The Orchestra at Temple Square Presents Its Annual Spring Concert with Internationally Renowned Pianist

Total Page:16

File Type:pdf, Size:1020Kb

The Orchestra at Temple Square Presents Its Annual Spring Concert with Internationally Renowned Pianist For Immediate Release 2/20/2013 The Orchestra at Temple Square Presents Its Annual Spring Concert With Internationally Renowned Pianist Salt Lake City — Internationally renowned pianist Mykola Suk will be the featured soloist during the Orchestra at Temple Square’s annual spring concert on Friday, 22 March, and Saturday, 23 March 2013, at 7:30 p.m. in the Tabernacle. Suk’s talents will be showcased in Beethoven’s Piano Concerto no. 5, subtitled “Emperor,” where the piano plays a primary role. Mr. Suk previously appeared with the Orchestra at Temple Square in August 2005. Ever since winning the first prize and gold medal at the 1971 International Liszt-Bartok Competition in Budapest, Suk has enchanted and captivated audiences all across the world. Born and schooled in Kyiv, Suk went on to study at the prestigious Moscow Conservatory with Lev Vlasenko. He now resides in Las Vegas, Nevada, taking responsibility for keyboard studies at the Music Department of the University of Nevada, Las Vegas. The evening’s concert will be led by Igor Gruppman, conductor of the Orchestra at Temple Square, and highlight the music of Wolfgang Amadeus Mozart, Ludwig von Beethoven and Antonin Dvořák. The concert will open with Mozart’s overture to his opera The Magic Flute. Composed in 1791, the last year of Mozart’s life, the opera is one of the composer’s more curious works. Written in German, the music is simultaneously symbolic and whimsical, with religious symbols familiar to Mozart. Much of the music in the overture falls into the traditional contrasting elements of slow dotted rhythms and sprightly, energized melodies. The second half of the concert will feature Dvořák’s Symphony no. 8. This symphony is relatively brief, upbeat and playful and exemplifies the folk cheeriness of Antonín Dvořák’s native Bohemia. Igor Gruppman was named conductor of the Orchestra at Temple Square in 2003. He enjoys a career as a violin soloist, conductor, concertmaster and chamber musician and has appeared in the great European capitals and in the major cities of North America, Israel and New Zealand. He has been a frequent guest with such orchestras as the London Symphony Orchestra and the Royal Philharmonic and has worked with conductors Sir Georg Solti, Mstislav Rostropovich, Sir Colin Davis, Christoph Eschenbach and Bernard Haitink. In addition to his duties with the Orchestra at Temple Square, he is currently concertmaster of the Rotterdam Philharmonic Orchestra. The Orchestra at Temple Square was formed in 1999, under the direction of Gordon B. Hinckley, then President of The Church of Jesus Christ of Latter-day Saints. Its charter as an all-volunteer musical organization is to accompany the Mormon Tabernacle Choir and to perform in two concerts of its own each year. The event requires tickets, which are available free of charge beginning 19 February at lds.org/events, by calling 801-570-0080 or at the Conference Center ticket office. Admission to this event is limited to those ages eight and older. ### For news media only, do not publish Kim Farah, Mormon Tabernacle Choir Publicist (801)240-1977 [email protected] .
Recommended publications
  • Mozart Magic Philharmoniker
    THE T A R S Mass, in C minor, K 427 (Grosse Messe) Barbara Hendricks, Janet Perry, sopranos; Peter Schreier, tenor; Benjamin Luxon, bass; David Bell, organ; Wiener Singverein; Herbert von Karajan, conductor; Berliner Mozart magic Philharmoniker. Mass, in C major, K 317 (Kronungsmesse) (Coronation) Edith Mathis, soprano; Norma Procter, contralto...[et al.]; Rafael Kubelik, Bernhard Klee, conductors; Symphonie-Orchester des on CD Bayerischen Rundfunks. Vocal: Opera Così fan tutte. Complete Montserrat Caballé, Ileana Cotrubas, so- DALENA LE ROUX pranos; Janet Baker, mezzo-soprano; Nicolai Librarian, Central Reference Vocal: Vespers Vesparae solennes de confessore, K 339 Gedda, tenor; Wladimiro Ganzarolli, baritone; Kiri te Kanawa, soprano; Elizabeth Bainbridge, Richard van Allan, bass; Sir Colin Davis, con- or a composer whose life was as contralto; Ryland Davies, tenor; Gwynne ductor; Chorus and Orchestra of the Royal pathetically brief as Mozart’s, it is Howell, bass; Sir Colin Davis, conductor; Opera House, Covent Garden. astonishing what a colossal legacy F London Symphony Orchestra and Chorus. Idomeneo, K 366. Complete of musical art he has produced in a fever Anthony Rolfe Johnson, tenor; Anne of unremitting work. So much music was Sofie von Otter, contralto; Sylvia McNair, crowded into his young life that, dead at just Vocal: Masses/requiem Requiem mass, K 626 soprano...[et al.]; Monteverdi Choir; John less than thirty-six, he has bequeathed an Barbara Bonney, soprano; Anne Sofie von Eliot Gardiner, conductor; English Baroque eternal legacy, the full wealth of which the Otter, contralto; Hans Peter Blochwitz, tenor; soloists. world has yet to assess. Willard White, bass; Monteverdi Choir; John Le nozze di Figaro (The marriage of Figaro).
    [Show full text]
  • [email protected] CHRISTOPH ESCHENBACH to CO
    FOR IMMEDIATE RELEASE March 7, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] CHRISTOPH ESCHENBACH TO CONDUCT THE NEW YORK PHILHARMONIC MOZART’s Piano Concerto No. 22 with TILL FELLNER in His Philharmonic Debut BRUCKNER’s Symphony No. 9 April 19, 21, and 24, 2018 Christoph Eschenbach will conduct the New York Philharmonic in a program of works by Austrian composers: Mozart’s Piano Concerto No. 22, with Austrian pianist Till Fellner as soloist in his Philharmonic debut, and Bruckner’s Symphony No. 9 (Ed. Nowak), Thursday, April 19, 2018, at 7:30 p.m.; Saturday, April 21 at 8:00 p.m.; and Tuesday, April 24 at 7:30 p.m. German conductor Christoph Eschenbach began his career as a pianist, making his New York Philharmonic debut as piano soloist in Mozart’s Piano Concerto No. 24 in 1974. Both Christoph Eschenbach and Till Fellner won the Clara Haskil International Piano Competition, in 1965 and 1993, respectively. Mr. Fellner subsequently recorded Mozart’s Piano Concerto No. 22 on the Claves label in collaboration with the Clara Haskil Competition. The New York Times wrote of Mr. Eschenbach’s conducting Bruckner’s Symphony No. 9 with the New York Philharmonic in 2008: “Mr. Eschenbach, a compelling Bruckner interpreter, brought a sense of structure and proportion to the music without diminishing the qualities of humility and awe that make it so gripping. … the orchestra responded with playing of striking power and commitment.” Artists Christoph Eschenbach is in demand as a distinguished guest conductor with the finest orchestras and opera houses throughout the world, including those in Vienna, Berlin, Paris, London, New York, Boston, Chicago, Los Angeles, Milan, Rome, Munich, Dresden, Leipzig, Madrid, Tokyo, and Shanghai.
    [Show full text]
  • Sir John Eliot Gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:Q L’Istesso Tempo— Con Moto Elgar in the South (Alassio), Op
    Program OnE HundrEd TwEnTIETH SEASOn Chicago Symphony orchestra riccardo muti Music director Pierre Boulez Helen regenstein Conductor Emeritus Yo-Yo ma Judson and Joyce Green Creative Consultant Global Sponsor of the CSO Thursday, January 20, 2011, at 8:00 Saturday, January 22, 2011, at 8:00 Sir John Eliot gardiner Conductor Stravinsky Symphony in Three Movements = 160 Andante—Interlude:q L’istesso tempo— Con moto Elgar In the South (Alassio), Op. 50 IntErmISSIon Bartók Concerto for Orchestra Introduzione: Andante non troppo—Allegro vivace Giuoco delle coppie: Allegro scherzando Elegia: Andante non troppo Intermezzo interrotto: Allegretto Finale: Presto Steinway is the official piano of the Chicago Symphony Orchestra. This program is partially supported by grants from the Illinois Arts Council, a state agency, and the National Endowment for the Arts. CommEntS by PHILLIP HuSCHEr Igor Stravinsky Born June 18, 1882, Oranienbaum, Russia. Died April 6, 1971, New York City. Symphony in three movements o composer has given us more Stravinsky is again playing word Nperspectives on a “symphony” games. (And, perhaps, as has than Stravinsky. He wrote a sym- been suggested, he used the term phony at the very beginning of his partly to placate his publisher, who career (it’s his op. 1), but Stravinsky reminded him, after the score was quickly became famous as the finished, that he had been com- composer of three ballet scores missioned to write a symphony.) (Petrushka, The Firebird, and The Rite Then, at last, a true symphony: in of Spring), and he spent the next few 1938, Mrs. Robert Woods Bliss, years composing for the theater and together with Mrs.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Daniel Saidenberg Faculty Recital Series
    Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.
    [Show full text]
  • Download Biography
    HAYDN RAWSTRON LIMITED Initially trained as a biologist, Kristinn Sigmundsson taught for a few years before becoming a singer, studying first at the Reykjavik Academy of Singing and then at the Hochschule für Musik und darstellende Kunst in Vienna, Austria. He began his career performing principally in his native Iceland, before going on to join the Hessische Staatstheater in Wiesbaden. As one of the world’s most sought after basses, Kristinn Sigmundsson regularly sings at the world's greatest opera houses: The MET, The Royal Opera House Covent Garden, L'Opéra National de Paris, where he has very nearly sung his entire repertoire, Vienna State Opera, Munich State Opera and the Semperoper Dresden. His broad repertoire extends from Don Basilio over Zaccaria to Gurnemanz. Some of his career highlights include, but are not limited to: Baron Ochs at the Maggio Musicale Florence; Il Kristinn Sigmundsson Commendatore in Munich, Berlin and New York; Baron Ochs and Vodnik in Rusalka at the MET; Gurnemanz Bass in Cologne and Florence; King Heinrich in Madrid; Hunding at the MET, in Naples, Venice and Cologne; Landgraf in Geneva and Amsterdam; Méphistophélès, King Marke, Sparafucile, Il Commendatore, Sarastro and Baron Ochs in San Francisco; Raimondo (Lucia di Lammermoor) in Munich, as well as Sarastro in Houston and Chile. Among some of Kristinn Sigmundsson’s past engagements were: Der fliegende Holländer (Daland) at the San Francisco Opera, the Opéra du Rhin Strasbourg and the Ravinia Festival, at which he also sang Don Giovanni (Commendatore)
    [Show full text]
  • LPO-379 Mahler Booklet AW2.Indd
    GUSTAV MAHLER (1860–1911) Symphony No.2 ‘Resurrection’ CD1 25:02 MAHLER 01 25:02 I. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck. SYMPHONY NO.2 ‘RESURRECTION’ CD2 67:48 KLAUS TENNSTEDT conductor 01 12:10 II. Andante Moderato. Sehr gemächlich. Nie eilen. 02 11:24 III. Scherzo. In ruhig fl iessender Bewegung. YVONNE KENNY soprano 03 6:14 IV. ‘Urlicht’. Sehr feierlich, aber schlicht. JARD VAN NES mezzo soprano 04 21:18 V. Finale. Im Tempo des Scherzo. Wild herausfahrend. 05 7:51 ‘Aufersteh’n.’ Langsam Misterioso. LONDON PHILHARMONIC ORCHESTRA and CHOIR 06 8:51 ‘O Glaube, mein Herz.’ Etwas bewegter. KLAUS TENNSTEDT conductor YVONNE KENNY soprano JARD VAN NES mezzo soprano LONDON PHILHARMONIC ORCHESTRA and CHOIR David Nolan leader Malcolm Hicks off-stage conductor Richard Cooke chorus master Recorded live at Southbank Centre’s ROYAL FESTIVAL HALL London LPO – 0044 LLPO-379PO-379 MMahlerahler Booklet_AW2.inddBooklet_AW2.indd SpreadSpread 1 ofof 8 - Pages(16,Pages(16, 1)1) 222/12/20092/12/2009 10:3010:30 MAHLER SYMPHONY NO.2 ‘RESURRECTION’ Highlights from Klaus Tennstedt and the London Philharmonic Orchestra Introduction: Tennstedt, Mahler and Morrison on-stage realisation of Mahler’s printed For more information or to purchase CDs telephone +44 (0)20 7820 4242 It took Mahler fi ve years to conceive, sculpt scores. For those who were present at his or visit www.lpo.org.uk and fi nally release the work that would make concerts there are vivid memories: the lolling, his career and arguably prove to be his most clumsy podium physique; the intense passion longstanding and resonant.
    [Show full text]
  • A B C a B C D a B C D A
    24 go symphonyorchestra chica symphony centerpresent BALL SYMPHONY anne-sophie mutter muti riccardo orchestra symphony chicago 22 september friday, highlight season tchaikovsky mozart 7:00 6:00 Mozart’s fiery undisputed queen ofviolin-playing” ( and Tchaikovsky’s in beloved masterpieces, including Rossini’s followed by Riccardo Muti leading the Chicago SymphonyOrchestra season. Enjoy afestive opento the preconcert 2017/18 reception, proudly presents aprestigious gala evening ofmusic and celebration The Board Women’s ofthe Chicago Symphony Orchestra Association Gala package guests will enjoy postconcert dinner and dancing. rossini Suite from Suite 5 No. Concerto Violin to Overture C P s oncert reconcert Reception Turkish The Sleeping Beauty Concerto. The SleepingBeauty William Tell conducto The Times . Anne-Sophie Mutter, “the (Turkish) William Tell , London), performs London), , media sponsor: r violin Overture 10 Concerts 10 Concerts A B C A B 5 Concerts 5 Concerts D E F G H I 8 Concerts 5 Concerts E F G H 5 Concerts 6 Conc. 5 Concerts THU FRI FRI SAT SAT SUN TUE 8:00 1:30 8:00 2017/18 8:00 8:00 3:00 7:30 ABCABCD ABCDAAB Riccardo Muti conductor penderecki The Awakening of Jacob 9/23 9/26 Anne-Sophie Mutter violin tchaikovsky Violin Concerto schumann Symphony No. 2 C A 9/28 9/29 Riccardo Muti conductor rossini Overture to William Tell 10/1 ogonek New Work world premiere, cso commission A • F A bruckner Symphony No. 4 (Romantic) A Alain Altinoglu conductor prokoFIEV Suite from The Love for Three Oranges Sandrine Piau soprano poulenc Gloria Michael Schade tenor gounod Saint Cecilia Mass 10/5 10/6 Andrew Foster-Williams 10/7 C • E B bass-baritone B • G Chicago Symphony Chorus Duain Wolfe chorus director 10/26 10/27 James Gaffigan conductor bernstein Symphonic Suite from On the Waterfront James Ehnes violin barber Violin Concerto B • I A rachmaninov Symphonic Dances Sir András Schiff conductor mozart Serenade for Winds in C Minor 11/2 11/3 and piano bartók Divertimento for String Orchestra 11/4 11/5 A • G C bach Keyboard Concerto No.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season 121, 2001-2002
    2001-2002 SEASON BOSTON SYMPHONY ORCHESTRA Saluting Seiji Ozawa in his farewell season SEIJI OZAWA MUSIC DIRECTOR BERNARD HAITINK PRINCIPAL GUEST CONDUCTOR Bring your Steinway: With floor plans from 2,300 Phase One of this magnificent to over 5,000 square feet, property is 100% sold and you can bring your Concert occupied. Phase Two is now Grand to Longyear. being offered by Sotheby's Enjoy full-service, single- International Realty and floor condominium living at its Hammond Residential Real absolute finest, all harmoniously Estate. Priced from $1,500,000. located on an extraordinary eight-acre Call Hammond Real Estate at gated community atop prestigious (617) 731-4644, ext. 410. Fisher Hill. LONGYEAR. at ^Jrisner Jiill BROOKLINE CORT1 SOTHEBY'S PROPERTIES INC. International Realty E A L ESTATE Somethingfor any occasion.. &* m y-^ ;fe mwm&m <*-iMF--%^ h : S-i'ffi- I C'?t m^^a»f * • H ^ >{V&^I> ^K S8 ^ r" • >-*f &a Davic^Company Sellers & Collectors of Beautiful Jewelry 232 Boylston Street, Chestnut Hill, MA 02467 617-969-6262 (Tel) 1-800-DAVIDCO 617-969-3434 (Fax) www.davidnndcompany.com . Every car has its moment. This one has thousands per second. .-:.: % - The new 3 Series. Pure drive, The New ^m BMW 3 Series ^f^rn^w^ From $27,745* fop 9 Test drive The Ultimate Driving Machine bmwusa.com The Ultimate at your authorized BMW center 1-8QG-334-4BMW Driving Machine* Seiji Ozawa, Music Director Ray and Maria Stata Music Directorship Bernard Haitink, Principal Guest Conductor One Hundred and Twenty-first Season, 2001-02 SALUTING SEIJI OZAWA IN HIS FAREWELL SEASON Trustees of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Download Augustin Dumay Biography
    Augustin Dumay International critics have compared Augustin Dumay to the great violinists of the 20th century, describing him as a “great classical stylist”, a reputation underscored by his outstanding recordings for Deutsche Grammophon: Beethoven’s complete sonatas with Maria João Pires, a set that “surely ranks with Grumiaux/Haskil, Menuhin/Kempff, or Perlman/Ashkenazy” (International Piano), Brahms’ trios in which “the Milstein legacy in Dumay’s playing is wonderfully apparent” (Gramophone), and Mozart’s concertos with the Camerata Salzburg, “without exaggeration one of the finest Mozart violin concerto discs ever made” (Classic CD), in which he “confirms that he is an exceptional interpreter of Mozart as were Stern or Grumiaux before him” (Classica). Born into a family of musicians – his mother is a cellist and pianist, his father an amateur violinist – Augustin Dumay started violin lessons at the age of 5, after attending a concert by Nathan Milstein. Aged ten, he entered the Paris Conservatoire, winning the premier prix at the age of thirteen. His first concert at the Théâtre des Champs- Élysée followed a year later and he then appeared at the Montreux Festival, playing for Joseph Szigeti and Henryk Szeryng, who invited him to replace him on a tour of South America. On his return, Augustin Dumay worked in Paris with Nathan Milstein, who said of him: “I believe he will take his place amongt the great violinists of the year 2000”. He then went on to work in Brussels with Arthur Grumiaux for five years. He soon became familiar to concert audiences in France, but his international career took off thanks to his encounter with Herbert von Karajan.
    [Show full text]
  • N E W S R E L E a S E
    N E W S R E L E A S E CONTACT: Katherine Blodgett/The Philadelphia Orchestra Director of Public/Media Relations phone: 215.893.1939 e-mail: [email protected] FOR IMMEDIATE RELEASE DATE: December 19, 2008 THE PHILADELPHIA ORCHESTRAORCHESTRA,, WITH CHRISTOPH ESCHENBACHESCHENBACH CONDUCTING, TOURS EUROPE AND THE CANARY ISLANDS ThreeThree----weekweek tour includes visits to the Canary Islands, Spain, Portugal, Luxembourg, Hungary, and Austria ––– violinist Leonidas Kavakos joins tour as soloist (Philadelphia, December 19, 2008) – The Philadelphia Orchestra embarks on its 2009 Tour of Europe and the Canary Islands on January 26, 2009. Under the leadership of Christoph EschenbachEschenbach, the Orchestra visits nine cities in five countries making first visits to Santa Cruz de TenerifeTenerife, Las Palmas de Gran CanariaCanaria, LuxembourgLuxembourg, and BudapestBudapest. The three-week tour, which concludes February 14, also includes performances in BarcelonaBarcelona, LisbonLisbon, MadridMadrid, ValenciaValencia, and ViennaVienna. Violinist Leonidas Kavakos joins The Philadelphia Orchestra for eight of the tour’s concerts. ToToTourTo ur Repertoire and Artists On the 2009 tour, The Philadelphia Orchestra performs Prokofiev’s Fifth Symphony, Schubert’s Symphony in C major (“Great”), Pintscher’s Osiris , Bruckner’s Sixth Symphony, Schoenberg’s Chamber Symphony No. 1, and Beethoven’s Overture to Egmont . Guest soloist Leonidas Kavakos performs Bartók’s Violin Concerto No. 2 with the Orchestra on concerts in Santa Cruz de Tenerife, Las Palmas de Gran Canaria, and Luxembourg, and performs Sibelius’s Violin Concerto on concerts in Lisbon, Madrid, Valencia, Budapest, and Vienna. Conductor Christoph EschenbachEschenbach, music director of The Philadelphia Orchestra from 2003 to 2008, leads the 2009 Tour of Europe and the Canary Islands.
    [Show full text]
  • AOR Management Ltd E-Mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle
    AOR Management Ltd E-mail: [email protected] Tel: 001 206 729 6160 6910 Roosevelt Way NE Fax: 001 206 985 8499 PMB 221 Cell Tel: 001 206 915 5145 Seattle. WA 981115 ALASDAIR ELLIOTT - TENOR One of Europe’s leading character tenors, Alasdair Elliott’s acclaimed portrayals include such roles as Mime for Scottish Opera’s production of Der Ring; Pong (Turandot) for the Teatro Real, Madrid, the Royal Opera, Covent Garden and Reisopera, Netherlands; Monostatos (Die Zauberflöte) ) for the Royal Opera, Covent Garden, English National Opera, Glyndebourne Touring Opera and in Lisbon; Red Whiskers ( Billy Budd ) and the Gamekeeper ( Rusalka ) for Glyndebourne Festival Opera; Bardolpho and Ciaus ( Falstaff ) for the Royal Opera, Scottish Opera, Glyndebourne Festival Opera, and with the London Symphony Orchestra; and First and Fourth Jew ( Salome ) for Opera Royal de la Monnaie, English National Opera, Welsh National Opera and Netherlands Opera also recorded for Chandos. Other operatic roles he has made his own include Brighella ( Ariadne auf Naxos ) for the Royal Opera and ENO; Snout ( A Midsummer Night’s Dream ) for Glyndebourne Festival Opera; Goro ( Madama Butterfly ) for the Royal Opera, Opera North and Holland Park Opera; Valzacchi ( Der Rosenkavalier ) for the English National Opera and Scottish Opera; Guidobald Usodimare ( Die Gezeichneten ) for the Netherlands Opera; David (Die Meistersinger) for Staatstheatre Stuttgart; Vitek ( The Makropulos Case ) and Shvonder ( Dog’s Heart ) for English National Opera; Sellem ( The Rake’s Progress ) in Israel and Lille; Andres ( Wozzeck ) for the Royal Opera and Israeli Opera; Red Whiskers ( Billy Budd ) with the London Symphony Orchestra; Nick ( Fanciulla del West ) for Opera Zuid; Cabaretier ( Benvenuto Cellini ) with the London Symphony Orchestra; and Der Bucklige ( Die Frau ohne Schatten ) with the Netherlands Radio Philharmonic.
    [Show full text]