING CHICAGO, ILLINOIS JUNE 2020 ã Copyright 2020 Laura C.O. Shearing All rights reserved. ––For Henrietta Adeline, my wildwood flower Table of Contents List of Figures .............................................................................................................................. v List of Tables .............................................................................................................................. vi Acknowledgements .................................................................................................................... vii Abstract ...................................................................................................................................... ix Introduction ................................................................................................................................ 1 1. Contextualizing Old-Time ..................................................................................................... 22 2. The Making of an Old-Time Heritage Epicenter in Surry County, North Carolina ................... 66 3. Musical Trail-Making in Southern Appalachia ....................................................................... 119 4. American Old-Time in the British Isles ................................................................................ -
Jack Pearson
$6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301 -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.