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Astearte Musikalak 2018
Día 15 Qvinta Essençia noviembre 2018 diciembre 2018 Primer libro de Madrigales marzo 2019 Elia Casanova, soprano Día 6 Barcelona Chamber Players Día 4 Enol Ensemble Hugo Bolivar, alto Día 5 Dúo Gamma Barcelona Chamber Players, 6 componentes Adolfo Rascón, violín Albert Riera, tenor Opus definitivo Cristina Gestido, viola Pablo Acosta, bajo Melani Mestre, piano y dirección Millán Abeledo Malheiro, violonchelo Obras de: Saint-Saëns, Negrutsa, Schumann y Teresa Valente, violonchelo Obras de: Moscaglia, Petrarca, Sannazaro, y Tasso Elisa Martín Bragado, piano selección de música de cine Mario Bernardo, piano Obras de: Schubert, Schumann, Debussy y López Jorge Obras de: Dvorak y Brahms Día 22 Enrike Solinís, laud Tendrement A History the Lute Día 12 Alumnos del Conservatorio de Música Astearte Día 11 Steven Lin, piano Obras de: Cantemir, Milan, Attaignant, Dowland, ‘Jesús Guridi’ Obras de: Beethoven, Schumann, Hertzberg, De Visée, Couperin, Marais, Bach y Handell Artistas y obras serán dados a conocer Gerswin y Listz oportunamente Musikalak Día 29 Trio Soir Païen Día 18 Singer Pur Vocal Ensemble El color del impresionismo y postimpresionismo Cantai, hor piango – Tengan Roberto Casado, flauta dunque ver me (Musica Nova) Dorota Grzeskowiak, soprano Claudía Reinhard, Francesca Croccolino, piano Rüdiger Ballhom Obras de: Ibert, Roussel, Emmanuel, Caplet, Hüe, 2018/19 Gaubert, Rodrigo y Santiago de Meras Markus Zapp 2018ko azaroak 6 / 2019ko martxoak 26 Día 13 Eliane Reyes, piano Manuel Warwitz Obras de: Scarlatti, Granados, Chopin, Ravel, Reiner -
Milko Kelemen: Life and Selected Works for Violoncello
MILKO KELEMEN: LIFE AND SELECTED WORKS FOR VIOLONCELLO by JOSIP PETRAČ (Under the Direction of David Starkweather) ABSTRACT Milko Kelemen (b. 1924) is one of the most extraordinary Croatian composers of the post-World War II era. He has received numerous prestigious awards for his work, while his compositions are published by major companies, including Schott, Universal, Peters, and Hans Sikorski editions. His music is little studied or known internationally. This paper examines this innovative, avant-garde musician and sheds light both on Kelemen’s life and his compositional technique. The latter is examined in four compositions featuring cello as the main subject: Changeant (1968), Drammatico (1983), Requiem for Sarajevo (1994), and Musica Amorosa (2004). The examination of these compositions is placed in a biographical context which reveals how Kelemen’s keen political and cultural interests influenced his development as a composer. In particular, this document looks at Kelemen’s role as one of the founders, and the first president, of the Zagreb Music Biennale Festival, an event known for its ground-breaking work in bringing together artists and composers from the eastern and western blocs during the Cold War, as well as revitalising Croatia’s old-fashioned and provincial cultural scene. This festival of avant-garde music has been running since 1961. INDEX WORDS: Milko Kelemen, Zagreb Biennale, cello, avant-garde music, Changeant, Drammatico, Requiem for Sarajevo, Musica Amorosa MILKO KELEMEN:LIFE AND SELECTED WORKS FOR CELLO by JOSIP -
SP Osteuropa 17.11.06, Layout 1
Singer Pur _________________________________________________________________________________ The vocal vocation of Singer Pur Mark Lowe This German vocal group gave a very well-received concert last Tuesday evening. A packed audience heard magnificent singing in highly entertaining songs. The admirable hall (which also has superb acoustics) was an added bonus-the beautifully refurbished Rustaveli Theatre. The concert started with magical soft singing in Danny Boy, otherwise known as The Londonderry Air. We then heard a medley of German folk songs and romantic part songs by Brahms and Mendelssohn-all very gemutlich and pleasing to the ear. The group specializes in Renaissance music, so the group included a piece from that period: a little gem by Adrian Willaert, Vecchie Letrose, full of exciting, razor-sharp cross-rhythms. The group also sang an intriguing new work: Time Piece by Paul Patterson. This is a skit on time and clocks, making extended use of modern choral techniques developed by composers like Penderecki and Ligeti (whispering, unusual vowel sounds, and so on). It was a hit with the audience. In the second half, we heard arrangements of popular songs. They included Cheek to Cheek by Irving Berlin, Englishman in New York by Sting, Good Night, My Angel by Billy Joel and Bad, Bad Leroy Brown by the American Jim Croce. For these songs the singers dispensed with their music scores, and sang in old Barber's Shop close harmony style. These songs received especially happy applause - they were obviously loved by the audience, and they were performed with matchless skill. The concert ended with an immaculate performance of a Georgian folk song - le- arned by the group that afternoon. -
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES from The
EAST-CENTRAL EUROPEAN & BALKAN SYMPHONIES From the 19th Century To the Present A Discography Of CDs And LPs Prepared by Michael Herman Composers K-P MILOSLAV KABELÁČ (1908-1979, CZECH) Born in Prague. He studied composition at the Prague Conservatory under Karel Boleslav Jirák and conducting under Pavel Dedeček and at its Master School he studied the piano under Vilem Kurz. He then worked for Radio Prague as a conductor and one of its first music directors before becoming a professor of the Prague Conservatoy where he served for many years. He produced an extensive catalogue of orchestral, chamber, instrumental, vocal and choral works. Symphony No. 1 in D for Strings and Percussion, Op. 11 (1941–2) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 2 in C for Large Orchestra, Op. 15 (1942–6) Marko Ivanovič/Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 3, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Symphony No. 3 in F major for Organ, Brass and Timpani, Op. 33 (1948-57) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. 1, 2, 4, 5, 6, 7 and 8) SUPRAPHON SU42022 (4 CDs) (2016) Libor Pešek/Alena Veselá(organ)/Brass Harmonia ( + Kopelent: Il Canto Deli Augei and Fišer: 2 Piano Concerto) SUPRAPHON 1110 4144 (LP) (1988) Symphony No. 4 in A major, Op. 36 "Chamber" (1954-8) Marko Ivanovic/Czech Chamber Philharmonic Orchestra, Pardubice ( + Martin·: Oboe Concerto and Beethoven: Symphony No. 1) ARCO DIVA UP 0123 - 2 131 (2009) Marko Ivanovič//Prague Radio Symphony Orchestra ( + Symphonies Nos. -
DIJOUS, 1 DE MARÇ DEL 2018 Voces Huelgas
PROGRAMACIÓ DE CATALUNYA MÚSICA DIJOUS, 1 DE MARÇ DEL 2018 Voces Huelgas. Dir.: Luis Lozano. (5m) 07:00 BUTLLETÍ DE NOTÍCIES STRAUSS, RICHARD: Suite n. 1 de l'òpera "El cavaller de la rosa", Titulars a la nostra mida. Posem l'accent a la informació cultural. TrV 227c. Orquestra Filharmònica Txeca. Dir.: Vladimir Ashkenazy. 07:03 TOTS ELS MATINS DEL MÓN (14m) ...són camins sense retorn. Un paradís de músiques per començar el SIBELIUS, JEAN: Concert per a violí i orquestra en re m, op. 47. dia de la millor manera. Presentat per Joan Vives i Ester Pinart. Maxim Vengerov, violí. Orquestra Simfònica de Chicago. Dir.: Daniel Barenboim. 08:00 BUTLLETÍ DE NOTÍCIES (33m) Titulars a la nostra mida. Posem l'accent a la informació cultural. MALIPIERO, GIAN FRANCESCO: "Simfonia in un tempo" per a orquestra. Orquestra Simfònica de Moscou. 09:00 BUTLLETÍ I AGENDA Dir.: Antonio de Almeida. (27m) Titulars a la nostra mida. Informació cultural i agenda de Catalunya Música. 16:00 AGENDA 11:00 ELS CONCERTS Informació cultural i agenda de Catalunya Música. Una selecció dels millors concerts de la nostra fonoteca. Presentació d'Olga Cardús. 16:03 ELS CONCERTS FESTIVAL INTERNACIONAL D'ORGUE DE MONTSERRAT 2017 Una selecció dels millors concerts de la nostra fonoteca. Presentació Johann Sebastian Bach: Preludi i fuga en Do BWV 545, ''Jesu, meine de Maria Montes. Zuversicht'' ( Jesús, la meva confiança), preludi coral, BWV 728. Antoni Soler: Sonata per a teclat n. 54 en Do ''de clarins''. Miquel TEMPORADA DE CONCERTS “LA MÚSICA DEL MUSEU”, 2017- López: Cinc versos de mig registre per a orgue. -
A Perspective of New Simplicity in Contemporary Composition: Song of Songs As a Case Study Isabel Maria Pereira Barata Da Rocha
MESTRADO COMPOSIÇÃO E TEORIA MUSICAL A perspective of New Simplicity in contemporary composition: Song of Songs as a case study Isabel Maria Pereira Barata da Rocha 06/2017 A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha MESTRADO M COMPOSIÇÃO E TEORIA MUSICAL A perspective of New Simplicity in contemporary composition: Song of Songs as a case study Isabel Maria Pereira Barata da Rocha Dissertação apresentada à Escola Superior de Música e Artes do Espetáculo como requisito parcial para obtenção do grau de Mestre em Composição e Teoria Musical Professor Orientador Professor Doutor Eugénio Amorim Professora Coorientadora Professora Doutora Daniela Coimbra 06/2017 A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha Dedico este trabalho a todos os homens e todas as mulheres de boa vontade. A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha A perspective of New Simplicity in contemporary composition: Song of Songs as a case study. Isabel Maria Pereira Barata da Rocha Agradecimentos À minha filha Luz, que me dá a felicidade de ser sua mãe, pelo incentivo. Aos meus pais Ana e Luís, pelo apoio incondicional. A Ermelinda de Jesus, pela ajuda sempre disponível. À Fátima, à Joana e à Mariana, pela amizade profunda. Ao José Bernardo e aos avós Teresa e António José, pelo auxílio. Ao Pedro Fesch, pela compreensão e pela aposta na formação dos professores em quem confia. -
Croatian Films 2008/2009
Address Kralja Zvonimira 20, 10000 Zagreb, Croatia Telephone +385 (0)1 465 54 39 Fax +385 (0)1 465 54 42 URL www.havc.hr E-mail [email protected] Acting Director Martina Petrović Collaborators Jadranka Hrga, Ivana Ivišić, Sanja Ravlić i Maja Nikolić In memoriam: Albert Kapović (1957-2008), Director of the Croatian Audiovisual Centre Contents Editor Hrvoje Pukšec Feature Films 8 Collaborators Ivana Ivišić, Ivan Kelava, Zrinka Lazarin Feature Films (Post)Production 30 Translation & Proofreading Feature Films Pre-production 42 Ivana Ivišić, Vera Kordić, Duško Čavić Feature Films Co-production 52 Design Vanja Cuculić, Marko Šesnić i Goran Turković Short Films 60 Printed by Sveučilišna tiskara d.o.o. Zagreb Documentary Films 78 Print run 400 Documentary Films (Pre/Post)Production 98 Publisher Croatian Audiovisual Centre | Zagreb, January, 2009 Animated Films 102 Animated Films (Pre/Post)Production 114 Experimental Films 122 Experimental Films (Pre/Post)Production 130 isbn 978-953-55208-1-8 Contacts 134 Opening towards the World Nikica Gilić In recent years, Croatian cinema has come to be rec- thrillers or French polars (Ostojić’s Nobody’s Son), in increase in international and regional cooperation Having said all this, I should point out that high- Ph. D., film scholar ognized as one of the most vital creative industries in the meditative style of the best Hungarian or Russian continued in 2008, with Buick Riviera, Three Stories quality documentaries and experimental films have the region. Croatian films and filmmakers been feted movies (Goran Rušinović’s Buick Riviera), or using the About Sleeplessness and Will Not Stop There) so one consistently been a great asset to Croatian cinema by reviewers and critics in the international press, as grotesque humour of Mediterranean and Southeastern can argue that Croatian film is opening itself up to the and thankfully, they continue to go from strength to well as by film festival juries at prestigious world festi- Europe (Brešan’s Will Not Stop There and Matanić’s world in yet another way. -
Singer Pur David Orlowsky
10.11.2010 DAVID ORLOWSKY SINGER PUR SAISON 2010/2011 SONDERKONZERT In Hamburg auf 99,2 Weitere Frequenzen unter Mittwoch, 10. November 2010, 20 Uhr ndrkultur.de Hamburg, St. Johannis-Harvestehude JEREMIAH DAVID ORLOWSKY KLARINETTE SINGER PUR GIOVANNI PIERLUIGI DA PALESTRINA (1525 –1594) LAMED. Matribus suis dixerunt aus den Klageliedern des Propheten Jeremia Feria VI in Parasceve, Lectio II O bone Jesu* CHORAL Sicut ovis ad occisionem CARLO GESUALDO (1566 –1613) Sicut ovis ad occisionem* MATAN PORAT (*1982) Tota pulchra es GIOVANNI PIERLUIGI DA PALESTRINA Pulchra es, o Maria virgo ALEPH. Quomodo obscuratum est aurum aus den Klageliedern des Propheten Jeremia Sabbato Sancto, Lectio II CHORAL Tristis est anima mea CARLO GESUALDO Tristis est anima mea* O vos omnes* Foto {M}: Gray, Wolfe, Wolf | gettyimages Wolf Wolfe, {M}: Gray, Foto MATAN PORAT Lux Aeterna GIOVANNI PIERLUIGI DA PALESTRINA ALEPH. Ego vir videns paupertatem meam aus den Klageliedern des Propheten Jeremia Die Konzerte der Reihe NDR Das Alte Werk Feria VI in Parasceve, Lectio III hören Sie auf NDR Kultur. *Arrangiert von Matan Porat Auszüge aus dem heutigen Programm werden am Freitag, den 26. November 2010, um 20 Uhr auf NDR Kultur gesendet. Hören und genießen PROGRAMMABFOLGE | 03 AZ_KulturSee_DAW_148x210_K1.indd1 1 29.06.2007 16:43:40 Uhr SINGER PUR SINGER PUR BESETZUNG Neben der künstlerischen Qualität sind vor allem Bandbreite des Repertoires abdecken. Darunter SOPRAN KLARINETTE die Lust am Experimentieren und die sich daraus sind so unterschiedliche Titel wie die Gesamt auf- Claudia Reinhard David Orlowsky ergebenden außergewöhnlichen Programme die nahme der weltlichen Werke des Renaissance-Kom- herausragenden Eigenschaften von Singer Pur. -
Clanci Livingstone32-33
Broj / Issue 32-33 Prosinac - December 2008 / Siječanj - January 2009 Godina / Year III Hrvatski / English Croatian magazine for quality of life dvobroj | double issue y 2009 Godina / Year III y 2009 Godina / Year Photosafari Pogled u 2009. A View Into 2009 Broj / Issue 32-33 Prosinac - December 2008 Siječanj Januar Ljiljana M. Pandža: Interview Emil Tedeschi Branimir Pofuk: Sting i Karamazov u Zagrebu Sting & Karamazov in Zagreb Grgo Zečić: Moda željna moći STONE Fashion’s Craving for Power 29,00 KN / 4,5 EUR LIVING SADRŽAJ TABLE OF CONTENTS PROSINAC2008.|SIJEČANJ2009.DECEMBER2008|JANUARY2009 08 14 52 90 96 122 08 Jedan dan... | One day... - Damir Konestra 58 Prosperov kantun | Prosperov’s Corner 90 Egzotično putovanje | Exotic Travels 122 LivingStyle - Jakša Fiamengo U carstvu vještica - Slobodan Prosperov Novak - Želimir Černelić Portali intime In the kingdom of witches Shakespeareov zadarski Falstaff Zemlja ledena, a ljudi sretni Portals of innermost feelings Postojimnogozanimljivihnačinazaulazakunovu Shakespeare’s Falstaff from Zadar Icy country, happy people Akosuočiprozoriduše,ajesu,analognotomu, godinu,adruženjesvješticamanavrhuKleka ImaliShakespeareovradvezesHrvatskom? prozorisuočijednekuće zasigurnojejedanodzanimljivijih Dakakodaima 96 LivingSpace - Damir Konestra Ifeyesarethewindowstothesoul,andtheycerta- Therearelotsofinterestingwaystoenterthenew DoesShakespeare’sworkhaveanyconnecti- Hrvatski hramovi sporta i arhitekture inlyare,thewindowsare,byanalogy,theeyesofa year,andhangingoutwithwitchesonKlekpeak onwithCroatia?Ofcourseitdoes -
Edin Karamazov (HR)
Edin Karamazov (HR) Četrtek / Thursday, 13.8.15, 20:30 Kostanjevica na Krki, Nekdanji cistercijanski samostan Former Cistercian Monastery Petek / Friday, 14.8.15, 20:30 Celje, Stara grofija / Old Counts' Mansion Johann Sebastian Bach Izvirna glasba za violino in čelo v priredbi za lutnjo Original violin & original cello music transcribed for the lute Transkripcije, predelave, transpozicije in priredbe so bile del baročnega glasbenega življenja in Bach je bil z njimi dobro seznanjen. Njegov sodobnik je dejal, da je Bach na primer igral Sonate in partite za solo violino na čembalo, pri čemer je dodal toliko harmonije ali basov, kot se mu je zdelo potrebno. Poleg tega imamo primere Bachovih priredb tako tujih kot lastnih skladb. Bach torej za lutnjo ni pisal novih del posebej za ta instrument, temveč je predeloval svoje skladbe, ki so že obstajale, v druge oblike. Edin Karamazov si tako ne prizadeva, da bi neskončno dokazoval, da so takoimenovane Bachove skladbe za lutnjo zares izvorno namenjene za ta instrument, temveč raje vzame dela za solo violino ali čelo in jih spremeni v nove skladbe za lutnjo. Pri tem se (kolikor je možno) drži izvirnih zapisov, glasbene namembnosti, fraziranja in artikulacije, a jih hkrati priredi na Iz sredstev davkoplačevalcev sofinancirajo festival Seviqc Brežice 2015 / The lutnji lasten način, tako da so prijetne za igranje in poslušanje. Seviqc Brežice Festival 2015 is co-financed from taxpayer funds by: AECID - Agencia Española de Cooperación Internacional para el Desarrollo (Madrid, ES), EACEA - Education, -
WDR 3 Klassik 25. Oktober 2020 Klassik Klub Mit Ulrike Gruner 16:04-17:45
WDR 3 Klassik 25. Oktober 2020 Klassik Klub mit Ulrike Gruner 16:04-17:45 Stand: 19.10.2020 Komponist Titel/ Länge Interpret/ Label Alexander Glazunow Pas de caractère op. 68 Russian Philharmonic 2:22 Orchestra, Ltg. Dmitry Yablonsky 05537 Naxos 8.570211 José María Cano Hijo de la luna Daniel Hope (Violine), 2:13 Christoph Israel (Klavier), Michael Metzler (Percussion) 00173 Deutsche Grammophon 002894839482 Jean-Louis Duport Rondo. Allegretto, aus: Concerto No. Peter Hörr (Cello/Ltg.), 6 Hofkapelle Weimar 7:31 06768 MDG 9431581-6 Wilhelm Killmayer Scherzo lento, aus: Fünf Romanzen Nicolas Altstaedt (Cello), José für Cello und Klavier Gallardo (Klavier) 3:49 12029 Genuin 10187 Francis Poulenc Rag-Mazurka, aus: Les Biches - Orchestre de la Suisse Suite Romande, Ltg. Kazuki Yamada 5:51 12686 Pentatone 5186558 Max Reger Im Spiel der Wellen, aus: Vier Dresdner Philharmonie, Ltg. Tondichtungen nach Arnold Böcklin Heinz Bongartz op. 128 06203 Berlin Classics 4:32 0184622BC Luca Marenzio Nel dolce seno-Perche l´una Singer Pur 4:08 05152 Ars Musici 5035-2 Rom / Schaerer / Eberle Triple Prism Andreas Schaerer (voice), 2:54 Martin Eberle (trumpet), Peter Rom (guitar) 00817 Unitrecords 7640114795671 Jean-Louis Duport Adagio cantabile + Rondo, aus: Peter Hörr (Cello/Ltg.), Concerto No. 5 Hofkapelle Weimar 8:21 06768 MDG 9431581-6 Thelonius Monk / Cootie Round Midnight Esther Kaiser (voice), Friedrich Williams / Carmen McRae 4:56 Paravicini (Cello), Carsten Daerr (Piano), Ralph Graessler (Bass), Jens Dohle (Drums) 01221 Double Moon Records 71036 Gabriel Fauré Après un reve Daniel Hope (Violine), 3:28 Christoph Israel (Klavier) 00173 Deutsche Grammophon 002894839482 Sergej Rachmaninow Prélude gis-Moll op. -
Silvesterkonzert Haidplatz 8, Zi-Nr
Eintritt: Kategorie I 34 Euro Eintritt ermäßigt: Schülerinnen und Schüler und Studentinnen und Studenten sowie Auszubildende 17 Euro Kategorie II 30 Euro Eintritt ermäßigt: Schülerinnen und Schüler und Studentinnen und Studenten sowie Auszubildende 15 Euro 10 % Ermäßigung: für Inhaber der Bayer. Ehrenamtskarte, für Seniorinnen und Senioren mit Aktiv-Karte und Menschen mit Behinderung. 25 % Ermäßigung: für Menschen mit Behinderung ab GdB 80 Vorverkauf: Tourist-Information am Alten Rathaus, Telefon: 0941/507-5050 (zzgl. Vorverkaufsgebühr) www.okticket.de Achtung: Aufgrund der historischen Bausbstanz ist der Runtingersaal nicht barrierefrei. Einlass: ab 17 Uhr Beginn: 17.30 Uhr Dauer: ca. 75 Minuten (ohne Pause) Programmänderungen vorbehalten! "Im Lichte des Sieges" Veranstalter / Herausgeber: Stadt Regensburg, Kulturreferat|Kulturamt, Silvesterkonzert Haidplatz 8, Zi-Nr. 314, 93047 Regensburg, Tel. 0941/507-1414, Montag, 31. Dezember 2018, 17.30 Uhr, E-Mail: [email protected] Großer Runtingersaal Verantwortlich: Christiana Schmidbauer, (Keplerstraße 1, Regensburg) Leiterin des Kulturamtes Titelbild: ArneSchultz mit dem Layout: Reiner Schedl, Stadt Regensburg Vokalensemble "Singer Pur" Druck: KARTENHAUS KOLLEKTIV, Regensburg Das Kulturreferat und das Vokalensemble Singer Pur wünschen Ihnen PROGRAMM A Cappella ein gutes Jahr 2019! "Im Lichte des Sieges" Ein Tag im Leben Erzherzog Ferdinands, dem Befreier Singer Pur Regensburgs von den Schweden Seit seinem Debütkonzert im März 1992 hat sich Am Morgen danach Singer Pur – in der ursprünglichen Besetzung fünf Orlando di Lasso (1532-1594) Bonjour mon coeur ehemalige Regensburger Domspatzen und eine Orlando di Lasso Chi chi li chi Sopranistin – zu einer der international führenden A-cappella-Formationen entwickelt. Jacobus Gallus (1550-1591) En ego campana 1994 gewann das Sextett den 1. Preis des In der Kirche „Deutschen Musikwettbewerbs” in Bonn, ein Jahr Adrian Willaert (ca.