San Diego Chamber Orchestra Concert to Include Music by Mozart, Beethoven, and Brahms

Total Page:16

File Type:pdf, Size:1020Kb

San Diego Chamber Orchestra Concert to Include Music by Mozart, Beethoven, and Brahms San Diego Chamber Orchestra concert to include music by Mozart, Beethoven, and Brahms March 30, 1973 A free program of music by Mozart, Beethoven, and Brahms will be presented by the San Diego Chamber Orchestra at the University of California, San Diego at 4:30 p.m., Sunday, April 8. The concert, conducted by Glenn Block, will be held in the Recital Hall, Bldg. 409 on the Matthews Campus. The program will include Mozart's "Overture to the Opera, 'Don Giovanni,"' and Brahms' "Serenade No. 1 in D Major, Op. ll." Beethoven's "Piano Concerto No. 3 in C Minor, Op. 37" will feature Mary Alderdice as pianist. A California born composer, Ms. Alderdice attended the Interlochen Arts Academy and the Eastman School of Music. She studied the work of Bach with Rosalyn Tureck and has also been a student of Leon Fleisher. She has been awarded an International Bach Society Fellowship and performed recently at the Marlboro Music Festival. The San Diego Chamber Orchestra is an ensemble dedicated to creating a new system of orchestral performance which acts as an alternative to the more traditional system of performance of most professional and amateur orchestras. To achieve this new system of performance requires the ensemble to be totally free of any divisive elements that would destroy the interpersonal structure and relationships among members and the various sections of the orchestra. Members feel that traditional orchestra has developed such a highly competitive system that these relationships are destroyed. Members of the Chamber Orchestra also perform as principal players and members of the Civic Youth Orchestra, the San Diego Symphony, and the California State University Orchestra. Block, the conductor, is a gifted principal bass player of the San Diego Symphony, a solo bass player for the La Jolla Chamber Orchestra, and a member of several opera orchestras. He is presently a teaching assistant in music at UCSD. (March 30, 1973).
Recommended publications
  • For Release: Tk, 2013
    FOR IMMEDIATE RELEASE February 20, 2014 Contact: Katherine E. Johnson (212) 875-5718; [email protected] The Mary and James G. Wallach Artist-in-Residence YEFIM BRONFMAN To Be Featured in CHAMBER MUSIC CONCERT with New York Philharmonic Musicians A Co-Presentation with 92nd Street Y Schubert’s Sonatina in A minor Bartók’s Contrasts for Violin, Clarinet, and Piano Brahms’s Piano Quintet March 30, 2014, at 92nd Street Y Yefim Bronfman, the New York Philharmonic’s 2013–14 Mary and James G. Wallach Artist-in- Residence, will be spotlighted in a chamber music concert co-presented with 92nd Street Y. Mr. Bronfman will be joined by Philharmonic Concertmaster Glenn Dicterow; Principal Clarinet Stephen Williamson; Associate Principal, Second Violin Group, Lisa Kim; Associate Principal Viola Rebecca Young; and cellist Maria Kitsopoulos for the program, featuring Schubert’s Sonatina in A minor; Bartók’s Contrasts for Violin, Clarinet, and Piano; and Brahms’s Piano Quintet, Sunday, March 30, 2014, at 3:00 p.m. at 92nd Street Y. During his residency, Mr. Bronfman has performed on CONTACT!, the Philharmonic’s new- music series, on a program also co-presented with 92nd Street Y and featuring Philharmonic musicians; Tchaikovsky’s Piano Concerto No. 1 on the 2013–14 season subscription-opening program, led by Music Director Alan Gilbert; and a reprise of his Grammy-nominated performance of Magnus Lindberg’s Piano Concerto No. 2 with Alan Gilbert and the Orchestra in New York and on the ASIA / WINTER 2014 tour. He will return as the featured soloist in The Beethoven Piano Concertos: A Philharmonic Festival, led by Alan Gilbert, June 11–28, 2014.
    [Show full text]
  • Proposed Cultural Awareness Schedule for 2000
    CULTURAL ARTS SERIES 2008– 2009 (Schedule) A Classical Celebration! Oklahoma City Community College Artist Performance Date Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Tues. Sept. 16, 7:00 P.M. The Romeros – Guitar Quartet (Special venue; Westminster Presbyterian Church) Tues. Oct. 7, 7:00 P.M. Jerusalem Lyric Trio – Soprano, Flute, and Piano Tues. Nov. 18, 7:00 P.M. The Four Freshmen – Vocal Quartet Tues. Dec. 2, 7:00 P.M. The Texas Gypsies – Gypsy/Texas Swing Jazz Quintet Tues. Feb. 17, 7:00 P.M. Rosario Andino – Pianist Tues. Mar. 3, 7:00 P.M. Best of Broadway – Vocal Trio Tues. Apr. 14, 7:00 P.M. Brad Richter, Viktor Uzur – Guitar and Cello Thurs. May 7, 7:00 p.m. • Lark Chamber Artists – Strings, Piano, Woodwinds, and Percussion Ensemble Lecture – TBA Performance – Tuesday, September 16, 2008, 7:00 p.m., Oklahoma City Community College Theatre. A diverse selection of musical delights. (Short) Lark Chamber Artists present a broad range of musical styles, embracing the traditional as well as adventuresome commissions and collaborations. (Medium) Lark Chamber Artists is a uniquely structured ensemble who present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming. (Long) As an outgrowth of the world-renowned Lark Quartet, Lark Chamber Artists (LCA) is a uniquely structured ensemble featuring some of today's most active performers who have come together to present a broad range of musical styles, embracing the traditional favorites of the chamber music repertoire, as well as adventuresome commissions and collaborations for a new standard in innovative programming.
    [Show full text]
  • 2017-2018 Master Class-Leon Fleisher
    Welcome to the 2017-2018 season. The talented students and extraordinary faculty of the Lynn LEON FLEISHER MASTER CLASS Conservatory of Music take this opportunity to share with you the beautiful world of music. Your Wednesday, January 24, 2018 at 7:00 pm ongoing support ensures our place among the premier conservatories Amarnick-Goldstein Concert Hall of the world and a staple of our community. - Jon Robertson, dean PROGRAM There are a number of ways by which you can help us fulfill our mission: Friends of the Conservatory of Music Sonata Op. 2 No. 2 in A Major Ludwig van Beethoven Lynn University’s Friends of the Conservatory of Music is a IV Rondo: Grazioso (1770-1827) volunteer organization that supports high-quality music education through fundraising and community outreach. Raising more than $2 million since 2003, the Friends support Lynn’s effort to provide Chance Israel, piano free tuition scholarships and room and board to all Conservatory of Music students. The group also raises money for the Dean’s Discretionary Fund, which supports the immediate needs of the university’s music performance students. This is accomplished through annual gifts and special events, such as outreach concerts and the annual Gingerbread Holiday Concert. To learn more about joining the Friends and its many benefits, Scherzo No. 4 in E Major Frederic Chopin such as complimentary concert admission, visit Give.lynn.edu/support-music. (1810-1849) The Leadership Society of Lynn University Meiyu Wu, piano The Leadership Society is the premier annual giving society for donors who are committed to ensuring a standard of excellence at Lynn for all students.
    [Show full text]
  • Williams College Department of Music
    Williams College Department of Music Visiting Artist Joel Fan, piano Richard Wagner Prelude from Die Meistersinger von Nürnberg (1813 – 1883) Johannes Brahms Sechs Klavierstücke op. 118 (1833 – 1897) No. 1. Intermezzo in A Minor. Allegro non assai, ma molto appassionato No. 2. Intermezzo in A Major. Andante teneramente No. 3. Ballade in G Minor. Allegro energico No. 4. Intermezzo in F Minor. Allegretto un poco agitato No. 5. Romanze in F Major. Andante No. 6. Intermezzo in E flat Minor. Andante, largo e mesto Franz Liszt Mephisto Waltz No. 1 (1811 – 1886) ***Intermission*** Ernesto Nazareth Vem ca Branquinha (1863 – 1934) Heitor Villa-Lobos Alma Brasileira (1887 – 1959) Dia Succari La Nuit du Destin (b. 1938) George Gershwin Rhapsody in Blue (1898 – 1937) Friday, February 28, 2014 8:00 p.m. Chapin Hall Williamstown, Massachusetts Please turn off cell phones. No photography or recording is permitted. Joel Fan From recitals at Ravinia Festival in Chicago, Jordan Hall in Boston, the Metropolitan Museum of Arts in NYC and The National Gallery of Art in Washington D.C., to the University of Calgary Celebrity Series, and performances with the chamber orchestra, A Far Cry, performing Mozart at the Gardner Museum in Boston, the Newman Center in Denver and the Vilar Center in Beaver Creek, Colorado, Joel has found an enthusiastic following that landed his first CD at No. 3 on the Billboard Classical Chart. Joel's past appearances also include performances with Yo-Yo Ma with the New York Philharmonic, The Boston Symphony Orchestra, as well as performances with the Royal Stockholm Philharmonic, The New Hampshire Festival Orchestra, and the Singapore Philharmonic.
    [Show full text]
  • Take3 with a Flair for the Wild and Unexpected, the Genre-Bending
    Take3 With a flair for the wild and unexpected, the genre-bending trio, Take3, brings the refinement of a rigorous classical background and mixes it with rock star charisma. Whether performing their take on pop, jazz, or classical tunes, they bring enthusiasm to their interpretations and impart their love of music to audiences of all musical preferences. Their rigorous classical training at Colburn School and The Juilliard School has ignited their passion for musical exploration and is aiding them in revolutionizing the piano trio experience. Take3 is known for their adrenalized performances of classical, movie, tango, pop and oldies music, live on stage, as well as through their dynamic music videos. They are fervently seeking new ways to heighten their audience’s concert experience by using technology, multimedia, and collaboration with guest artists. They will be joining the Allied Concert Series Roster for the 2019-2020 season and will also be engaged with orchestral and chamber concert series throughout the U.S. Take3’s fan base continues to grow around the world through each individual’s solo, chamber and orchestral engagements, such as violinist, Lindsay Deutsch’s solo engagement, touring with Yanni. Their mission is to connect with fans around the world and impart their love of music to audiences of all ages and musical preferences. They will be releasing new music videos this Fall and will be releasing their trio album in 2019-2020. Members have appeared in major music venues such as Disney Hall, Carnegie Hall, Alice Tully Hall, Radio City Music Hall in New York, Venice Performing Arts Center and the Greek Theater in Los Angeles.
    [Show full text]
  • Leon Fleisher Biography
    LEON FLEISHER Guest Artist Photo by Chris Hartlove Photo “You can’t see music as it passes through the air. You can’t grasp it and hold on to it. You can’t smell it. You can’t taste it. But it has a most powerful effect on most people. And that is a wondrous thing to contemplate.” As a recipient of the Kennedy Center Honors in 2007, pianist Leon Fleisher was recognized as a “consummate musician whose career is a testament to the life-affirming power of art.” The child prodigy began to study the piano at the age of four and by the age of nine, the legendary Artur Schnabel invited him to be his student, first in Lake Como, Italy, and then in New York, where he nurtured and inspired the young Mr. Fleisher for the next ten years as he evolved into one of the great music masters of our time. Leon Fleisher made his debut with the New York Philharmonic, conducted by Pierre Monteux, when he was sixteen years old. Maître Monteux called him “the pianistic find of the century.” Mr. Fleisher went on to international renown, becoming the first American to win the prestigious Queen Elisabeth of Belgium Competition in Brussels in 1952. He subsequently enjoyed a prolific recording career, most notably with George Szell and The Cleveland Orchestra, recordings recognized as among the great collaborations in the concerto repertoire. In 1965, before a scheduled tour of Russia with The Cleveland Orchestra, Leon Fleisher began to suffer symptoms of a debilitating condition of his right hand, later diagnosed as focal dystonia, a neurological condition that causes the fingers to curl into the palm of the hand.
    [Show full text]
  • 2018-2019 Mostly Music: Franz Schubert
    Mostly Music Franz Schubert (1797-1828) Mostly Music Franz Schubert Thursday, March 14th at 7:30 p.m. Amarnick-Goldstein Concert Hall Dr. Thomas L. McKinley, Host Sonata in a minor D. 821 “Arpeggione” I. Allegro moderato II. Adagio III. Allegretto Eric Varner, bassoon Lisa Leonard, piano Fantasy in f minor, Op. 103, D. 940 for piano four-hands I. Allegro Molto moderato II. Largo III. Scherzo: Allegro vivace IV. Finale: Allegro molto moderato Roberta Rust & Sheng-Yuan Kuan, pianists Intermission Trio No. 2 in E-flat Major Op. 100, D. 929 I. Allegro II. Andante con moto III. Scherzando- allegro moderato IV. Allegro moderato Carol Cole, violin David Cole, cello Sheng-Yuan Kuan, piano Please silence or turn off all electronic devices, including cell phones, beepers, and watch alarms. Unauthorized recording or photography is strictly prohibited Carol Cole’s appearances in the United States, Canada, South America, North Africa, China, and throughout Europe have brought unanimous critical praise for her musical artistry, flawless technique and beautiful tone. “She knows how to capture the hearts of her listeners,” writes the Messaggero of Venice, Italy; “Passionate violin playing, carefully sculpted and crafted,” notes The Pocono Record in Pennsylvania. From Saratoga, New York, the Post Star described her playing as “brilliant, focused and impassioned – exceptional.” The Philadelphia Inquirer reviewed Ms. Cole’s performance at the Mozart- on-the-Square Chamber Music Series as “providing firm, accurate and spirited leadership – her sense of timing and sound (are) musical indeed.” Equally at home as a soloist, chamber musician and orchestra leader, Cole has appeared at major music centers in more than 22 countries and 25 U.S.
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]
  • Ravinia Festival 2013 Chronological Listing of Events
    Contact: NEWS Nick Pullia (847) 266-5012 [email protected] Amy Schrage (847) 266-5491 [email protected] EMBARGOED UNTIL THURSDAY, MARCH 7, 2013 RAVINIA FESTIVAL 2013 CHRONOLOGICAL LISTING OF EVENTS Tickets to all Ravinia Festival events are on sale now with a Ravinia donation; visit Ravinia.org for more information or call (847) 266-5100. Public ticket online sales begin at 5 a.m. on April 25, exclusively through Ravinia’s website. The complete season lineup follows. Note that artists and programs are subject to change. Opening acts for some concerts may be announced at a later date. Repertoire being performed at Ravinia for the first time is marked with an asterisk (*). Artists making their Ravinia debut are marked with a plus sign (+). Lawn ticket prices are increased by $5 on the day of the show when marked by a double asterisk (**). JUNE Thursday, June 6, 7:30 p.m.—Bennett Gordon Hall $10 BGH Series Ruth Page Festival of Dance Concert Dance, Inc. Tickets: $10/No Lawn Sales/Park opens at 5 p.m. Thursday, June 6, 7:30 p.m.—Pavilion Judy Collins Don McLean Tickets: $55-$45/Lawn $22**/Park opens at 5 p.m. Friday, June 7, 7:30 p.m.—Bennett Gordon Hall $10 BGH Series Ruth Page Festival of Dance Concert Dance, Inc. Tickets: $10/No Lawn Sales/Park opens at 5 p.m. Friday, June 7, 8 p.m.—Pavilion Back to Bass Tour Sting Season Sponsors: Ernst & Young LLP; PNC Bank Tickets: $120-$115/Lawn $38**/Park opens at 5 p.m.
    [Show full text]
  • SAMUEL BARBER the Nashville Symphony Is Grateful for Adagio for Strings Support from Violins of Hope Nashville Project Donors
    GUERRERO CONDUCTS THE VIOLINS of HOPE CLASSICAL SERIES THURSDAY, MARCH 22, AT 7 PM | FRIDAY & SATURDAY, MARCH 23 & 24, AT 8 PM NASHVILLE SYMPHONY GIANCARLO GUERRERO, conductor CLASSICAL SERIES JUN IWASAKI, violin JONATHAN BISS, piano PRESENTING PARTNER JOHN WILLIAMS Three Pieces from Schindler’s List Theme from Schindler’s List Jewish Town Remembrances WITH SUPPORT FROM: Jun Iwasaki, violin ROBERT SCHUMANN Concerto in A Minor for Piano and Orchestra, Op. 54 Allegro affettuoso Intermezzo: Andantino grazioso Allegro vivace Jonathan Biss, piano - INTERMISSION- JONATHAN LESHNOFF Jonathan Leshnoff's Symphony No. 4 Symphony No. 4, “Heichalos” is made possible in part by a Creation Part 1: Fast: H Binah Project Grant from Metro Arts and an Art Works grant from the National Part 2: Slow Endowment for the Arts. World Premiere | Nashville Symphony Commission SAMUEL BARBER The Nashville Symphony is grateful for Adagio for Strings support from Violins of Hope Nashville project donors. This concert will last approximately two hours, including intermission. This concert is being recorded live for a forthcoming release on Naxos. To ensure the highest-quality recording, please keep noise to a minimum. TONIGHT’S CONCERT AT A GLANCE This concert is part of Violins of Hope Nashville, a citywide collaboration exploring music, art, social justice and free expression. Learn more at ViolinsofHopeNashville.org. JOHN WILLIAMS Three Pieces from Schindler’s List • Originally featured in Steven Spielberg’s 1993 film, these three selections from the score are representative of key themes from the movie, which tells the story of Oskar Schindler, the German industrialist who saved more than 1,000 Jews during the Holocaust.
    [Show full text]
  • Beethoven's "Eroica" | the Philadelphia Orchestra
    27 Season 2018-2019 Thursday, April 25, at 7:30 Friday, April 26, at 2:00 The Philadelphia Orchestra Saturday, April 27, at 8:00 Yannick Nézet-Séguin Conductor (Thursday and Saturday) Kensho Watanabe Conductor (Friday) Jonathan Biss Piano Weber Overture to Der Freischütz Schumann Piano Concerto in A minor, Op. 54 I. Allegro affettuoso II. Intermezzo: Andantino grazioso— III. Allegro vivace Intermission Beethoven Symphony No. 3 in E-flat major, Op. 55 (“Eroica”) I. Allegro con brio II. Marcia funebre: Adagio assai III. Scherzo (Allegro vivace) and Trio IV. Finale: Allegro molto—Andante—Presto This program runs approximately 1 hour, 55 minutes. LiveNote® 2.0, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 26 concert is sponsored by the Red Moose Charitable Trust. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the April 26 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra and special guest Jonathan Biss. Brahms Piano Quartet No. 2 in A major, Op. 26 I. Allegro non troppo II. Poco adagio III. Scherzo: Poco allegro—Trio—Scherzo da capo senza replica IV. Finale: Allegro—Animato Jonathan Biss Piano Julia Li Violin Burchard Tang Viola Priscilla Lee Cello The Postlude runs approximately 50 minutes. 29 ® Getting Started with LiveNote 2.0 » Please silence your phone ringer. » Make sure you are connected to the internet via a Wi-Fi or cellular connection.
    [Show full text]
  • Leon Fleisher and Katherine Jacobson the Waltz of One Piano, Four Hands
    2017 Pedagogy Conference Saturday Artist Leon Fleisher And KAtherine JAcobson The Waltz Of One Piano, Four Hands eon Fleisher and Katherine Jacobson will pres- James Litzelman (JL): We’re delighted that the two of ent an evening concert at the 2017 MTNA you will be performing a four-hand recital at our confer- National Conference in Baltimore, Maryland. ence this March! How often do you perform together? In addition, Fleisher will serve as clinician for Leon Fleisher (LF): We perform together rather fre- the advanced piano master class during the con- quently, actually—at least a dozen times each year. ference. (See pages 30 and 31 for information.) Katherine Jacobson (KJ): Leon and I are very much James Litzelman, MTNA member and the AMT looking forward to playing a recital for MTNA in March. Editorial Committee chair, recently had the opportunity to For the past several years, we have performed hundreds of Lask them about their careers and future music plans. duo-piano concerts around the world including Carnegie Hall, Tanglewood, the Library of Congress, Tokyo, Beijing and Brussels—on the very same stage that Leon won the James Litzelman, NCTM, teach- Queen Elizabeth Competition! es piano and piano pedagogy at the Catholic University of America in JL: Do you focus mostly on 4-hand repertoire, or Washington, D.C., and is an inde- two-piano or concerto? pendent piano teacher in Arlington, LF: Four-hand repertoire, mostly. There’s some really Virginia. He currently chairs the AMT beautiful music there. Editorial Committee, and is past pres- KJ: Yes, our recitals have focused on the four-hand piano ident of the Northern Virginia Music repertoire.
    [Show full text]